The Lonesome Place by August Derleth c. 1947 by All-Fiction Field, Inc. and c. 1962 by August Derleth. Reprinted by permission of Arkham House.2. In The Vault by H. P. Lovecraft c. 1932 by Popular Fiction Publishing Company, c. 1939, 1945 by August Derleth and Donald Wondrei; c. 1963 by August Derleth. Reprinted by permission of Arkham House.3. The Man Who Collected Poe by Robert Bloch, c. 1951 by Popular Publications, Inc. Reprinted by permission of the author's agent, Harry Altshuler.4. Where Angels Fear by Manly Wade Wellman, from "Unknown". Copyright 1939 by Street & Smith Publications, Inc.; c. renewed 1967 by The Conde Nast Publications, Inc. Reprinted by permission of The Conde Nast Publications, Inc.5. Lot No. 249 by Sir Arthur Conan Doyle from "The Conan Doyle Stories". Reprinted by permission of the Trustees of the Estate of Sir Arthur Conan Doyle and John Murray, Ltd.6. The Haunted Doll's House by M. R. James from "The Collected Ghost Stories of M. R. James" by Montagne Rhodes James. Reprinted by permission of Edward Arnold (Publishers) Ltd.7. The Open Door by Mrs. Oliphant8. Thus I Refute Beelzy by John Collier from "Fancies and Goodnights". Copyright 1940 by John Collier. Reprinted by permission of the Harold Matson Company.9. Levitation from "Nine Horrors and a Dream" by Joseph Payne Brennen. Copyright 1958 by Joseph Payne Brennen. Reprinted by permission of Arkham House.10. The Ghostly Rental by Henry James11. The Face by E. F. Benson from "Spook Stories". Reprinted by permission of Reverend K. S. P. McDowall.12. The Whistling Room by William Hope Hodgson. Copyright 1947 by August Derleth. Reprinted by permission of Arkham House.13. The Grey Ones by J. B. Priestley. Reprinted by permission of A. D. Peters & Co.14. The Stolen Body by H. G. Wells. Reprinted by permission of Collins-Knowlton-Wing, Inc.15. The Red Lodge from "They Return at Evening" by H. Russell Wakefield. Copyright 1928 by D. Appleton and Company. Reprinted by permission of Appleton-Century, affiliate of Meredith Press.16. The Visiting Star from "Powers of Darkness" by Robert Aickman. Copyright 1966 by Robert Aickman. Reprinted by permission of William Collins & Sons, Ltd.17. Midnight Express by Alfred Noyes. Reprinted by permission of Hugh Noyes.

    LovecraftActor, journalist, devotee of Celtic Christianity and the Holy Grail legend, Welshman Arthur Machen is considered one of the fathers of weird fiction, a master of mayhem whose work has drawn comparisons to H. P. Lovecraft and Edgar Allan Poe. Readers will find the perfect introduction to his style in this new collection. With the title story, an exercise in the bizarre that leaves the reader disoriented virtually from the first page, Machen turns even fundamental truths upside down. "There have been those who have sounded the very depths of sin," explains the character Ambrose, "who all their lives have never done an 'ill deed.'"

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    It includes six interior illustrations from artist Wayne Miller.All new tales of William Hope Hodgson's Carnacki.Meet an Edwardian occult detective who goes where no other gentleman will dare. Nine stories and a novella that take Carnacki deep into neolithic barrows, into the crypts of ancient cathedrals and see him fighting the elemental powers of darkness on his own terms.The Blooded Iklwa: A malevolent spirit is intent on blood. Can Carnacki identify the source of the attacks and stop the Zulu blade from its nightly haunting? Or will his client be forced to suffer a death of a thousand cuts?The Larkhill Barrow: A pounding terror has been called up out of Salisbury Plain; an ancient darkness that will haunt your dreams.The Sisters of Mercy: Battle hardened old soldiers lie sick abed in fear for their souls. Only someone with intimate knowledge of the powers of darkness can help them.The Hellfire Mirror: The rituals of an infamous club have left their mark on a mirror, leading Carnacki into a fight to stop his own home from being overrun with the forces of darkness.The Beast of Glamys: Danger to the daughter of a Scottish Lord leads Carnacki to a remote castle, and the uncovering of the secret behind a legend that has persisted for centuries.The Tomb of Pygea: Something serpentine whispers in the dark under Admiralty Arch, and only Carnacki has the skills, and the nerve, to descend, and to listen.The Lusitania: A cruise ship is berthed in Liverpool, deserted by passengers and crew, stuck in port until Carnacki can remove the cause of their terror; apparitions of disaster and shipwreckThe Haunted Oak: Ghosts of the recent dead walk beneath its spreading boughs and the Church needs Carnacki's expertise. But some things are best left to take their course -- natural, or supernatural.The Shoreditch Worm: When one of the churches of London changes its chimes, something old starts to wake. Can Carnacki stop it before it is too late?The Dark Island: Carnacki uncovers a gateway to a dark realm of magic and myth, where the far future of our planet can be touched and seen, if a man has the stomach for it.Meet Carnacki: Ghosthunter.

