"A highly ambitious, engaging, and evocative novel and a hauntingly captivating read." -The Sunday IndependentWhat happens when a woman is haunted by the sins of her foremothers–and the men who betrayed them?Facing the birth of her child, and single motherhood, Jo Devereux has spent the last six months in Mucknamore, the Irish village she fled twenty years ago.A trunk of letters and diaries left by her grandmother and great-aunt has revealed a heartbreaking legacy of bitter secrets that have haunted the women of her family for four generations.Now she must find out the ultimate truth: What other secrets and lies lie under her mother’s and grandmother’s unshakeable silence? How does it connect with her failed life as a gender-bending agony aunt in San Franciso? And what of Rory… her lost love, son of her family’s sworn enemies?Will Jo’s mission to uncover the past unlock a possible future together? Or are they about to lose everything all over again?As she pieces together the poisonous fragments of the past, Jo must now face into the guilt and shame that were her legacy and see how she might best redeem them in her own life.

    In the intimate atmosphere of the all-women sleeping car - the 'Ladies Coupe' - Akhila asks the five women the question that has been haunting her all her adult life: can a woman stay single and be happy, or does she need a man to feel complete?This wonderfully atmospheric, deliciously warm novel takes the reader into the heart of women's lives in contemporary India, revealing how the dilemmas that women face in their relationships with hunsbands, mothers, friends, employers and children are the same world over.

    Her character is similar to that of many women we see in our lives. But what is different is the dramatic twist in the tale, which you won’t see coming. The protagonist Gauri is patient and persistent, with an undying love and affection for her husband, much like many women in the country. Indeed, Gauri’s story is the tale of many women in India, who sacrifice their needs, desires and dreams for the sake of people dear to them. This work of fiction is a tribute to every unsung woman in every household. A big salute to these strong women, without whom society will perish.

    Chronicling the Indian struggle for freedom and independence from Great Britain, Tharoor directs his hilarious satire as much against Indian foibles as the bumbling of the British rulers.

    Fourteen well-crafted stories give us a sense of the daily life of a wide cast of characters. Hasan's protagonists are, as always, inward-looking, and whimsical and vulnerable outliers. Where is their place in the new order, where have they come from and where are they going?Quietly devastating, subtly subversive and wonderfully wry, Hasan is a home-grown talent whose stories are increasingly the good address for authentic Indian fiction.

    Without him I could never have known what it is like to be Indian."—Graham GreeneOffering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. The Dark Room is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In Mr. Sampath, a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical Swami and Friends and The Bachelor of Arts. Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief."The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian novels: the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness—like one's own reflection seen in a green twilight."—Margaret Parton, New York Herald Tribune"The novels of R.K. Narayan are the best I have read in any language for a long time. . . . His work gives the conviction that it is possible to capture in English, a language not born of India, the distinctive characteristics of Indian family life."—Amit Roy, Daily Telegraph

    The novel was serialised in 1864 in a short-lived magazine published from Calcutta, but it did not appear as a book in the author's lifetime. The book soon went into oblivion. A neglected but an interesting book, its plots and characters symbolically map the birth of modern India as well as the modern Indian woman through political, cultural and social contexts. Famously known as being the writer of Vande Mataram, the national song of India, Bankim Chandra Chatterjee was the first to break the dry monotony of Bengali prose and bring in a touch of informality and intimacy. The letter part of his career brought out best sellers like Kapalakundala and Krishnakanta's Will. He remains to be one of India's most celebrated writers.

    Hari and Lila were born and raised in the village, but now their family is falling into despair: the father to alcohol while the mother is seriously ill. As for money, that there is not even enough to meet the most basic needs between.

    SeriesMr & Mrs. SehgalKabier and Aashi’s is a marriage of utmost convenience. Everything about the marriage is wrong yet Aashi falls for her tycoon husband who has no time for her. While Kabier is busy earning billions, Aashi battles her solitude until she decides to give up. Jealousy creeps in Kabier’s heart when his wife’s friend comes into the picture. Will Kabier realize Aashi’s worth? How will he woo her back? A romantic tale of arrogant Business Tycoon Kabier Sehgal and his Former Miss India Wife Aashi Sehgal with sparks of attraction, love, jealousy, and a happily-ever-after.

