An award-winning investigative journalist, he used his real name; In American Prison, Bauer weaves a much deeper reckoning with his experiences together with a thoroughly researched history of for-profit prisons in America from their origins in the decades before the Civil War. For, as he soon realized, we can't understand the cruelty of our current system and its place in the larger story of mass incarceration without understanding where it came from. Private prisons became entrenched in the South as part of a systemic effort to keep the African-American labor force in place in the aftermath of slavery, and the echoes of these shameful origins are with us still.

    Kennedy's assassination comes this riveting, authoritative portrait of this president and his inner circle of advisers-their rivalries, their personality clashes, their political battles-from one of our most distinguished presidential historiansIn his critically acclaimed biography An Unfinished Life, Robert Dallek revealed John F. Kennedy, the man and the leader, as never before. In Camelot's Court, he takes an insider's look at the brain trust whose contributions to the successes and failures of Kennedy's administration-including the Bay of Pigs, civil rights, the Cuban Missile Crisis, and Vietnam-were indelible.Kennedy purposefully put together a dynamic team of advisers noted for their brilliance and acumen, including Attorney General Robert Kennedy, JFK's "adviser-in-chief"; Secretary of Defense Robert McNamara; Secretary of State Dean Rusk; National Security Adviser McGeorge Bundy; and trusted aides Ted Sorensen and Arthur Schlesinger. Yet the very traits these men shared also created sharp divisions. Far from unified, JFK's brain trust was an uneasy band of rivals whose personal ambitions and clashing beliefs ignited fiery debates behind closed doors. With skill and balance, Dallek illuminates a president deeply determined to surround himself with the best and the brightest, yet who often found himself disappointed with their recommendations. The result is a striking portrait of a leader whose wise resistance to pressure and adherence to personal principles, particularly in matters of foreign affairs, offers a cautionary tale for our own time.Meticulously researched and masterfully written, Camelot's Court is an intimate tour of a tumultuous White House and a new portrait of the men whose powerful influence shaped the Kennedy legacy.

    But in her speech she was in a mood to consider her life, her legacy, her departure from the country she was now triumphantly returning to. “I was a devil in other countries, and I was a little devil in America, too,” she told the crowd. Inspired by these few words, Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Each moment in every performance he examines—whether it’s the twenty-seven seconds in “Gimme Shelter” in which Merry Clayton wails the words “rape, murder,” a schoolyard fistfight, a dance marathon, or the instant in a game of spades right after the cards are dealt—has layers of resonance in Black and white cultures, the politics of American empire, and Abdurraqib’s own personal history of love, grief, and performance.Abdurraqib writes prose brimming with jubilation and pain, infused with the lyricism and rhythm of the musicians he loves. With care and generosity, he explains the poignancy of performances big and small, each one feeling intensely familiar and vital, both timeless and desperately urgent. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space—from midcentury Paris to the moon, and back down again to a cramped living room in Columbus, Ohio.