Driven by an insatiable desire to rise above his station and fueled by a nobility that scorns him, Vincenzo sacrifices family and love to transform his tiny spice shop into a trading empire. The name, Florio, soon instills fear and respect. The men of the family are stubborn, arrogant, philanderers and slaves to passions. Paolo shrewdly fights his way out of an earthquake-striken Bagnara to start anew in Sicily. Ignazio II rejects his one true love to fulfill his destiny as the head of a trading empire. Not to be outdone by the men, the Florio women unapologetically demand their place outside the restraints of caring mothers, alluring mistresses, or wounded wives. Giula, though only a mistress, is fiercely intelligent and wins over politicians and businessmen alike. Angelina, born a bastard, charts her own future against the wishes of her father.In this epic yet intimate tale of power, passion, and revenge, the rise and fall of a family taps into the universal desire to become more than who we are born as.

    As the city of Turin suffers a twenty-day "phenomenon of collective psychosis" culminating in nightly massacres that hundreds of witnesses cannot explain, the Library is shut down and erased from history. That is, until a lonely salaryman decides to investigate these mysterious events, which the citizenry of Turin fear to mention. Inevitably drawn into the city’s occult netherworld, he unearths the stuff of modern nightmares: what’s shared can never be unshared.An allegory inspired by the grisly neo-fascist campaigns of its day, The Twenty Days of Turin has enjoyed a fervent cult following in Italy for forty years. Now, in a fretful new age of "lone-wolf" terrorism fueled by social media, we can find uncanny resonances in Giorgio De Maria’s vision of mass fear: a mute, palpitating dread that seeps into every moment of daily existence. With its stunning anticipation of the Internet—and the apocalyptic repercussions of oversharing—this bleak, prescient story is more disturbingly pertinent than ever.Brilliantly translated into English for the first time by Ramon Glazov, The Twenty Days of Turin establishes De Maria’s place among the literary ranks of Italo Calvino and beside classic horror masters such as Edgar Allan Poe and H. P. Lovecraft. Hauntingly imaginative, with visceral prose that chills to the marrow, the novel is an eerily clairvoyant magnum opus, long overdue but ever timely.

    To avenge what you have done you will die. But what has Manno the pharmacist done? Nothing that he can think of. The next day he and his hunting companion are both dead. The police investigation is inconclusive. However, a modest high school teacher with a literary bent has noticed a clue that, he believes, will allow him to trace the killer. Patiently, methodically, he begins to untangle a web of erotic intrigue and political calculation. But the results of his amateur sleuthing are unexpected—and tragic. To Each His Own is one of the masterworks of the great Sicilian novelist Leonardo Sciascia—a gripping and unconventional detective story that is also an anatomy of a society founded on secrets, lies, collusion, and violence.

    Across the chessboard of Europe, from the German plains to the flourishing Dutch cities and down to Venice, the gateway to the East, our hero, a 'Survivor', a radical Protestant Anabaptist who goes under many names, and his enemy, a loyal papal spy and heretic hunter known mysteriously as "Q" play a game in which no moves are forbidden and the true size of the stakes remain hidden until the end. What begins as a personal struggle to reveal each other's identity becomes a mission that can only end in death.

    Biting, tragic, and endlessly quotable, this translated edition features an introductory appreciation from longtime fan New York Times bestselling author André Aciman.In a city smothering under the summer sun and an overdose of la dolce vita, Leo Gazarra spends his time in an alcoholic haze, bouncing between run-down hotels and the homes of his rich and well-educated friends, without whom he would probably starve. At thirty, he’s still drifting: between jobs that mean nothing to him, between human relationships both ephemeral and frayed. Everyone he knows wants to graduate, get married, get rich—but not him. He has no ambitions whatsoever. Rather than toil and spin, isn’t it better to submit to the alienation of the Eternal City, Rome, sometimes a cruel and indifferent mistress, sometimes sweet and sublime? There can be no half measures with her, either she’s the love of your life or you have to leave her.First discovered by Natalia Ginzburg, Last Summer in the City is a forgotten classic of Italian literature, a great novel of a stature similar to that of The Great Gatsby or The Catcher in the Rye. Gianfranco Calligarich’s enduring masterpiece has drawn comparisons to such writers as Truman Capote, Ernest Hemingway, and Jonathan Franzen and is here made available in English for the first time.

    As one of the world s greatest tenors, Maestro Vezzi, is found brutally murdered in his dressing room at Naples famous San Carlo Theatre, the enigmatic and aloof Commissario Ricciardi is called in to investigate. Arrogant and bad-tempered, Vezzi was hated by many, but with the livelihoods of the opera at stake, who would have committed this callous act? Ricciardi, along with his loyal colleague, Maione, is determined to discover the truth. But Ricciardi carries his own secret: will it help him solve this murder?

