Blanchard’s 2011 five-hundred mile pilgrimage on the Camino de Santiago—hiking from St-Jean-Pied-de-Port in France over the Pyrenees to Roncesvalles in Spain, and then westward across northern Spain to Santiago de Compostella.For over a millennium, Christians have made this pilgrimage to the cathedral in Santiago, where the remains of St. James the apostle are entombed. Today, this journey is known as a European Cultural Itinerary, attracting people from around the world. In 2011, more than 183,000 people completed the pilgrimage; 44% of these pilgrims were women.Though Women of the Way is about Jane’s journey on the Camino de Santiago (also known as “The Way”) and discussions with women she met on the pilgrimage, this is not a “chic” book. It is about embracing the Camino, the personal changes, and the beauty and appeal of the most popular of all the pilgrimages to Santiago de Compostela, the Camino Frances. — Discover why people from around the world walk the Camino. — Learn how to prepare for the Camino, about the daily rituals in long-distance walking, and the camaraderie shared among these modern-day pilgrims. — Visualize the beauty of northern Spain through Jane’s vivid descriptions. — Understand why so many people embrace the Camino.“An articulate, well-observed and thoughtful look at walking the Camino.” ~ Adam Nathan“I felt as though I, too, was a pilgrim as I saw the beautiful landscapes Jane described, felt the tiredness she experienced, enjoyed the food along with her, laughed and cried with her.” ~ Elizabeth Chandler“My husband, John (62), and I are reading your book while we prepare to walk the Camino in May of 2013. We are loving it! I like your honesty and factual approach. Your descriptions have caused us to laugh and almost cry at times. Thank you! We are reading a little each day and John reminds me to bring the book in the car or to bed. The spirit of the Camino is already appearing in our relationship as we prepare. I can see a change and it is wonderful!” ~ Kim Todaro

    With no geographical raison d'etre and no obvious political roots in its Roman, Germanic, or Islamic pasts, it for long remained a small, struggling realm on Europe's outer fringe. Then, in the early fifteenth century, this unlikely springboard for Western expansion suddenly began to accumulate an empire of its own, eventually extending more than halfway around the globe. The History of Portugal and the Portuguese Empire, drawing particularly on historical scholarship postdating the 1974 Portuguese Revolution, offers readers a comprehensive overview and reinterpretation of how all this happened - the first such account to appear in English for more than a generation. Volume I concerns the history of Portugal itself from pre-Roman times to the climactic French invasion of 1807, and Volume II traces the history of the Portuguese overseas empire.

    The Laus apparitions, approved in 2008, were the first Marian apparitions approved by the Church in the 21st century.Let Mary's prophetic messages bring comfort and hope to your life in this thorough and compelling presentation of the extraordinary visits of the Mother of God to her children around the world.

    He has risen through the ranks with a speed otherwise unheard of, and after winning enough consecutive battles to catch the eye of the leader of his kind, he is now the champion. But the fights aren't just to prove the skill and strength of one warrior over another or to provide entertainment for the people. The truth, Khaos comes to find out, is that his people are dying at an alarming rate. Infants, males, females, whatever is in their blood that has stricken them is killing them off faster than the Vekosh rebels. As champion Khaos proves that he's vital enough to be a savior to his people. To scour the galaxy and others for some hope of a cure. When his search takes him to earth, he meets Kayla Abernathy, a young doctor with a quick mind and not much of a life outside of her work. She's never studied anything like the plague wiping out Khaos' people, or Khaos himself even, but for some reason she can't say no to his request for help, or the romance blooming between them, even if it means getting caught up with the Vekosh who want to stop her from completing her cure at any cost.

    Juana of Castile, third child of the Spanish monarchs Isabel and Fernando, grows up with no hope of inheriting her parents' crowns, but as a princess knows her duty: to further her family's ambitions through marriage. Yet stories of courtly love, and of her parents' own legendary romance, surround her. When she weds the Duke of Burgundy, a young man so beautiful that he is known as Philippe the Handsome, she dares to hope that she might have both love and crowns. He is caring, charming, and attracted to her-seemingly a perfect husband.But what begins like a fairy tale ends quite differently.When Queen Isabel dies, the crowns of Spain unexpectedly pass down to Juana, leaving her husband and her father hungering for the throne. Rumors fly that the young Queen has gone mad, driven insane by possessiveness. Who is to be believed? The King, beloved by his subjects? Or the Queen, unseen and unknown by her people?One of the greatest cautionary tales in Spanish history comes to life as Lynn Cullen explores the controversial reign of Juana of Castile-also known as Juana the Mad. Sweeping, page-turning, and wholly entertaining, Reign of Madness is historical fiction at its richly satisfying best.

