She is the legend that will not die–Pope Joan, the ninth-century woman who disguised herself as a man and rose to become the only female ever to sit on the throne of St. Peter. Now in this riveting novel, Donna Woolfolk Cross paints a sweeping portrait of an unforgettable heroine who struggles against restrictions her soul cannot accept.Brilliant and talented, young Joan rebels against medieval social strictures forbidding women to learn. When her brother is brutally killed during a Viking attack, Joan takes up his cloak–and his identity–and enters the monastery of Fulda. As Brother John Anglicus, Joan distinguishes herself as a great scholar and healer. Eventually, she is drawn to Rome, where she becomes enmeshed in a dangerous web of love, passion, and politics. Triumphing over appalling odds, she finally attains the highest office in Christendom–wielding a power greater than any woman before or since. But such power always comes at a price . . .In this international bestseller, Cross brings the Dark Ages to life in all their brutal splendor and shares the dramatic story of a woman whose strength of vision led her to defy the social restrictions of her day.

    Thorgils is a rootless character of quicksilver intelligence and adaptability. He has inherited his mother’s ability of second sight, and his mentors teach him the ancient ways and warn him of the invasion of the “White Christ” into the land of the “Old Gods.” Guided by a restless quest for adventure and the wanderlust of his favored god, Odinn, Thorgils’ fortunes will take him into worlds of unimaginable danger and discovery.

    Much to her annoyance, she is accompanied by a thirty-six-year-old chaperone, who is neither mother nor friend. Cora Carlisle, a complicated but traditional woman with her own reasons for making the trip, has no idea what she’s in for. Young Louise, already stunningly beautiful and sporting her famous black bob with blunt bangs, is known for her arrogance and her lack of respect for convention. Ultimately, the five weeks they spend together will transform their lives forever. For Cora, the city holds the promise of discovery that might answer the question at the core of her being, and even as she does her best to watch over Louise in this strange and bustling place she embarks on a mission of her own. And while what she finds isn’t what she anticipated, she is liberated in a way she could not have imagined. Over the course of Cora’s relationship with Louise, her eyes are opened to the promise of the twentieth century and a new understanding of the possibilities for being fully alive. Drawing on the rich history of the 1920s,’30s, and beyond—from the orphan trains to Prohibition, flappers,  and the onset of the Great Depression to the burgeoning movement for equal rights and new opportunities for women—Laura Moriarty’s The Chaperone illustrates how rapidly everything, from fashion and hemlines to values and attitudes, was changing at this time and what a vast difference it all made for Louise Brooks, Cora Carlisle, and others like them.

    She's not the experienced Irish maid who was hired to work in one of Pittsburgh's grandest households. She's a poor farmer's daughter with nowhere to go and nothing in her pockets. But the other woman with the same name has vanished, and pretending to be her just might get Clara some money to send back home.If she can keep up the ruse, that is. Serving as a lady's maid in the household of Andrew Carnegie requires skills he doesn't have, answering to an icy mistress who rules her sons and her domain with an iron fist. What Clara does have is a resolve as strong as the steel Pittsburgh is becoming famous for, coupled with an uncanny understanding of business, and Andrew begins to rely on her. But Clara can't let her guard down, not even when Andrew becomes something more than an employer. Revealing her past might ruin her future -- and her family's.With captivating insight and heart, Carnegie's Maid tells the story of one brilliant woman who may have spurred Andrew Carnegie's transformation from ruthless industrialist into the world's first true philanthropist..

