Thirty years later, she’s a one-book wonder, a fifty-something college professor with the dubious distinction of being an expert on Jane Austen, hidden in the shadow of her famous husband and his Civil War novels. “Too young to retire, and too old to start over,” Margaret feels as dried up and dead as the neglected gardens her husband took such pride in before he became ill. Wyck Fitzsimmons is the Asheville landscape architect Gavin Braithwaite hires to restore his precious gardens to their former glory. She learned a long time ago that plants and trees are safer and more reliable companions than other people. Under Wyck’s care, the gardens begin to come back to life, but the flowers aren’t the only thing blossoming. For the first time in decades, Margaret feels the stirrings of love, but those long-buried feelings frighten her more than the prospect of withering away alone in her ivory tower of academia. Gavin, more observant than most people give him credit for, sees the attraction developing between his wife and his gardener. Using every means at his disposal, he arranges things so that Margaret has no choice but to remain faithful to him, even after death. Margaret, confused and faced with losing everything that offers her any kind of security, flees to England – to Austen and Wordsworth country – where she tries to forget Wyck and all the feelings she has awakened. Back in North Carolina, Wyck must come to terms with her own past and somehow find a way to forgive before it’s too late to make amends. Love, it seems, can take root in even the most barren hearts, if only Margaret and Wyck can find the courage to let it grow.

    Her sometimes-costar Robyn Ward is magnetic, glamorous, and devastatingly beautiful, the quintessential A-List celebrity on the fast-track to super-stardom. When the two meet on the set of 9th Precinct, Caid is instantly infatuated but settles for friendship, positive that Robyn is both unavailable and uninterested. Soon Caid sees that all is not as it appears, but can she take a chance and risk her heart when the outcome is so uncertain?

    She muddles through daily routines, her only respite coming in the form of a harmless crush on Rebecca Greenway. Claire believes that the sexy restaurant manager is safely unavailable. But when Rebecca shows signs of interest, Claire's past unravels, revealing an immeasurable love and a dark secret. .an outstanding contribution to lesbian fiction. Author Margaret A. Helms deftly alternates past and present events in the life of Claire Blevins to build an enthralling and intriguing story. Her rich prose, compelling plot, lively pace, and strongly-drawn characters make The Fifth Stage an outstanding contribution to lesbian fiction. -- Nann Dunne, editor and publisher of Just About Write (www.justaboutwrite.com), author of The War Between the Hearts, and other stories.

    It marks the beginning of the end for an inseparable trio of friends. Tara's training for a marathon, but also running from her fear of abandonment after being deserted by her father. Whitney Blaire seems to have everything, but an empty mansion and absentee parents leave this beauty to look for meaning in all the wrong places. And Pinkie has a compulsive need to mother everyone to make up for the mom she's never stopped missing. This friendship that promised to last forever is starting to break under the pressure of the girls' differences. And then new-girl Riley arrives in school with her long black hair, athletic body, and her blasé attitude, and suddenly Tara starts to feel things she's never felt before for a girl--and to reassess her feelings about Brent and what he may/may not have done. Is Tara gay--or does she just love Riley? And can her deepest friendships survive when all of the rules have changed?

    . . Other Girls.

    The problem is her little sister, Sophie. Sophie has an autism-like disorder, and a tendency to shriek. No matter where they live, home never seems to last long.Until they move in with Aunt Vi, across the fence from a huge black Great Dane who changes everything. Sophie falls in love immediately, and begins to imitate the “inside of the dog,” which, fortunately, is a calm place. The shrieking stops. Everybody begins to breathe again. Until Paul Inverness, the dog’s grumpy, socially isolated owner, moves to the mountains, and it all begins again.Much to Angie’s humiliation, when they’re thrown out of Aunt Vi’s house, Angie’s mom moves the family to the mountains after Paul and his dog. There, despite a fifty-year difference in their ages, Angie and Paul form a deep friendship, the only close friendship either has known. Angie is able to talk to him about growing up gay, and Paul trusts Angie with his greatest secret, his one dream. When the opportunity arrives, Angie decides to risk everything to help Paul’s dream come true, even their friendship and her one chance at a real home—the only thing she’s dreamed of since her father was killed. A place she can never be thrown out. A place she can feel she belongs.By the bestselling author of DON’T LET ME GO, WHEN I FOUND YOU, and WALK ME HOME, WHERE WE BELONG is a poignant, heartfelt, and uplifting story about finding your place in the world, no matter how impossible it seems.“Hyde has a sure touch with affairs of the heart.”-Publishers Weekly

    His grades sucked. Making friends? Out of the question thanks to his nervous breakdowns and unpredictable moods. Still, Vince thought when Maggie Atkins took him in, he might’ve finally found a place to get his life—and his issues—in order.But then Maggie keels over from a heart attack. Vince is homeless, alone, and the inheritance money isn't going to last long. A year ago, Vince watched a girl leap to her death off a bridge, and now he's starting to think she had the right idea.Vince stumbles across a website forum geared toward people considering suicide. There, he meets others with the same debate regarding the pros and cons of death: Casper, battling cancer, would rather off herself than slowly waste away. And there’s quiet, withdrawn Adam, who suspects if he died, his mom wouldn't even notice.As they gravitate toward each other, Vince searches for a reason to live while coping without Maggie's guidance, coming to terms with Casper's imminent death, and falling in love with a boy who doesn't plan on sticking around.

