Whether in southern Italy, where as a boy he has a crush on his parents’ cabinet maker, or on a snowbound campus in New England, where his enduring passion for a girl he’ll meet again and again over the years is punctuated by anonymous encounters with men; on a tennis court in Central Park, or a sidewalk in early spring New York, his attachments are ungraspable, transient and forever underwritten by raw desire—not for just one person’s body but, inevitably, for someone else’s as well. In mapping the most inscrutable corners of desire, Aciman proves to be an unsparing reader of the human psyche and a master stylist of contemporary literature. With language at once lyrical, bare-knuckled, and unabashedly candid, he casts a sensuous, shimmering light over each facet of desire to probe how we ache, want, and waver, and ultimately how we sometimes falter and let go of those who may want only to offer what we crave from them. Behind every step the hero takes, his hopes, denials, fears, and regrets are always ready to lay their traps. Yet the dream of love always casts its luminous halo. We may not always know what we want. We may remain enigmas to ourselves and others. But sooner or later we discover who we’ve always known we were.

    The problem is her little sister, Sophie. Sophie has an autism-like disorder, and a tendency to shriek. No matter where they live, home never seems to last long.Until they move in with Aunt Vi, across the fence from a huge black Great Dane who changes everything. Sophie falls in love immediately, and begins to imitate the “inside of the dog,” which, fortunately, is a calm place. The shrieking stops. Everybody begins to breathe again. Until Paul Inverness, the dog’s grumpy, socially isolated owner, moves to the mountains, and it all begins again.Much to Angie’s humiliation, when they’re thrown out of Aunt Vi’s house, Angie’s mom moves the family to the mountains after Paul and his dog. There, despite a fifty-year difference in their ages, Angie and Paul form a deep friendship, the only close friendship either has known. Angie is able to talk to him about growing up gay, and Paul trusts Angie with his greatest secret, his one dream. When the opportunity arrives, Angie decides to risk everything to help Paul’s dream come true, even their friendship and her one chance at a real home—the only thing she’s dreamed of since her father was killed. A place she can never be thrown out. A place she can feel she belongs.By the bestselling author of DON’T LET ME GO, WHEN I FOUND YOU, and WALK ME HOME, WHERE WE BELONG is a poignant, heartfelt, and uplifting story about finding your place in the world, no matter how impossible it seems.“Hyde has a sure touch with affairs of the heart.”-Publishers Weekly

    Told by her brother Parr, this is the story of 18-year-old Evie, her Missouri farm family, and the turmoil created by Evie's love for the local banker's daughter.

    Spanning four decades and many worlds, from the horrors of the Second World War to the wild abandon of New York in the eighties, Dancer is peopled by a large cast of characters, obscure and famous: doormen and shoemakers, nurses and translators, Margot Fonteyn, Eric Bruhn and John Lennon. And at the heart of the spectacle stands the artist himself, willful, lustful, and driven by a never-to-be-met need for perfection.

    His plans include running for class president, becoming head of the yearbook committee and having his choice of colleges. They do not include falling head over heels for his best friend and next-door neighbour, Kyle. It's a distraction. It's pointless, as Kyle is already dating the gorgeous and popular head cheerleader, Ruby. And Gideon doesn't know what to do . . .Kyle finally feels like he has a handle on life. He has a wonderful girlfriend, a best friend willing to debate the finer points of Lord of the Rings, and social acceptance as captain of the basketball team. Then, both Ruby and Gideon start acting really weird, just as his spot on the team is threatened, and Kyle can't quite figure out what he did wrong . . .

    His coworker Fletcher Bradford is looking for a heaven spot of his own, and his is even more elusive. Out since age 12, Fletcher's been around more blocks than Mateo has ever painted. He's dated all the jerks, all the creeps, all the losers in between. At 26 he's decided the only way to meet a nice guy is just never to give him a chance to prove otherwise. When he's introduced to Mateo, Fletcher expects to add another notch to his bedpost. But Mateo is different--and from him Fletcher will rediscover a long-lost feeling: surprise. What Fletcher finds in the trunk of Mateo's car will change his life in ways he never imagined--and may help him find what he's always wanted.From the author of THE CRANBERRY HUSH comes an epic story spanning years and hemispheres and miles of painted walls. At times sexy and sweet, gritty and gut-wrenching, THE PAINTING OF PORCUPINE CITY takes readers along with Mateo and Fletcher on an adventure through the subways of Boston to the towers of São Paulo. Are you in?

    Reprint.

    Mike is a Japanese American chef at a Mexican restaurant and Benson's a Black day care teacher, and they've been together for a few years -- good years -- but now they're not sure why they're still a couple. There's the sex, sure, and the meals Mike cooks for Benson, and, well, they love each other. But when Mike finds out his estranged father is dying in Osaka just as his acerbic Japanese mother, Mitsuko, arrives in Texas for a visit, Mike picks up and flies across the world to say goodbye. In Japan he undergoes an extraordinary transformation, discovering the truth about his family and his past. Back home, Mitsuko and Benson are stuck living together as unconventional roommates, an absurd domestic situation that ends up meaning more to each of them than they ever could have predicted. Without Mike's immediate pull, Benson begins to push outwards, realizing he might just know what he wants out of life and have the goods to get it. Both men will change in ways that will either make them stronger together, or fracture everything they've ever known. And just maybe they'll all be okay in the end. Memorial is a funny and profound story about family in all its strange forms, joyful and hard-won vulnerability, becoming who you're supposed to be, and the limits of love.

    Presenting one face to the world and burying his true feelings in fantasy, Neil tries to keep his secret.