    A dual Argentine-Spanish citizen, Neuman offers incisive insight into cultural identity and nationality, immigration and globalization, history and language. The enigmatic How to Travel Without Seeing is a must-read for anyone interested in our neighbors to the south and their current literature.

    With the marriage of Ferdinand & Isabella, the final expulsion of the Moslems and the discovery of America, Spain took on a seemingly unstoppable dynamism that made it into the world's first global power. This amazing success however created many powerful enemies and Elliott's famous book charts the dramatic fall of Habsburg Spain with the same elan as it charts the rise.

    Despite a near-zero knowledge of the language, he had three months to learn. No problem, or so Rich kept telling himself. Rich dives in at the deep end by moving in with an unintelligible Spanish landlady, and a German roommate, Nils, who insists on being called by his Spanish name, “Miguel”. Unsurprisingly, Miguel can only take Rich’s Spanish so far. Instead, he takes his chances on a journey across Spain. Follow Rich on a hilarious, life-changing trip through this fascinating and cultured country, as he travels through the vineyards of La Rioja, surfs in the Basque Country and frantically tries to speak Spanish at anyone he can find. In Granada, the last outpost of the Muslim Moors in Spain, Rich’s moment finally arrives. The microphone is on and the audience is ready, but is he?

     “I and my companions suffer from a disease of the heart which can be cured only with gold.” —Hernán CortésIt was a moment unique in human history, the face-to-face meeting between two men from civilizations a world apart. Only one would survive the encounter. In 1519, Hernán Cortés arrived on the shores of Mexico with a roughshod crew of adventurers and the intent to expand the Spanish empire. Along the way, this brash and roguish conquistador schemed to convert the native inhabitants to Catholicism and carry off a fortune in gold. That he saw nothing paradoxical in his intentions is one of the most remarkable—and tragic—aspects of this unforgettable story of conquest.In Tenochtitlán, the famed City of Dreams, Cortés met his Aztec counterpart, Montezuma: king, divinity, ruler of fifteen million people, and commander of the most powerful military machine in the Americas. Yet in less than two years, Cortés defeated the entire Aztec nation in one of the most astonishing military campaigns ever waged. Sometimes outnumbered in battle thousands-to-one, Cortés repeatedly beat seemingly impossible odds. Buddy Levy meticulously researches the mix of cunning, courage, brutality, superstition, and finally disease that enabled Cortés and his men to survive.Conquistador is the story of a lost kingdom—a complex and sophisticated civilization where floating gardens, immense wealth, and reverence for art stood side by side with bloodstained temples and gruesome rites of human sacrifice. It’s the story of Montezuma—proud, spiritual, enigmatic, and doomed to misunderstand the stranger he thought a god. Epic in scope, as entertaining as it is enlightening, Conquistador is history at its most riveting.From the Hardcover edition.

    Prescott after the publication of History of the Conquest of Mexico in 1843. Since then, his sweeping account of Cortés's subjugation of the Aztec people has endured as a landmark work of scholarship and dramatic storytelling. This pioneering study presents a compelling view of the clash of civilizations that reverberates in Latin America to this day. "Regarded simply from the standpoint of literary criticism, the Conquest of Mexico is Prescott's masterpiece," judged his biographer Harry Thurston Peck. "More than that, it is one of the most brilliant examples which the English language possesses of literary art applied to historical narration. . . . Here, as nowhere else, has Prescott succeeded in delineating character. All the chief actors of his great historic drama not only live and breathe, but they are as distinctly differentiated as they must have been in life. Cortés and his lieutenants are persons whom we actually come to know in the pages of Pres-cott. . . . Over against these brilliant figures stands the melancholy form of Montezuma, around whom, even from the first, one feels gathering the darkness of his coming fate. He reminds one of some hero of Greek tragedy, doomed to destruction and intensely conscious of it, yet striving in vain against the decree of an inexorable destiny. . . . [Prescott] transmuted the acquisitions of laborious research into an enduring monument of pure literature."From the eBook edition.

    That story—and the story of what happened afterwards—has been told many times, but always following the narrative offered by the Spaniards. After all, we have been taught, it was the Europeans who held the pens. But the Native Americans were intrigued by the Roman alphabet and, unbeknownst to the newcomers, they used it to write detailed histories in their own language of Nahuatl. Until recently, these sources remained obscure, only partially translated, and rarely consulted by scholars.For the first time, in Fifth Sun, the history of the Aztecs is offered in all its complexity based solely on the texts written by the indigenous people themselves. Camilla Townsend presents an accessible and humanized depiction of these native Mexicans, rather than seeing them as the exotic, bloody figures of European stereotypes. The conquest, in this work, is neither an apocalyptic moment, nor an origin story launching Mexicans into existence. The Mexica people had a history of their own long before the Europeans arrived and did not simply capitulate to Spanish culture and colonization. Instead, they realigned their political allegiances, accommodated new obligations, adopted new technologies, and endured.This engaging revisionist history of the Aztecs, told through their own words, explores the experience of a once-powerful people facing the trauma of conquest and finding ways to survive, offering an empathetic interpretation for experts and non-specialists alike.

