Burdened with a broken heart, she asks herself the age-old question . . . is love really worth it?Out of Love is a bittersweet romance told in reverse. Beginning at the end of a relationship, each chapter takes us further back in time, weaving together an already unravelled tapestry, from tragic break-up to magical first kiss. In this dazzling debut Hazel Hayes performs a post-mortem on love, tenderly but unapologetically exploring every angle, from the heights of joy to the depths of grief, and all the madness and mundanity in between. This is a modern story with the heart of a classic: truthful, tragic and ultimately full of hope.

    He's all Marine --- fighter pilot, king of the clouds, and absolute ruler of his family. Lillian is his wife -- beautiful, southern-bred, with a core of velvet steel. Without her cool head, her kids would be in real trouble. Ben is the oldest, a born athlete whose best never satisfies the big man. Ben's got to stand up, even fight back, against a father who doesn't give in -- not to his men, not to his wife, and certainly not to his son. Bull Meecham is undoubtedly Pat Conroy's most explosive character -- a man you should hate, but a man you will love.

    Growing up on a dairy farm in the mountains of British Columbia less than two miles from the American border, she knows little of the outside world. But she knows family. A family so close and loving that they are the envy of the nearby town of Atwood. Friends and neighbors, young and old alike, show up regularly on their farmhouse porch–all willing to share in the never-ending daily chores in exchange for a place at the Ward family table. Natalie cherishes her position as the only daughter of the beautiful Nettie Ward–the pride of the Catholic Ladies Auxiliary–and the town's milkman, Gus Ward–the darling of Atwood housewives. She adores her three brothers, especially the eldest, Boyer, whom she idolizes with a childlike worship. Like her mother, Natalie believes their lives are blessed, as rich and as sweet as the fresh milk that is their livelihood. Everything changes one hot July afternoon in 1966 when a long-haired stranger walks up the winding dirt road to their door. The arrival of this soft-spoken American, a Vietnam War resister, will test the morals and beliefs of the Ward family and their close-knit community. The catastrophic events that are set in motion will leave relationships shattered and Natalie separated from the family she loves in ways that she could never have imagined. Thirty-five years later, Natalie receives a late-night phone call from her now-estranged brother Boyer. Their mother is dying. Torn between the love of her mother and the fear of the past, Natalie returns to the town she has spent her entire adult life avoiding. As she travels back to her childhood home she steels herself against the bittersweet memories of that summer day in 1966 and the tragedy that followed. But before Natalie can find redemption, she must confront the secrets and horrors of a past she has desperately tried to forget.

    Now, at sixteen, she still can’t bring herself to step on “the spot”—the section of kitchen floor on which her father landed after collapsing from a brain aneurysm. For Riley, a borderline hypochondriac with anxiety issues, moving on seems impossible, taking risks is out of the question, and even the simplest things feel loaded with danger.When she meets Cole Boyer in an ER waiting room, Riley realizes immediately that he’s far from the safe, predictable boy she usually goes for. A fearless daredevil with mysterious scars and a thirst for all things dangerous, Cole is like an accident waiting to happen. Still, despite their differences, they forge an unlikely friendship that eventually blossoms into something more. Dating someone who’s so casual about death has its challenges, but as Riley soon learns, not everyone can be—or needs to be—saved.

    Her parents are determined that Lydia will fulfill the dreams they were unable to pursue - in Marilyn's case that her daughter become a doctor rather than a homemaker, in James's case that Lydia be popular at school, a girl with a busy social life and the centre of every party. Little Fires Everywhere: Everyone in Shaker Heights was talking about it that summer: how Isabelle, the last of the Richardson children, had finally gone around the bend and burned the house down.In Shaker Heights, a placid, progressive suburb of Cleveland, everything is meticulously planned - from the layout of the winding roads, to the colours of the houses, to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules.

    But when your best friend has died and your other friends have moved away it can suddenly get a whole lot tougher. Now heartbroken Jenny has a female shaped hole in her life which - despite the presence of many women - won’t go away. Grief has turned her into a first class snob.Husband Lonny preps the house for climate change and is unable to halt Jenny’s unravelling. Then gorgeous Trudi wafts into the creative writing class bringing some much needed hope.Feeling that this is the only way out of her depression, Jenny’s intention to befriend Trudi builds to an obsession while facing all manner of setbacks. A motley crew of unsuitable local women is encroaching while lovely Trudi remains elusive. Why is something that used to be so easy, now so hard?Mixing serious issues with much hilarity ‘Friends and Neighbours’ is a feel-good story for our times.‘This book made me laugh out loud in many places and shed a tear in others’ Siobhan Curham. Author. 'An American in Paris'

    The last thing Robertson needs is a messy, racially fraught murder, even if it means overtime—and the opportunity to clinch the promotion he craves. Then there's that nutritionally demanding (and psychologically acute) intestinal parasite in his gut. Yes, things are going badly for this utterly corrupt tribune of the law, but in an Irvine Welsh novel nothing is ever so bad that it can't get a whole lot worse. . .

