Seized by the reports, American diplomat John Lloyd Stephens and British artist Frederick Catherwood—both already celebrated for their adventures in Egypt, the Holy Land, Greece, and Rome—sailed together out of New York Harbor on an expedition into the forbidding rainforests of present-day Honduras, Guatemala, and Mexico. What they found would upend the West’s understanding of human history.In the tradition of Lost City of Z and In the Kingdom of Ice, former San Francisco Chronicle journalist and Pulitzer Prize finalist William Carlsen reveals the remarkable story of the discovery of the ancient Maya. Enduring disease, war, and the torments of nature and terrain, Stephens and Catherwood meticulously uncovered and documented the remains of an astonishing civilization that had flourished in the Americas at the same time as classic Greece and Rome—and had been its rival in art, architecture, and power. Their masterful book about the experience, written by Stephens and illustrated by Catherwood, became a sensation, hailed by Edgar Allan Poe as “perhaps the most interesting book of travel ever published” and recognized today as the birth of American archaeology. Most important, Stephens and Catherwood were the first to grasp the significance of the Maya remains, understanding that their antiquity and sophistication overturned the West’s assumptions about the development of civilization.By the time of the flowering of classical Greece (400 b.c.), the Maya were already constructing pyramids and temples around central plazas. Within a few hundred years the structures took on a monumental scale that required millions of man-hours of labor, and technical and organizational expertise. Over the next millennium, dozens of city-states evolved, each governed by powerful lords, some with populations larger than any city in Europe at the time, and connected by road-like causeways of crushed stone. The Maya developed a cohesive, unified cosmology, an array of common gods, a creation story, and a shared artistic and architectural vision. They created stucco and stone monuments and bas reliefs, sculpting figures and hieroglyphs with refined artistic skill. At their peak, an estimated ten million people occupied the Maya’s heartland on the Yucatan Peninsula, a region where only half a million now live. And yet by the time the Spanish reached the “New World,” the Maya had all but disappeared; they would remain a mystery for the next three hundred years.Today, the tables are turned: the Maya are justly famous, if sometimes misunderstood, while Stephens and Catherwood have been nearly forgotten. Based on Carlsen’s rigorous research and his own 1,500-mile journey throughout the Yucatan and Central America, Jungle of Stone is equally a thrilling adventure narrative and a revelatory work of history that corrects our understanding of Stephens, Catherwood, and the Maya themselves.

    Elton's classic account of the Reformation, revealing the issues & preoccupations central to the age & portraying its leading figures with vigor & realism. Table of Contents/MapsPreface to the 1st Edition 1. LutherThe Attack on Rome The State of Germany 2. Charles V3. Years of Triumph The Progress of Lutheranism ZwingliThe Wars of Charles V 4. The Radicals5. Outside Germany The SouthThe West The North The East 6. The Formation of Parties The Emergence of Protestantism The Search for a Solution7. The Revival of RomeCatholic ReformCounter-Reformation The Jesuits & the New Papacy 8. CalvinThe Meaning of Calvinism The Reformation in Geneva The Spread of Calvinism9. War & PeaceThe Triumph of Charles V The Defeat of Charles V The End of an Age10. The AgeThe Religious Revolution Art, Literature & Learning The Nation StateSocietyThe Expansion of Europe Afterword 2nd Edition-Andrew Pettegree NotesFurther Reading Index

    Christopher Columbus's 1492 voyage across the Atlantic Ocean in search of a trading route to China, and his unexpected landfall in the Americas, is a watershed event in world history. Yet Columbus made three more voyages within the span of only a decade, each designed to demonstrate that he could sail to China within a matter of weeks and convert those he found there to Christianity. These later voyages were even more adventurous, violent, and ambiguous, but they revealed Columbus's uncanny sense of the sea, his mingled brilliance and delusion, and his superb navigational skills. In all these exploits he almost never lost a sailor. By their conclusion, however, Columbus was broken in body and spirit. If the first voyage illustrates the rewards of exploration, the latter voyages illustrate the tragic costs- political, moral, and economic.In rich detail Laurence Bergreen re-creates each of these adventures as well as the historical background of Columbus's celebrated, controversial career. Written from the participants' vivid perspectives, this breathtakingly dramatic account will be embraced by readers of Bergreen's previous biographies of Marco Polo and Magellan and by fans of Nathaniel Philbrick, Simon Winchester, and Tony Horwitz.

    This brilliantly ironic novel about literature and writing, in Vila-Matas’s trademark witty and erudite style, is told in the form of a lecture delivered by a novelist clearly a version of the author himself. The “lecturer” tells of his two-year stint living in Marguerite Duras’s garret during the seventies, spending time with writers, intellectuals, and eccentrics, and trying to make it as a creator of literature: “I went to Paris and was very poor and very unhappy.” Encountering such luminaries as Duras, Roland Barthes, Georges Perec, Sergio Pitol, Samuel Beckett, and Juan Marsé, our narrator embarks on a novel whose text will “kill” its readers and put him on a footing with his beloved Hemingway. (Never Any End to Paris takes its title from a refrain in A Moveable Feast.) What emerges is a fabulous portrait of intellectual life in Paris that, with humor and penetrating insight, investigates the part literature plays in our lives.

