“Irresistible” (Out). Black-and-white photographs.

    A dream to become an actress, like her idols Ron Howard and Vicki Lawrence. But it was a long way from the South Side of Chicago to Hollywood, and it didn't help that she'd recently dropped out of the school play, The Ugly Duckling. Or that the Hollywood casting directors she wrote to replied that "professional training was a requirement." But the funny thing is, it all came true. Through a series of Happy Accidents, Jane Lynch created an improbable and hilarious path to success. In those early years, despite her dreams, she was also consumed with anxiety, feeling out of place in both her body and her family. To deal with her worries about her sexuality, she escaped in positive ways such as joining a high school chorus not unlike the one in Glee but also found destructive outlets. She started drinking almost every night her freshman year of high school and developed a mean and judgmental streak that turned her into a real- life Sue Sylvester. Then, at thirty-one, she started to get her life together. She was finally able to embrace her sexuality, come out to her parents, and quit drinking for good. Soon after, a Frosted Flakes commercial and a chance meeting in a coffee shop led to a role in the Christopher Guest movie Best in Show, which helped her get cast in The 40-Year-Old Virgin. Similar coincidences and chance meetings led to roles in movies starring Will Ferrell, Paul Rudd, and even Meryl Streep in 2009's Julie & Julia. Then, of course, came the two lucky accidents that truly changed her life. Getting lost in a hotel led to an introduction to her future wife, Lara. Then, a series she'd signed up for abruptly got canceled, making it possible for her to take the role of Sue Sylvester in Glee, which made her a megastar. Today, Jane Lynch has finally found the contentment she thought she'd never have. Part comic memoir and part inspirational narrative, this is a book equally for the rabid Glee fan and for anyone who needs a new perspective on life, love, and success. WITH A FOREWORD BY CAROL BURNETT Excerpt from Happy Accidents:If I could go back in time and talk to my twenty-year-old self, the first thing I would say is: "Lose the perm." Secondly I would say: "Relax. Really. Just relax. Don't sweat it." I can't remember a time when I wasn't anxious and fearful that the parade would pass me by. And I was sure there was someone or something outside of myself with all the answers. I had a driving, anxiety-filled ambition. I wanted to be a working actor so badly. I wanted to belong and feel like I was valued and seen. Well, now I am a working actor, and I guarantee you it's not because I suffered or worried over it. As I look back, the road to where I am today has been a series of happy accidents I was either smart or stupid enough to take advantage of. I thought I had to have a plan, a strategy. Turns out I just had to be ready and willing to take chances, look at what's right in front of me, and put my heart into everything I do. All that anxiety and fear didn't help, nor did it fuel anything useful. My final piece of advice to twenty-year-old me: Be easy on your sweet self. And don't drink Miller Lite tall boys in the morning.

    In this extraordinarily candid and radically inventive memoir, Machado tackles a dark and difficult subject with wit, inventiveness and an inquiring spirit, as she uses a series of narrative tropes—including classic horror themes—to create an entirely unique piece of work which is destined to become an instant classic.

    By that time, she had put her deep disappointment in her marriage behind her and developed an independent life—now threatened by the public role she would be forced to play. A lifeline came to her in the form of a feisty campaign reporter for the Associated Press: Lorena Hickok. Over the next thirty years, until Eleanor’s death, the two women carried on an extraordinary relationship: They were, at different points, lovers, confidantes, professional advisors, and caring friends. They couldn't have been more different. Eleanor had been raised in one of the nation’s most powerful political families and was introduced to society as a debutante before marrying her distant cousin, Franklin. Hick, as she was known, had grown up poor in rural South Dakota and worked as a servant girl after she escaped an abusive home, eventually becoming one of the most respected reporters at the AP. Her admiration drew the buttoned-up Eleanor out of her shell, and the two quickly fell in love. For the next thirteen years, Hick had her own room at the White House, next door to the First Lady. These fiercely compassionate women inspired each other to right the wrongs of the turbulent era in which they lived. During the Depression, Hick reported from the nation’s poorest areas for the WPA, and Eleanor used these reports to lobby her husband for New Deal programs. Hick encouraged Eleanor to turn their frequent letters into her popular and long-lasting syndicated column "My Day," and to befriend the female journalists who became her champions. When Eleanor’s tenure as First Lady ended with FDR's death, Hick pushed her to continue to use her popularity for good—advice Eleanor took by leading the UN’s postwar Human Rights Commission. At every turn, the bond these women shared was grounded in their determination to better their troubled world. Deeply researched and told with great warmth, Eleanor and Hick is a vivid portrait of love and a revealing look at how an unlikely romance influenced some of the most consequential years in American history.

