She’s finally created a life with her daughter and is a well-respected attorney. She’s moving on. But when a new rash of homicides has her ex-husband, Eddie, written all over them—the nightmares of her past come back to life.The FBI asks Jessica to get involved in the hunt for this copycat killer—which means visiting her ex and collaborating with the man who tore her life apart.As the copycat’s motives become clearer, the new life Jessica created for herself gets darker. She must ask herself who she can trust and if she’s capable of stopping the killer—a man whose every crime is a bloody valentine from a twisted mastermind she’s afraid she may never escape.

    The sheriff, desperate for more positive press, makes Eve the youngest female homicide detective in the department’s history.Now Eve, with a lot to learn and resented by her colleagues, has to justify her new badge. Her chance comes when she and her burned-out, soon-to-retire partner are called to the blood-splattered home of a missing single mother and her two kids. The horrific carnage screams multiple murder—but there are no corpses.Eve has to rely on her instincts and tenacity to find the bodies and capture the vicious killer, all while battling her own insecurities and mounting pressure from the media, her bosses, and the bereaved family. It’s a deadly ordeal that will either prove her skills…or totally destroy her.

    He's waiting. He knows.Three women have been found brutally murdered in south London, the victims only feet away from help during each sadistic attack. And the killer is getting braver . . .Sarah Grainger is rapidly becoming too afraid to leave her house. Once an outgoing photographer, she knows that someone is watching her. A cryptic note brings everything into terrifying focus, but it’s the chilling phone calls that take the case to another level.DI Mike Lockyer heads up the regional murder squad. With three bodies on his watch, and a killer growing in confidence, he frantically tries to find the link between these seemingly isolated incidents. What he discovers will not only test him professionally but will throw his personal life into turmoil too.

    This is her big chance to make it as an actor in Hollywood, and she is ready to do whatever it takes. At an audition she meets Emily, and what starts as a simple favour takes a dark turn when Emily goes missing and Mia is the last person to see her. Then a woman turns up, claiming to be Emily, but she is nothing like Mia remembers. Why would someone pretend to be Emily? Starting to question her own sanity, she goes on a desperate and dangerous search for answers, knowing something is very, very wrong. In an industry where everything is about creating illusions, how do you know what is real? And how much would you risk to find out?

    He's acquired a wife, a daughter, and a brownstone in Brooklyn, and he's tried to leave his old life of secrets and lies behind. However, when the arrest of a long-sought assassin sets off an investigation into one of Milo's oldest colleagues and exposes new layers of intrigue in his old cases, he has no choice but to go back undercover and find out who's holding the strings once and for all.In The Tourist, Olen Steinhauer---twice nominated for an Edgar Award---tackles an intricate story of betrayal and manipulation, loyalty and risk in an utterly compelling novel that is both thoroughly modern and yet also reminiscent of the espionage genre's luminaries: Len Deighton, Graham Greene, and John LeCarré.

    Watson and Ruth Ware.I have no memory of what happened but I was told I killed my son. And you believe what your loved ones, your doctor and the police tell you, don't you? My name is Emma Cartwright. Three years ago I was Susan Webster, and I murdered my twelve-week-old son Dylan. I was sent to Oakdale Psychiatric Institute for my crime, and four weeks ago I was released early on parole with a new identity, address, and a chance to rebuild my tattered life. This morning, I received an envelope addressed to Susan Webster. Inside it was a photograph of a toddler called Dylan. Now I am questioning everything I believe because if I have no memory of the event, how can I truly believe he's dead? If there was the smallest chance your son was alive, what would you do to get him back?

    . . and murder and mayhem ensue.All of them are friends. One of them is a killer.During the languid days of the Christmas break, a group of thirtysomething friends from Oxford meet to welcome in the New Year together, a tradition they began as students ten years ago. For this vacation, they’ve chosen an idyllic and isolated estate in the Scottish Highlands—the perfect place to get away and unwind by themselves.They arrive on December 30th, just before a historic blizzard seals the lodge off from the outside world.Two days later, on New Year’s Day, one of them is dead.The trip began innocently enough: admiring the stunning if foreboding scenery, champagne in front of a crackling fire, and reminiscences about the past. But after a decade, the weight of secret resentments has grown too heavy for the group’s tenuous nostalgia to bear. Amid the boisterous revelry of New Year’s Eve, the cord holding them together snaps.Now one of them is dead . . . and another of them did it.Keep your friends close, the old adage goes. But just how close is too close?

