Jonas Noreika, remembered as “General Storm,” had resisted his country’s German and Soviet occupiers in World War II, surviving two years in a Nazi concentration camp only to be executed in 1947 by the KGB. His granddaughter, growing up in Chicago, was treated like royalty in her tightly knit Lithuanian community. But in 2000, when Silvia traveled to Lithuania for a ceremony honoring her grandfather, she heard a very different story—a “rumor” that her grandfather had been a “Jew-killer.” The Nazi’s Granddaughter is Silvia’s account of her wrenching twenty-year quest for the truth, from a beautiful house confiscated from its Jewish owners, to familial confessions and the Holocaust tour guide who believed that her grandfather had murdered members of his family. A heartbreaking and dramatic story based on exhaustive documentary research and soul-baring interviews, The Nazi’s Granddaughter is an unforgettable journey into World War II history, intensely personal but filled with universal lessons about courage, faith, memory, and justice.

    I saw the first glimmers of daylight over the roofs from the window before I heard it. We were used to air raids by then and I recognised German engines, but something felt different this time. They were closer than I’d ever heard them before…Devon, 1940: When fifteen-year-old Daisy is evacuated from her home in London, she knows she must look after her younger sister Peggy. She is the only one who can reassure Peggy that life will go back to normal, reading to her from their one battered children’s book, ensuring she takes the cough medicine their mother tucked in the pocket of her gas mask bag.But when the sisters’ new home is suddenly bombed, they are taken into the countryside, and Daisy quickly realises that not everyone at home is on the right side of the war. Forced to work in fields alongside orphan children, she finds herself drawn to a young boy called John, who has tried and failed to escape many times before.Then Peggy gets sick and Daisy knows that, to save her life, they must run away. But now Peggy is not the only one Daisy is desperate to protect. As war rages all around, Daisy learns that sometimes you have to sacrifice everything if you want to save the people you love. And that the choices you make in your darkest days will affect your family for generations to come…Perfect for fans of Lisa Wingate, Diney Costeloe and Shirley Dickson, The Runaway Sisters is a tale of heartwrenching loss and uplifting courage. It’s a story about family, and the light that can be found in the dark clouds of war.

    His family was among the few who worked underground to resist Nazi rule. Then came the day he was drafted into Hitler's army and shipped out to fight on the Eastern front as part of the German infantry―in spite of his having confessed his own Jewish ancestry. Thus begins the incredible journey of a nineteen year old thrust unwillingly into an unjust war, who must use his smarts, skills, and bare-knuckled determination to stay alive in the trenches, avoid starvation and exposure during the brutal Russian winter, survive more than one Soviet labor camp, and somehow find his way back home. Unlikely Warrior is Rauch's true account of this extraordinary adventure.

    He becomes a puppeteer in the Warsaw ghetto, but when his talent is discovered, Mika is forced to entertain the occupying German troops instead of his countrymen.It is also the story of Max, a German soldier stationed in Warsaw, whose experiences in Poland and later in Siberia's Gulag show a different side to the Second World War. As one of Mika's puppets is passed to the soldier, a war-torn legacy is handed from one generation to another.

    Lying next to her is her suspected lover, Benjamin Wind, the very artist Daniel most championed. Tormented by questions about the circumstances of their deaths, Daniel dedicates himself to uncovering the secrets of their relationship and the inspiration behind Wind's dazzling final exhibition.What Daniel discovers is a web of mysteries leading back to pre-World War II Vienna and the magnificent life of Josef Pick, a forgotten artist who may have been the twentieth century's greatest painter of love. But the most astonishing discoveryis what connects these two artists acrosshalf a century: a remarkable woman whose response to the tragedy of her generation offers Daniel answers to the questions he never knew to ask.Ambitious, haunting, and stunningly written, "The Marriage Artist" tells a universal tale of a family dramatically reshaped by the quest for personal freedom in the face of inherited beliefs, public prejudices, and the unfathomable turns of history. It is at once a provocative snapshot of contemporary marriage, the recovery of a passion that history never recorded, and a fierce reminder of the way we enlist love in our perpetual search for meaning and permanence.

    Hitler, who loathed flying, felt safe with Baur and would allow no one else to pilot him. As a result, an intimate relationship developed between the two men and it is this, which gives these memoirs special significance. Hitler relaxed in Baur's company and talked freely of his plans and of his real opinions about his friends and allies.Baur was also present during some of the most salient moments of the Third Reich; the R�hm Putsch, the advent of Eva Braun, Ribbentrop's journey to Moscow, the B�rgerbr�ukeller attempt on Hitler's life; and when war came, he flew Hitler from front to front. He remained in Hitler's service right up to the final days in the F�hrerbunker. In a powerful account of Hitler's last hours, Baur describes his final discussions with Hitler before his suicide; and his last meeting with Magda Goebbels in the tortuous moments before she killed her three children. Remarkably, throughout it all Baur's loyalty to the F�hrer never wavered. His memoirs capture these events in all their fascinating and disturbing detail.