    Nominated for the Edgar Award for best true-crime book of the year, it also marked the debut of an audaciously talented writer, James St. James, who himself had been a club kid and close friend and confidant of Michael Alig, the young man convicted of killing the drug dealer known as Angel. Now the book has been brought to the screen as Party Monster, with Macaulay Culkin playing killer Michael Alig and Seth Green as author/celebutante James St. James.

    Follow the travails of a dog walker enchanted with his new client, a restaurant owner who catches the eye of his most loyal customer, a blind date fix-up, and other seekers of the lost flame as they stumble upon romance and a possible chance at love. Showcasing new work from some of today’s best-known gay writers, including Trebor Healey, Felice Picano, Joel Derfner, Andrew Holleran, and Greg Herren, the stories in Fool for Love are a funny, sweet, and sometimes wrenching reminder of the joy romance brings to the human heart.

    Soon after, he left his small-town home in Clinton, Mississippi, to join an emerging musical group called *NSYNC. Two years later *NSYNC was inspiring Beatles-esque mania around the world, becoming the face of the new MTV generation, and earning the all-time record for most album sales in a single day (more than one million) and in a single week for No Strings Attached.He's remained in the spotlight ever since, and here he talks in depth for the first time about his childhood, his astonishing experiences as a young man and Christian growing up in one of the biggest bands in the world, his shock and frustration at the band's eventual dissolution, and his subsequent career, including his six months in Russia, training to become a cosmonaut.He also frankly discusses life as a gay man -- his first same-sex relationship at twenty-one, his struggle to keep his sexuality hidden from *NSYNC's fans in case it jeopardized the band's success, and the true circumstances that led to his decision to publicly come out at the age of twenty-seven. Full of fascinating behind-the-scenes lore and revealing insights from a pop star who, until now, has been notoriously private, Out of Sync is the book that millions of fans have been waiting for.About the AuthorLANCE BASS is the ultimate multi-hyphenate: singer-actor-producer-writer-entrepreneur-philanthropist. As a member of *NSYNC, Lance won a number of honors, including a People's Choice Award, an American Music Award, an MTV Video Music Award, a Kids' Choice Award, and a host of Grammy nominations. Lance was inducted into the Mississippi Musicians Hall of Fame, making him the youngest person ever to receive this honor. He is currently Youth Spokesperson for World Space Week and remains active in various charitable organizations, including the Lance Bass Foundation, created to meet the health and educational needs of children. Lance lives in Los Angeles.

    Today, it remains a touching story of a young man's discovery of his sexuality in the 1920s and 1930s and is considered to be one of the most important gay books ever written.

    But underneath the gleaming mid-century house, the flawless hostess mom, and the thriving businessman dad ran an unspoken tension that, amid the upheaval of the late 1960s, was destined to fracture their precarious facade.His older sister Donna introduces him to the charismatic Valentine, who places a tab of acid on twelve-year-old Rush's tongue, proclaiming: "This is sacrament. You are one of us now."After an unceremonious ejection from an experimental art school, Rush heads to Tuscon to make a major drug purchase and, still barely a teenager, disappears into the nascent American counterculture. Stitching together a ragged assemblage of lowlifes, prophets, and fellow wanderers, he seeks kinship in the communes of the west. His adolescence is spent looking for knowledge, for the divine, for home. Given what Rush confronts on his travels--from ordinary heartbreak to unimaginable violence--it is a miracle he is still alive.The Light Years is a prayer for vanished friends, an odyssey signposted with broken and extraordinary people. It transcends one boy's story to perfectly illustrate the slow slide from the optimism of the 1960s into the darker and more sinister 1970s. This is a riveting, heart-stopping journey of discovery and reconciliation, as Rush faces his lost childhood and, finally, himself.

