But one day, while her mother is out of the country, the famed rock star from Staring Into the Abyss shows up on her doorstep. This makes sense - kinda - because Julian Oliver is Taliah's father, even though her mother would never admit it to her.Julian asks if Taliah if she will drop everything and go with him to his hometown of Oak Falls, Indiana, to meet his father - her grandfather - who is nearing the end of his life. Taliah, torn between betraying her mother's trust and meeting the family she has never known, goes.With her best friend Harlow by her side, Taliah embarks on a three-day journey to find out everything about her 'father' and her family. But Julian isn't the father Taliah always hoped for, and revelations about her mother's past are seriously shaking her foundation. Through all these new experiences, Taliah will have to find new ways to be true to herself, honoring her past and her future.

    But when the handsome John Beck-a former Methodist preacher turned novice whaler with a mysterious past-arrives at the Davidson's door pleading to join her father's crews, suddenly Mary's world is upended.As her family struggles to survive the scarcity of whales and the vagaries of weather, and as she navigates sibling rivalries and an all-consuming first love for the newcomer John, nineteen-year-old Mary will soon discover a darker side to these men who hunt the seas, and the truth of her place among them. Swinging from Mary's own hopes and disappointments to the challenges that have beset her family's whaling operation, RUSH OH! is an enchanting blend of fact and fiction that's as much the story of its gutsy narrator's coming-of-age as it is the celebration of an extraordinary episode in history.

    Now all I want is to go back.When troubled Taylor Truwell is caught with a stolen car and lands in court for resisting arrest, her father convinces the judge of an alternative to punishment: treatment in a juvenile psychiatric correctional facility. Sunny Meadows is anything but the easy way out, and Taylor has to fight hard just to hold on to her sanity as she battles her parents, her therapist, and vicious fellow patients. But even as Taylor struggles to hold on to her stubborn former self, she finds herself relenting as she lets in two unlikely friends--Margo, a former child star and arsonist, and AJ, a mysterious boy who doesn’t speak. In this striking debut, Laura Lascarso weaves together a powerful story of anger and self-destruction, hope and love.

    Rose is a Siley—an asylum seeker—and she has escaped from Ramage, who had enslaved her and her younger sister, Kas. Rose is desperate, sick, and needs Finn’s help. Kas is still missing somewhere out in the bush.And Ramage wants the girls back—at any cost.

    That's not unusual. Isola Wilde sees a lot of things other people don't. But when the girl appears at Isola's window, her every word a threat, Isola needs help.Her real-life friends – Grape, James and new boy Edgar – make her forget for a while. And her brother-princes – the mermaids, faeries and magical creatures seemingly lifted from the pages of the French fairytales Isola idolises – will protect her with all the fierce love they possess.It may not be enough.Isola needs to uncover the truth behind the dead girl's demise and appease her enraged spirit, before the ghost steals Isola's last breath.

    But true love never does run smoothly—the two spar as much as they can’t keep their hands off each other. Then comes the college trip to Paris: Edie’s willpower will be tested to the limit! In between furious arguments and trips to the Louvre, the two share some passionate moments—but will it last?

    She falls in love with the wrong boy – the German son of the camp commander.Hanna is a talented pianist, and the protected second daughter of middle class Hungarian Jews. Relatively late in World War II the Budapest Jews were rounded up and sent to Auschwitz. Hanna and her mother and sister are separated from her father. Her mother becomes increasingly mentally ill until she too is taken away somewhere. Her sister Erika is slowly starving to death. Hanna is quite a naïve 15-year-old but when presented with the opportunity to play piano for the camp commander, she is desperate to be chosen. She goes each day under guard to the commander’s house and stands waiting in case the commander should want some music. Also living in the house is the commander’s son, Karl. A handsome young man who seems completely disengaged from what is happening around him. Hanna hates him as he sits drawing in the music room. But the longer Hanna goes to the house, the more she realises there are other things going on. Secret things. Karl may not be the person she thinks he is. Before she knows it she has fallen in love with the wrong boy.

    Let them slip away like the words of some half-remembered song and when one came back, she wasn't the one we were trying to recall to begin with.'So begins Tikka Molloy's recounting of the summer of 1992 - the summer the Van Apfel sisters, Hannah, the beautiful Cordelia and Ruth - disappear.Eleven and one-sixth years old, Tikka is the precocious narrator of this fabulously endearing coming-of-age story, set in an eerie Australian river valley suburb with an unexplained stench. The Van Apfel girls vanish from the valley during the school's 'Showstopper' concert, held at the outdoor amphitheatre by the river. While the search for the sisters unites the small community on Sydney's urban fringe, the mystery of their disappearance remains unsolved forever.Brilliantly observed, sharp, lively, funny and entirely endearing, this novel is part mystery, part coming-of-age story - and quintessentially Australian. Think The Virgin Suicides meets Jasper Jones meets Picnic at Hanging Rock.

