Because it didn’t matter what Rashad said next—that it was an accident, that he wasn’t stealing—the cop just kept pounding him. Over and over, pummeling him into the pavement. So then Rashad, an ROTC kid with mad art skills, was absent again…and again…stuck in a hospital room. Why? Because it looked like he was stealing. And he was a black kid in baggy clothes. So he must have been stealing.And that’s how it started.And that’s what Quinn, a white kid, saw. He saw his best friend’s older brother beating the daylights out of a classmate. At first Quinn doesn’t tell a soul…He’s not even sure he understands it. And does it matter? The whole thing was caught on camera, anyway. But when the school—and nation—start to divide on what happens, blame spreads like wildfire fed by ugly words like “racism” and “police brutality.” Quinn realizes he’s got to understand it, because, bystander or not, he’s a part of history. He just has to figure out what side of history that will be.Rashad and Quinn—one black, one white, both American—face the unspeakable truth that racism and prejudice didn’t die after the civil rights movement. There’s a future at stake, a future where no one else will have to be absent because of police brutality. They just have to risk everything to change the world.Cuz that’s how it can end.

    By her mother, who grew up far away in a different land. By her suburban town, which makes her feel too much like an outsider to fit in and not enough like an outsider to feel like that she belongs somewhere else. At least she has her childhood friend Haitham, with whom she can let her guard down and be herself. Until she doesn't.As the ground is pulled out from under her, Nima must grapple with the phantom of a life not chosen, the name her parents didn't give her at birth: Yasmeen. But that other name, that other girl, might just be more real than Nima knows. And more hungry. And the life Nima has, the one she keeps wishing were someone else's. . .she might have to fight for it with a fierceness she never knew she had.

    The only person who doesn't know about the tragedy is Michelle's boyfriend, Peter, recently deployed to Afghanistan. But when Kelsey finally connects with Peter online, she can't bear to tell him the truth. Active duty has taken its toll, and Peter, thinking that Kelsey is Michelle, says that seeing her is the one thing keeping him alive. Caught up in the moment, Kelsey has no choice: She lets Peter believe that she is her sister.As Kelsey keeps up the act, she crosses the line from pretend to real. Soon, Kelsey can't deny that she's falling, hard, for the one boy she shouldn't want.

    After the show, she meets Mo, an aspiring comic who’s everything Izzy’s not: bold, confident, comfortable in her skin. Mo invites Izzy to join her group of friends and introduces her to the Chicago open mic scene.The only problem? Her new friends are college students—and Izzy tells them she’s one, too. Now Izzy, the dutiful daughter and model student, is sneaking out to perform stand-up with her comedy friends, and she can hardly remember all the lies she’s telling to keep her two lives separate.Her controlling boyfriend is getting suspicious, and her former best friend knows there’s something going on. But Izzy loves comedy and this newfound freedom. As her two parallel lives collide—in the most hilarious of ways—Izzy must choose to either hide what she really wants and who she really is or, finally, truly stand up for herself.

    No one looks twice at a missing black girl from the projects because she must’ve brought whatever happened to her upon herself. I, Jay Murphy, can admit that, for a minute, I thought my sister, Nicole, got too caught up with her boyfriend—a drug dealer—and his friends.But she’s been gone too long now.If I hadn’t hung up on her that night, she’d be spending time with our grandma. If I was a better brother, she’d be finishing senior year instead of being another name on a missing persons list. It’s time to step up and do what the Newport News police department won’t.Nic, I’m bringing you home.

    She wants to have that experience too (well, not exactly like that--but with someone she trusts and actually likes), so she's going to need to find the guy, and fast. Problem is, she's known all the boys in her small high school forever, and it's kinda hard to be into a guy when you watched him eat crayons in kindergarten. So she can't believe her luck when she meets a ridiculously hot new guy named Dean. Not only does he look like he's fallen out of a classic movie poster, but he drives a motorcycle, flirts with ease, and might actually be into her.But Dean's already in college, and Keely is convinced he'll drop her if he finds out how inexperienced she is. That's when she talks herself into a new plan: her lifelong best friend, Andrew, would never hurt or betray her, and he's clearly been with enough girls that he can show her the ropes before she goes all the way with Dean. Of course, the plan only works if Andrew and Keely stay friends--just friends--so things are about to get complicated.Cameron Lund's delightful debut is a hilarious and heartfelt story of first loves, first friends, and first times--and how making them your own is all that really matters.