    Coyote's wry, honest stories about gender and identity have captivated audiences everywhere. Ivan's eighth book is her first for LGBT youth, written for anyone who has ever felt different or alone in their struggles to be true to themselves. Included are stories about Ivan's tomboy youth and her adult life, where she experiences cruelty and kindness in unexpected places.Funny, inspiring, and full of heart, One in Every Crowd is about embracing and celebrating difference and feeling comfortable in one's own skin.Ivan E. Coyote was also featured in the anti-bullying anthology It Gets Better.

    The invitation to spend some time with his dad - the Baron Malcolm Spoor - comes as a surprise. But what awaits Torrance at his father's windswept estate is far worse than he could ever imagine. Welcome to the world of The Living One, one of the most frightening, clever, and suspenseful novels of the year. In this tour-de-force debut, Lewis Gannett spins a spellbinding story that summons up magic, body thievery, killer dogs, ESP wars, and lusty, genre-defying sex - straight, gay, and forms yet unnamed. The Spoors are the ultimate dysfunctional family. Wealthy, shamelessly extravagant, and impossibly attractive, they are also cursed. The curse has been handed down from father to son for seven hundred years, ever since the Crusades, when a bizarre and mystifying event created a recurring pattern of madness and death. As Baron Malcolm Spoor prepares for his demise, he must pass on the family riches - and its traditions - to his estranged son. But Malcolm and Torrance both have secrets they would rather keep to themselves, secrets that are nearly revealed when a shadowy government scientist picks up psychic readings from the Spoor estate and a bohemian teacher becomes personally involved with Torrance. These two begin an investigation into the extraordinary life of Baron Malcolm Spoor, and their findings are truly horrifying. Updating elements of the epistolary novel popularized in Dracula, Lewis Gannett tells his gothic story through the inventive use of videotape transcripts, diary entries, and historical records. Vivid, scary, mythic, and engrossing, The Living One explores the terrifying dimensions of family guilt, aging, and the murderous tensions between fathers and sons. Lewis Gannett has written a startling and thrilling novel that marks the debut of an original new voice in fiction.

    From Esther Martin, owner of the scariest bar in Baltimore, to the playwright Tennessee Williams; from the atheist leader Madalyn Murray O'Hair to the insane martyr Saint Catherine of Siena; from the English novelist Denton Welch to the timelessly appealing singer Johnny Mathis--these are the extreme figures who helped the author form his own brand of neurotic happiness. Role Models is a personal invitation into one of the most unique, perverse, and hilarious artistic minds of our time.

    In matters of the heart, he assumed it would be no different. It is quite a shock when he falls in love for the first time, to find his desire is unrequited. But he will have his way — even if he has to cheat, lie and plot.

    To start over. To transform the fiercely ambitious but sexually confused teenager he saw in the mirror into the Broadway leading man of his dreams. In Too Much Is Not Enough, Rannells takes us on the journey of a twentysomething hungry to experience everything: new friends, wild nights, great art, standing ovations. And at the heart of his hunger lies a powerful drive to reconcile the boy he was and the man he might have been with the man he wants to be. As Rannells reveals how he merged these Andrews into the one who made his Broadway debut at 26, he also shares stories from his path to the Great White Way, from horrible auditions and behind-the-curtain romances to the exhilaration of landing his first gig in Hairspray and the heartbreaking death of his father at the height of his ascent. Along the way, Rannells learns that you never really leave your past--or your family--behind; that the most painful, and perversely motivating, jobs are the ones you almost get; and that sometimes the most unforgettable nights are marked not by the hot clubs you danced at, but by the recap over diner food after. Filled with candor and humor, Too Much Is Not Enough is an entertaining look at love, loss, and the powerful forces that determine who we become.

    -- Alison Lurie