    In a curious yet fascinating twist, witnesses for the prosecution and the defense were housed together in a villa on the outskirts of town. In this so-called Witness House, perpetrators and victims confronted each other in a microcosm that reflected the events of the high court. Presiding over the affair was the beautiful Countess Ingeborg Kálnoky (a woman so blond and enticing that she was described as a Jean Harlowe look-alike) who took great pride in her ability to keep the household civil and the communal dinners pleasant.  A comedy of manners arose among the guests as the urge to continue battle was checked by a sudden and uncomfortable return to civilized life.   The trial atmosphere extends to the small group in the villa.  Agitated victims confront and avoid perpetrators and sympathizers, and high-ranking officers in the German armed forces struggle to keep their composure. This highly explosive mixture is seasoned with vivid, often humorous, anecdotes of those who had basked in the glory of the inner circles of power. Christiane Kohl focuses on the guilty, the sympathizers, the undecided, and those who always manage to make themselves fit in.  The Witness House reveals the social structures that allowed a cruel and unjust regime to flourish and serves as a symbol of the blurred boundaries between accuser and accused that would come to form the basis of postwar Germany.

    We've got a real enemy at our door and we need to focus on that - together, united. I don't want to be fighting you as well.'In the small French town of Colmar, swastikas hang from lampposts, tanks are lined up outside the town hall, and twenty-one-year-old Marie-Claire is in love. She will do anything for her childhood friend Jacques, including spying on her German boss, Dietrich Kurtz. Anything to make Jacques see her in a new light, as something more than just a silly little girl.But when Jacques rejects her, everything changes. Mortified and stung, Marie-Claire feels the need for revenge. She turns her back on those she loves and is catapulted into a new life.Her little sister Victoire is aghast at her sister’s traitorous behaviour, not least because Marie-Claire is endangering Victoire’s own life-threatening mission, hiding Jewish refugees in their mother’s wine cellar. And when Marie-Claire marries Kurtz, Victoire knows her relationship with her sister has been poisoned for ever.But when Victoire learns someone she loves is in terrible danger, her only choice is to trust the sister who betrayed her. Kurtz, Marie-Claire’s cruel and heartless husband, has key information and Victoire must persuade Marie-Claire to obtain it, even if it means risking Marie-Claire’s life. As secrets come to light and close bonds are broken, will the sisters be able to heal old wounds?An unforgettable and unputdownable story of two sisters ripped apart by World War 2. Fans of The Nightingale and The Ragged Edge of Night will fall in love with Her Darkest Hour.

    And while the elderly Russian woman cannot hold on to fresh memories—the details of her grown children's lives, the approaching wedding of her grandchild—her distant past is preserved: vivid images that rise unbidden of her youth in war-torn Leningrad.In the fall of 1941, the German army approached the outskirts of Leningrad, signaling the beginning of what would become a long and torturous siege. During the ensuing months, the city's inhabitants would brave starvation and the bitter cold, all while fending off the constant German onslaught. Marina, then a tour guide at the Hermitage Museum, along with other staff members, was instructed to take down the museum's priceless masterpieces for safekeeping, yet leave the frames hanging empty on the walls—a symbol of the artworks' eventual return. To hold on to sanity when the Luftwaffe's bombs began to fall, she burned to memory, brushstroke by brushstroke, these exquisite artworks: the nude figures of women, the angels, the serene Madonnas that had so shortly before gazed down upon her. She used them to furnish a "memory palace," a personal Hermitage in her mind to which she retreated to escape terror, hunger, and encroaching death. A refuge that would stay buried deep within her, until she needed it once more. . . .

    Sophie Kumiega, a British bride working in the city's library, awaits news of her husband, Janek, recently deployed with the Polish Air Force. Though Sophie is determined that she and the baby in her womb will stay safe, the days ahead will draw her into the plight of those around her, compelling her to help, whatever the danger.Rosa and Itzhak Dunovich never imagined they would welcome their longed-for first child in the Jewish ghetto, or that they would let anything tear their family apart. But as daily atrocities intensify, Rosa soon faces a terrifying reality: to save their daughter's life, she must send her into hiding. Her only hope of finding her after the war--if any of them survive--is a medallion she cuts in half and places around her neck.Inspired by true events.