    Claude isn’t dangerous or brilliant—he’s an average kid coping with abandonment, violence, riots, failed love, and societal pressures as he steers his way past the signposts of youth: childhood friendships, basketball tryouts, first love, first heartbreak, picking a college, moving away from home.    Claude just wants a place where he can fit. As a young black man born on the South Side of Chicago, he is raised by his civil rights–era grandmother, who tries to shape him into a principled actor for change; yet when riots consume his neighborhood, he hesitates to take sides, unwilling to let race define his life. He decides to escape Chicago for another place, to go to college, to find a new identity, to leave the pressure cooker of his hometown behind. But as he discovers, he cannot; there is no safe haven for a young black man in this time and place called America.    Percolating with fierceness and originality, attuned to the ironies inherent in our twenty-first-century landscape, Everywhere You Don’t Belong marks the arrival of a brilliant young talent.

    When she meets mysterious, handsome Jaewoo in her uncle’s Los Angeles karaoke bar, it’s clear he’s the kind of boy who would uproot her careful plans. But in a moment of spontaneity, she allows him to pull her out of her comfort zone for one unforgettable night of adventure…before he disappears without a word.Three months later, when Jenny and her mother arrive in South Korea to take care of her ailing grandmother, she’s shocked to discover that Jaewoo is a student at the same elite arts academy where she’s enrolled for the semester. And he’s not just any student. He’s a member of one of the biggest K-pop bands in the world—and he’s strictly forbidden from dating.When a relationship means throwing Jenny’s life off the path she’s spent years mapping out, she’ll have to decide once and for all just how much she’s willing to risk for love.

    Countless adventures. One epic way to get lost. Four teens across the country have only one thing in common: a girl named Leila. She crashes into their lives in her absurdly red car at the moment they need someone the most. Hudson, Bree, Elliot and Sonia find a friend in Leila. And when Leila leaves them, their lives are forever changed. But it is during Leila's own 4,268-mile journey that she discovers the most important truth—sometimes, what you need most is right where you started. And maybe the only way to find what you're looking for is to get lost along the way.

    But Ali doesn’t plan on keeping it. Not when it reminds her too much of all her father’s unfulfilled promises. So when she finds a buyer three hundred miles up the Pacific coast willing to pay enough money for the car to save her childhood home, Ali can’t wait to get going. Except Ali has no idea how to drive a stick shift. But guess who does?Ali’s ex-boyfriend, Nico. And Nico has other plans.He persuades Ali that instead of selling the car, they should “trade up” the items they collect on their trip to eventually reach the monetary amount Ali needs. Agreeing with Nico’s crazy plan, Ali sets off on a unique adventure that is unlike anything she ever could have expected.And it’s through Ali’s travels, through the strangers she meets and the things that they value—and why they value them—that Ali eventually comes to understand her father and how his life may not have been as easy and carefree as she previously thought. Because just like the seemingly insignificant objects Ali collects, not everything is exactly as it appears.

    Marilyn's tale recounts the summer she fell in love and set out on her own path. Angie's story is about her search for her unknown father.This sweeping multi-generational love story introduces readers to mother-and-daughter pair Marilyn and Angie. To seventeen-year-old Angie, who is mixed-race, Marilyn is her hardworking, devoted white single mother. But Marilyn was once young, too. When Marilyn was seventeen, she fell in love with Angie's father, James, who was African-American. But Angie's never met him, and Marilyn has always told her he died before she was born. When Angie discovers evidence of an uncle she's never met she starts to wonder: What if her dad is still alive, too? So she sets off on a journey to find him, hitching a ride to LA from her home in New Mexico with her ex-boyfriend, Sam. Along the way, she uncovers some hard truths about herself, her mother, and what truly happened to her father.

