But Gabe’s not alone: there’s Peter, who writes swear words in the margins of his papers; Jihyun, the Korean kid who subsists on Ho Hos and Doritos; and Camille, who follows Gabe around, trying to be his girlfriend. There’s also Gabe’s mom, who sleeps sixteen hours a day, and his dad, an elder who decides the fate of sinners (like the married couple who confesses to accidentally having anal sex). There’s Brother Miller, an elder with a Napoleon complex, who accompanies Gabe from door to door, encouraging him to knock with confidence, and Sister Feeney, who looks forward to the day she can move into a Spanish-style house after its owner dies at the end of the world. Luckily for Gabe, there is Uncle Jeff, who used to tour with Santana and now gives Gabe the only valuable girl advice he ever receives. It's hard when school days are spent dodging questions about your weird religion and weekends mean preaching house to house. Life looks dreary until Gabe falls for Camille’s beautiful older sister and begins to see her as the answer to his frustrations.

    As formative events go, nothing else comes close. With these words Edgar Mint, half-Apache and mostly orphaned, makes his unshakable claim on our attention. In the course of Brady Udall’s high-spirited, inexhaustibly inventive novel, Edgar survives not just this bizarre accident, but a hellish boarding school for Native American orphans, a well-meaning but wildly dysfunctional Mormon foster-family, and the loss of most of the illusions that are supposed to make life bearable. What persists is Edgar’s innate goodness, his belief in the redeeming power of language, and his determination to find and forgive the man who almost killed him. The Miracle Life of Edgar Mint is a miracle of storytelling, bursting with heartache and hilarity and inhabited by characters as outsized as the landscape of the American West.

    Tongue loosened by powerful painkillers, memory stirred by the imminence of death, Chabon’s grandfather shared recollections and told stories the younger man had never heard before, uncovering bits and pieces of a history long buried and forgotten. That dreamlike week of revelations forms the basis for the novel Moonglow, the latest feat of legerdemain from Pulitzer Prize-winning author Michael Chabon. Moonglow unfolds as the deathbed confession of a man the narrator refers to only as “my grandfather.” It is a tale of madness, of war and adventure, of sex and marriage and desire, of existential doubt and model rocketry, of the shining aspirations and demonic underpinnings of American technological accomplishment at midcentury, and, above all, of the destructive impact—and the creative power—of keeping secrets and telling lies. It is a portrait of the difficult but passionate love between the narrator’s grandfather and his grandmother, an enigmatic woman broken by her experience growing up in war-torn France. It is also a tour de force of speculative autobiography in which Chabon devises and reveals a secret history of his own imagination. From the Jewish slums of prewar South Philadelphia to the invasion of Germany, from a Florida retirement village to the penal utopia of New York’s Wallkill prison, from the heyday of the space program to the twilight of the “American Century,” the novel revisits an entire era through a single life and collapses a lifetime into a single week. A lie that tells the truth, a work of fictional nonfiction, an autobiography wrapped in a novel disguised as a memoir, Moonglow is Chabon at his most moving and inventive.

    The Place: Nebraska.The time: the 1870's, when every day on the prairie brought its threat -of hostile Indians, of prairie fires, of blizzards, and the overwhelming threat of accident or illness to the little homesteading family, Will and Abbie Deal and their babies.Hope, faith, and hard work finally make real for the Deals and their neighbors the dreams of productive farms and prosperous towns, of schools and hospitals, of well-paved roads to bring them close to the rest of the century.And old Abbie Deal can look back with pride and wonder to her own part in the miracle.

    . . . There is a marvelous tapestry of interwoven myth and magic that guides Anaya's characters' sensibilities, and is equally important in defining their feel of place. Above all, in this novel is a deep caring for land and culture and for the spiritual well-being of people, environment, landscape."--John Nichols, author of The Milagro Beanfield War: A Novel". . . Alburquerque portrays a quest for knowledge. . . . [It] is a novel about many cultures intersecting at an urban, power-, and politics-filled crossroads, represented by a powerful white businessman, whose mother just happens to be a Jew who has hidden her Jewishness, . . . and a boy from the barrio who fathers a child raised in the barrio but who eventually goes on to a triumphant assertion of his cross-cultural self."--World Literature Today"Alburquerque fulfills two important functions: it restores the missing R to the name of the city, and it shows off Anaya's powers as a novelist."--Alan Cheuse, National Public Radio

    There, he fell in with a subculture of young musicians playing some of the most original and brutal music in the world. Turns out the chaos of Pearson’s bands — The Locust, Swing Kids, and Some Girls — is nothing compared to the madness of his life.An icon of the West Coast noise and punk scene, Pearson managed to arrive at adulthood by outsmarting skinheads and dodging equally threatening violence at home. Once there, the struggle continued, with Pearson getting beat up on Jerry Springer and, on more than one occasion, chased out of town by ferociously angry audiences.From the Graveyard of the Arousal Industry is the outrageously candid story of Pearson’s life. In loving, meticulous detail, Pearson gives readers the dirt behind each rivalry, riff, and lineup change.

