Mila at first finds the dramatic vistas overwhelming. Gradually, however, she adjusts to the unfamiliar and frightening landscape as well as to the harsh, wintry life of the ancient complex where she and Matias serve as caretakers. But each falls under the spell of a different local and a different way of life. The twin seductions of husband and wife lead to inevitable and dire consequences.

    When he arrives, the predecessor he is meant to replace is missing and a deeply disturbed stranger is barricaded in a heavily fortified lighthouse. At first adversaries, the two find that their tenuous partnership may be the only way they survive the unspeakably horrific reptilian creatures that ravage the island at night, attacking the lighthouse in their organized effort to find warm-blooded food. Armed with a battery of ammunition and explosives, the weather official and his new ally must confront their increasingly murderous mentality, and, when the possibility of a kind of truce presents itself, decide what kind of island they will inhabit. Equal parts Stephen King, a phantasmagorical Robinson Crusoe, and Lord of the Flies, Cold Skin is literary horror that deals with the basest forms of human behavior imaginable, while exploring why we so vehemently fear the Other.

    But when he meets the hauntingly pale, steely-eyed Joshua York, he is certain. For York doesn’t care that the icy winter of 1857 has wiped out all but one of Marsh’s dilapidated fleet. Nor does he care that he won’t earn back his investment in a decade. York has his own reasons for wanting to traverse the powerful Mississippi. And they are to be none of Marsh’s concern—no matter how bizarre, arbitrary, or capricious his actions may prove. Marsh meant to turn down York’s offer. It was too full of secrets that spelled danger. But the promise of both gold and a grand new boat that could make history crushed his resolve—coupled with the terrible force of York’s mesmerizing gaze. Not until the maiden voyage of his new sidewheeler Fevre Dream would Marsh realize he had joined a mission both more sinister, and perhaps more noble, than his most fantastic nightmare...and mankind’s most impossible dream. Here is the spellbinding tale of a vampire’s quest to unite his race with humanity, of a garrulous riverman’s dream of immortality, and of the undying legends of the steamboat era and a majestic, ancient river.

    His pursuit takes him into Barcelona's underworld, where some very powerful figures will do anything to stop him. He cannot imagine the horror that awaits him.

    Louis recounts how he became a vampire at the hands of the radiant and sinister Lestat and how he became indoctrinated, unwillingly, into the vampire way of life. His story ebbs and flows through the streets of New Orleans, defining crucial moments such as his discovery of the exquisite lost young child Claudia, wanting not to hurt but to comfort her with the last breaths of humanity he has inside. Yet, he makes Claudia a vampire, trapping her womanly passion, will, and intelligence inside the body of a small child. Louis and Claudia form a seemingly unbreakable alliance and even "settle down" for a while in the opulent French Quarter. Louis remembers Claudia's struggle to understand herself and the hatred they both have for Lestat that sends them halfway across the world to seek others of their kind. Louis and Claudia are desperate to find somewhere they belong, to find others who understand, and someone who knows what and why they are.Louis and Claudia travel Europe, eventually coming to Paris and the ragingly successful Theatre des Vampires--a theatre of vampires pretending to be mortals pretending to be vampires. Here they meet the magnetic and ethereal Armand, who brings them into a whole society of vampires. But Louis and Claudia find that finding others like themselves provides no easy answers and in fact presents dangers they scarcely imagined.Originally begun as a short story, the book took off as Anne wrote it, spinning the tragic and triumphant life experiences of a soul. As well as the struggles of its characters, Interview captures the political and social changes of two continents. The novel also introduces Lestat, Anne's most enduring character, a heady mixture of attraction and revulsion. The book, full of lush description, centers on the themes of immortality, change, loss, sexuality, and power.source: annerice.com

    The red-headed prostitute Rosina; the junk-dealer Aaron Wassertrum; puppeteers; street musicians; and a deaf-mute silhouette artist.Lurking in its inhabitants’ subconscious is the Golem, a creature of rabbinical myth. Supposedly a manifestation of all the suffering of the ghetto, it comes to life every 33 years in a room without a door. When the jeweller Athanasius Pernath, suffering from broken dreams and amnesia, sees the Golem, he realises to his terror that the ghostly man of clay shares his own face...The Golem, though rarely seen, is central to the novel as a representative of the ghetto's own spirit and consciousness, brought to life by the suffering and misery that its inhabitants have endured over the centuries. Perhaps the most memorable figure in the story is the city of Prague itself, recognisable through its landmarks such as the Street of the Alchemists and the Castle.