    Gradually, the two learn to adjust to each other's fears, whims and yearnings for independence, and a fierce yet understated love emerges - one that encompasses not only the summer inhabitants but the island itself, with its mossy rocks, windswept firs and unpredictable seas.Full of brusque humour and wisdom, The Summer Book is a profoundly life-affirming story. Tove Jansson captured much of her own experience and spirit in the book, which was her favourite of the novels she wrote for adults. This new edition sees the return of a European literary gem - fresh, authentic and deeply humane.

    So he comes up with a foolproof plan: to buy a one-way ticket to a chaotic, war-ravaged country and put an end to it all.But on arriving at Hotel Silence, he finds his plans – and his anonymity – begin to dissolve under the foreign sun. Now there are other things that need his attention, like the crumbling hotel itself, the staff who run it, and his unusual fellow guests. And soon it becomes clear that Jónas must decide whether he really wants to leave it all behind; or give life a second chance, albeit down a must unexpected path…Hotel Silence won the Icelandic Literary Prize 2016 and was chosen Best Icelandic Novel in 2016 by booksellers in Iceland.

    Five of them appear to belong to missing girls between the ages of eight and eighteen. The sixth is yet to be identified. Worse still, the girls' bodies, alive or dead, are nowhere to be found.Lead investigators Mila Vasquez, a celebrated profiler, and Goran Gavila, an eerily prescient criminologist, dive into the case. They're confident they've got the right suspect in their sights until they discover no link between him and any of the kidnappings except the first. The evidence in the case of the second missing child points in a vastly different direction, creating more questions than it answers.Vasquez and Gavila begin to wonder if they've been brought in to take the fall in a near-hopeless case. Is it all coincidence? Or is a copycat criminal at work? Obsessed with a case that becomes more tangled and intense as they unravel the layers of evil, Gavila and Vasquez find that their lives are increasingly in each other's hands.THE WHISPERER, as sensational a bestseller in Europe as the Stieg Larsson novels, is that rare creation: a thought-provoking, intelligent thriller that is also utterly unputdownable.

    When she’s called to investigate a gruesome murder near a mountainside town, she’s paired with a young male inspector she’s not sure she trusts. But she has no choice—in this remote town full of secrets, eerie folktales and primal instincts, the killer seems drawn to a group of local children, who may be in grave danger.As Teresa inches closer to the truth, she must confront the possibility that her faculties, no longer what they once were, may fail her before the chase is over.

    Now twenty-five, with a new life and the prospect of a child, Kimiâ is inundated by her own memories and the stories of her ancestors, which reach her in unstoppable, uncontainable waves. In the waiting room of a Parisian fertility clinic, generations of flamboyant Sadrs return to her, including her formidable great-grandfather Montazemolmolk, with his harem of fifty-two wives, and her parents, Darius and Sara, stalwart opponents of each regime that befalls them.In this high-spirited, kaleidoscopic story, key moments of Iranian history, politics, and culture punctuate stories of family drama and triumph. Yet it is Kimiâ herself—punk-rock aficionado, storyteller extraordinaire, a Scheherazade of our time, and above all a modern woman divided between family traditions and her own “disorientalization”—who forms the heart of this bestselling and beloved novel.

    Using the lyrical magic realism style of classical Persian storytelling, Azar draws the reader deep into the heart of a family caught in the maelstrom of post-revolutionary chaos and brutality that sweeps across an ancient land and its people. The Enlightenment of the Greengage Tree is really an embodiment of Iranian life in constant oscillation, struggle and play between four opposing poles: life and death; politics and religion. The sorrow residing in the depths of our joy is the product of a life between these four poles.

    She has entered, she realizes, a parallel existence, which she calls 1Q84 —“Q is for ‘question mark.’ A world that bears a question.” Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled. A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell’s—1Q84 is Haruki Murakami’s most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers

    Here, on Alexanderplatz, he discovers a new community -- a tent city, established by African asylum seekers. Hesitantly, getting to know the new arrivals, Richard finds his life changing, as he begins to question his own sense of belonging in a city that once divided its citizens into them and us.At once a passionate contribution to the debate on race, privilege and nationality and a beautifully written examination of an ageing man's quest to find meaning in his life, Go, Went, Gone showcases one of the great contemporary European writers at the height of her powers.

    In the process of compacting, he has acquired an education so unwitting he can't quite tell which of his thoughts are his own and which come from his books. He has rescued many from jaws of hydraulic press and now his house is filled to the rooftops. Destroyer of the written word, he is also its perpetrator.But when a new automatic press makes his job redundant there's only one thing he can do - go down with his ship.This is an eccentric romp celebrating the indestructability- against censorship, political opression etc - of the written word.