    To that moment when the masked man appeared from the doorway of the church and looked into his eyes.‘Is there anything distinctive, Sarge?’ asks Nielsen.‘Yes’, he says, with the sudden sense that memory is important.‘There were tears in his eyes.’DS Aector McAvoy is a man with a troubled past. His unwavering belief in justice has made him an outsider in the police force he serves.When three seemingly unconnected people are brutally murdered in the weeks before Christmas, the police must work quickly to stop more deaths. It is only McAvoy who can see the connection between the victims. A killer is playing God – and McAvoy must find a way to stop the deadly game.

    Bree rejected that fearful outlook, and life has proved her right. Having married into a family with wealth, power, and connections, Bree now has all a woman could ever dream of.Until the day she awakens and sees someone peering into her bedroom window--an old gray-haired woman dressed all in black who vanishes as quickly as she appears. It must be a play of the early morning light or the remnant of a waking dream, Bree tells herself, shaking off the bad feeling that overcomes her.Later that day though, she spies the old woman again, in the parking lot of her daughters' private school . . . just minutes before Bree's infant son, asleep in his car seat only a few feet away, vanishes. It happened so quickly--Bree looked away only for a second. There is a note left in his place, warning her that she is being is being watched; if she wants her baby back, she must not call the police or deviate in any way from the instructions that will follow.The mysterious woman makes contact, and Bree learns she, too, is a mother. Why would another mother do this? What does she want? And why has she targeted Bree? Of course Bree will pay anything, do anything. It's her child.To get her baby back, Bree must complete one small--but critical--task. It seems harmless enough, but her action comes with a devastating price.Bree will do whatever it takes to protect her family--but what if the cost tears their world apart?

    The Met's crack murder squad, AMIP, is called out by nervous CID detectives to a grim discovery. Five bodies, all young women, all ritualistically murdered and dumped on wasteland near the Dome. As each post-mortem reveals a singular, horrific signature linking the victims, officers realize that they are on the trail of that most dangerous offender: a sexual serial killer. Detective Inspector Jack Caffery - young, driven, unshockable - finds himself facing both hostility within the force and echoes of his past in this, his first case with AMIP. Haunted by the memory of a death long ago, he employs every weapon forensic science can offer for he knows it is only a matter of time before this chaotic, sadistic killer strikes again.

    Is your daughter involved, or is she next?Your daughter is in danger. But can you trust her?When Karen Finch’s seventeen-year-old daughter Sophie arrives home after a night out, drunk and accompanied by police officers, no one is smiling the morning after. But Sophie remembers nothing about how she got into such a state.Twelve hours later, Sophie’s friend Amy has still not returned home. Then the body of a young woman is found.Karen is sure that Sophie knows more than she is letting on. But Karen has her own demons to fight. She struggles to go beyond her own door without a panic attack.As she becomes convinced that Sophie is not only involved but also in danger, Karen must confront her own anxieties to stop whoever killed one young girl moving on to another – Sophie.A taut psychological thriller, perfect for fans of The Girl on the Train and I Let You Go.

    For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victims—a bit too strongly. Dogged by her own demons, she must unravel the psychological puzzle of her own past if she wants to get the story—and survive this homecoming.Librarian's Note: this is an alternate cover edition - ISBN 10: 0307341550 (ISBN 13: 9780307341556)

    In the majestic cliff-top villa owned by the wealthy Compton family, up-and-coming artist Claire Hunter will marry handsome, charming Jack Compton, surrounded by close family, intimate friends…and a host of dark secrets.From the moment Claire sets foot on the island, something seems amiss. Skeletal remains have just been found. There are other, newer disturbances, too. Menacing texts. A ruined wedding dress. And one troubling shadow hanging over Claire’s otherwise blissful relationship—the strange mystery surrounding Jack’s first wife.Then a raging storm descends, the power goes out—and the real terror begins…

    The careful existence they have built for themselves starts to crumble when two murders rock their neighborhood.

    While out on a run in the middle of the night, a young girl runs into him on the seaside boardwalk. Barefoot and terrified, she’s running from a group of heavily armed men with one clear goal—to kill the fleeing child. After Dryden helps her evade her pursuers, he learns that the eleven year old, for as long as she can remember, has been kept in a secret prison by forces within the government. But she doesn’t know much beyond her own name, Rachel. She only remembers the past two months of her life—and that she has a skill that makes her very dangerous to these men and the hidden men in charge.Dryden, who lost his wife and young daughter in an accident five years ago, agrees to help her try to unravel her own past and make sense of it, to protect her from the people who are moving heaven and earth to find them both. Although Dryden is only one man, he’s a man with the extraordinary skills and experience—as a Ranger, a Delta, and five years doing off-the-book black ops with an elite team. But, as he slowly begins to discover, the highly trained paramilitary forces on their heels is the only part of the danger they must face. Will Rachel’s own unremembered past be the most deadly of them all?