Here's the first in a new series of in-depth discussions on a variety of subjects relating to humanity's greatest endeavors.Around the table, Ricky Gervais, Steve Merchant, and the glabrous luminary Karl Pilkington.In this episode, MEDICINE, we explore the treatment of human ailments through history - from trepanation (or 'oles in the 'ed) in early tribal societies right through to the possible, if improbable, future of medical technology.Ricky Steve and Karl offer a uniquely ill-informed appraisal, from medicine's superstitious roots in shamanism, the beginnings of empiricism and on to today's holistic ideal.Areas of discussion include the dangers of leaving yoghurt pots in fridges; how over-enthusiastic janitors can stifle scientific progress; how hygiene impacts on immunity; Karl's ideas on empathic diagnosis; fruit-based contraception; the risks of eye surgery; the politics of treating obesity; conjugal care-workers; geriatric clinical trials; Karl's take on palliative care; and the inevitable anal-probing....

    Becca Wright, an old friend of Nancy’s, is the Assistant Cruise Director of the Arctic Star, a posh new ship. But Becca needs Nancy’s help when strange things keep happening aboard the opulent ocean liner: The swimming pool becomes a floating grave; a famous passenger is threatened; and even the seemingly innocent mini-golf course becomes a perilous playground. With the majestic and mysterious Alaskan scenery as a backdrop, Nancy and company have to find out who’s trying to sabotage the maiden voyage and why.

    Whether it's trying to arrange a marriage for his sister or taking a job as a boot boy as step one in his grand plan to run away, Just William manages to cause chaos wherever he goes.

    But his talents are viewed with suspicion in Cove, a steam-powered city built inside a mountain. In Cove, creativity is a crime and “invention” is a curse word. Kallista Babbage is a repair technician and daughter of the notorious Leo Babbage, whose father died in an explosion—an event the leaders of Cove point to as an example of the danger of creativity. Working together, Trenton and Kallista learn that Leo Babbage was developing a secret project before he perished. Following clues he left behind, they begin to assemble a strange machine that is unlike anything they’ve ever seen before. They soon discover that what they are building may threaten every truth their city is founded on—and quite possibly their very lives.

    Until the autumn of 1886, when five babies are left in outrageous circumstances: one in a tin toolbox, one in a coal bucket, one in a picnic hamper, one in a wheat sack, and finally, one in a coffin-shaped basket.Those babies were Lotta, Egg, Fenna, Sem and Milou; who were swiftly and firmly deemed 'the unadoptables'. Twelve years on the children still have each other - until the fateful night a most sinister gentleman appears and threatens to tear them apart. The gang decide to make a daring escape, fleeing the frozen canals of Amsterdam for an adventure packed with puppets and pirate ships, clock-makers and cruel villains - and with only a scrap of a clue to guide them to their mysterious new home . . .

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.

    Here, in this delightful, enchanting tale for children, we find out just who has been stealing her schoolfriends' snacks and how the young Precious became the crafty and intuitive private investigator we all know and love!

    All the children face daunting challenges: rescuing a father, protecting a brother, holding a family together. And ultimately, pulled by the invisible thread of destiny, their suspenseful solo stories converge in an orchestral crescendo.Richly imagined and masterfully crafted, Echo pushes the boundaries of genre, form, and storytelling innovation to create a wholly original novel that will resound in your heart long after the last note has been struck.

    Julie and Emma additionally contribute a number of their own poems and reveal the stories behind some of their family favorites. James McMullan's stunning watercolor paintings bring each page to glorious life with his spectacular vision and artistic point of view. The Collection, now featuring a brand-new cover design, is packaged with a special CD featuring mother and daughter alternately recording twenty-one poems, some of which are recited together. This special keepsake anthology is one that readers of all ages will return to and treasure.

    So when she happens upon a crazed woman at the river threatening to throw a book into the water, Ollie doesn't think—she just acts, stealing the book and running away. As she begins to read the slender volume, Ollie discovers a chilling story about a girl named Beth, the two brothers who both loved her, and a peculiar deal made with "the smiling man," a sinister specter who grants your most tightly held wish, but only for the ultimate price. Ollie is captivated by the tale until her school trip the next day to Smoke Hollow, a local farm with a haunting history all its own. There she stumbles upon the graves of the very people she's been reading about. Could it be the story about the smiling man is true? Ollie doesn't have too long to think about the answer to that. On the way home, the school bus breaks down, sending their teacher back to the farm for help. But the strange bus driver has some advice for the kids left behind in his care: "Best get moving. At nightfall they'll come for the rest of you." Nightfall is, indeed, fast descending when Ollie's previously broken digital wristwatch, a keepsake reminder of better times, begins a startling countdown and delivers a terrifying message: RUN. Only Ollie and two of her classmates heed the bus driver's warning. As the trio head out into the woods--bordered by a field of scarecrows that seem to be watching them--the bus driver has just one final piece of advice for Ollie and her friends: "Avoid large places. Keep to small." And with that, a deliciously creepy and hair-raising adventure begins.

    It was directed by Tony Speciale; it was produced by Dixon Place; the original music was by Duncan Sheik; the visuals were by Matthew Sandager; and the clothing was by Paul Marlow.

    Anne Shirley, an eleven-year-old orphan, has arrived in this verdant corner of Prince Edward Island only to discover that the Cuthberts—elderly Matthew and his stern sister, Marilla—want to adopt a boy, not a feisty redheaded girl. But before they can send her back, Anne—who simply must have more scope for her imagination and a real home—wins them over completely. A much-loved classic that explores all the vulnerability, expectations, and dreams of a child growing up, Anne of Green Gables is also a wonderful portrait of a time, a place, a family… and, most of all, love. WITH AN AFTERWORD BY JENNIFER LEE CARELL