The marked contrasts between powerful royalty, landless peasants, Viking warriors and noble knights are expertly brought to life in this gripping tale of the French prince named Rumon. Shipwrecked off the Cornish coast on his quest to find King Arthur's legendary Avalon, Rumon meets a lonely girl named Merewyn and their lives soon become intertwined. Rumon brings Merewyn to England, but once there he is so dazzled by Queen Alrida's beauty that it makes him a virtual prisoner to her will. In this riveting romance, Anya Seton once again proves her mastery of historical detail and ability to craft a compelling tale that includes real and colorful personalities such as St. Dunstan and Eric the Red.

    Sir Gawain is a romance, a fairy-tale for adults, full of life and colour; but it is also much more than this, being at the same time a powerful moral tale which examines religious and social values.Pearl is apparently an elegy on the death of a child, a poem pervaded with a sense of great personal loss: but, like Gawain it is also a sophisticated and moving debate on much less tangible matters.Sir Orfeo is a slighter romance, belonging to an earlier and different tradition. It was a special favourite of Tolkien's. The three translations represent the complete rhyme and alliterative schemes of the originals.

    One by one the mighty cities are falling, to earthquakes, to flood, to raiders on both land and sea.In a time of war and doubt, Gull is an oracle. Daughter of a slave taken from fallen Troy, chosen at the age of seven to be the voice of the Lady of the Dead, it is her destiny to counsel kings.When nine black ships appear, captained by an exiled Trojan prince, Gull must decide between the life she has been destined for and the most perilous adventure -- to join the remnant of her mother's people in their desperate flight. From the doomed bastions of the City of Pirates to the temples of Byblos, from the intrigues of the Egyptian court to the haunted caves beneath Mount Vesuvius, only Gull can guide Prince Aeneas on his quest, and only she can dare the gates of the Underworld itself to lead him to his destiny.In the last shadowed days of the Age of Bronze, one woman dreams of the world beginning anew. This is her story.

    But when the captain of his ship tries to kill him on the way home from a raiding excursion, he must confront his stepfather's betrayal, and find a way to protect his birthright. It is no easy feat in Viking-Age Norway, where a hundred petty rulers kill over parcels of land, and a prophesied high king is rising.But where Ragnvald is expected to bleed, and even die, for his honour, Svanhild is simply expected to marry well. It's not a fate she relishes, and when the chance to leave her stepfather's cruelty comes at the hand of her brother's arch-rival, Svanhild is forced to make the ultimate choice: family or freedom.Drawing from the Icelandic Sagas, The Half-Drowned King takes inspiration from the true story of Ragnvald of Maer, the right hand man of King Harald Fairhair, first king of all Norway, and his sister, Svanhild, as she tries to find freedom in a society where the higher her brother rises, the greater her worth as a political pawn.

    As an informal confidant of Sir Robert Cecil, adviser to King James I, he witnesses the making of history, from the Gunpowder Plot to the accession of King Charles I and the growing animosity between Parliament and court.Tradescant's talents soon come to the attention of the most powerful man in the country, the irresistible Duke of Buckingham, the lover of King Charles I. Tradescant has always been faithful to his masters, but Buckingham is unlike any he has ever known: flamboyant, outrageously charming, and utterly reckless. Every certainty upon which Tradescant has based his life--his love of his wife and children, his passion for his work, his loyalty to his country--is shattered as he follows Buckingham to court, to war, and to the forbidden territories of human love.

    But to do that, she must join the Glittering Court.Both a school and a business venture, the Glittering Court is designed to transform impoverished girls into upper-class ladies who appear destined for powerful and wealthy marriages in the New World. Adelaide naturally excels in her training, and even makes a few friends: the fiery former laundress Tamsin and the beautiful Sirminican refugee Mira. She manages to keep her true identity hidden from all but one: the intriguing Cedric Thorn, son of the wealthy proprietor of the Glittering Court.When Adelaide discovers that Cedric is hiding a dangerous secret of his own, together they hatch a scheme to make the best of Adelaide’s deception. Complications soon arise—first as they cross the treacherous seas from Osfrid to Adoria, and then when Adelaide catches the attention of a powerful governor.But no complication will prove quite as daunting as the potent attraction simmering between Adelaide and Cedric. An attraction that, if acted on, would scandalize the Glittering Court and make them both outcasts in wild, vastly uncharted lands…

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.

