Drop him into a ghastly Kenya prep school in the middle of Rider Haggard country. A school where cricketing news comes by carrier pigeon, leopards are assaulted with a red-hot poker, and runaway boys are hunted down with spearmen and a pack of foxhounds... For Martin Riddle, the experience is unforgettable. For the riding mistress, Lady Bullivant, it is all part of the day's work. And for the headmaster, a disreputable ex-Guards officer, it is simply a means of staving off bankruptcy for a few more weeks. As for the Masai, tennis may be on the curriculum at Haggard Hall, but midnight meetings with naked warriors definitely are not! 'The funniest book I have read since David Lodge's Small World' - Sunday Times 'Wickedly funny' - Daily Mail 'Less savage than Evelyn Waugh, Best is every bit as sharp... an immensely enjoyable book' - Evening Standard 'Very good entertainment' - Sir Alec Guinness (Sunday Times book of the year) Nicholas Best's books have been translated into many languages. He was the Financial Times's fiction critic for ten years and was long-listed in 2010 for the Sunday Times-EFG Bank 30,000 award, the biggest short story prize in the world. For more details, see www.nicholasbest.co.uk

    She must be killed. But she ran before they could act. She ran across the Dakota prairie until she could run no more. She turned and faced the oncoming warriors. She had no hope, yet she would defy them until the end. Then came the thunder.

    It is the blessing and it is the curse. What if love comes in your way and the situations turn your fate up-side-down? One such story is "The Mistake: A True Love Story". Vijay Singh an enthusiastic student steps into the engineering college and he meets Ankita, a girl with a dark past. He follows her and does crazy things to get her. His passion for her is undying and when Ankita agrees to be with him. Unfortunately, he meets with an accident and gets admitted to the hospital. Fate takes a strange turn.What will happen to Vijay Singh? What is the unknown past of Ankita? Will they recreate their love and passion for each other after the accident? What are the consequences which Vijay faces? The plight of Vijay's courtship is one filled with peaks and valleys.Review:"It's an amazing book. Truly touched my soul...!! I am 100% sure that this book is based on true story. Have u ever fall in love, what was that actual feeling, emotions and affection from him/her you can experience every single emotion in this book."-Amit, Amazon Top Reviewer

    . .Mahmood Mattan is a fixture in Cardiff's Tiger Bay, 1952, which bustles with Somali and West Indian sailors, Maltese businessmen and Jewish families. He is a father, chancer, petty criminal. He is a smooth-talker with rakish charm and an eye for a good game. He is many things, but he is not a murderer. So when a shopkeeper is brutally killed and all eyes fall on him, Mahmood isn't too worried. Since his Welsh wife Laura kicked him out for racking up debts he has wandered the streets more often, and there are witnesses who allegedly saw him enter the shop that night. But Mahmood has escaped worse scrapes, and he is innocent in this country where justice is served. Love lends him immunity too: the fierce love of Laura, who forgives his gambling in a heartbeat, and his children. It is only in the run-up to the trial, as the prospect of returning home dwindles, that it will dawn on Mahmood that he is in a fight for his life - against conspiracy, prejudice and cruelty - and that the truth may not be enough to save him. ***PRAISE FOR NADIFA MOHAMED***'A moving and captivating tale of survival and hope . . . confirms Mohamed's stature as one of Britain's best young novelists' Stylist, on The Orchard of Lost Souls 'Mixing startling lyricism and sheer brutality . . . [Black Mamba Boy] is a significant, affecting book' Guardian 'With the unadorned language of a wise, clear-eyed observer, Nadifa Mohamed has spun an unforgettable tale' Taiye Selasi, on The Orchard of Lost Souls

    Without running water or electricity, Warri is at first a nightmare for Blessing. Her mother is gone all day and works suspiciously late into the night to pay the children's school fees. Her brother, once a promising student, seems to be falling increasingly under the influence of the local group of violent teenage boys calling themselves Freedom Fighters. Her grandfather, a kind if misguided man, is trying on Islam as his new religion of choice, and is even considering the possibility of bringing in a second wife.But Blessing's grandmother, wise and practical, soon becomes a beloved mentor, teaching Blessing the ways of the midwife in rural Nigeria. Blessing is exposed to the horrors of genital mutilation and the devastation wrought on the environment by British and American oil companies. As Warri comes to feel like home, Blessing becomes increasingly aware of the threats to its safety, both from its unshakable but dangerous traditions and the relentless carelessness of the modern world.