     Elizabeth I criminalised Catholicism in England. For refusing to attend Anglican services her subjects faced crippling fines and imprisonment. For giving refuge to outlawed priests -- the essential conduits to God's grace -- they risked death. Almost two hundred Catholics were executed in Elizabeth's reign and hundreds more wasted away in prison. They were beleaguered on the one hand by a Papacy that branded Elizabeth a heretic and sanctioned her deposition and on the other by a government that saw itself fighting a war on terror and deployed every weapon in its arsenal, including torture, to combat the threat. With every invasion scare and attempt on Elizabeth's life, the danger for England's Catholics grew. God's Traitors explores this agonising conflict of loyalty from the perspective of one Catholic family, the Vauxes of Harrowden Hall. To follow the Vaux story -- from staunch loyalty to passive resistance to increasing activism -- is to see, in microcosm, the pressures and painful choices that confronted the Catholic community of Reformation England. Theirs in an enthralling tale of plots, priest-holes and persecution plated out in a world of shadows people by spies and agents provocateurs. They lived in a state of siege, under constant surveillance. The petty squabbles, unsuitable marriages, love and laughter of family life were punctuated by dawn raids, sudden arrests and clandestine meetings. Above all, this is a timeless and timely story of human courage and frailty, repression and reaction and the power of faith against the sternest of odds.

    Teresa Mendoza is his girlfriend, a typical narco's morra-- quiet, doting, submissive. But then Guero's caught playing both sides, and in Sinaloa, that means death. Teresa finds herself alone, terrified, friendless and running to save her life, carrying nothing but a gym bag containing a pistol and a notebook that she has been forbidden to read. Forced to leave Mexico, she flees to the Spanish city of Melilla, where she meets Santiago Fisterra, a Galician involved in trafficking hashish across the Strait of Gibraltar. When Santiago's partner is captured, it is Teresa who steps in to take his place. Now Teresa has plunged into the dark and ugly world that once claimed Guero's life-- and she's about to get in deeper...

    While many people hunker in their homes, waiting for government assistance, Jared quickly realizes he needs to take some sort of action if he intends to survive. Fending for himself proves far more difficult than he realized. When an old man, Bart, takes him in, Jared learns skills he is forced to use when hiding and scavenging are no longer options. Even before Jared acquires the skills to sustain his own life in this new world, he unexpectantly becomes the caretaker of a seven-year-old girl who is left all alone after her parents are tragically murdered. From the beginning to the end of this book, Jared is tested to his limits, escaping harm time and again only through his thoughtful approach to a new way of living. A World Slowed, stretches the Post-Apocalyptic genre in a slightly different direction as the story follows an unprepared Silicon Valley computer engineer, Jared, through his struggle to surviving in a world devoid of modern amenities connected to electricity. While many people hunker in their homes, waiting for government assistance, Jared quickly realizes he needs to take some sort of action if he intends to survive. Fending for himself proves far more difficult than he realized. When an old man, Bart, takes him in, Jared learns skills he is forced to use when hiding and scavenging are no longer options. Even before Jared acquires the skills to sustain his own life in this new world, he unexpectantly becomes the caretaker of a seven-year-old girl who is left all alone after her parents are tragically murdered. From the beginning to the end of this book, Jared is tested to his limits, escaping harm time and again only through his thoughtful approach to a new way of living. A World Slowed, stretches the Post-Apocalyptic genre in a slightly different direction as the story follows an unprepared Silicon Valley computer engineer, Jared, through his struggle to surviving in a world devoid of modern amenities connected to electricity. While many people hunker in their homes, waiting for government assistance, Jared quickly realizes he needs to take some sort of action if he intends to survive. Fending for himself proves far more difficult than he realized. When an old man, Bart, takes him in, Jared learns skills he is forced to use when hiding and scavenging are no longer options. Even before Jared acquires the skills to sustain his own life in this new world, he unexpectedly becomes the caretaker of a seven-year-old girl who is left all alone after her parents are tragically murdered. From the beginning to the end of this book, Jared is tested to his limits, escaping harm time and again only through his thoughtful approach to a new way of living.

