Growing up, he's raised by a promiscuous mother who can't stay out of trouble, his best friend is a thirteen-year-old alcoholic, and the masters at his tough Scottish school are always raising their canes in his direction. When he becomes an adult, he escapes, and chooses the safe route, watching the world from a distance.Everything changes the day he meets the beautiful, alluring, green-eyed Heather, and when he learns of Heather's own abusive childhood and the horrific secret she's been carrying, Malcolm decides to help her. And, this time he's not backing down, whatever the cost.

    Now, a small remnant – the descendants of the few survivors who were able to escape the massacre below – lives above the clouds, on the top of a Mountain. When they discover that their water supply is being poisoned Down Below, an expedition, including seventeen year-old girl Icelyn Brathius, must descend and face the monsters, the Threat Below, that wiped out civilization centuries ago. Icelyn quickly learns that all is not what it seems as she uncovers secrets hundreds of years old and struggles to stay alive in a world where no human is fit to survive.

    They are his passion and his obsession, even after his recent falls—and despite the state’s threat to take him away from his mother if she can’t keep him from getting hurt. But the young autistic boy cannot resist the captivating pull of the Pacific Northwest’s lush forests just outside his back door.One day, March is devastated to learn that the Eagle Tree—a monolithic Ponderosa Pine near his home in Olympia—is slated to be cut down by developers. Now, he will do anything in his power to save this beloved tree, including enlisting unlikely support from relatives, classmates, and even his bitter neighbor. In taking a stand, March will come face-to-face with some frightening possibilities: Even if he manages to save the Eagle Tree, is he risking himself and his mother to do it?Intertwining themes of humanity and ecology, The Eagle Tree eloquently explores what it means to be part of a family, a society, and the natural world that surrounds and connects us.

    Serving customers ice cream all summer long, she is desperate for some kind of escape.But one afternoon, a terrible lie slips from her tongue. And suddenly everyone wants to talk to her: the press, her schoolmates, and even the boy upstairs. He is the only one who knows the truth, and he is demanding a price for his silence.Then Nofar meets Raymonde, an elderly immigrant whose best friend has just died. Raymonde keeps her friend alive the only way she knows how, by inhabiting her stories. But soon, Raymonde's lies take on a life of their own.Written with propulsive energy, dark humor, and deep insight, The Liar reveals the far-reaching consequences of even our smallest choices, and explores the hidden corners of human nature to reveal the liar, and the truth-teller, in all of us.

    Twentysomethings, brought up with divorce, Watergate and Three Mile Island, and scarred by the 80s fall-out of yuppies, recession, crack and Ronald Reagan, they represent the new generation - Generation X.Fiercely suspicious of being lumped together as an advertiser's target market, they have quit dreary careers and cut themselves adrift in the California desert. Unsure of their futures, they immerse themselves in a regime of heavy drinking and working at no-future McJobs in the service industry.Underemployed, overeducated, intensely private and unpredictable, they have nowhere to direct their anger, no one to assuage their fears, and no culture to replace their anomie. So they tell stories; disturbingly funny tales that reveal their barricaded inner world. A world populated with dead TV shows, 'Elvis moments' and semi-disposable Swedish furniture...

    When she begins spending more time in town, she is surrounded by women -- her mother, an agnostic, opinionated woman who sells encyclopedias to local farmers; her mother's boarder, the lusty Fern Dogherty; and her best friend, Naomi, with whom she shares the frustrations and unbridled glee of adolescence.Through these unwitting mentors and in her own encounters with sex, birth, and death, Del explores the dark and bright sides of womanhood. All along she remains a wise, witty observer and recorder of truths in small-town life. The result is a powerful, moving, and humorous demonstration of Alice Munro's unparalleled awareness of the lives of girls and women.

    They know that a day of reckoning is approaching, but events in the United States, and around the world, cause an acceleration of the timeline.La Société de la Frontière Ouverte must awaken and prepare for the exodus.

    Abel Haggard is an elderly hunchback who haunts the remnants of his family’s farm in the encroaching shadow of the Dallas suburbs, adrift in recollections of those he loved and lost long ago. As a young man, he believed himself to be “the one person too many”; now he is all that remains. Hundreds of miles to the south, in Austin, Seth Waller is a teenage “Master of Nothingness”–a prime specimen of that gangly, pimple-rashed, too-smart breed of adolescent that vanishes in a puff of sarcasm at the slightest threat of human contact. When his mother is diagnosed with a rare form of early-onset Alzheimer’s, Seth sets out on a quest to find her lost relatives and to conduct an “empirical investigation” that will uncover the truth of her genetic history. Though neither knows of the other’s existence, Abel and Seth are linked by a dual legacy: the disease that destroys the memories of those they love, and the story of Isidora–an edenic fantasy world free from the sorrows of remembrance, a land without memory where nothing is ever possessed, so nothing can be lost. Through the fusion of myth, science, and storytelling, this novel offers a dazzling illumination of the hard-learned truth that only through the loss of what we consider precious can we understand the value of what remains.