    In the title story, on a murky evening in a warmly lit club off St James, a bishop listens closely as a paranormal detective recounts his most memorable case, one whose horrifying denouement took place in that very building. In 'The Front Room', a devoutly Christian mother tries to protect her children from the evil influence of their grandmother, both when she is alive and when she is dead. A lonely boy finds a friend in 'Boy Number 21', but years later he is forced to question the nature of that friendship, and to ask whether ghosts can perish in fires.This is Susan Hill at her best, telling characteristically flesh-creeping and startling tales of thwarted ambition, terrifying revenge and supernatural stirrings that will leave readers wide-awake long into the night.

    American Supernatural Tales celebrates the richness of this tradition with chilling contributions from some of the nation’s brightest literary lights, including Poe himself, H. P. Lovecraft, Shirley Jackson, Ray Bradbury, Nathaniel Hawthorne, and—of course— Stephen King. By turns phantasmagoric, spectral, and demonic, this is a frighteningly good addition to Penguin Classics.

    In the big white house on the hill angels are said to appear. A forgotten tenant in an isolated building becomes addicted to milk. A strange goddess is worshipped by a home-invading disciple. The least remembered gods still haunt the oldest forests. Cannibalism occurs in high society at the end of the world. The sainted undead follow their prophet to the Great Dead Sea. A confused and vengeful presence occupies the home of a first-time buyer . . . In ghastly harmony with the nightmarish visions of the award-winning writer's novels, these stories blend a lifelong appreciation of horror culture with the grotesque fascinations and childlike terrors that are the author's own. Adam Nevill's best early horror stories are collected here for the first time.

    Here, along with the usual monsters - vampires, werewolves, ghouls, and some of Dr Frankenstein's more freakish creations - you'll find other, less familiar ones. You'll meet the frightening Fly-by-Night, the hideous shaddy, the horrible mock, and the dreaded shadmock, perhaps the most terrible of all. When Donald McCloud offers a starving man a meal, he unexpectedly discovers that the man is a vampire - and he's the main course! Accompanying the vampire, Eramus, to The Monster Club, Donald encounters a whole host of strange monsters, who, in a series of five linked stories, recount to Donald their monstrous exploits. But as Donald is regaled with these tales of monsters and their unfortunate human victims, it gradually dawns on him that as the only human in a club full of bloodthirsty monsters, he might be in a bit of a predicament. . . . First published as a paperback original in 1976, R. Chetwynd-Hayes's "The Monster Club" was adapted for a 1981 film starring Vincent Price, John Carradine and Donald Pleasence, and both book and film have gone on to become cult classics. Told in a wry, tongue-in-cheek style, the tales in "The Monster Club" are simultaneously horrific, comical, and curiously moving. This edition is the first in more than twenty years and features a new introduction by Stephen Jones and a reproduction of John Bolton's painting from the comic book adaptation of the film.

