Shot entirely in France, much on location at the Palace of Versailles, the film is visually stunning, bringing together a cast that includes Kirsten Dunst, Jason Schwartzman, Rip Torn, and Marianne Faithful, and the extraordinary costume designs of Oscar-winner Milena Canonero (Barry Lyndon, A Clockwork Orange). A moving story of naivety and responsibility, reputation and misunderstanding, Marie Antoinette is a film that Sofia Coppola has wanted to make for years. In a book that is at once the personal chronicle of a major work and a beautiful tribute to the potential of film, featuring elements of the director's own screenplay as well as captivating stills, the director's personal photos, and original designs for costumes and sets, Marie Antoinette is an essential companion for any lover of modern cinema.

     Not only did they support the leading stars in Hollywood films, they also added an extra dimension that make these movies all the more golden. In this sequel, even more character players' lives and careers are featured, with interesting insight into their personal lives and backgrounds, as well as their stunning film contributions. If you like Old Hollywood and Turner Classic Movies is your go-to movie channel, you will enjoy The Name Below The Title, Volume 2: 20 MORE Classic Movie Character Actors From Hollywood's Golden Age. Click "Buy Now" and enjoy fun and interesting insight into a time gone by.

    It contains myriad critical-listening descriptions of the sounds of the time, but also places those sounds in the context of history. Drawing on hundreds of fanzines, magazines, and newspapers, the book is—in the spirit of punk—an obsessive, exhaustively researched, and sometimes deeply personal portrait of the many ways in which punk was an artistic, cultural, and political expression of defiance.A Cultural Dictionary of Punk is organized around scores of distinct entries, on everything from Lester Bangs to The Slits, from Jimmy Carter to Minimalism, from 'Dot Dash' to Bad Brains. Both highly informative and thrillingly idiosyncratic, the book takes a fresh look at how the malaise of the 1970s offered fertile ground for punk—as well as the new wave, post-punk, and hardcore—to emerge as a rejection of the easy platitudes of the dying counter-culture. The organization is accessible and entertaining: short bursts of meaning, in tune with the beat of punk itself.Rombes upends notions that the story of punk can be told in a chronological, linear fashion. Meant to be read straight through or opened up and experienced at random, A Cultural Dictionary of Punk covers not only many of the well-known, now-legendary punk bands, but the obscure, forgotten ones as well. Along the way, punk's secret codes are unraveled and a critical time in history is framed and exclaimed.Visit the Cultural Dictionaryof Punk blog here.

    Their contagious energy economical storytelling, and rambunctious humor set the stage perfectly for the ward-winning films that follow. They also harken back to a bygone era of showmanship, when serials and shorts summoned and focused movie watchers' attention for the big show to follow. In The Art of Pixar Short Films, respected animation journalist Amid Amidi examines the legacy of short filmmaking at the Emeryville, California, studio in interviews with the directors, producers, artists, and animators who created For the Birds, Lifted, and eleven other iconic shorts.More than 250 full-color illustrations, pencil sketches, storyboards, photographs, and final rendered frames showcase the vision of a talented group of artist, as well as their storytelling prowess; these films often foego dialogue in favor of communicating with emotion (Luxo Jr.), music (Boundin' and One Man Band), and perfectly time pratfall humor (Knick Knack).This beautifully desiged and studiously researched book is a strong addition to animation and film scholarship, an intimate tour inside the most admired animation studio at work today.

    Noted film scholar V. F. Perkins presents criteria for expanding our understanding and enjoyment of movies. He employs commonsense words like balance, coherence, significance, and satisfaction to develop his insightful support of the subtle approach and of the unobtrusive director. Readers will learn why a scene from the humbler movie Carmen Jones is a deeper realization of filmmaking than the bravura lion sequence in the classic Battleship Potemkin. Along the way Perkins invites readers to re-experience with clarity, directness, and simplicity other famous scenes by directors like Hitchcock, Eisenstein, and Chaplin. Perkins examines the origins of movies and embraces their use of both realism and magic, their ability to record as well as to create. In the process he seeks to discover the synthesis between these opposing elements. With the delight of the fan and the perception of the critic, Perkins advances a film theory, based on the work of Bazin and other early film theorists, that is rich with suggestion for debate and further pursuit. Sit beside Perkins as he reacquaints you with cinema, heightens your awareness, deepens your pleasure, and increases your return every time you invest in a movie ticket.

    It contains the original screenplay, production stills, and full credits for the country house murder mystery.