    and too scared to let the world see any of those qualities. Interacting with her restaurant coworkers makes her want to melt into the floor. They're all beautiful, outgoing, and confident - terrifying to a shy lesbian. When Chloe somehow catches the most intimidating girl's eye, she wonders if their mutual attraction could develop into more. Waitressing isn't Jennie's passion, but then neither is anything else. Adrift in life, the tattooed beauty only cares about weed and her motorcycle. At least this job's paying the bills until she can move on to better things. Fooling around with coworkers isn't in her plans - but once she notices the resident wallflower is drop-dead gorgeous, those plans change. Falling for Chloe, though? That's another matter. Will Jennie chew Chloe up and spit her out? Or could Jennie be the first person to see Chloe for who she really is?

    Now he sets her up on a blind date with Drew, a lesbian winemaker, even knowing his sister is straight. Annie and Drew decide to turn the tables on him by pretending to fall in love. But what starts as a revenge plan soon turns their lives upside down as the lines between pretending and reality begin to blur.

    It takes in calculating beauties and sadistic husbands along with such real-life supporting characters as Colette, the Duchess of Windsor, Montgomery Clift, and Tallulah Bankhead. Above all, this malevolently funny book displays Capote at his most relentlessly observant and murderously witty.

    Loner Sam flies under the radar at school and walks on eggshells at home to manage her mom’s obsessive-compulsive disorder, wondering how she can ever leave to pursue her dream of studying aerospace engineering. Popular, people-pleasing Zoe puts up walls so no one can see her true self: the girl who was abandoned as an infant, whose adoptive mother has cancer, and whose disabled brother is being sent away to live in a facility. When an unexpected encounter results in the girls’ exchanging phone numbers, they forge a connection through text messages that expands into a private universe they call Starworld. In Starworld, they find hilarious adventures, kindness and understanding, and the magic of being seen for who they really are. But when Sam’s feelings for Zoe turn into something more, will the universe they’ve built survive the inevitable explosion?

    The book's unnamed narrator, growing up during the 1950s, is beset by aloof parents, a cruel sister, and relentless mocking from his peers, compelling him to seek out works of art and literature as solace-and to uncover new relationships in the struggle to embrace his own sexuality. Lyrical and poignant, with powerful evocations of shame and yearning, this is an American literary treasure.

    Dorothy Strachey’s classic Olivia captures the awakening passions of an English adolescent sent away for a year to a small finishing school outside Paris. The innocent but watchful Olivia develops an infatuation for her headmistress, Mlle. Julie, and through this screen of love observes the tense romance between Mlle. Julie and the other head of the school, Mlle. Cara, in its final months. “Although not strictly autobiographical, Olivia draws on the author’s experiences at finishing schools run by the charismatic Mlle. Marie Souvestre, whose influence lived on through former students like Natalie Barney and Eleanor Roosevelt. Olivia was dedicated to the memory of Strachey’s friend Virginia Woolf and published to acclaim in 1949. Colette wrote the screenplay for the 1951 film adaptation of the novel. In 1999, Olivia was included on the Publishing Triangle’s widely publicized list of the 100 Best Gay and Lesbian Novels of the 20th Century. “Dorothy Strachey (1865-1960) was the sister of the novelist Lytton Strachey and a prominent member of the Bloomsbury Group…….Olivia, originally published under a pseudonym, is her only novel.” -- Amazon.com

    Having been fired from his job because of a sex scandal involving a student, the teacher travels to Paris under an assumed name -- that of his best friend, Herbert. In Paris, "Herbert" becomes enchanted by Stephane, a fifteen-year-old boy. As he unravels the gilded but sad childhood of Allan Stein, "Herbert" is haunted by memories of his own boyhood, particularly his odd, flamboyant mother. Moving from the late twentieth century back to the 1900s, effortlessly blending fact and fiction, Allan Stein is a charged exploration of eroticism, obsession, and identity.

    Neither Angie nor her agent anticipate the raging success of the series of books or the mountain of wealth that accompanies each new release. As a best-selling author, Angie should be delighted with her Bohemian life in Key West, but happiness is elusive because it's her alter-ego, Zach England, who's receiving the accolades, while Angie is relegated to anonymity. Meryl McClain, the recently hired book review editor at the prestigious New York Banner, wants to make a strong first impression with her readers, so she picks Zach England's latest novel for her debut column. She offers a scathing critique, unaware the real author behind the pseudonym is her long-lost true love, Angie. Heartrending choices separated the lovers eleven years earlier. Seeing Meryl's review overwhelms Angie with feelings she thought she'd laid to rest years ago. This stroke of fate beckons them to reunite, but Angie's secret identity and Meryl's struggle with a childhood trauma conspire to keep them apart. Torn from a shared moment in their past, the words Come Back to Me have haunted the two women for more than a decade. Is it too late for Angie and Meryl to choose love again?