    With wonderful delicacy and subtle insight and intimation, McCabe creates Mr. Patrick "Pussy" Braden, the enduringly and endearingly hopeful hero(ine) whose gutsy survival and yearning quest for love resonate in and drive the glimmering, agonizing narrative in which the troubles are a distant and immediate echo and refrain. Twenty years ago, her ladyship escaped her hometown of Tyreelin, Ireland, fleeing her foster mother Whiskers (prodigious Guinness-guzzler, human chimney) and her mad household, to begin a new life in London. There, in blousey tops and satin miniskirts, she plies her trade, often risking life and limb amongst the flotsam and jetsam that fill the bars of Piccadilly Circus. But suave businessmen and lonely old women are not the only dangers that threaten Pussy. It is the 1970's and fear haunts the streets of London and Belfast as the critical mass of history builds up, and Pussy is inevitably drawn into a maelstrom of violence and tragedy destined to blow his fragile soul asunder. Brilliant, startling, profound and soaring, Breakfast on Pluto combines light and dark, laughter and pain, with such sensitivity, directness and restraint that the dramatic impact reverberates in our minds and hearts long after the initial impression.

    She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.Ames isn't happy either. He thought detransitioning to live as a man would make life easier, but that decision cost him his relationship with Reese—and losing her meant losing his only family. Even though their romance is over, he longs to find a way back to her. When Ames's boss and lover, Katrina, reveals that she's pregnant with his baby—and that she's not sure whether she wants to keep it—Ames wonders if this is the chance he's been waiting for. Could the three of them form some kind of unconventional family—and raise the baby together?This provocative debut is about what happens at the emotional, messy, vulnerable corners of womanhood that platitudes and good intentions can't reach. Torrey Peters brilliantly and fearlessly navigates the most dangerous taboos around gender, sex, and relationships, gifting us a thrillingly original, witty, and deeply moving novel.

    But her life has turned inside out like a sock. She can't rely on family, her body is letting her down, and friends and colleagues are turning away—they treat her like a victim. She needs to break that narrative: build her own community, learn new strengths, and fight. But what do you do when you find out that the story you’ve been told, the story you’ve told yourself, is not true? How can you fight if you can’t trust your body? Who can you rely on if those around you don’t have your best interests at heart, and the systems designed to help do more harm than good? Mara makes a decision, and acts, but her actions unleash monsters aimed squarely at the heart of her new community.This is fiction from the front lines, incandescent and urgent, a narrative juggernaut that rips through sentiment to expose the savagery of America’s treatment of the disabled and chronically ill. But So Lucky also blazes with hope and a ferocious love of self, of the life that becomes possible when we stop believing lies.

     Josh Felling has always been a romantic--up until the moment his lover Doug announced that he'd had an affair with a guy from their gym. Now, with his life playing out like a very bad movie of the week, Josh impulsively heads to the Cape for a few days--long enough to figure out where his relationship--what's left of it--might be going. But the summer has other plans for Josh, and his trip to P-town will bring bigger changes than he ever imagined. With its windswept dunes, lazy summer days, and starry nights filled with possibilities, Provincetown holds special appeal for those who call it home. . .and for those who come seeking its open welcome. People like Reilly Brennan, son of an old P-town family, whose days are caught up in wedding plans, even as his nights are increasingly taken over by heated fantasies about other men. . .Wide-eyed, blond-haired, All-American Toby Evans, an escapee from the Midwest ready to spend the summer in the equivalent of gay boot camp for anyone who will tutor him. . .Elegant Emmeline, age unknown, a southern belle straight out of Faulkner, with a mean drag act and almost enough money for her permanent gender transformation. . .Ty Rusk, one of Hollywood's hottest new stars hiding an ages-old secrets about to explode. Weaving in and out of these and other lives like the concierge of a Grand Hotel, Josh is in for the summer of his life, a time of turning points and bridges burned, of second chances and new beginnings, of renewal and hope that will bring him closer to becoming the man he needs to be. "This is a cut above more mainstream gay fiction offerings, thanks to Ford's crisp prose and snappy, contemporary dialogue. . ..the sandy, barefoot-friendly setting morphs all the melodrama into a satisfying beach book--and a pleasant fiction debut for Ford."--Publishers Weekly

    The nation, seething with religious and political discontent, has erupted into violence and terror. Jacob Cullen and his fellow soldiers dream of rebuilding their lives when the fighting is over. But the shattering events of war will overtake them. A darkly erotic tale of passion and obsession, As Meat Loves Salt is a gripping portrait of England beset by war. It is also a moving portrait of a man on the brink of madness. Hailed as a masterpiece, this is a novel by a most original new voice in fiction.

    Dorothy Strachey’s classic Olivia captures the awakening passions of an English adolescent sent away for a year to a small finishing school outside Paris. The innocent but watchful Olivia develops an infatuation for her headmistress, Mlle. Julie, and through this screen of love observes the tense romance between Mlle. Julie and the other head of the school, Mlle. Cara, in its final months. “Although not strictly autobiographical, Olivia draws on the author’s experiences at finishing schools run by the charismatic Mlle. Marie Souvestre, whose influence lived on through former students like Natalie Barney and Eleanor Roosevelt. Olivia was dedicated to the memory of Strachey’s friend Virginia Woolf and published to acclaim in 1949. Colette wrote the screenplay for the 1951 film adaptation of the novel. In 1999, Olivia was included on the Publishing Triangle’s widely publicized list of the 100 Best Gay and Lesbian Novels of the 20th Century. “Dorothy Strachey (1865-1960) was the sister of the novelist Lytton Strachey and a prominent member of the Bloomsbury Group…….Olivia, originally published under a pseudonym, is her only novel.” -- Amazon.com