    Though limited, mostly to guest singing appearances in splashy Hollywood musicals, "the beautiful Lena Horne," as she was often called, became a pioneering star for African Americans in the 1940s and fifties. Now James Gavin, author of Deep in a Dream: The Long Night of Chet Baker, draws on a wealth of unmined material and hundreds of interviews -- one of them with Horne herself -- to give us the defining portrait of an American icon.Gavin has gotten closer than any other writer to the celebrity who has lived in reclusion since 1998. Incorporating insights from the likes of Ruby Dee, Tony Bennett, Diahann Carroll, Arthur Laurents, and several of Horne's fellow chorines from Harlem's Cotton Club, Stormy Weather offers a fascinating portrait of a complex, even tragic Horne -- a stunning talent who inspired such giants of showbiz as Barbra Streisand, Eartha Kitt, and Aretha Franklin, but whose frustrations with racism, and with tumultuous, root-less childhood, left wounds too deep to heal. The woman who emerged was as angry as she was luminous.From the Cotton Club's glory days and the back lots of Hollywood's biggest studios to the glitzy but bigoted hotels of Las Vegas's heyday, this behind-the-scenes look at an American icon is as much a story of the limits of the American dream as it is a masterful, ground-breaking biography.

    Forty years later, Deneuve is still widely regarded as one of the grande dames of French cinema. Despite her international appeal, however, Denueve has always chosen to avoid the ferocious glare of Hollywood and seldom allows the public into her private life. In these memoirs, Deneuve takes the reader behind the scenes of her life and career in this fascinating collection of seven previously unpublished diaries that she kept while filming abroad. In her own words, Deneuve charts the shooting of films such as The April Fools; Tristana, directed by Luis Bunuel; Indochine; and Dancer in the Dark. Including a never before published interview with famed director Pascal Bonitzer, this memoir is an intimate look into Deneuve's life both on and off screen, and is every bit as riveting as her movie persona.

    This authoritative new biography traces Todd’s life from a vivacious little girl who tried to assuage her parents’ grief over her brother’s death, to an aspiring teacher turned reluctant beauty queen, to an outspoken movie starlet and restaurateur.Increasingly disenchanted with Hollywood, in 1934 Todd opened Thelma Todd’s Sidewalk Café, a hot spot that attracted fans, tourists, and celebrities. Despite success in film and business, privately the beautiful actress was having a difficult year–receiving disturbing threats from a stranger known as the Ace and having her home ransacked–when she was found dead in a garage near her café. An inquest concluded that her death, at age just twenty-nine, was accidental, but in a thorough new investigation that draws on interviews, photographs, documents, and extortion notes–much of these not previously available to the public–Michelle Morgan offers a compelling new theory, suggesting the sequence of events on the night of her death and arguing what many people have long suspected: that Thelma was murdered.But by whom?The suspects include Thelma’s movie-director lover, her would-be-gangster ex-husband, and the thugs who were pressuring her to install gaming tables in her popular café–including a new, never-before-named mobster. This fresh examination on the eightieth anniversary of the star's death is sure to interest any fan of Thelma Todd, of Hollywood's Golden Age, or of gripping real-life murder mysteries.

    From her treatment in the US and the wonderful care provided by the oncologists there to how she rebuilt her life once she returned home, the book takes us on an emotional roller-coaster ride through her many fears and struggles and shows how she eventually came out triumphant.Today, as she completes six years of being cancer-free, she shares her story-one marked by apprehensions, disappointments and uncertainties-and the lessons she learnt along the way. Through her journey, she unravels cancer for us and inspires us to not buckle under its fear, but emerge alive, kicking and victorious.

    Ava, Hedy, Judy, Liz epitomized Hollywood's golden era. With a trembling lip or sultry eye, with a tear or song or husky whisper, these women held moviegoers across America in their sway from the hard times of the 1930s through the booming postwar years to the early sixties. They were royalty and box office, and led pampered public lives—furs, jewels, designer gowns; limousines, flash bulbs, handsome escorts—that captured the national imagination. They also signed seven-year contracts with a morals clause, and the more they slipped, the more the secret abortions, efficient cover-ups, legal legerdemain, and dropped charges bound them to the wizard in their Oz, Louis B. Mayer. The slips are here along with the successes. Here, too, are the Blonde Bombshell Jean Harlow, Million-Dollar Mermaid Esther Williams, Sweater Girl Lana Turner, and bad girl Ava Gardner ("She can't act. She can't talk. She's terrific," declared Mayer after her screen test). From Jeanette MacDonald and Norma Shearer to Princess Grace and Dame Elizabeth Taylor, the sixteen portraits in this lively, photograph-filled volume, each accompanied by the star's filmography, tell the tales that have long lay hidden behind the gossip and the glories of Metro-Goldwyn-Mayer's glamorous golden girls.

    The author wickedly remembers and delectably recounts the scandals, gossip and glorious intimacies of the golden age of Hollywood.

    In Northern Italy in 1983, seventeen-year-old Elio begins a relationship with visiting Oliver, his father's research assistant, with whom he bonds over his emerging sexuality, their Jewish heritage, and the beguiling Italian landscape.

    

    Hollywood has so many stories to tell and, unfortunately, so many of them do not have happy endings. From Marilyn Monroe to posthumous Oscar winner Heath Ledger, this book lays bare some of the myths and gets to the heart of some of Hollywood's Unhappiest Endings.