    Hugh Thomas’s magisterial narrative of Spain in the New World has all the characteristics of great historical literature: amazing discoveries, ambition, greed, religious fanaticism, court intrigue, and a battle for the soul of humankind.Hugh Thomas shows Spain at the dawn of the sixteenth century as a world power on the brink of greatness. Her monarchs, Fernando and Isabel, had retaken Granada from Islam, thereby completing restoration of the entire Iberian peninsula to Catholic rule. Flush with success, they agreed to sponsor an obscure Genoese sailor’s plan to sail west to the Indies, where, legend purported, gold and spices flowed as if they were rivers. For Spain and for the world, this decision to send Christopher Columbus west was epochal—the dividing line between the medieval and the modern.Spain’s colonial adventures began inauspiciously: Columbus’s meagerly funded expedition cost less than a Spanish princess’s recent wedding. In spite of its small scale, it was a mission of astounding scope: to claim for Spain all the wealth of the Indies. The gold alone, thought Columbus, would fund a grand Crusade to reunite Christendom with its holy city, Jerusalem. The lofty aspirations of the first explorers died hard, as the pursuit of wealth and glory competed with the pursuit of pious impulses. The adventurers from Spain were also, of course, curious about geographical mysteries, and they had a remarkable loyalty to their country. But rather than bridging earth and heaven, Spain’s many conquests bore a bitter fruit. In their search for gold, Spaniards enslaved “Indians” from the Bahamas and the South American mainland. The eloquent protests of Bartolomé de las Casas, here much discussed, began almost immediately. Columbus and other Spanish explorers—Cortés, Ponce de León, and Magellan among them—created an empire for Spain of unsurpassed size and scope. But the door was soon open for other powers, enemies of Spain, to stake their claims.Great men and women dominate these pages: cardinals and bishops, priors and sailors, landowners and warriors, princes and priests, noblemen and their determined wives.Rivers of Gold is a great story brilliantly told. More significant, it is an engrossing history with many profound—often disturbing—echoes in the present.

    But Portugal's navigators cracked the code of the Atlantic winds, launched the expedition of Vasco da Gama to India and beat the Spanish to the spice kingdoms of the East - then set about creating the first long-range maritime empire. In an astonishing blitz of thirty years, a handful of visionary and utterly ruthless empire builders, with few resources but breathtaking ambition, attempted to seize the Indian Ocean, destroy Islam and take control of world trade.Told with Roger Crowley's customary skill and verve, this is narrative history at its most vivid - an epic tale of navigation, trade and technology, money and religious zealotry, political diplomacy and espionage, sea battles and shipwrecks, endurance, courage and terrifying brutality. Drawing on extensive first-hand accounts, it brings to life the exploits of an extraordinary band of conquerors - men such as Afonso de Albuquerque, the first European since Alexander the Great to found an Asian empire - who set in motion five hundred years of European colonisation and unleashed the forces of globalisation.

    Bernal Díaz del Castillo, himself a soldier under Cortes, presents a fascinatingly detailed description of the Spanish landing in Mexico in 1520, their amazement at the city, the exploitation of the natives for gold and other treasures, the expulsion and flight of the Spaniards, their regrouping and eventual capture of the Aztec capital. The Conquest of New Spain has a compelling immediacy that brings the past to life and offers a unique eyewitness view of the conquest of one of the greatest civilizations in the New World.J. M. Cohen’s clear, fluent translation is supplemented by an introduction that illuminates the life and memories of Bernal Díaz and explores changing views of the conquest, and there are also maps of the conquered territory.

    The play is an incisive and visually dazzling exposition of colonization in which cultural and religious clashes, driven by the promise of immense wealth, lead to betrayal, death and destruction. It is also a deeply moving exploration of personal honour and frailty as the ageing peasant from Trujillo, Pizarro, encounters the Sovereign Inca and Sun God, Atahuallpa. The combination of the historical and the personal gives rise to a play of enduring pleasure and interest. As Nicole Ridgway, the editor, indicates, Shaffer's play raises questions about literature and culture that are of continuing relevance to contemporary society. This new edition encourages students to experience the theatrical and thematic richness of the play and to grapple meaningfully with its issues by providing extensive support in the form of a comprehensive introduction and user-friendly annotations.