    He who sees too much is cursed for a dreamer, a fanatic, or a fool, by the mad mob, who, having eyes, see not, ears and hear not, and refuse to understand."--From The Shepherd of the HillsOriginally published in 1907, The Shepherd of the Hills is Harold Bell Wright's most famous work. Pelican Publishing Company is honored to bring this classic novel back to print as part of the Pelican Pouch series. In The Shepherd of the Hills, Wright spins a tale of universal truths across the years to the modern-day reader. His Eden in the Ozarks has a bountiful share of life's enchantments, but is not without its serpents. While Wright rejoices in the triumphs, grace, and dignity of his characters, he has not naively created a pastoral fantasyland where the pure at heart are spared life's struggles and pains. Refusing to yield to the oft-indulged temptation of painting for the reader the simple life of country innocents, Wright forthrightly shows the passions and the life-and-death struggles that go on even in the fairest of environments that man invades. The shepherd, an elderly, mysterious, learned man, escapes the buzzing restlessness of the city to live in the backwoods neighborhood of Mutton Hollow in the Ozark hills. There he encounters Jim Lane, Grant Matthews, Sammy, Young Matt, and other residents of the village, and gradually learns to find a peace about the losses he has borne and has yet to bear. Through the shepherd and those around him, Wright assembles here a gentle and utterly masterful commentary on strength and weakness, failure and success, tranquility and turmoil, and punishment and absolution. This tale of life in the Ozarks continues to draw thousands of devotees to outdoor performances in Branson, Missouri, where visitors can also see the cabin where the real Old Matt and Aunt Mollie lived.Harold Bell Wright also is the author of That Printer of Udell's (pb) and The Calling of Dan Matthews (pb), both published by Pelican.

    When a new highway threatens to bypass the town of Rossmore and cut through Whitethorn Woods, everyone has a passionate opinion about whether the town will benefit or suffer. But young Father Flynn is most concerned with the fate of St. Ann's Well, which is set at the edge of the woods and slated for destruction. People have been coming to St. Ann's for generations to share their dreams and fears, and speak their prayers. Some believe it to be a place of true spiritual power, demanding protection; others think it's a mere magnet for superstitions, easily sacrificed. Not knowing which faction to favor, Father Flynn listens to all those caught up in the conflict, and these are the voices we hear in the stories of "Whitethorn Woods"--men and women deciding between the traditions of the past and the promises of the future, ordinary people brought vividly to life by Binchy's generosity and empathy, and in the vivacity and surprise of her storytelling. Maeve Binchy is at the very top of her form in this irresistible tale.

    If they weren't failing outright, causing countless Americans to lose their jobs and homes, they were being propped up with emergency bailouts. Trapped in a cycle of panics, depressions and soaring unemployment, Sutton saw only one way out, only one way to win the girl of his dreams.So began the career of America's most successful bank robber. Over three decades Sutton became so good at breaking into banks, and such a master at breaking out of prisons, police called him one of the most dangerous men in New York, and the FBI put him on its first-ever Most Wanted List.But the public rooted for Sutton. He never fired a shot, after all, and his victims were merely those bloodsucking banks. When he was finally caught for good in 1952, crowds surrounded the jail and chanted his name.Blending vast research with vivid imagination, Pulitzer Prize winner J.R. Moehringer brings Willie Sutton blazing back to life. In Moehringer's retelling, it was more than poverty or rage at society that drove Sutton. It was one unforgettable woman. In all Sutton's crimes and confinements, his first love (and first accomplice) was never far from his thoughts. And when Sutton finally walked free - a surprise pardon on Christmas Eve, 1969 - he immediately set out to find her.Poignant, comic, fast-paced and fact-studded, Sutton tells a story of economic pain that feels eerily modern, while unfolding a story of doomed love that is forever timeless.(overview via Barnes and Noble)

    In the Bible, her life is only hinted at in a brief and violent detour within the more familiar chapters of the Book of Genesis that are about her father, Jacob, and his dozen sons. Told in Dinah's voice, this novel reveals the traditions and turmoils of ancient womanhood—the world of the red tent. It begins with the story of her mothers—Leah, Rachel, Zilpah, and Bilhah—the four wives of Jacob. They love Dinah and give her gifts that sustain her through a hard-working youth, a calling to midwifery, and a new home in a foreign land. Dinah's story reaches out from a remarkable period of early history and creates an intimate connection with the past. Deeply affecting, The Red Tent combines rich storytelling with a valuable achievement in modern fiction: a new view of biblical women's society.