    Upon discovering the rumors to be true, the young widow ends up forming a special companionship with the ghost of handsome former sea captain Daniel Gregg. Through the struggles of supporting her children, seeking out romance from the wrong places, and working to publish the captain's story as a book, Blood and Swash, Lucy finds in her secret relationship with Captain Gregg a comfort and blossoming love she never could have predicted. Originally published in 1945, made into a movie in 1947, and later adapted into a television sitcom in 1968, this romantic tale explores how love can develop without boundaries, both in this life and beyond.

    Hopscotch is the dazzling, freewheeling account of Oliveira's astonishing adventures.The book is highly influenced by Henry Miller’s reckless and relentless search for truth in post-decadent Paris and Daisetz Teitaro Suzuki’s modal teachings on Zen Buddhism.Cortázar's employment of interior monologue, punning, slang, and his use of different languages is reminiscent of Modernist writers like Joyce, although his main influences were Surrealism and the French New Novel, as well as the "riffing" aesthetic of jazz and New Wave Cinema.In 1966, Gregory Rabassa won the first National Book Award to recognize the work of a translator, for his English-language edition of Hopscotch. Julio Cortázar was so pleased with Rabassa's translation of Hopscotch that he recommended the translator to Gabriel García Márquez when García Márquez was looking for someone to translate his novel One Hundred Years of Solitude into English. "Rabassa's One Hundred Years of Solitude improved the original," according to García Márquez.

    These are, Kerrigan writes, "ferocious writers, truculent, badly spoken, foul mouthed." However provocative and disturbing, they are also flat-out dazzling as writers, whose sentences, as rigorous as riotous, lodge like knives in the reader's mind. Cela called himself a proponent of "uglyism," of "nothingism." But he has the knack, the critic Am�erico Castro reminds us, of deploying those "nothings and lacks" to construct beauty. The Hive is set over the course of a few days in the Madrid of 1943, not long after the end of the Spanish Civil War and when the regime of General Francisco Franco was at its most oppressive. The book includes more than three hundred characters whose comings and goings it tracks to hypnotic effect. Scabrous, scandalous, and profane, this virtuosic group portrait of a wounded and sick society was first published in Buenos Aires in 1950 because in Spain it could not be published at all. This new translation by James Womack is the first in English to present Cela's masterpiece in uncensored form"--

    For the first time in a major trade edition, this terrifying novel is accompanied by previously unpublished material from King's archive, two short stories, and eerie photographs that bring King's fictional darkness and evil to vivid life.(front flap)Also contains: One For the Road, Jerusalem's Lot

    Social protest and poetry; reality and myth; nostalgia for an uncorrupted, golden past; sensual human enjoyment of the present; 'magic' rather than lineal time, and, above all, a tender, compassionate love for the living, fertile, wondrous land and the struggling, hopeful people of Guatemala.—Saturday Review • Winner of the 1967 Nobel Prize for Literature

    Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.A Chronology and a Selected Bibliography are included.

    Of unnatural parentage, he grows at an uncanny pace to an unsettling height, but the boy’s arrival simply precedes that of a true horror — One of the Old Ones, that forces the people of the town to hole up by night, fearing for their lives, only able to trace the wreckage wrought by the gigantic, unseen monster by the bright light of day.In his classic style, H. P. Lovecraft weaves unearthly fantasies of creatures beyond conception — existing between the dimensions that we know.

    Set in 1920s Spain, Garden by the Sea takes place over six summers at a villa by the sea inhabited by a young couple and their beautiful, rich, joyous friends. They swim, drink, tease each other, and fully enjoy themselves. All the while, the guests are observed by the villa’s gardener, a widow who’s been tending the garden for several decades. As the true protagonist of the novel, we get to see the dissolution of these magical summers through his eyes, as a sense of darkness and ending creeps in, precipitated by the construction of a new, larger, more glamorous villa next door.Considered by many to be one of the greatest writers of the twentieth century, Rodoreda has captivated readers for decades with her exacting descriptions of life—and nature—in post-war Spain, and this novel will further her reputation and fill in an important piece of oeuvre.

    In 1918, when Pla was in Barcelona studying law, the Spanish flu broke out, the university shut down, and he went home to his parents in coastal Palafrugell. Aspiring to be a writer, not a lawyer, he resolved to hone his style by keeping a journal. In it he wrote about his family, local characters, visits to cafés; the quips, quarrels, ambitions, and amours of his friends; writers he liked and writers he didn’t; and the long contemplative walks he would take in the countryside under magnificent skies. Returning to Barcelona to complete his studies, Pla kept up his diary, scrutinizing life in the big city with the same unflagging zest and humor.Pla, one of the great Catalan writers, held on to this youthful journal for close to fifty years, reworking and adding to it, until he finally published The Gray Notebook as both the first volume and the capstone of his collected works. It is a beautiful, entrancing, delightful book—at once a distillation of the spirit of youth and the work of a lifetime.