    But he may be the first to arrive in Montana with a World Series ring, a three-legged dog, and a thirst for self-destruction. High and Inside documents, with stark clarity, one man's struggle with the dark side of fame, as well as his internal battles with alcoholism and a crumbling sense of self-worth. A community of people who love him and a generous inheritance aren't enough to counterbalance Pete's apparent determination to sabotage every healthy aspect of his life. It's a downward spiral that won't end until he's forced to confront not only his own ugly past but his unfulfilled future as well. With wit and compassion, sharp humor and startling insight, author Russell Rowland gives us not only a portrait of fame and addiction, but also an indispensable glimpse into the character of the modern West. "Rowland's people are on a search, and he writes them with wit, humility, and a satisfying sense of trajectory." Leif Enger Author of Peace Like a RiverYou don t have to love baseball to love this story about one (aging) boy of summer who is brought to a bittersweet reckoning with his past. I found myself laughing, cringing, and knuckling down Kim Barnes Author of "In the Kingdom of Men"an elegant and potent investigation of community and home, of healing and forgiveness this wonderful novel is a grand slam of indelible characters and infectious drama, and a flat-out great read. Alan Heathcock Author of "Volt"

    But when Andrea Kelly’s house burns down, taking all her earthly possessions with it, it’s the distant and aloof Doctor David Adams – the person she would least expect – who opens his door not just to her, but to her three kids and slightly dotty elderly mother as well. Andrea needs all the help she can get, dealing with aftermath of the fire and in the suspicious absence of her husband, Jonathan. But, as she gets to know David and his troubled son, Jake, she begins to realise that maybe they need her help as much as she needs theirs … Previously published by the author. Revised and updated by Choc Lit May 2016.

    The book's unnamed narrator, growing up during the 1950s, is beset by aloof parents, a cruel sister, and relentless mocking from his peers, compelling him to seek out works of art and literature as solace-and to uncover new relationships in the struggle to embrace his own sexuality. Lyrical and poignant, with powerful evocations of shame and yearning, this is an American literary treasure.

    Alison Poole, twenty going on 40,000, is a budding actress already fatally well versed in hopping the clubs, shopping Chanel falling in and out of lust, and abusing other people's credit cards. As Alison races toward emotional breakdown, McInerney gives us a hilarious yet oddly touching portrait of a postmodern Holly Golightly coming to terms with a world in which everything is permitted and nothing really matters.

    There, a boy called Peekay is born. His childhood is marked by humiliation and abandonment, yet he vows to survive and conceives heroic dreams, which are nothing compared to what life actually has in store for him. He embarks on an epic journey through a land of tribal superstition and modern prejudice where he will learn the power of words, the power to transform lives and the power of one.

    He eventually lands a job in real estate as a "Social Media Manager," a role that requires the mindless pursuit of likes, tweets, and hits.After a death in the family and a surprise inheritance, Jake quits his job and meanders through lonely hotel rooms, quiet beach towns, and then, in a dramatic shift, stations himself in West Hollywood where disillusioned twenty-somethings lose themselves in the madness of drugs and sex. It is here that the only proof of memories is found in filtered photographs posted online from the night before.Miller captures the angst, restlessness, and spirit of the Millennial Generation — a group mindlessly charging through the recession during a time when the line between existence in the physical and digital world is blurred. The novel provides a fascinating, grim, and often times humorous portrayal of the lifestyle that represents our contemporary youth.

    If the poetic sequence is the main mode of Maggot, it certainly isn't your father's poetic sequence. Taking as a starting point W. B. Yeats's remark that the only fit topics for a serious mood are "sex and the dead," Muldoon finds unexpected ways of thinking and feeling about what it means to come to terms with the early twenty-first century. It's no accident that the centerpiece of Maggot is an outlandish meditation on a failed poem that draws on the vocabulary of entomological forensics. The last series of linked lyrics, meanwhile, takes as its subject the urge to memorialize the scenes of fatal automobile accidents. The extravagant linkage of rot and the erotic is at the heart of not only the title sequence but also many of the round songs that characterize Maggot, and has led Angela Leighton, writing in The Times Literary Supplement, to see these new poems as giving readers "a thrilling, wild, fairground ride, with few let-ups for the squeamish."

    She anticipates her first dance, the greatest yet most terrifying event of her restricted social life, with tremulous uncertainty and excitement. For her pretty, charming elder sister Kate, the dance is certain to be a triumph, but what will it be for shy, awkward Olivia?Exploring the daydreams and miseries attendant upon even the most innocent of social events, Rosamond Lehmann perfectly captures the emotions of a girl standing poised on the threshold of womanhood.