Billy, the bisexual narrator and main character of In One Person, tells the tragicomic story (lasting more than half a century) of his life as a "sexual suspect," a phrase first used by John Irving in 1978 in his landmark novel of "terminal cases," The World According to Garp.In One Person is a poignant tribute to Billy’s friends and lovers—a theatrical cast of characters who defy category and convention. Not least, In One Person is an intimate and unforgettable portrait of the solitariness of a bisexual man who is dedicated to making himself "worthwhile.

    His characters solicit sex on their lunch breaks, expose themselves to racist neighbors, sleep with their coworker's husbands, rub Preparation H on their hungover eyes, and, in an uproarious epilogue, take a punk band on a disastrous tour of Europe. They also travel to claim inheritances, push past personal trauma, and cultivate community while living on the margins of a white supremacist, heteronormative society.Armed with a deadpan wit that finds humor in even the lowest of nadirs, Brontez Purnell--a widely acclaimed underground writer, filmmaker, musician, and performance artist--writes with the peerless zeal, insight, and horniness of a gay punk messiah. From dirty warehouses and gentrified bars in Oakland to desolate farm towns in Alabama, Purnell indexes desire, desperation, race, and loneliness with a startling blend of levity and vulnerability. Together, the slice-of-life tales that writhe within 100 Boyfriends are a singular and uncompromising vision of an unexposed queer underbelly. Holding them together is the vision of an iconoclastic storyteller, as fearless as he is human.

    We drive at high speed along back roads, through woods, vineyards, and oat fields. The bike smells like gasoline and makes a lot of noise, and sometimes I’m frightened when the wheels slip on the gravel on the dirt road, but the only thing that matters is that I’m holding on to him, that I’m holding on to him outside.Just outside a hotel in Bordeaux, Philippe chances upon a young man who bears a striking resemblance to his first love. What follows is a look back at the relationship he’s never forgotten, a hidden affair with a gorgeous boy named Thomas during their last year of high school. Without ever acknowledging they know each other in the halls, they steal time to meet in secret, carrying on a passionate, world-altering affair.Dazzlingly rendered in English by Ringwald in her first-ever translation, Besson’s powerfully moving coming-of-age story captures the eroticism and tenderness of first love—and the heartbreaking passage of time.

    Soehnlein captures the spirit of a generation and an era, embodied in the haunting, unstoppable voice of thirteen-year-old Robin MacKenzie, a modern-day Holden Caulfield, whose struggle for a place in the world is as ferocious as it is real.The time is the late 1970s--an age of gas shortages, head shops, and Saturday Night Fever. The place, suburban New Jersey. At a time when the teenagers around him are coming of age, Robin MacKenzie is coming undone. While "normal boys" are into cars, sports, and bullying their classmates, Robin enjoys day trips to New York City with his elegant mother, spinning fantastic tales for her amusement in an intimate ritual he has come to love. He dutifully plays the role of the good son for his meat-and-potatoes father, even as his own mind is a jumble of sexual confusion and painful self-doubt. But everything changes in one, horrifying instant when a tragic accident wakes his family from their middle-American dream and plunges them into a spiral of slow destruction.As his family falls apart day by day, Robin finds himself pulling away from the unquestioned, unexamined life that has been carefully laid out for him. Small acts of rebellion lead to larger questions of what it means to stand on his own. Falling into a fevered triangle with two other outcasts, Todd Spicer and Scott Schatz, Robin embarks on an explosive odyssey of sexual self-discovery that will take him beyond the spring-green lawns of suburbia, beyond the fraying fabric barely holding together his quickly unraveling family, and into a complex future, beyond the world of normal boys.In The World Of Normal Boys, K.M. Soehnlein has created a dazzling gem of a debut novel in the tradition of Ordinary People and A Boy's Own Story, one that sparkles with raw honesty, poetic beauty, wry insight, and a rare richness of emotion that reverberates long after the last page is read. It is a story about growing up and falling apart, of rebellion and acceptance, of unspoken lives and irreversible choices that are made.

    That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another person—a woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature. Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936.

    She had her family and her best friends and, most important, she had Sarah. Sarah, her girlfriend, with whom she dreamed with about the day they could move far away and live out and proud and accepted for themselves, instead of having to hide their relationship. Alyssa never thought she would have to make that move by herself, but disowned by her father and cut off from everyone she loves, she is forced to move hundreds of miles away to live with Carly, the biological mother she barely knows, in a town where everyone immediately dismisses her as "Carly's girl." As Alyssa struggles to forget her past and come to terms with her future, will she be able to build a new life for herself and believe in love again? Or will she be forced to relive the mistakes that have cost her everything and everyone she cared about?National Book Award finalist Julie Anne Peters has written a compelling novel about coming out, finding love, and discovering your place in the world. Alyssa's story will speak to anyone who has known the joy and pain of first love and the struggle to start over again.