    He gets good grades, reads comics, hangs out with his best friend, Sean, and secretly crushes on Elle, one of the most popular girls in his school. When he’s called off the basketball team’s varsity bench and makes the winning basket in a playoff game, everything changes in an instant.But not everyone is happy that Bijan is the man of the hour: an anonymous cyberbully sends the entire school a picture of Bijan photoshopped to look like a terrorist. His mother is horrified, and the school administration is outraged. They promise to find and punish the culprit. All Bijan wants is to pretend it never happened and move on, but the incident isn’t so easily erased. Though many of his classmates rally behind Bijan, some don’t want him or his type to be a part of their school. And Bijan’s finding out it’s not always easy to tell your enemies from your friends . . .

    And all of them are keeping secrets.Pinballing between resentment, abandonment, and loneliness, KB is forced to carve out a different identity for herself and find her own voice. As she examines the jagged pieces of her recently shattered world, she learns that while some truths cut deep, a new life--and a new KB--can be built from the shards.Capturing all the vulnerability, perceptiveness, and inquisitiveness of a young Black girl on the cusp of puberty, Harris's prose perfectly inhabits that hazy space between childhood and adolescence, where everything that was once familiar develops a veneer of strangeness when seen through newer, older eyes. Through KB's disillusionment and subsequent discovery of her own power, What the Fireflies Knew poignantly reveals that heartbreaking but necessary component of growing up--the realization that loved ones can be flawed, sometimes significantly so, and that the perfect family we all dream of looks different up close.

    Sixteen-year-old Audre is despondent, having just found out she’s going to be sent to live in America with her father because her strictly religious mother caught her with her secret girlfriend, the pastor’s daughter. Audre’s grandmother Queenie (a former dancer who drives a white convertible Cadillac and who has a few secrets of her own) tries to reassure her granddaughter that she won’t lose her roots, not even in some place called Minneapolis. “America have dey spirits too, believe me,” she tells Audre.Minneapolis. Sixteen-year-old Mabel is lying on her bed, staring at the ceiling and trying to figure out why she feels the way she feels–about her ex Terrell, about her girl Jada and that moment they had in the woods, and about the vague feeling of illness that’s plagued her all summer. Mabel’s reverie is cut short when her father announces that his best friend and his just-arrived-from-Trinidad daughter are coming for dinner. Mabel quickly falls hard for Audre and is determined to take care of her as she tries to navigate an American high school. But their romance takes a turn when test results reveal exactly why Mabel has been feeling low-key sick all summer and suddenly it’s Audre who is caring for Mabel as she faces a deeply uncertain future.Junauda Petrus’s debut brilliantly captures the distinctly lush and lyrical voices of Mabel and Audre as they conjure a love that is stronger than hatred, prison, and death and as vast as the blackness between the stars.

    McManus, New York Times bestselling author of One of Us Is LyingWe Were Liars meets Goodbye Days in this thrilling debut novel that sweeps readers away as they try to solve the mystery of what happened then to make Ellory so broken now.It’s hard to find the truth beneath the lies you tell yourself.Then: They were four—Bex, Jenni, Ellory, Ret. (Venus. Earth. Moon. Sun.) Electric, headstrong young women; Ellory’s whole solar system.Now: Ellory is alone, her once inseparable group of friends torn apart by secrets, deception, and a shocking incident that changed their lives forever.Then: Lazy summer days. A party. A beautiful boy. Ellory met Matthias and fell into the beginning of a spectacular, bright love.Now: Ellory returns to Pine Brook to navigate senior year after a two-month suspension and summer away—no boyfriend, no friends. No going back. Tormented by some and sought out by others, troubled by a mysterious note-writer who won’t let Ellory forget, and consumed by guilt over her not entirely innocent role in everything and everyone she’s lost, Ellory finds that even in the present, the past is everywhere.The path forward isn’t a straight line. And moving on will mean sorting the truth from the lies—the lies Ellory has been telling herself.