    Rhiann is a courageous and beautiful Scottish princess and priestess scarred by her violent past. Of noble blood, she faces what for her is the ultimate sacrifice - a forced marriage - to protect the freedom of her people. Eremon is an enigmatic Irish prince in exile, who must seek an alliance elsewhere to regain his throne. Will he prove himself to be the man who can unite the squabbling Celtic tribes against the more ominous threat of Rome? With war and chaos looming for her people, Rhiann finds herself drawn into an unexpected journey of the spirit and heart, which will reveal the true purpose of her life.

    Nothing in his comfortable existence prepares him for the sudden end to his ten-year marriage—or his unwanted transfer to his firm's New York office. With nothing left to lose, Charlie takes a leave of absence from his job to drive through New England, hoping to make peace with himself.

    This is against the wishes of his family because it was at this resort that David's biological father disappeared fifteen years earlier--but something undeniable has called David there.Something different is happening in this town. David is haunted by eerie visions of a mysterious man carrying a rope, walking hand-in-hand with a small child, and the resort is under siege by a plague of ladybugs. When David gets embroiled in a fiercely torrid love triangle, the stakes turn more and more menacing, and through it all, David feels as though he is getting closer to the secrets of his own past.

    Omaha still has the marks of a filthy Wild West town, even as it attempts to achieve the grandeur and respectability of nearby Chicago. But when he crosses paths with the beautiful and enigmatic Cecily, his whole purpose shifts and the fair becomes the backdrop to their love affair.One of a traveling troupe of actors that has descended on the city, Cecily works in the Midway’s Chamber of Horrors, where she loses her head hourly on a guillotine playing Marie Antoinette. And after closing, she rushes off, clinging protectively to a mysterious carpetbag, never giving Ferret a second glance. But a moonlit ride on the swan gondola, a boat on the lagoon of the New White City, changes everything, and the fair’s magic begins to take its effect.From the critically acclaimed author of The Coffins of Little Hope, The Swan Gondola is a transporting read, reminiscent of Water for Elephants or The Night Circus.

    Nineteen-year-old Elise Landau is forced to leave her glittering life of parties and champagne to become a parlor maid in England. She arrives at Tyneford, the great house on the bay, where servants polish silver and serve drinks on the lawn. But war is coming, and the world is changing. When the master of Tyneford's young son, Kit, returns home, he and Elise strike up an unlikely friendship that will transform Tyneford—and Elise—forever.

    Hedged in by her parents' genteel country life, she plans her escape to London. There, she takes up with Innes Kent, a magazine editor who wears duck-egg blue ties and introduces her to the thrilling, underground world of bohemian, post-war Soho. She learns to be a reporter, to know art and artists, to embrace her life fully and with a deep love at the center of it. She creates many lives--all of them unconventional. And when she finds herself pregnant, she doesn't hesitate to have the baby on her own. Later, in present-day London, a young painter named Elina dizzily navigates the first weeks of motherhood. She doesn't recognize herself: she finds herself walking outside with no shoes; she goes to the restaurant for lunch at nine in the morning; she can't recall the small matter of giving birth. But for her boyfriend, Ted, fatherhood is calling up lost memories, with images he cannot place. As Ted's memories become more disconcerting and more frequent, it seems that something might connect these two stories-- these two women-- something that becomes all the more heartbreaking and beautiful as they all hurtle toward its revelation. Here Maggie O'Farrell brings us a spellbinding novel of two women connected across fifty years by art, love, betrayals, secrets, and motherhood. Like her acclaimed The Vanishing Act of Esme Lennox, it is a "breathtaking, heart-breaking creation." (The Washington Post Book World) and it is a gorgeous inquiry into the ways we make and unmake our lives, who we know ourselves to be, and how even our most accidental legacies connect us.

    His uncle, the loyal and gifted warlord Arthur, now rules as caretaker for a country which has fallen into chaos - threats emerge from within the British kingdoms while vicious Saxon armies stand ready to invade. As he struggles to unite Britain and hold back the enemy at the gates, Arthur is embroiled in a doomed romance with beautiful Guinevere. Will the old-world magic of Merlin be enough to turn the tide of war in his favour?