Some families are torn apart forever by one small act, one solitary mistake. In my family it was a series of small explosions; consistent, passionate, pathetic. Cruel words, crude threats... We spurred each other on till we reached a crescendo of pain and we retired exhaused to our rooms, in tears or in fury.Ari is nineteen, unemployed and a poofter who doesn't want to be gay. He is looking for something - anything - to take him away from his aimless existence in suburban Melbourne. He doesn't believe in anyone or anything, except the power of music. All he wants to do is dance, take drugs, have sex and change the world.For Ari, all the orthodoxies of family, sex, politics and work have collapsed. Caught between the traditional Greek world of his parents and friends and the alluring, destructive world of clubs, chemicals and anonymous sex, all Ari can do is ease his pain in the only ways he knows how.Written in stark, uncompromising prose, Loaded is a first novel of great passion and power.

    They all have a curled fourth toe – Diana, Lucy, Pearl.When Pearl’s grandmother Nell dies unexpectedly, Pearl and her family – mother Diana, sister Lucy – return to Kangaroo Island to mourn and farewell her. Each of them knew Nell intimately but differently, and each woman must reckon with Nell’s passing in her own way. But Nell had secrets, too, and as Pearl, Diana and Lucy interrogate their feelings about the island, Pearl starts to pull together the scraps Nell left behind – her stories, poems, paintings – and unearths a connection to the island’s early history, of the early European sealers and their first contact with the Ngarrindjeri people.As the three women are in grief pulled apart from each other, Pearl’s deepening connection to their history, the island’s history, grounds her, and will ultimately bring the women back to each other. Heart of the Grass Tree is an exquisite, searing and hope-filled debut about mothers and daughters and family stories, about country and its living history.

    When Eva Gouel moves to Paris from the countryside, she is full of ambition and dreams of stardom. Though young and inexperienced, she manages to find work as a costumer at the famous Moulin Rouge, and it is here that she first catches the attention of Pablo Picasso, a rising star in the art world.A brilliant but eccentric artist, Picasso sets his sights on Eva, and Eva can't help but be drawn into his web. But what starts as a torrid affair soon evolves into what will become the first great love of Picasso's life. With sparkling insight and passion, Madame Picasso introduces us to a dazzling heroine, taking us from the salon of Gertrude Stein to the glamorous Moulin Rouge and inside the studio and heart of one of the most enigmatic and iconic artists of the twentieth century.

    When Roisin Ogilvie moves to Wollombi her thoughts are only of protecting her illegitimate son, Ruan, from the grasps of his powerful and dangerous father. Posing as an impoverished widow, she settles into a quiet existence as a local dressmaker. She doesn’t expect to catch the attention of Irish champion cedar cutter Carrick O’Connor, or any other man for that matter.Carrick O’Connor may have won the coveted Wollombi Wood Chop, but his mind is on the beautiful seamstress and her son. Or rather, on who they remind him of. Determined to exact revenge for the horrors of his past, Carrick plans to return to Ireland to seek revenge on the land agent who was responsible for the death of his wife and child, and his transportation. Then, hopefully, he can return to Wollombi to start life afresh.But a murder charge, a kidnapping, a growing attraction, and a past that refuses to stay silent will turn both his and Roisin’s lives upside down and will lead them to a hard choice. Redemption? Or cutters’ justice?

    It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.Undoubtedly one of Australia's favourite plays, the One Day of the Year explores the universal theme of father-son conflict against the background of the beery haze and the heady, nostalgic sentimentality of Anzac Day. It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.

    Eighteen-year-old Ruby leaves behind the family farm, her serious mother and roguish father, and heads for Adelaide. After a brief courtship, she enters into a hasty marriage with a soldier about to go to war – who returns a changed man.In this absorbing novel, Anna Goldsworthy recreates the world of Adelaide half a century ago, and portrays the phases of a woman’s life with intimacy and sly humour. We follow Ruby as she contends with her damaged husband and eccentric in-laws. We see her experience motherhood and changing social circumstances, until, in a moving twist, a figure from the past reappears, to kindle a late-life romance.In her captivating fiction debut, Goldsworthy evokes a woman’s life in a pre-feminist world. In this tender, funny book, she combines an Austenesque wit with Alice Munro’s feeling for human complexity.

    Melbourne, 1941. Headstrong young Mae meets and falls head over heels in love with Harry Parker, a dashing naval engineer. After a whirlwind courtship they marry and Mae is heavily pregnant when she hears that Harry has just received his dream posting to HMAS Sydney. Just after Mae becomes a mother, she learns Harry's ship is missing.Meanwhile, Grace Fowler is battling prejudice to become a reporter on the afternoon daily newspaper, The Tribune, while waiting for word on whether her journalist boyfriend Phil Taylor, captured during the fall of Singapore, is still alive.Surrounded by their friends and families, Mae and Grace struggle to keep hope alive in the face of hardship and despair. Then Mae's neighbour and Grace's boss Sam Barton tells Mae about a rumour that the Japanese have towed the damaged ship to Singapore and taken the crew prisoner. Mae's life is changed forever as she focuses her efforts on willing her husband home.Set in inner Melbourne and rural Victoria, We That Are Left is a moving and haunting novel about love and war, the terrifyingly thin line between happiness and tragedy, and how servicemen and women are not the only lives lost when tragedy strikes during war.

