Shot on a shoe-string budget of $175,000 in black-and-white 16mm, the film was made with Spike Lee's persistence and talent plus the help of family and friends. It grossed $8 million at the box office and proved to be a major hit with both critics and audiences. Now Spike Lee reveals how he did it, mapping out the entire creative and production processes-from early notebook jottings to film festival awards. Spike Lee's Gotta Have It is a unique document in film literature - it's funny, absorbing, and fresh as the hit film itself.

    Miraculously, the girl who broke into a million pieces recovered, and put the pieces of her life back together, first taking sanyas and then returning toBombay to teach yoga.This fascinating story of a woman's self-discovery, a near-death experience and amazing recovery is told in a straight-from-theheart, unbuttoned style, including details of the men in her life, from millionaire jet-setters to superyogis. In the end, as she says, love is all there is.

    Aravamudan narrates the gripping story of the people who built India s space research programme and how they did it from the rocket engineers who laid the foundation to the savvy young engineers who keep Indian spaceships flying today. It is the tale of an Indian organisation that defied international bans and embargos, worked with laughably meagre resources, evolved its own technology and grew into a major space power. Today, ISRO creates, builds and launches gigantic rockets which carry the complex spacecraft that form the neural network not just of our own country but those of other countries too.This is a made-in-India story like no other.

    Abdul Kalam.

    His unique approach—thematic rather than verse-by-verse—makes the ancient treatise eminently accessible, combined as it is with his trademark illustrations and simple diagrams.In a world that seems spellbound by argument over dialogue, vi-vaad over sam-vaad, Devdutt highlights how Krishna nudges Arjuna to understand rather than judge his relationships. This becomes relevant today when we are increasingly indulging and isolating the self (self-improvement, self-actualization, self-realization—even selfies!).We forget that we live in an ecosystem of others, where we can nourish each other with food, love and meaning, even when we fight.So let My Gita inform your Gita.

    He connects with the richness of the Urdu language, observes the syncretic evolution of mystical Islam in India and its deep connections with Hindustani classical music – so much a part of his own selfhood. And every so often, he returns to the refuge of Hazrat Nizamuddin Auliya, the twelfth-century pir, whose dargah still reverberates with music and prayer every evening.His wanderings through Delhi lead Raza back in time to recollections of a long-forgotten Hindu ancestry and to comparisons with his own city of Lahore – in many ways a mirror image of Delhi. They also lead to reflections on the nature of the modern city, the inherent conflict between the native and the immigrant and, inevitably, to an inquiry into his own identity as a South Asian Muslim.Rich with history and anecdote, and conversations with Dilliwalas known and unknown,Delhi By Heart offers an unusual perspective and unexpected insights into the political and cultural capital of India.About the AuthorRaza Rumi is an international development professional based in Lahore. He has worked for national and international organizations such as the United Nations and the Asian Development Bank. He also edits and writes for the Friday Times and contributes to leading national dailies in Pakistan and abroad. He blogs at Jahane Rumi, a website devoted to Sufism and the arts and cultures of South Asia.

    For the first time, one book unearths all the details of his turbulent adventures in Tinseltown. Based on extensive interviews with producers, screenwriters, cast members, and crew, Superman vs. Hollywood spills the beans on Marlon Brando’s eccentricities; the challenges of making Superman appear to fly; the casting process that at various points had Superman being played by Sylvester Stallone, Neil Diamond, Nicolas Cage, Ashton Kutcher, and even Muhammad Ali; and the Superman movies, fashioned by such maverick filmmakers as Kevin Smith and Tim Burton, that never made it to the screen.

    In this fascinating account, Bipan Chandra traces the events that led up to this moment and makes some startling revelations. He finds that there was a real danger of the JP movement turning fascist, given the fuzzy ideology of Total Revolution, its confused leadership and dependence on the RSS for its organization. At the same time, despite the authoritarianism inherent in the Emergency, particularly with the rising power of Sanjay Gandhi and his Youth Congress brigade, Indira Gandhi did end it and call for elections.Finely argued, incisive and original, this book offers significant insight into those turbulent years and joins the ever-relevant debate on the acceptable limits of popular protest in a democracy.

    Mountbatten worked with various leaders to devise a plan for partitioning the empire into two independent sovereign states. During the remainder of his term, his daughter Pamela kept a diary recounting this remarkable time—from trips to Calcutta, Bombay, Madras, Orissa, and Assam to the exotic palaces of Indian rulers and the Rajputs in Central and Western India, and the imperial palace-cities built by the mughals. With anecdotes from her writings and a collection of atmospheric photographs, this account paints a clear picture of an extraordinary transitional period in history.

