Once kept demurely concealed, lingerie now pervades every fashion category, inspiring designs for day looks, loungewear, evening clothes, and accessories. Slips have become dresses unto themselves. Bra straps are meant to peek out from under tank tops. Camisoles are worn on their own or as layers over or under other clothes. Now, with "Knitting Lingerie" Style, designer Joan McGowan-Michael interprets this undeniable fashion trend for the knitter and, along the way, shares fascinating stories about lingerie history. Did you know that it was airplane magnate Howard Hughes who masterminded the underwire bra? McGowan-Michaels 30-plus designs, stunningly photographed by Thayer Allyson Gowdy, range from the truly functionalknitted bras, slips, corsets, camisoles, and stockingsto the purely fun. The brassiere inspires a curvature-enhancing twinset. The baby doll negligee is the basis for a lacy little gown and a matching thong set thats both luxurious and (slightly) notorious. And a ribbed, laced-front sweater is an updatedand much more comfortable!take on the classic corset. The only book of its kind on the market, "Knitting Lingerie Style" includes projects that are bold and sexy, daring us all to bare a little skin, as well as more understated and demure, with sizes ranging from petite to plus.

    Exquisite drape married with figure-hugging silhouettes show off a woman’s curves in a most ladylike manner, creating flirtatious and flattering fits to please any knitter. Loosely based on ultra-feminine styles from fashion history, the designs in Romantic Hand Knits have an undeniably modern appeal. • A lace camisole is lengthened and reinvented as a lovely summer slip dress • A late-eighteenth-century corset cover inspires the design for a lacy fitted top with elbow-length sleeves• Silk stockings favored by Elizabethan ladies of the royal court return in a sexy and fresh incarnationWith the new fibers available today, knitting guru Annie Modesitt knits up fabrics that cling delicately to a woman’s body, creating an elegant hand-tailored look. Now every woman will be able to create fitted garments that make her look as pretty, desirable, and sexy as she feels.For knitters who want to heat things up in a whole new way, the alluring designs in Romantic Hand Knits will help them light the fires. An interview with Annie ModesittWhat’s your philosophy on the “romantic look”?There is a certain cultural shorthand that implies that “romantic” means lots of lace, billowy skirts, low-cut bodices, and a little more leg than usual–sexy with an extra layer. But I think that, like everything deeply personal, romance has its own specific look for each person. Romance is not so much about being desirable to another as it is about reveling in and celebrating our own hearts’ desires.In the introduction to Romantic Hand Knits, you say that romance is about dreams and hope, and how in knitting, as in romance, much of the joy is in the dream. How has knitting brought romance into your life?Knitting allows me to enjoy my time, my imagination and my mind more than I might without needles and yarn. When my mind is free–and powerful–the way it feels when I knit, then my soul soars a little and all of this adds a layer of joy to my life. Not to put too fine a point on it, this makes me love life, and love love, in a much deeper way, which in turn makes me more lovable. Nothing is more attractive than a quiet self confidence, which is what I get from knitting.You say in Romantic Hand Knits that the garment that dresses the top of the body sets the tone for the rest of your ensemble–and that this is perfectly demonstrated in the piece you’ve named Ninotchka. Can you elaborate?It’s hard to get away from the fact that the bust area–being the most important fit point on most women’s bodies and also being so near to the face–can send very strong signals. Usually we want these to be good signals: “this is a woman in control of her life and her wardrobe,” “I can trust what this woman tells me,” or “I feel this person is sympathetic and kind.”In Ninotchka, the well-supported bust area adds strength and stability to the design, allowing feminine details like the lace below the bust line and the thin twisted-cord shoulder straps to relax and soften, not weaken, the message this piece sends. “Here’s a woman confident in her femininity, but with a strong foundation.”Any stories to share from the development of Romantic Hand Knits?One of my favorite pieces, Streetcar Named Desire, was briefly a disaster! It was worked up quite beautifully by my knitter, who then attempted to block the piece. I generally like to block and finish most of the garments, and I hardly ever wet block, but in the blocking of this piece an interesting thing occurred. The fitted, springy little cardigan that I designed began to drape and hang in unexpected ways. The piece went from Sandra Dee to Blanche DuBois, and I couldn’t have been happier! It altered the way that I recommended caring for the piece (machine wash instead of dry clean), which, quite honestly, is how most folks want to deal with their clothing.With the addition of a waist tie, which can be moved to different eyelet rows to create a high, low, or natural waistline, the cardigan had an entirely different aspect–a sexier, “floatier,” more intriguing look.Is there a particular type of yarn that works best for this look? Why?I tried very hard to use a variety of fibers that represent a wide variety of price points. I do understand that not every knitter will be able to afford the silk to make Cleopatra, but I felt it was an important, inspiring piece and had to be included in a collection of romantic silhouettes. A firm, machine-washable Egyptian cotton might be a good substitute. One of the most useful skills to develop as a knitter is the ability to substitute yarn–this skill can only be honed with experience. This is why I suggest to new knitters that when they see a ball of yarn they like, they should get it and swatch it right away. Don’t wait for the right project to come along. If you swatch a yarn you love, you may just see that the right project’s been in front of you all along–perhaps in this book–just waiting for you to see the true beauty in the fabric knit from your new skein.Whenever possible I tried to use machine-washable yarns–especially for the skirts! I know that the idea of a hand knit skirt can be daunting–we’re all worried about the stretchy butt-pouch–but knit fabric is resilient and generally bounces back to its original drape. Machine washing a skirt ensures that it will return to its original silhouette.  Is there a philosophy or attitude that each book shares? How is this book different from your other books?If there’s one philosophy that all of my books share, it’s that we all have a bit of genius–of brilliance–in each of us, and if we choose to show it through our knitting, so much the better! We’re all individuals, so we may do things in unusual or nonstandard ways, but that doesn’t make us any less legitimate when we’re knitting (or cooking or sailing).This book is different in that it focuses specifically on clothes for women, and clothes that are intended to be flattering and a little body-conscious at that. My heart is most definitely in this book, which has been in me for a long time. I’m so happy to see it out and looking so beautiful!Do you have a favorite pattern in Romantic Hand Knits, or one that has a special meaning to you?I would have to say the cover skirt is very special to me. I’ve shown that photo to many knitters, and I’ve heard some women say, “I’d make that skirt, if I had that butt!” I really want folks to understand that it’s not so much about having a tiny butt, or the “perfect” butt, as much as it’s about liking the butt you have. There are a lot of ways to get to this Zen place, but if you have the greatest looking figure in the world and you’re not liking it, you may as well wear a sack. Likewise, if you have a less than perfect shape, but you love all the amazing things your body can do and have a fondness for your shape, you’ll look good in an amazing number of things. Confidence is a terrific butt-lift. Plus, the skirt is designed to help trick the eye into seeing the derriere in the most flattering light . . .