    

    His goal was to claim what is now the Gulf Coast of the United States for the Spanish crown and, in the process, become as wealthy and famous as Hernán Cortés.But from the moment the Narváez expedition landed in Florida, it faced peril—navigational errors, disease, starvation, as well as resistance from indigenous tribes. Within a year there were only four survivors: the expedition’s treasurer, Álvar Núñez Cabeza de Vaca; a Spanish nobleman named Alonso del Castillo Maldonado; a young explorer named Andrés Dorantes de Carranza; and Dorantes’s Moroccan slave, Mustafa al-Zamori, whom the three Spaniards called Estebanico. These four survivors would go on to make a journey across America that would transform them from proud conquistadores to humble servants, from fearful outcasts to faith healers.

    Ten Years. Twelve stories.When sisters Maggie and Kiera McBride bring their friends together for a night of fun, they have no idea what it will lead to. Neither of them expected this crazy group to become like family.Throughout the next year, follow this group of friends as they navigate ten years of life and love together.*This 10,000 word novelette is book one of an LGBTQ+ twelve-book series*

    Undergoing weeks of preparation to become 'canvases', the models are required to stay in their pose for ten to twelve hours a day and, as art pieces, they are also for sale. After being exhibited, the 'canvases' can be bought and taken to the purchaser's home, where they are rented for weeks or months.Many beautiful young men and women long to become a 'canvas' - knowing they are a masterpeice and worth millions seems to make all the sacrifices worthwhile - especially if they can be 'painted' by the celebrated artist Bruno Van Tysch. But there is a darker side to this art movement when it is found that the models/works of art are sometimes used in interactive works - snuff movies, where the 'art' is filmed being tortured and killed. Van Tysch's work is being targeted and the investigators must find the killer before the displays of imitations of Rembrandt's masterpieces - the biggest exhibition of 'hyperdramatic art' yet seen - is put on show.

    Set against the dramatic backdrop of Guatemala's political upheaval in the 1980s, this heady mix of magic, humor, and spirituality immerses the reader in the experiences of Mayan birth, courting, marriage, childrearing, old age, death, and beyond, using the true story of Prechtel's own family and friends.

    Using everyday language to explain difficult theological concepts, Teresa of Avila compares the contemplative life to a castle with seven chambers. Tracing the passage of the soul through each successive chamber, she draws a powerful picture of the path toward spiritual perfection. It is the most sublime and mature of Teresa's works, offering profound and inspiring reflections on such subjects as self-knowledge, humility, detachment, and suffering.One of the most celebrated works on mystical theology in existence, as timely today as when St. Teresa of Avila wrote it centuries ago, this is a treasury of unforgettable maxims on self-knowledge and fulfillment.

    Visionaries by the millions were moving into woods, mountains, orchards, and farmlands in order to disconnect from the supposedly deleterious influences of modern life. Fed up with capitalism, TV, Washington politics, and 9-to-5 jobs, they took up residence in log cabins, A-frames, tents, old schoolhouses, and run-down farmhouses; grew their own crops; hauled water from wells; avoided doctors in favor of natural cures; and renounced energy-guzzling appliances. This is their story, in all its glories and agonies, its triumphs and disasters (many of them richly amusing), told by a woman who experienced the simple life firsthand but has also read widely and interviewed scores of people who went back to the land. Ms. Agnew tells how they found joy and camaraderie, studied their issues of Mother Earth News, coped with frozen laundry and grinding poverty, and persevered or gave up. Most of them, it turns out, came back from freedom and self-sufficiency, either by returning to urban life or by dressing up their primitive rural existence--but they held onto the values they gained during their back-to-the-land experience. Back from the Land is filled with juicy details and inspired with a naive idealism, but the attraction of the life it describes is undeniable. Here is a book to delight those who remember how it was, those who still kick themselves for not taking the chance, and those of a new generation who are just now thinking about it.

    Take a look on Youtube for all kinds of push-up challenges and examine the chest development of the guys doing them. Most of the times it's insignificant, right? Does that mean push-ups are a bad chest builder? Not at all. It's just that most people don't know how to activate their chest muscles properly. As a result, they do numerous reps without ever seeing their chest ever getting muscular. How do you turn your chest muscles “on” in order to get maximum activation and muscle building? You do that by bringing intensity into your push-ups. And intensity is not about reps, it's about how you perform those reps. How to sculpt a Greek God Marble Chest with Push-ups teaches you all the tools you will ever need in order to produce intensity. There are 4 techniques in the book that you can use to increase the intensity of your pushups: Learn how to switch on your chest. That way you make every rep count. Pre-stretch the muscle. Why? A muscle which is fully stretched is maximally activated and can be built faster. Don't lockout on the top. If you do, you will lose muscle tension since your body's weight rests on your joints and bones. Lean your body forward. By doing it, you are lifting even more weight with every rep. You go from lifting 60% of your body to lifting up to 90%, progressively overloading your chest muscles. Implement these 4 techniques today and watch your chest become sculpted like a Greek's God. Don’t hesitate to pick up your copy today by clicking the BUY NOW button at the top of this page! P.S. You will also start noticing better pumps with every chest exercise you perform from now on.