But at a time when women are second-class citizens, can her charm and spirit protect her from the dangers of the court? And at what cost?

    Let's take check: Finn Bar, slightly ruffled but still in fighting form. Maggie, could do with a full night's sleep but otherwise all in order... Stay here. Don't answer the door. I'll go out and get some proper food.In a new flat, three children play hide and seek. Eliot wears a crown, little Finn, King of the Wild Thing's, draws on the walls. Maggie climbs them. Hiding from the world, needing to be found, their one shared focus a mobile phone. Will it ring? Who will call? And what are they waiting for?Tusk Tusk is a tale of family loyalty as an uncertain future circles. Polly Stenham's second play premiered at the Royal Court Theatre, London, in March 2009.

    She was lonely and unsettled - her parents had been killed in a car accident, her boyfriend had decided to go back to his wife, and as a painter she led a solitary life in her North Yorkshire home town. But she felt immediately at home in the gracious stone house that had been bequeathed to her, and was made welcome by the local residents - in particular, by the members of the Mindon Amateur Dramatic Society (somewhat appropriately known as MADS) presided over by the formidable Ursula. Ursula liked to run things her way, and brooked no opposition when the ambitious decision was made (largely by herself) to put on A Midsummer Night's Dream as their next production. Petra , to her surprise and pleasure, was put in charge of the wardrobe. Rivalries, squabbles, love affairs and seething resentments threatened to scupper the production, and all Ursula's managerial skills were needed to prevent disaster. But Petra had more pressing things on her mind than the costumes for the cast. A mystery from her past began to haunt her - and the answer to that mystery might solve the puzzle of why she had been left such a beautiful house by a total stranger.

    She makes everyone laugh with her silly dances and funny jokes. One day, in her efforts to make the others laugh, Twinkle takes her jokes too far and causes her friends to get hurt. Will Twinkle ever realize that some jokes can hurt others? What will she do?Download your copy today for just $0.99!

    A series of scenes that gradually tell the story of how the financial collapse affects a British couple and how fiscal worry, stress, and fear can strain mankind's greatest emotion.

    It argues for more audience-responsive approaches to what theatre does for those who witness, watch or participate.

    And there is Oshoosi, fresh out of prison, who always takes the wrong track. When his ex-cell mate Elegba gives him a clapped-out car, true freedom seems just around the corner... The Brothers Size is the European debut of an amazing young writer who plants Nigerian myth in the fertile soil of Louisiana. The play premiered at Drum, Plymouth, in October 2007, before touring and transferring to the Young Vic, London.

    The tables turn when Marjorie is able to subdue Raul and keep him tied up in her fireplace. When Terry and Patricia, Marjorie's roommates, come home, they are shocked and begin discussing how to handle the situation: call the police or take matters into their own hands?

    DramaFull Length2 men, 1 woman: 3 totalInteriorsTHE STORY: When a world-renowned origami artist opens her studio to a teenage prodigy and his school teacher, she discovers that life and love can t be arranged neatly in this drama about finding the perfect fold.

    Three candidates. This would be a really bad time to have a stain on your shirt...A savage, acid-tongued new play by Mike Bartlett, one of the UK's most exciting and inventive young writers, and the author of the off-Broadway smash hit Cock. Razor sharp and blackly comic, Bull is a savage and insightful play about office politics or playground bullying, depending which side you're on. Genuinely thrilling, daring and inventive, acclaimed playwright Bartlett probes the dark side of the modern workplace.Bull enjoyed its US premiere in spring 2013 at 59E59 Theaters's "Brits Off-Broadway" festival.