    The epic history is narrowed down to the struggle of a single boy nicknamed Leosz to survive the war. From age 7 to age 13, he endures all the horrors that the Holocaust brings upon the Jewish people. Life hangs on split-second timing, decision-making in impossibly cruel circumstances, incredible resourcefulness, luck and the help of others, even Germans.In the Krakow Ghetto, Leosz is saved from three mass deportations to the death camps. He escapes the ghetto, survives for several weeks pretending to be a Polish street child, and then goes into hiding. Although sentenced to die after being caught, he is instead miraculously reunited with his family in the Plaszow labor camp. A year later, father and son become slave laborers in the Gozen 2 camp in Austria, where his father perishes. Close to death himself, Leosz is finally liberated by the American army on May 5th, 1945. Scroll up and grab a copy today.

    This mirror didn't show you your reflection. It showed you your soul - it showed you who you really were. The wizard couldn't look at it without turning away. The king couldn't look at it. The courtiers couldn't look at it. A chestful of treasure was offered to anyone who could look at it for sixty seconds without turning away. And no one could.The Zone of Interest is a love story with a violently unromantic setting. Can love survive the mirror? Can we even meet each other's eye, after we have seen who we really are?In a novel powered by both wit and pathos, Martin Amis excavates the depths and contradictions of the human soul.

    Fallenberg’s Tel Aviv-set tale that will resonate with readers of Wladyslaw Szpilman’s The Pianist, Dalia Sofer’s The Septembers of Shiraz, and Thrity Umrigar’s The Space Between Us, as well as any who have been touched by war or diaspora, as two characters’ intimate journey poignantly explores the pain of fractured pasts, the hope for second chances, the potency of artistic catharsis, and the certainty that love can conquer all.

    It is here where an elderly woman arrives and recollects her past—and her peripheral role in a chapter of world history. She walks along a beaten path, which has come into being because so many tourists have ventured this way . . . to see something that exists only in her memory.In the summer of 1944, twenty-year-old Marlene is thrilled when her older, more glamorous cousin, Eva Braun, Adolph Hitler’s mistress, invites her to come to the Fuhrer’s Bavarian mountain retreat. Against her father’s wishes, Marlene accepts, and immediately sets forth to Berghof.There, while Hitler is away desperately trying to turn the tides of war, Marlene finds herself in a strange paradise, a world of opulence and imminent danger, of freedom and surveillance. The two women sneak off and skinny-dip in a nearby-lake, watch films in the Fuhrer’s private cinema, and flirt with the SS officers at the dinner table—one of whom will become Marlene’s first lover.Initially delighted by Eva’s attentions, Marlene later tries to understand the elusive connection between her cousin and the man she loves.In quiet defiance, she begins to commit her own acts of subversion, which include listening to BBC radio broadcasts, forbidden by the Fuhrer. But a clandestine mission of mercy will force her to question her allegiance to both her cousin and her country—and to face the chilling reality that exists outside her sheltered world.Based on the true experiences of Eva Braun’s cousin, Gertrude Weisker, who has shared her memories with Sibylle Knauss after more than fifty years of silence, Eva’s Cousin is a novel that illuminates the banality of the domestic face of evil. It casts a special light on the profound questions of innocence and complicity that still haunt much of the world today.From the Hardcover edition.

    Not a propitious time and place for a Jewish child to be born.One memory that has been etched indelibly in my mind is the sight of the Nazi army marching toward Russia. Our house was located on the main road leading to the Russian frontier. Day and night they marched - soldiers, trucks, tanks, and more soldiers, in a never ending line - an invincible force. I remember my father, holding me in his arms, saying to my mother, "Who is going to stop them? Certainly not the Russians." One night, my father had a dream. In this dream he saw what he had to do: where to build the bunker, how to build it, and even its dimensions.He would build a bunker under a wooden storage shed behind the house. It would be covered with boards, on top of which would be placed soil and bits of straw which would render it invisible. In order to camouflage the entrance, he would construct a shallow box and fill it with earth and cover it with straw so that it would be indistinguishable from the rest of the earthen floor. Air would be supplied through a drain pipe buried in the earth. This was to be our Noah's Ark that would save us from the initial deluge. It took my father about three weeks to finish the job. When he was done, he took my mother and sister into the shed and asked them if they could find the trap door. When they could not, he was satisfied.My mother prepared dry biscuits, jars of jam made out of beets, some tinned goods such as sardines, some sugar and salt. We placed two buckets in the bunker. One bucket was filled with water, the other bucket was empty and would serve as the latrine. We also took down some blankets, a couple of pillows and some warm clothing. We were ready.For three long years, starting in 1941 when the Nazis started the deportations and mass killings, we hid in secret bunkers, dug in fields, under sheds, or constructed in barn lofts. It seems that the only way that a Jew could survive in wartime Poland was to become invisible. So we became invisible Jews.