    Black marks formed under her eyes where her lashes bled their waxy coating onto her skin. Her rouged cheeks were smudged. Mother looked like she was melting in the heat."Faith leads an isolated existence on her family's drought stricken farm in the Northern Transvaal of South Africa. When the rain stopped, her father took to the road as a travelling salesman, returning only at weekends. Now Faith lives with her mother Bella and dog Boesman anticipating his visits - until one day he stops coming and Bella's health begins to go into rapid decline.Fifteen years later Bella has died incarcerated in the Sterkfontein asylum for the criminally insane. Faith has not spoken to her mother for ten years and is on the brink of a breakdown of her own. Now, with her mother's death, she inherits the farm and must return to confront the dark mysteries of the past . . .In prose as lithe and imaginative as that of Alexandra Fuller, Rachel Zadok te Riele recreates the voice of a young girl growing up during the height of apartheid unrest in South Africa. As Faith struggles to make sense of the complex world in which she lives and come to terms with the beliefs her society and upbringing have inculcated in her, what emerges is a richly compelling, emotionally resonant tale of courage set against the backdrop of a chaotically divided and deeply beautiful country.

    Reeling from shock, Lang realizes all of her perfect arrangements (from the caramel cake in the freezer for his first Christmas without her to love letters for his first anniversary alone) are in utter disarray. A mute stray dog posts itself on her front porch and a grammar-butchering fashion plate posts herself in Lang's kitchen, regularly revealing too much information. Lillian, Lang's long-lost mother, reappears for the funeral and is as obnoxious as ever. Her son, Teddy, has his own ideas of how she should manage her life, and they don't include cavorting about with a veterinarian who resembles Wimpy. Lang's granddaughter is a bright spot in her life, and Lang can't imagine life without her.With her historical family estate in jeopardy, Lang discovers her husband wasn't as perfect as she thought. Is she strong enough to keep her husband's secret from destroying her life?

    On the cusp of seventy-five, she is in good health and makes the most of it, enjoying road trips in her vintage Porsche, chatting to strangers, and recollecting characters from her favourite novels. Then she has a fall and her independence crumbles. Without the support of family, she relies on friends and chance encounters. As Morayo recounts her story, moving seamlessly between past and present, we meet Dawud, a charming Palestinian shopkeeper, Sage, a feisty, homeless Grateful Dead devotee, and Antonio, the poet whom Morayo desired more than her ambassador husband. A subtle story about ageing, friendship and loss, this is also a nuanced study of the erotic yearnings of an older woman. “Dr. Morayo Da Silva is one of the most memorable characters you are likely to encounter on the page – intelligent, indomitable, author and survivor of a large life. In dreamlike prose, Manyika dips in and out of her present, her past, in a story that argues always for generosity, for connection, for a vigorous and joyful endurance." - Karen Joy Fowler, author of We Are All Completely Beside Ourselves“Manyika's story about an elderly Nigerian woman is quiet, sophisticated and it expands the canon of contemporary African literature into welcome new territory.” - Bernardine Evaristo, author of Mr Loverman“If aging be a lamp, then Morayo, the protagonist in Like a Mule Bringing Ice Cream to the Sun is a mesmerizing glow. Astute, sensual, funny, and moving.” - NoViolet Bulawayo, author of We Need New Names “A wonderfully constructed novel, always surprising and wrong-footing the reader at every turn and challenging one's assumptions about the Other. Like a Mule Bringing Ice Cream to the Sun is a delightful multi-helical reading experience that speaks to our times in insightful and pleasantly understated ways." - Brian Chikwava, author of Harare North

    Morton's first two unforgettable novels in one volume: The House at Riverton plus The Forgotten Garden.