    She spends most of her life around Echuca, on the Murray River, and invests some of her inheritance in the paddle steamer called PS Philadelphia. Her life is changed forever when she meets paddle steamer captain Brenton Edwards. She is torn between the harsh beauty of life on the river with its adventures, and the society life in Melbourne with her blossoming career as a painter. It is an adventure and a love story: between her, the men in her life, and the river.

    Two photographers document a nation’s guilt in pictures of its people’s hands. An underground club in Western Australia plays jazz to nostalgic patrons dreaming of America’s Deep South. A young woman struggles to define herself among the litter of objects an ex-lover has left behind. In short vignettes and longer stories, Josephine Rowe explores the idea of things that are left behind: souvenirs, scars, and prejudice. Rowe captures everyday life in restrained poetic prose, merging themes of collective memory and guilt, permanence and impermanence, and inherited beliefs. These beautifully wrought, bittersweet stories announce the arrival of an exciting new talent in Australian fiction.

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    His logical mind draws him towards the pursuit of science and knowledge. Mary, who loves to draw, is passionate and impetuous. The small country town in which they live, in the aftermath of World War II, is not enough to contain her ambitions for life and for love.When Mary escapes to Melbourne in pursuit of sensuality and art, Dominic must shoulder the mantle of family responsibility. Mary begins a new life, exploring the bohemian haunts of a rapidly changing post-war city. Dominic studies hard and eventually finds himself drawn into the field of eugenics, a fraught pseudo-science based on ideology. Then he meets Hanna, the daughter of Jewish refugees, who begins to show him the limitations of his scientific view.But Dominic and Mary are destined to come together, and the past cannot be left behind so easily. When Dominic comes looking for his sister, Mary must decide where her loyalties lie: to her family or to her art.Dominic, meanwhile, bears a secret of his own.This is a powerful novel about the choices we make in pursuit of our ideas, and the inexorable pull of the past. Set in an era of social constraint but profound genetic discovery, The Science of Appearances examines how the complex interplay of heredity and environment makes, shapes, and sometimes breaks us.

    Dressed in couture YSL, drinking the finest champagne at trendy Balthazar, Reba, as she’s known, is the picture of a wealthy art collector. To some, the elusive Miss Farwell is a shark with outstanding business acumen. To others, she’s a heartless capitalist whose only interest in art is how much she can make.But a thousand miles from the Big Apple, in the small town of Pierson, Illinois, Miss Farwell is someone else entirely—a quiet single woman known as Becky who still lives in her family’s farmhouse, wears sensible shoes, and works tirelessly as the town’s treasurer and controller. No one understands the ins and outs of Pierson’s accounts better than Becky; she’s the last one in the office every night, crunching the numbers. Somehow, her neighbors marvel, she always finds a way to get the struggling town just a little more money. What Pierson doesn’t see—and can never discover—is that much of that money is shifted into a separate account that she controls, “borrowed” funds used to finance her art habit. Though she quietly repays Pierson when she can, the business of art is cutthroat and unpredictable. But as Reba Farwell’s deals get bigger and bigger, Becky Farwell’s debt to Pierson spirals out of control. How long can the talented Miss Farwell continue to pull off her double life?

    Yet in the serene heart of the French province of Gascony, little has changed in a hundred years -- and the events in Paris seem but a distant thunder. Indeed, the dramatic crash landing of American artist and amateur balloonist Stephen Fletcher sparks far more excitement. Stephen lands in the pastoral world of a magistrate and his three daughters -- ethereal Claire, pert and precocious Mathilde, and plain, sensible Sophie, who lovingly tends her rose garden as she simmers with unfulfilled longings.As the revolution brings murder, terror, and fear into the remote Gascon countryside, Stephen finds himself enchanted by the angelic Claire. Yet he is also strangely drawn to Sophie, whose courage and compassion sustain them all, from her family to the quixotic, tormented physician who silently adores her. And even as Sophie keeps a tender secret of her own, she works toward realizing yet another dream: the miracle of an original repeat-flowering crimson rose -- a hopeful symbol of an unblighted future.

    Told in a series of unforgettable letters, this is a novel about love and what it means when it might be coming to an end.

    A few trinkets found in a sea chest and the fragmented memories of her grandfather's tall tales are all Essie Lewis has left of her family history. After her grandfather's death, Essie returns to Bruny Island, Tasmania, and to the lighthouse where her great-great-grandfather kept watch for nearly 40 years. Beneath the lighthouse, she begins to write the stories of her ancestors. But the island is also home to Pete Shelverton, a sculptor who hunts feral cats to make his own peace with the past. As Essie writes, she finds that Pete is a part of the history she can never escape.