    Rasa spends his days translating for Western journalists and pining for the nights when he can sneak his lover, Taymour, into his room. One night Rasa's grandmother—the woman who raised him—catches them in bed together. The following day Rasa is consumed by the search for his best friend Maj, a fiery activist and drag queen star of the underground bar, Guapa, who has been arrested by the police. Ashamed to go home and face his grandmother, and reeling from the potential loss of the three most important people in his life, Rasa roams the city’s slums and prisons, the lavish weddings of the country’s elite, and the bars where outcasts and intellectuals drink to a long-lost revolution. Each new encounter leads him closer to confronting his own identity, as he revisits his childhood and probes the secrets that haunt his family. As Rasa confronts the simultaneous collapse of political hope and his closest personal relationships, he is forced to discover the roots of his alienation and try to re-emerge into a society that may never accept him.

    If the universe had his back, he wouldn’t be on his way to the post office carrying a box of his ex-boyfriend’s things.But when Arthur and Ben meet-cute at the post office, what exactly does the universe have in store for them?Maybe nothing. After all, they get separated.Maybe everything. After all, they get reunited.But what if they can’t quite nail a first date . . . or a second first date . . . or a third?What if Arthur tries too hard to make it work . . . and Ben doesn’t try hard enough?What if life really isn’t like a Broadway play?But what if it is?

    His mother Eileen died two years earlier when her car plunged into the icy waters of the Mississippi River, and since then Kevin's relationship with his father Patrick has become increasingly distant. As lonely women vie for his father's attention, Kevin discovers Patrick's own closely guarded secret: he had planned to abandon his family for another woman. More disturbingly, his mother's death may well have been a suicide, not an accident.Complicating the family dynamic is the constant meddling of Kevin's outspoken Aunt Nora--who will never forgive Patrick for Eileen's death--along with Patrick's inability to stay single for very long. His loyalties divided between his father and his aunt, between his internal reality and his public persona, Kevin is forced to accept his gay identity and reevaluate his notions of family and love as painful truths emerge about both.

    An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends—some dating each other, some dating women, some feigning straightness. But over the course of a late-summer weekend, a series of confrontations with colleagues, and an unexpected encounter with an ostensibly straight, white classmate, conspire to fracture his defenses while exposing long-hidden currents of hostility and desire within their community.

    Nate Schaper found his in high school. In the eight months since their cautious flirting became a real, honest, tell-the-parents relationship, Nate and Adam have been inseparable. Even when local kids take their homophobia to brutal levels, Nate is undaunted. He and Adam are rock solid. Two parts of a whole. Yin and yang.But when Adam graduates and takes an Off-Broadway job in New York—at Nate’s insistence—that certainty begins to flicker. Nate starts a blog to vent his frustrations and becomes the center of a school controversy, drawing ire and support in equal amounts. But it is the attention of a new boy who is looking for more than guidance that forces him to confront who and what he really wants.J.H. Trumble’s debut, DON’T LET ME GO, is a witty, beautifully written novel that is both a sweet story of love and long-distance relationships, and a timely discourse about bullying, bigotry, and hate in high schools.

    Six years later, again in June, Paul's death draws his three grown sons and their families back to their ancestral home. Fenno, the eldest, a wry, introspective gay man, narrates the events of this unforeseen reunion. Far from his straitlaced expatriate life as a bookseller in Greenwich Village, Fenno is stunned by a series of revelations that threaten his carefully crafted defenses. Four years farther on, in yet another June, a chance meeting on the Long Island shore brings Fenno together with Fern Olitsky, the artist who once captivated his father. Now pregnant, Fern must weigh her guilt about the past against her wishes for the future and decide what family means to her. In prose rich with compassion and wit, Three Junes paints a haunting portrait of love's redemptive powers.

    But a chance meeting by the river soon becomes an intense, exhilarating, and all-consuming affair. After their camp duties are fulfilled, the pair spend a dreamlike few weeks camping in the countryside, bonding over an illicit copy of James Baldwin’s Giovanni’s Room. Inhabiting a beautiful natural world removed from society and its constraints, Ludwik and Janusz fall deeply in love. But in their repressive communist and Catholic society, the passion they share is utterly unthinkable.Once they return to Warsaw, the charismatic Janusz quickly rises in the political ranks of the party and is rewarded with a highly-coveted position in the ministry. Ludwik is drawn toward impulsive acts of protest, unable to ignore rising food prices and the stark economic disparity around them. Their secret love and personal and political differences slowly begin to tear them apart as both men struggle to survive in a regime on the brink of collapse.Shifting from the intoxication of first love to the quiet melancholy of growing up and growing apart, Swimming in the Dark is a potent blend of romance, post-war politics, intrigue, and history. Lyrical and sensual, immersive and intense, Tomasz Jedrowski has crafted an indelible and thought-provoking literary debut that explores freedom and love in all its incarnations.

    Uniting fact and fiction into an original romantic vision, The Danish Girl eloquently portrays the unique intimacy that defines every marriage and the remarkable story of Lili Elbe, a pioneer in transgender history, and the woman torn between loyalty to her marriage and her own ambitions and desires.The Danish Girl is an evocative and deeply moving novel about one of the most passionate and unusual love stories of the 20th century.

    As their relationship develops, Renault expertly conveys Greek culture, showing the impact of this supreme philosopher whose influence spans epochs.