    There, in a cramped one-room apartment lives Dhondutai, the last living disciple of two of the finest Indian classical singers of the twentieth century: the legendary Alladiya Khan and the great songbird Kesarbai Kerkar. Namita begins to learn singing from Dhondutai, at first reluctantly and then, as the years pass, with growing passion. Dhondutai sees in her a second Kesarbai, but does Namita have the dedication to give herself up completely to the discipline like her teacher? Or will there always be too many late nights and cigarettes? And where do love and marriage fit into all of this?  A bestseller in India, where it was a literary sensation, The Music Room is a deeply moving meditation on how traditions and life lessons are passed along generations, on the sacrifices made by women through the ages, and on a largely unknown, but vital aspect of Indian life and culture that will utterly fascinate American readers.

    His political career afforded him many roles, and he is recognized till today for his accomplishments as a freedom fighter, Congress party boss, chief minister, national leader, kingmaker and opposition leader.Of his many achievements, the ones that Kamaraj is remembered most for are bringing school education to millions of the rural poor by introducing free education and the free Midday Meal Scheme during his tenure as chief minister of Tamil Nadu, and the role he played in bringing to power as prime minister first Lal Bahadur Shastri and later Indira Gandhi.Known for his integrity and his modesty in conduct, Kamaraj exercised his political power for the benefit of the masses and was posthumously awarded the Bharat Ratna, India’s highest civilian award, in 1976. Dealing with significant phases of Kamaraj’s life, Bala Jeyaraman explains his actions in a larger historical context.A concise yet comprehensive biography, this book unravels for the reader the story of this exceptional visionary and leader.

    In this enchanting travelogue, Tim Mackintosh-Smith retraces one leg of the Moroccan’s journey: the dizzy ladders and terrifying snakes of his Indian career as a judge and hermit, courtier and prisoner, ambassador and castaway. From the plains of Hindustan to the plateaus of the Deccan and the lost ports of Malabar, an India far off the beaten path of Taj and Raj—glittering and grotesque but genuine—is revealed here.

    Here is a rare opportunity to eavesdrop on two cinematic masters from very different backgrounds as they cover each of Hitch's films in succession. Though this book was initially published in 1967 when Hitchcock was still active, Truffaut later prepared a revised edition that covered the final stages of his career. It's difficult to think of a more informative or entertaining introduction to Hitchcock's art, interests, and peculiar sense of humor. The book is a storehouse of insight and witticism, including the master's impressions of a classic like Rear Window ("I was feeling very creative at the time, the batteries were well charged"), his technical insight into Psycho's shower scene ("the knife never touched the body; it was all done in the [editing]"), and his ruminations on flops such as Under Capricorn ("If I were to make another picture in Australia today, I'd have a policeman hop into the pocket of a kangaroo and yell 'Follow that car!'"). This is one of the most delightful film books in print. --Raphael Shargel

    This is both one man's remarkable story and an essential guide for anyone who has a celluloid story to tell and the dreams and determination to see it through.  Part production diary, part how-to manual, Rodriguez unveils how he was able to make his influential first film on only a $7,000 budget.  Also included is the appendix, 'The Ten Minute Film Course,” a tell-all on how to save thousands of dollars on film school and teach yourself the ropes of film production, directing, and screenwriting.

    The dam burst the night JKLF boys were freed in exchange for the release of Rubaiya Sayeed, daughter of then Union home minister Mufti Mohammad Sayeed. As Chief Minister Farooq Abdullah had predicted, the government's caving in emboldened many Kashmiris into thinking that azaadi was possible. 'The price we will have to pay,' were Farooq's prophetic words. Killings were almost a daily occurrence. Bombs and firings occurred not far from the chief minister's residence in the most secure zone. Gun-toting youth in trucks were seen close to the cantonment. Kashmiris believed that they were on the verge of liberation. It was prime time for Pakistan spies; not just militants but reputed businessmen, doctors, engineers and government officials were meeting their handlers in Delhi, Kathmandu, Lahore and Rawalpindi. No one trusted anyone else. A.S. Dulat was posted there at the time. Soon he saw Intelligence Bureau colleagues being picked off one by one. It was a long, slow haul to regaining control. From then to today, though he is now retired, he has had a continuous engagement with Kashmir. The initiatives launched by the Vajpayee government between 1998 and 2004 were the high point of this constant effort to keep things in balance in a delicate state. As Vajpayee said, Kashmir was a problem that had to be solved. In this extraordinary memoir that reads like a thriller, Dulat gives a sweeping dramatic account of the difficulties, success and near triumphs in this effort, showing the players, the politics, the strategies and the intent and sheer ruthlessness of the meddlers from across the border. Kashmir: The Vajpayee Years paints an unforgettable portrait of politics in India's most beautiful but troubled state.