    Johnson and Socks from the Toe Up. This approach, made famous by her popular blog WendyKnits.net, will turn even the most reluctant knitter into a toe-up nut. Knitting a sock from the toe up saves yarn and always gives a perfect fit. And? No grafting! Wendy provides all the how-tos, tips, and techniques you need, as well as the pros and cons behind all of the cast-on, toe, heel, and bind-off options, gleaned from her years of experience. With more than 20 fun and beautiful patterns, Socks from the Toe Up has a sock for every foot. Whether you like bold textures or hearts and flowers, delicate lace or Bavarian cables, you (and your feet) will be covered here. Even if you’re casting on your first sock, or have been a top-down sock knitter for ages, you’ll find patterns and projects here that’ll keep your needles humming. Socks from the Toe Up is the hands-down best guide for toe-up socks.

    This comprehensive reference gives you the know-how you need to get gorgeous, polished results every time. More than 50 expert techniques cover increases, decreases, seams, blocking, decorative finishes, and more Master each method with step-by-step illustrations, easy-to-read text, and dozens of color photos Bring along this handy guide wherever you go--the spiral-bound design lies flat for trouble-free knitting

    Teaches the techniques of knitting, including materials, equipment, stitches, increasing and decreasing, and preventing and fixing mistakes, and includes patterns for dozens of projects.