    Is it Special Agent Sam Jameson’s fault? Homeland, Justice, and a powerful US Senator think so. And Sam is afraid they might be right. She’s been suspended, and she even faces an indictment. With her beau stuck on an overseas deployment, she’s left alone with her guilt, remorse and heartache - until a cryptic and terrifying message propels her out of her darkness and into a morass of international intrigue. Along the way, the clues start to add up, and Sam begins to wonder: was the little girl’s tragic death an accident, or something much worse? And what does the CIA have to do with the horrible tragedy? Halfway across the globe, Sam runs into someone from her past. But something’s different about him, and it quickly becomes clear he’s in a desperate struggle of his own. Three important people in his life have been kidnapped and face a brutal death — that he himself has set in motion. Are all of their fates intertwined? Are Sam and the man from her past fighting the same battle, against the same adversary? Can they unravel a vast and deadly conspiracy in time to save their own lives? Blowback is a classic spy thriller in the tradition of the best espionage novels from Tom Clancy, Robert Ludlum, Daniel Silva, Mark Greaney, and Frederick Forsyth, told with the entertaining style and flair that have made #1 Bestselling Author Lars Emmerich one of the thriller genre’s most promising stars. For fans of these great spy thriller authors: Mark Greaney (the Gray Man) Tom Clancy, Robert Ludlum (Jason Bourne), Daniel Silva (Gabriel Allon), Frederick Forsyth, Barry Eisler, Vince Flynn, David Baldacci, and Brad Thor. Interview with #1 Bestselling Author Lars Emmerich

 Q: Who are your influences?
 A: Too many to list! I started out years ago as a Tom Clancy addict, and I thoroughly enjoy many of Nelson DeMille’s novels. I regularly read David Baldacci, Vince Flynn, Barry Eisler, Michael Connelly, and John Grisham. James Patterson has redefined what it means to be a working author, and I read his stuff as well. My top picks are usually espionage and private detective novels, any of the thousands of thrillers and mysteries best sellers, and, of course, books featuring classic pulp heroes. And I’m greatly influenced by all sorts of nonfiction, as well. I read all the time, and I’m a bit of a magpie about the topics — science, economics, finance, politics, history, mathematics, engineering, biomechanics, medicine… It’s a big world out there, and I love learning more about it. Many of those topics find their way into my fiction, so I can justify it all as “research.” 

 Q: The Sam Jameson series has become quite a phenomenon. What do you think has been the driving force behind the books’ success?
 A: I think Sam has something of a unique voice. She says the things we all wish we could say, and she gets away with it about half of the time. The other half of the time, not so much. I think she’s also a very human heroine. She has plenty of flaws and weaknesses, yet she accomplishes some amazing things. She’s kind of like every one of us in that regard, which resonates.

 Q: You have developed personal relationships with your readers over the years, which is a little unusual in the publishing business. Was that a conscious choice?
A: Absolutely. Books are intimate things. They occupy a person’s mind and thoughts for hours at a time. Good books leave a lasting impression, and great books might even change the way we think about things, but all books are a relationship. I always wanted a conversation.

    Complete vocal score to the Broadway sensation with 11 songs: The Best of Times * I Am What I Am * A Little More Mascara * Look over There * Song on the Sand (La Da Da Da) * With You on My Arm * and more.

    Friendship. Aaron, Candice, sex and Connor Jones. Chewing Gum Dreams is a one-woman play that recalls those last days of innocence before adulthood.Written and performed by Michaela Coel who spent her childhood in Hackney, London, Chewing Gum Dreams won the 2012 Alfred Fagon Award."Coel is by turns casually cruel, hilariously funny, naïve, wise and vulnerable. Her play tackles some difficult themes, including sexual assault, violence, and underachievement across generations…a serious new talent." Londonist"An engrossing, engaging and compelling one-woman show... nothing short of virtuosic." What's On Stage"A promising, resilient artist." Ché Walker

    Catherine's lack of worldliness prevents her from realizing that the young man proposing to her is not entirely drawn to her by her charm. Catherine's father, a successful doctor, sees through the fortune hunter and forbids the marriage, but his daughter proposes an elopement that fails to materialize because the young man knows most of her expected fortune will go elsewhere if he marries her. Catherine retires into a little world of her own. But the fortune hunter turns up once more and again proposes to her. For a moment, Catherine leads him to believe that she will accept him, but when he calls by appointment, she locks the door, blows out all the lights and allows him to realize that she will not be fooled for the second time.

    Nine parallel lives, interlocked by four infidelities, one missing person and a mysterious stiletto, are woven through a fragmented series of confessionals and interrogations that gradually reveal a darker side of human nature.