    For Angie Mangiamele and her award-winning team, it's almost too good too be true - and impossible to pass up.But for Angie, the prospect of visiting Miss Zula's home town in the Deep South is a mixed blessing because it means coming face to face with the man she once thought was the love of her life. Now head of Ogilvie University's literature department, John Grant is engaged to local beauty Caroline Rose. In a small town rich in tradition and rife with gossip, the sparks that fly when the two former lovers meet again can't escape the attention of the closeknit community, mind Caroline's four sisters and the overbearing Aunt Patty-Cake, who aren't about to let any strangers from the city interfere with the impending nuptials.Beautifully drawn with a vibrant cast of characters more than ready for their close-ups, TIED TO THE TRACKS a sharp, witty and grown up love story.

    As they move from a cramped, ant-infested shack to a larger house on the other side of Bangalore, and try to adjust to a new way of life, the family dynamic begins to shift. Allegiances realign; marriages are arranged and begin to falter; and conflict brews ominously in the background. Things become “ghachar ghochar”—a nonsense phrase uttered by one meaning something tangled beyond repair, a knot that can't be untied. Elegantly written and punctuated by moments of unexpected warmth and humor, Ghachar Ghochar is a quietly enthralling, deeply unsettling novel about the shifting meanings—and consequences—of financial gain in contemporary India.

    The story covers Maggie Clarke's upbringing in the tenements close to the docks, the River Mersey and the Leeds and Liverpool Canal: an area notorious for having the worst slums in Britain, yet the closest community as well.At the tender age of 11, Maggie Clarke finds herself the matriarch of the family when her Irish mother runs off with another man. Leaving school at 14 to work at a local factory putting sticks into lollies, she is determined to make a better life for herself and her family - before starting her own family with her childhood sweetheart, who she marries at 19 after 'falling in the family way'. She has one night of married life with her husband before he is sent to India with the Navy and is devastated when she never hears from him again, presuming him a casualty of the war that is raging at home and abroad. Another tragedy strikes when Maggie's brother Tommy is also claimed by the war, leaving her father inconsolable, but Maggie knows life has to go on and falls in love with Joseph, an Irish settler who she has 8 children with. But her happiness is short-lived as her first husband suddenly appears out of the blue demanding a divorce, and her new husband drinks away what little money they have, returning in fits of rage that leave Maggie and her children hungry and afraid. Many times she is only able to feed her brood by the kindness of neighbours putting a 'pan of scouse' on the range for her, or feeding her kids jam butties to help out. Maggie's story sweeps across the changing face of Liverpool, from its squalid dock streets, the tenement blocks and cobbled roads to the decline of the docklands, new council housing, the rise of the Mersey beat, the Beatles and the energy and passion of a city that is home to a cast of colourful characters with the resilience to withstand the heartbreak and hardships that only the poorest can know.

     While Deewan is forced to flee from his home, Safeena’s mother becomes ‘collateral damage’ and Bilal has to embrace a wretched life of poverty and fear. The place they called paradise becomes a battleground and their friendship struggles when fate forces them to choose sides against their will. Twenty years later destiny brings them to a crossroads again, when they no longer know what is right and what is wrong. While both compassion and injustice have the power to transform lives, will the three friends now choose to become sinful criminals or pacifist saints?The Tree with a Thousand Apples is a universal story of cultures, belongingness, revenge and atonement. The stylized layered format, fast-paced narration and suspenseful storytelling makes for a powerful, gripping read.

    But even after her death, Savitri remains in the house, invisible yet constantly audible. Gradually, the inmates begin to rely on Savitri’s voice to have their lives managed.One day, Savitri falls silent. Soon afterwards, Moom, a young girl of 11 or 12 mysteriously appears in Agarwal House. And her arrival reveals several secrets.

    It's 1969, and sixteen-year-old Lucy is about to run away with a much older man to live off the grid in rural Pennsylvania, a rash act that will have vicious repercussions for both her and her older sister, Charlotte. As Lucy's default caretaker for most of their lives, Charlotte's youth has been marked by the burden of responsibility, but never more so than when Lucy's dream of a rural paradise turns into a nightmare.Cruel Beautiful World examines the intricate, infinitesimal distance between seduction and love, loyalty and duty, and explores what happens when you're responsible for things you cannot make right.