    Included are innovative patterns and tips for knitting socks with customized fit--even for all ten toes. Safe and easy directions are given on dyeing yarn from pour-dyeing methods to dyeing with Kool-Aid. With photos and illustrations of finished examples, sock patterns such as newborn socks and magic genie toe socks, and advice on how to create one-of-a-kind projects, it will appeal to all levels of knitters and spinners.

    The Best of Knitter's Magazine: Shawls and Scarves begins with the history of shawls. Knitter's introduces the reader to the techniques of shawl-making with clearly illustrated how-to's. The book features patterns for traditional shawls and wraps of all shapes and sizes using easy step-by-step instructions. These fabulous pieces are made in a variety of fibers including soft wools, lightweight mohairs, cotton blends, shiny ribbon, and luxury fibers. The garments range from elegant one-color shawls to spectacular knock-out wraps. Included in this presentation are a host of the best-known designers in the field. Editor, Nancy J. Thomas puts well-loved features into a logical, concise, contemporary format that will be a "must-have" for all knitters.

    The stitch patterns and clear instructions make it easy for even procrastinators and the less-than-diligent to create a ruffled cravat, a drawstring bag, a tank top, cozy scarves, arm and leg warmers, lace wristlets, fingerless gloves, a mohair pillow, and even a sweater for a baby. Several projects do not require any new yarn at all—instead projects such as the Felted Striped Tote or the Labyrinth Circle Rug are designed using up a skein's worth of leftovers from other projects. A guide to terms and techniques, a resource directory, and a bibliography are also included.

    Stephanie Pearl-McPhee unravels the mysteries of tangled yarn, confusing patterns, and stubbornly unfinished projects. Daring to question long-standing rules and encouraging crafters to knit in the way that works best for them, this illuminating, liberating, and hilarious look at the world of knitting is full of surprises and delightfully inspiring ideas."

    But if you want to play, the possibilities are infinite: -- let hand-painted yarns spill their colors along new and artful pathways -- harmonize the rhythms of familiar stitch patterns with the book s universal formula, and see the familiar reborn with a new and beautiful look -- combine architectures for infinite hybrid forms, or be the first to try something brand new

    This treasury features a choice selection of her source material, arranged into four parts: (1) Traditional patterns from Europe, Russia, and South America (2) Adaptations from textiles and other art, including Japanese porcelain and Celtic metalwork (3) Alice Starmore's own geometric and nature-inspired originals (4) Practical instructions that explain how to incorporate these motifs into unique designs.Suitable for beginning as well as advanced color knitters, these charted designs can also be adapted to other crafts, including weaving and embroidery. The first U.S. publication of Charts for Color Knitting, this new and expanded version explains how to incorporate color into your work and features color photographs of knitted swatches created expressly for this Dover edition.

    Focusing on how to make the most of these much-loved yarns, it explains how to design projects with hand-dyed material versus other types of yarns, how to avoid the pitfalls of pooling and splotching, and how to combine multicolored hand paints with other types of yarns. Fresh, modern sock patterns from a variety of contributors illustrate their successful techniques, showing that with creativity and a little technical know-how, knitters can fully take advantage of these beautiful, yet sometimes tricky, yarns.

    It features a comprehensive section covering the skills necessary to create a well-fitted garment, removing the guesswork from customising patterns.

    Characterized by their dense, dark yarns, rich pattern combinations, and dropped shoulders, these simple square garments provide the modern knitter with a template for a wide variety of classic designs. Detailed, step-by-step line drawings and photographs, sidebars, and formulas help the reader build a foundation of skills. Pattern graphs and instructions for six of the author's own designs are included.

    Drawing on decades of experience as a knitting instructor and designer, Maggie Righetti offered step-by-step directions on avoiding common mistakes and getting out of tricky spots.Now, in this completely updated and revised version, Righetti gives readers what they've asked for: advice on making all different garments, working with new patterns and different kinds of yarn, and even an introduction to her own legendary history. Neither aggressively hip nor bafflingly encyclopedic, Knitting in Plain English offers basic principles that will make any project---from a basic blanket to an intricate sweater---rewarding.Having Knitting in Plain English on the shelf is like having the gift of your own knitting teacher available to help at all times with any thorny problem.