    Only five hold back what waits on the other side. Once the Oversight, the secret society that policed the lines between the mundane and the magic, counted hundreds of brave souls among its members. Now their numbers can be counted on a single hand. When a vagabond brings a screaming girl to the Oversight's London headquarters, it seems their hopes for a new recruit will be fulfilled - but the girl is a trap. As the borders between this world and the next begin to break down, murders erupt across the city, the Oversight are torn viciously apart, and their enemies close in for the final blow. This gothic fantasy from Charlie Fletcher (the Stoneheart trilogy) spins a tale of witch-hunters, supra-naturalists, mirror-walkers and magicians. Meet the Oversight, and remember: when they fall, so do we all.

    Now her pack leaders are sending her back to live among the humans, as they promised her mother years ago.Some of the humans think she may be the lost heir to their throne. This could be good-and it could be very, very dangerous. In the months to come, learning to behave like a human will turn out to be more complicated than she'd ever imagined.But though human ways might be stranger than anything found in the forest, the infighting in the human's pack is nothing Firekeeper hasn't seen before. That, she understands just fine. She's not your standard-issue princess-and this is not your standard-issue fairy tale.

    At 21, her age and her unladylike interest in automatons have sealed her fate as an undesirable marriage prospect. But a devastating plague sends Alice off in a direction beyond the pale—towards a clandestine organization, mad inventors, life-altering secrets, and into the arms of an intrepid fiddle-playing airship pilot.

    Labeled a “wretched,” an outcast unwanted and unworthy of respect, Lia is forbidden to realize her dream to read or write. All but doomed, her days are spent toiling away as a kitchen slave under the charge of the Aldermaston, the Abbey’s watchful overseer. But when an injured squire named Colvin is abandoned at the kitchen’s doorstep, an opportunity arises. The nefarious Sheriff Almaguer soon starts a manhunt for Colvin, and Lia conspires to hide Colvin and change her fate. In the midst of a land torn by a treacherous war between a ruthless king and a rebel army, Lia finds herself on an ominous journey that will push her to wonder if her own hidden magic is enough to set things right. At once captivating, mysterious, and magic-infused, The Wretched of Muirwood takes the classic fantasy adventure and paints it with a story instantly epic, and yet, all its own.

    But Myrdin transfroms her - into a lady goddess, a boy warrior, and a spy. Without Gwyna, Myrddin will not be able to work the most glorious transformation of all - and turn the leader of a raggle-tagglear-band into King Arthur, the greatest hero of all time.

    Excalibur? A shady deal with a watery arms dealer. Britain? A clogged sewer that Rome abandoned just as soon as it could.A savage and cutting epic fantasy, equally poetic and profane, By Force Alone is at once a timely political satire, a magical adventure, and a subversive masterwork.

    Warrior. Lover.Brian Boru was stronger, braver, and wiser than all other men—the greatest king Ireland has ever known. Out of the mists of the country's most violent age, he merged to lead his people to the peak of their golden era.Set against the barbaric splendor of the tenth century, this is a story rich in truth and legend, in which friends become deadly enemies, bedrooms turn into battlefields, and dreams of glory transform into reality.

    She’s diligent in her chores and has agreed to marry a man of their choosing. But a visit to Slava, the local tradesman, threatens to upend her entire life.Entering his empty house, Matrona discovers a strange collection of painted nesting dolls—one for every villager. Fascinated, she can’t resist the urge to open the doll with her father’s face. But when her father begins acting strangely, she realizes Slava’s dolls are much more than they seem.When he learns what she’s done, Slava seizes the opportunity to give Matrona stewardship over the dolls—whether she wants it or not. Forced to open one of her own dolls every three days, she falls deeper into the grim power of Slava’s creations. But nothing can prepare her for the profound secret hiding inside the fifth doll.