To some there was an atmosphere of evil about the place, but to innocent young bride Catherine Rockwell, the mansion seemed magnificently romantic. She did not know then of the terrible secrets imprisoned behind its massive walls. Or that at the moment she had entered her new home, she had crossed the threshold of terror . . .

    There had been a third, but Annabel Winslow had died four years ago - so when a young woman calling herself Annabel Winslow comes 'home' to Whitescar, Con Winslow and his half-sister Lisa must find out whether she really is who she says she is.

    There she becomes acquainted with the Meryons - Daniel, the handsome head of the family to whom she's immediately drawn, his vicious wife, their daughter who was crippled by a tragic accident, and the great-aunt - an ancient woman of enormous wealth who is near death. The deeply troubled girl takes to Lavina who is employed as her companion at Winterwood, the family's lonely, isolated estate in England. There Lavinia is troubled by the wife's evil scheming, about a nephew who hints that he knows her secret, and after the death of the aunt - struggles to protect the now-wealthy young girl from her ruthless mother.

    Suddenly her fate—her life itself—was in the black silk-gloved hands of Gavin Hamilton, a man scarred and tortured by an unspoken past, whose mocking laughter echoes through his ancient Scottish estate. Damaris has heard the whispers that accuse Gavin Hamilton of his wife's death and his young daughter's crippling injury. But the pain and sadness barely hidden behind his blazing dark stare touch Damaris deeply—and a courageous heart is luring her to the estate's topmost tower in search of his dangerous secrets.

    But young Mary Yellan chose instead to honor her mother's dying request that she join her frightened Aunt Patience and huge, hulking Uncle Joss Merlyn at Jamaica Inn.From her first glimpse on that raw November eve, she could sense the inn's dark power. But never did Mary dream that she would become hopelessly ensnared in the vile, villainous schemes being hatched within its crumbling walls—or that a handsome, mysterious stranger would so incite her passions... tempting her to love a man whom she dares not trust.

    A classic gothic romance, the story features an 18-year-old Miranda Wells who falls under the spell of a mysterious old mansion and its equally fascinating master. Tired of churning butter, weeding the garden patch, and receiving the dull young farmers who seek her hand in marriage, Miranda is excited by an invitation from the upstate New York estate of her distant relative, the intriguing Nicholas Van Ryn. Her passion is kindled by the icy fire of Nicholas, the last of the Van Ryns, and the luxury of Dragonwyck, and a way of life of which she has only dreamed. Dressed in satin and lace, she becomes part of Dragonwyck, with its Gothic towers, flowering gardens, acres of tenant farms, and dark, terrible secrets. This compelling novel paints a marvelous portrait of a country torn between freedom and feudal traditions; a country divided between the very wealthy and the very poor. Poor tenant farmers at Dragonwyck, the European royalty who visit, and American icons such as Edgar Allan Poe, Herman Melville, and the Astors are vividly brought to life. This is a heart-stopping story of a remarkable woman, her breathtaking passions, and the mystery and terror that await her in the magnificent hallways of Dragonwyck.

    It was Sir Charles Stowell, a friend of my father's who finally told us the my father's forutnes and estates, including even the town house in London where we had lived all our lives with our mother, had reverted to my father's wife in Manchester. My father had been mcuh too gay and carefree to bother to make a will to provide for his mistress and the tiwns she had borne him...' When her parents die in a road accident, Marianne, illegitimate daughter of a French emigree and an English gentleman, loses her home and all her wordly goods. She faces life as a governess until she meets Axel Branson, a man who must marry within the year in order to inherit his father's wealth. Marianne grabs at the chance of a respectable marriage. A remote house in the Kent Marshes is now her home. But distrust of her husband and fear of the house seem to roll in as steadily as the sea mist...

    Gabriel Stone is desperate to escape the ghosts that haunt him in Massachusetts after his wife's death, so he moves to Pale Harbor, Maine, where there is a vacancy for a new minister. Gideon and his late wife had always dreamed of building their own church, and Pale Harbor is the perfect opportunity.But not all is as it seems in the sleepy town of Pale Harbor. Strange, unsettling things have been happening, and the townspeople know that only one person can be responsible: Sophronia Carver, a widow who lives with a spinster maid in the decaying Castle Carver on the edge of town. Sophronia is a recluse, rumored to be a witch who killed her husband.When Gabriel meets her, he knows the charming, beautiful woman cannot be guilty of anything. Together, Gabriel and Sophronia realize that the mysterious events have one thing in common: they all contain an element from the wildly popular stories of Mr. Edgar Allan Poe. And when the events escalate to murder, Gabriel and Sophronia must find the real killer, before it's too late for them both.