    In his short life eleven-year-old Fawad has known more grief than most: his father and brother have been killed, his sister has been abducted, and Fawad and his mother, Mariya, must rely on the charity of family to eke out a hand-to-mouth existence. Then Mariya finds a position as housekeeper for a charismatic western woman, Georgie, and Fawad dares to hope for an end to their struggle. He soon discovers that his beloved Georgie is caught up in a dangerous love affair with the powerful Afghan warlord Haji Khan, a legendary name on the streets of Kabul. At first resentful of Haji Khan's presence, Fawad learns that love can move a man to act in surprising ways, and an overwhelming act of generosity persuades him of the warlord's good intentions.But even a man as influential as Haji Khan can't protect Fawad from the next tragedy to blight his young life, a tragedy so devastating that it threatens to destroy the one thing Fawad thought he could never lose: his love for his country.

    She also cannot forget the day her stepfather sent her away to a group home. Now, years later in Vancouver, she has met a man who can make her forget all that.The God of My Art is layered with unforgettable scenes of youth, obsessive love, and artistic longing. At the core of this coming-of-age tale are the shifting faces of Helene--teenage runaway, university student, and budding artist. Related in her engaging voice, this novel chronicles Helene's seminal love affair with Matthew, a globetrotting mountaineer passionate about Nietzsche, and the art he inspires within her. As she wrestles to become the artist she wants to be, she encounters unforgettable characters along the way, including Hana, a lesbian theatre student fed up with her partner's multiple affairs, and Laurent, a French exchange student who grapples with existential questions of his own.Bold and poetic, sensual and confessional, The God of My Art explores obsessive love as a source of inspiration for art, where the artist is female and the eternal muse, male.

    Yet all around him things are ending: His parents' marriage is crumbling, his father loses his job during the closing of the Alameda naval base, his family faces eviction from their house, and his beloved grandmother is dying.As betrayal and poverty take their toll, Conrad's efforts to create a new family for himself lead us on a journey alternately hilarious and desolating. Filled with tenderness and a cast of unforgettable characters, The Color Midnight Made is at heart a profound portrait of America.

    Kya Clark is barefoot and wild; unfit for polite society. So in late 1969, when the popular Chase Andrews is found dead, locals immediately suspect her.But Kya is not what they say. A born naturalist with just one day of school, she takes life's lessons from the land, learning the real ways of the world from the dishonest signals of fireflies. But while she has the skills to live in solitude forever, the time comes when she yearns to be touched and loved. Drawn to two young men from town, who are each intrigued by her wild beauty, Kya opens herself to a new and startling world—until the unthinkable happens.In Where the Crawdads Sing, Owens juxtaposes an exquisite ode to the natural world against a profound coming of age story and haunting mystery. Thought-provoking, wise, and deeply moving, Owens’s debut novel reminds us that we are forever shaped by the child within us, while also subject to the beautiful and violent secrets that nature keeps.The story asks how isolation influences the behavior of a young woman, who like all of us, has the genetic propensity to belong to a group. The clues to the mystery are brushed into the lush habitat and natural histories of its wild creatures.

    In A Ted Hughes Bestiary, Alice Oswald’s selection is arranged chronologically, with an eye to different books and styles, but equally to those poems that embody animals rather than just describe them. Some poems are here because, although not strictly speaking animal, they become so in the process of writing; and in keeping with the bestiary tradition there are plenty of imaginary animals—all concentratedly going about their business.In Poetry in the Making, Hughes said that he thought of his poems as animals, meaning that he wanted them to have “a vivid life of their own.” Distilled and self-defining, A Ted Hughes Bestiary is subtly responsive to a central aspect of Hughes’s achievement, while offering room to overlooked poems, and “to those that have the wildest tunes.”

    In Dublin, her best friend, Eileen, is getting over a break-up and slips back into flirting with Simon, a man she has known since childhood. Alice, Felix, Eileen, and Simon are still young—but life is catching up with them. They desire each other, they delude each other, they get together, they break apart. They have sex, they worry about sex, they worry about their friendships and the world they live in. Are they standing in the last lighted room before the darkness, bearing witness to something? Will they find a way to believe in a beautiful world?

    His memories cluster around the houses they lived in, the schools he went to, the uncles and aunts and cousins he knew as a boy. This is an extremely funny book and the account of how Ted O'Malley repaired the plumbing is likely to become a classic of its kind. It is also a warm and touching book. As a picture of its time, it is clear, true and absolutely unforgettable