    The walks meet a need for Julius: they are a release from the tightly regulated mental environment of work, and they give him the opportunity to process his relationships, his recent breakup with his girlfriend, his present, his past.But it is not only a physical landscape he covers; Julius crisscrosses social territory as well, encountering people from different cultures and classes who will provide insight on his journey—which takes him to Brussels, to the Nigeria of his youth, and into the most unrecognizable facets of his own soul.

    A fox makes its way across Waterloo Bridge. The distraction causes two pedestrians to collide--Jean, an American studying the habits of urban foxes, and Attila, a Ghanaian psychiatrist there to deliver a keynote speech. From this chance encounter, Aminatta Forna's unerring powers of observation show how in the midst of the rush of a great city lie numerous moments of connection.Attila has arrived in London with two tasks: to deliver a keynote speech on trauma, as he has done many times before; and to contact the daughter of friends, his "niece" who hasn't called home in a while. Ama has been swept up in an immigration crackdown, and now her young son Tano is missing.When, by chance, Attila runs into Jean again, she mobilizes the network of rubbish men she uses as volunteer fox spotters. Security guards, hotel doormen, traffic wardens--mainly West African immigrants who work the myriad streets of London--come together to help. As the search for Tano continues, a deepening friendship between Attila and Jean unfolds.Meanwhile a consulting case causes Attila to question the impact of his own ideas on trauma, the values of the society he finds himself in, and a grief of his own. In this delicate tale of love and loss, of cruelty and kindness, Forna asks us to consider the interconnectedness of lives, our co-existence with one another and all living creatures, and the true nature of happiness.

    1880 South Africa is a country torn apart by greed. In this remote and inhospitable land she becomes entangled with two very different men—one driven by ambition, the other by his ideals. Only when the rumor of a smallpox epidemic takes her into the dark heart of the diamond mines does she see her path to happiness.But this is a ruthless world of avarice and exploitation, where the spoils of the rich come at a terrible human cost and powerful men will go to any lengths to keep the mines in operation. Removed from civilization and disillusioned by her isolation, Frances must choose between passion and integrity, a decision that has devastating consequences.

    . . . Iweala never wavers from a gripping, pulsing narrative voice. . . . He captures the horror of ethnic violence in all its brutality and the vulnerability of youth in all its innocence.”  —Entertainment Weekly  (A)The harrowing, utterly original debut novel by Uzodinma Iweala about the life of a child soldier in a war-torn African countryAs civil war rages in an unnamed West-African nation, Agu, the school-aged protagonist of this stunning novel, is recruited into a unit of guerilla fighters. Haunted by his father’s own death at the hands of militants, which he fled just before witnessing, Agu is vulnerable to the dangerous yet paternal nature of his new commander.While the war rages on, Agu becomes increasingly divorced from the life he had known before the conflict started—a life of school friends, church services, and time with his family, still intact. As he vividly recalls these sunnier times, his daily reality continues to spin further downward into inexplicable brutality, primal fear, and loss of selfhood. In a powerful, strikingly original voice, Uzodinma Iweala leads the reader through the random travels, betrayals, and violence that mark Agu’s new community. Electrifying and engrossing, Beasts of No Nation announces the arrival of an extraordinary writer.

    While she becomes fed up and ready to leave, Karisma isn’t. This forces Katori to stay in the relationship for the sake of saving her family.That is until Riso's ultimate betrayal is revealed. This unforgivable treachery truly breaks Katori's heart for the last time, but will she find the strength to finally leave?

    But who would look after her? When fourteen-year-old Sara Jenkins rescues her baby sister, Myfanwy, from the fire which kills their mother, little does she realise the burden of responsibility she is taking on. Her father, Ifor, is perceived as strict and moral by everyone in the village. But as Sara struggles to look after Myfanwy and their home she discovers the depths of cruelty he is capable of. Then Ifor remarries, and Sara's new stepmother is a hard taskmaster who considers everything Sara does inadequate or wicked. When Sara meets Rhys Edwards, nephew of the owner of the bakery where she works, she falls in love for the first time. Finally, she believes, she has a way to escape her father. Rhys and Sara plan to make a life together in Cardiff - but when tragedy strikes Sara finds herself alone there, pregnant and destitute ...