    As Val searches for her brother in nineteenth-century London and Scotland, she encounters danger, terror, and tragedy beyond anything she had expected.

    It had been a sunny afternoon when she glanced from the cliff where she sat reading and saw below her in the sea a sight that would change her life.Set in England and Italy in 1910, this is the story of a young English girl who by accident starts to unravel the unknown elements of her grandmother's past and is brought by the mystery to the faraway city of Venice. There among the gondolas and canals, she slowly comes to comprehend the meaning of two strange and puzzling dreams--dreams that seem to hold an eerie and menancing prophecy of the future.Here is all the grandeur and excitement of the ageless glory of Venice and the handsome beauty of the English countryside combined in the romantic and suspenseful story of a young girl's confrontation with the past.

    Banned from reading, Florence devours books in secret and talks to herself—and narrates her story—in a unique language of her own invention. By night, she sleepwalks the corridors and is troubled by a recurrent dream in which a mysterious woman appears to threaten her younger brother Giles.After the sudden violent death of the children's first governess, a second teacher, Miss Taylor, arrives, and immediately strange phenomena begin to occur. Florence becomes convinced that the new governess is a malevolent spirit who means to do Giles harm. Against this powerful enemy, Florence must use all her intelligence and ingenuity to protect her little brother and preserve her private world. This Gothic page-turner in the tradition of The Woman in Black and The Fall of the House of Usher is told in a startlingly different and wonderfully captivating narrative voice.

    She's still reeling from the news when she's offered an unexpected solution: Mr Argenton, a wealthy stranger, asks for her hand in marriage.Marrying Mr Argenton will restore her family's fortunes and save them from scandal, but condemns Sophie to a life in Northwood, a vast and unnaturally dark mansion situated hours from civilisation.Sophie struggles to adjust to her new position as mistress over the desolate house. Mr Argenton's relatives are cold, and Mr Argenton himself is keeping secrets. Even worse, the house is more than it seems.Mr Argenton's young cousin, Elise, draws terrifying images. Doors slam. Inhuman figures slink through the forest surrounding the house. A piano plays in the middle of the night. Blood drips from the ceilings.Sophie is inevitably pulled towards the terrifying truth: Northwood's ancient halls are haunted by the family's long-dead ancestors. The malevolent spirits--produced by grisly deaths--resent her intrusion into their home.Trapped in Northwood and desperate for an escape, Sophie's fate is further complicated as she finds herself irrevocably drawn to the tall, dark-eyed man she married. She suspects her feelings are returned, but Mr Argenton is hiding the truth about the house--and his secrets are so dangerous that they might just be unforgivable.

    These are the carefree days before marriage and new responsibility, and anything goes -- including house-sitting at eccentric Aunt Kate's palatial estate in Burton, Virginia. Ellie feels right at home here with the nearly invisible housekeepers and the plethora of pets, but she soon realizes that there are disturbing secrets about the local aristocracy buried in a dusty old book she has carried into the mansion. And her sudden interest in the past is attracting a slew of unwelcome guests -- some of them living and some, perhaps not. And the terrible vegeance that Ellie and her friends seem to have aroused -- now aimed at them -- surely cannot be...satanic.

    Since the death of her mother and brother, Ella Winterton's life has been consumed by keeping her drunkard father out of trouble and the roof of their crumbling cottage over their heads. But even isolated deep in the Norfolk broads, Ella has never been afraid of the marshes surrounding her home, despite their being riddled with treacherous bogs and local smugglers. Until one night a man masquerading as a Lantern Man—a frightening figure of local legend—waylays her in the marshes near her home, and her world suddenly begins to spiral out of control.Ella can tell her friends and the local villagers are all hiding something terrible, something they refuse to share, and she can’t help but wonder if it has to do with the Lantern Man and his secret activities in the shadows of the seemingly quiet broads. But when Ella’s father is caught with smuggled brandy by the authorities and levied a crippling fine, she is forced to turn to the stranger for help, despite her distrust and his alarming ability to kiss her senseless.Now she must unravel a twisted trail of deception and secrets, and uncover once and for all whether the Lantern Man is friend or foe. Or else risk being dragged down into the marshes, like the victims from the myth, and buried in a watery grave.

    There, as if it had that moment sprung out of the earth, stood the figure of a solitary Woman, dressed from head to foot in white'The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter becomes embroiled in the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons, and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism.Matthew Sweet's introduction explores the phenomenon of Victorian 'sensation' fiction, and discusses Wilkie Collins's biographical and societal influences. Included in this edition are appendices on theatrical adaptations of the novel and its serialisation history.