    It includes stories by Charles Dickens, Wilkie Collins, M. R. James, W. W. Jacobs, and L. P. Hartley, among other masters of the fine art of making the flesh creep, all accompanied by Gorey's inimitable illustrations.ALGERNON BLACKWOOD, "The Empty House"W.F. HARVEY, "August Heat"CHARLES DICKENS, "The Signalman"L.P. HARTLEY, "A Visitor from Down Under"R.H. MALDEN, "The Thirteenth Tree"ROBERT LOUIS STEVENSON, "The Body-Snatcher"E. NESBIT, "Man-Size in Marble"BRAM STOKER, "The Judge's House"TOM HOOD, "The Shadow of a Shade"W.W. JACOBS, "The Monkey's Paw,"WILKIE COLLINS, "The Dream Woman"M.R. JAMES, "Casting the Runes"

    Here, from Mark Samuels, the author of Glyphotech and Other Macabre Processes and modern exemplar of mystical horror, is a collection of tales that forms a veritable Rosetta Stone for scholars of cosmic wonder and terror.

    A gripping, chilling collection of 47 stories and six poems, dating back to Shelley and Stevenson, but also including modern masters.

    Originally published in 1914 between 4 July and 22 August in The Weekly Tale-Teller, the stories were belatedly collected into the current volume in the late 1990s by Jack Adrian. This is a collection of eight ghost stories, written by the remarkably prolific husband and wife team of Claude and Alice Askew, centering on Aylmer Vance, an investigator of the supernatural. Dexter, the narrator, meets Vance during a fishing holiday and Vance tells him three ghost stories on successive nights, each story involving Vance more closely in the action. The fourth story brings Dexter himself into the action, and reveals him to have unsuspected clairvoyant powers. The remaining stories feature Vance and Dexter as a sort of Holmes-and-Watson team investigating incidents not all of which prove to have supernatural causes. The final story, "The Fear" is very effective, describing a house in which a general feeling of extreme fear grips the inhabitants at various times and locations; the emotion of fear is effectively evoked and an interesting tale is constructed as Vance and Dexter work to assign the fear "a local habitation and a name."

    Immersed in the history, atmosphere and rumours of hauntings, they channelled their darker imaginings into a series of extraordinary new ghost stories.Sarah Perry's intense tale of possession at the Jacobean country house Audley End is a work of psychological terror, while Andrew Michael Hurley's story brings an unforgettably shocking slant to the history of Carlisle Castle. Within the walls of these historic buildings each author has found inspiration to deliver a new interpretation of the classic ghost story.Also includes two afterwords: Andrew Martin's Within These Walls: How the Abbeys and Houses of England Inspired the Ghost Story, and Katherine Davey's A Gazetteer of English Heritage Hauntings, properties which are said to be haunted, including the eight locations which inspired the stories in this book.

    Faceless creatures haunt an unwary traveler. A beautiful woman — the personification of winter at its cruelest — ruthlessly kills unsuspecting mortals. These and 17 other chilling supernatural tales — based on legends, myths, and beliefs of ancient Japan — represent the very best of Lafcadio Hearn's literary style. They are also a culmination of his lifelong interest in the endlessly fascinating customs and tales of the country where he spent the last fourteen years of his life, translating into English the atmospheric stories he so avidly collected.Teeming with undead samurais, man-eating goblins, and other terrifying demons, these 20 classic ghost stories inspired the Oscar®-nominated 1964 film of the same name.

    300 copies. (Out of print).Reality is a thin translucent membrane that separates this world from the one beyond, and that membrane bends and buckles as we thrust ourselves against it. Through the barrier we see distorted visions, the merest glimpse of which is enough to infect our minds. . . . Thirteen tales of strangeness and surrealism await the reader of this book; stories of loss, despair, and what happens when those without hope meet that which they cannot understand. Two women vacationing far away encounter the mysteries of island life. . . . A trip north of the city to woods and a lake and a sky hungry for more. . . . Snow is falling, reminding the dying of all they've lost, or the young of all they have yet to lose. . . . The other world, it awaits you in the dark, cold to the touch. Contents: 'Under the Overpass', 'The Other Village', 'The Uninvited Guest', 'A Seed on Barren Ground', 'Writing on the Wall', 'A Chorus of Yesterdays', 'The Sweetest Song', 'Pinholes in Black Muslin', 'Fading Light', 'Poor Stephanie', 'Like Falling Snow', 'Here’s to the Good Life', 'Cold to the Touch, and 'Afterword'.