    Now she lives with Bill in his old shed by the lake. But it’s time to move out—Tom is pregnant with Bill’s baby.Jonah lets her move in with him. Mrs Peck gives her the Fishmaster Super Series tackle box. Nana is full of gentle good advice and useful sayings.And in her longing for what is lost, Tom talks to fish: Oscar the carp in the pet shop, little Sarah catfish who might be her sister, an unhelpful turtle in a tank at the maternity ward. And the minnow.The Minnow is a moving and powerful coming of age story with a whimsical element that belies the heartbreaking truth of grief and loss. Tom is a character you will never forget.

    The girl bears a striking resemblance to the victims of three brutal murders that occurred twenty years ago and Abby fears the killer is still on the loose.But the newspaper Abby works for wants to suppress the story for fear it will scare off tourists to the struggling township. Haunted by her own turbulent memories, Abby is desperate to learn the truth and enlists the help of Tom Gabriel, a reclusive crime writer. At first resentful of Abby’s intrusion, Tom’s reluctance vanishes when they discover a hidden attic room in his house that shows evidence of imprisonment from half a century before.As Abby and Tom sift through the attic room and discover its tragic history, they become convinced it holds the key to solving the bushland murders and finding the missing girl alive.But their quest has drawn out a killer, someone with a shocking secret who will stop at nothing to keep the truth buried.

    "I vowed that if I ever got a girl I would treat her right and never be bad or dirty to her or hurt her, ever." Cameron Wolfe is a dirty boy. He knows it. His brother Rube knows it, because he's one too. they could change - but what would it take?

    Justine finds sanctuary in Pop's chooks and The Choke, where the banks of the Murray River are so narrow they can almost touch—a place of staggering natural beauty that is both a source of peace and danger. Although Justine doesn't know it, her father is a menacing criminal and the world she is exposed to is one of great peril to her. She has to make sense of it on her own—and when she eventually does, she knows what she has to do. A brilliant, haunting novel about a child navigating an often dark and uncaring world of male power, guns and violence, in which grown-ups can't be trusted and comfort can only be found in nature, The Choke is a compassionate and claustrophobic vision of a child in danger and a society in deep trouble. It once again showcases the Miles Franklin Award-winning author as a writer of rare empathy, originality and blazing talent.

    She hates her foster family with their too-nice ways and their false sympathy. And she hates her life, her stupid school, and the way everyone is always on at her. Then she finds the wig, and everything changes. Wearing the long, flowing blond locks she feels transformed. She’s not Holly anymore, she’s Solace: the girl with the slinkster walk and the supersharp talk. She’s older, more confident—the kind of girl who can walk right out of her humdrum life, hitch to Ireland, and find her mum. The kind of girl who can face the world head-on. So begins a bittersweet and sometimes hilarious journey as Solace swaggers and Holly tiptoes across England and through memory, discovering her true self and unlocking the secrets of her past.

    Its contents are a complete shock: concert tickets to see Kyra Kelly, her favorite pop star and Finn’s celebrity crush. In his letter, he jokingly charged Honor with the task of telling Kyra Kelly that he was in love with her. Grief-stricken and determined to grant Finn’s last request, she rushes to leave immediately. But she only gets as far as the driveway before running into Rusty, Finn’s best friend since third grade and his polar opposite. She hasn’t seen him in ages, thanks to a falling out between the two guys, but Rusty is much the same as Honor remembers him: arrogant, stubborn . . . and ruggedly good-looking. Neither one is what the other would ever look for in a road trip partner, but the two of them set off together, on a voyage that makes sense only because it doesn’t. Along the way, they find small and sometimes surprising ways to ease their shared loss and honor Finn--but when shocking truths are revealed at the end of the road, will either of them be able to cope with the consequences?

    When she and her mom were a family, just the two of them against the world. But now her mom is gone most of the time, chasing the next marriage, bringing home the next stepfather. Anna is left on her own - until she discovers that she can make boys her family. From Desmond to Joey, Todd to Sam, Anna learns that if you give boys what they want, you can get what you need. But the price is high - the other kids make fun of her; the girls call her a slut. Anna's new friend, Toy, seems to have found a way around the loneliness, but Toy has her own secrets that even Anna can't know. Then comes Sam. When Anna actually meets a boy who is more than just useful, whose family eats dinner together, laughs, and tells stories, the truth about love becomes clear. And she finally learns how it feels to have something to lose - and something to offer. Real, shocking, uplifting, and stunningly lyrical, Uses for Boys by Erica Lorraine Scheidt is a story of breaking down and growing up.