    . . real or otherwise.Budo is lucky as imaginary friends go. He's been alive for more than five years, which is positively ancient in the world of imaginary friends. But Budo feels his age, and thinks constantly of the day when eight-year-old Max Delaney will stop believing in him. When that happens, Budo will disappear.Max is different from other children. Some people say that he has Asperger's Syndrome, but most just say he's "on the spectrum." None of this matters to Budo, who loves Max and is charged with protecting him from the class bully, from awkward situations in the cafeteria, and even in the bathroom stalls. But he can't protect Max from Mrs. Patterson, the woman who works with Max in the Learning Center and who believes that she alone is qualified to care for this young boy.

    Powerless to change their fortunes, they are separated, and each put into different foster homes. Yet over the years, the bond between them grows. As they each make their way in a society that is, at times, indifferent, hostile, and violent, one embraces her Métis identity, while the other tries to leave it behind. In the end, out of tragedy, comes an unexpected legacy of triumph and reclamation.In this Critical Edition, editor Cheryl Suzack has chosen ten critical essays to accompany one of the best-known texts by Canadian Aboriginal author Beatrice Culloden/Mosionier.

    Santa Fe Cameron, named for the place of her birth, was the child of a Spanish mother and a Scotch father and inherited from both a high degree of psychic perceptivity. Natanay, an American Indian, saw this and gave the little orphan a turquoise amulet as a keepsake; this turquoise, the Indian symbol of the spirit, dominates her life. For Santa Fe Cameron, life is made up of violent contrasts: the rough wagon of the gay young Irish medicine vendor who brings her East and the scented hansom cabs and carriages waiting before her own Fifth Avenue mansion; the glittering world of the Astors and a dreary cell in the Tombs. All the color, excitement, and rich period detail which distinguish Anya Seton’s novels are here, together with one of her most unusual heroines.

    With an unforgettable comic touch, Bank skillfully teases out issues of the heart, puts a new spin on the mating dance, and captures in perfect pitch what it's like to be a young woman coming of age in America today.

    Told in a series of vignettes – sometimes heartbreaking, sometimes deeply joyous–it is the story of a young Latina girl growing up in Chicago, inventing for herself who and what she will become. Few other books in our time have touched so many readers.

    Now, in this jubilant new novel, Benjamin shines a dazzling spotlight on another fascinating female figure whose story has never fully been told: a woman who became a nineteenth century icon and inspiration - and whose most daunting limitation became her greatest strength. "Never would I allow my size to define me. Instead, I would define it." She was only two-foot eight-inches tall, but her legend reaches out to us more than a century later. As a child, Mercy Lavinia "Vinnie" Bump was encouraged to live a life hidden away from the public. Instead, she reached out to the immortal impresario P. T. Barnum, married the tiny superstar General Tom Thumb in the wedding of the century, and transformed into the world's most unexpected celebrity. Here, in Vinnie's singular and spirited voice, is her amazing adventure - from a showboat "freak" revue where she endured jeering mobs to her fateful meeting with the two men who would change her life: P. T. Barnum and Charles Stratton, AKA Tom Thumb. Their wedding would captivate the nation, preempt coverage of the Civil War, and usher them into the White House and the company of presidents and queens. But Vinnie's fame would also endanger the person she prized most: her similarly-sized sister, Minnie, a gentle soul unable to escape the glare of Vinnie's spotlight. A barnstorming novel of the Gilded Age, and of a woman's public triumphs and personal tragedies, The Autobiography of Mrs. Tom Thumb is the irresistible epic of a heroine who conquered the country with a heart as big as her dreams - and whose story will surely win over yours.

    Bill, aging and sick but still able to best any man in a fair gunfight, just wants to be left alone to drink and play cards. But in this town of played-out miners, bounty hunters, upstairs girls, Chinese immigrants, and various other entrepeneurs and miscreants, he finds himself pursued by a vicious sheriff, a perverse whore man bent on revenge, and a besotted Calamity Jane. Fueled by liquor, sex, and violence, this is the real wild west, unlike anything portrayed in the dime novels that first told its story.

    It is also the introduction of a bold and talented literary voice. Before considering reading this book, please see the BookBrowse note on the book jacket/review page.BookBrowse Note: January 9th 2006: An article in the Smoking Gun claimed that James Frey (author of A Million Little Pieces and My Friend Leonard) fabricated key parts of his books. They cited police records, court documents and interviews with law enforcement agents which belie a number of Frey's claims regarding criminal charges against him, jail terms and his fugitive status.In an interview with the Smoking Gun, Frey admitted that he had 'embellished central details' in A Million Little Pieces and backtracked on claims he made in the book.January 26th 2006. Frey's publisher stated that while it initially stood by him, after further questioning of the author, the house has "sadly come to the realization that a number of facts have been altered and incidents embellished." It will be adding a a publisher's note and author's note to all future editions of A Million Little Pieces.

    There they inhabit an elaborate cave shelter, bathe in a nearby creek, store perishables at the water’s edge, use a makeshift septic system, tend a garden, even keep a library of sorts. Once a week, they go to the city to buy groceries and otherwise merge with the civilized world. But one small mistake allows a backcountry jogger to discover them, which derails their entire existence, ultimately provoking a deeper flight.Inspired by a true story and told through the startlingly sincere voice of a young narrator, Caroline, Peter Rock's My Abandonment is a riveting journey into life at the margins and a mesmerizing tale of survival and hope.