It's an unforgiving background to the violence in Cissy Funk's life. She's alone on a scrap of a farm with her mother and brother, and her mother hasn't recovered from the death of Cissy's baby sister. She's turned cold, and mean, and she's turned against Cissy, singling her out, leaving bruises and a breaking heart. When Cissy's Aunt Vera turns up, with her warm hugs and pretty clothes, it looks like there just might be hope on the horizon after all. Vera is determined to make sure Cissy is safe and loved, despite her sister in law, despite the hard times, despite her own fears. But these hard times are more than failed crops and no work. There's a trouble in Cissy's family that no one is willing to tell her about, and it's threatening to bring her fragile happiness crashing down. When there's nothing but dirt, dust, and the faintest glimpse of delight, Cissy has to find the strength to grab onto what she can. Her family might not be what she thought it was, but maybe it can be exactly what she needs.

    When Englishman Corby Morgan and his young bride Jessie arrive at their recently purchased sugar plantation in nineteenth-century Australia, they embark on a difficult and dangerous existence.

    Location: London. Mission: Wake Romeo.It’s the end of the world. Literally. Time travel is possible, but only forward. And only a handful of families choose to remain in the “now,” living off of the scraps left behind.Among them are eighteen-year-old Juliet and the love of her life, Romeo. But things are far from rosy for Jules. Romeo lies in a coma and Jules is estranged from her friends and family, dealing with the very real fallout of their wild romance.Then a mysterious time traveler, Ellis, impossibly arrives from the future with a mission that makes Juliet question everything she knows about life and love.Can Jules wake Romeo—and rewrite her future?

    Cecilia lies sick in bed as her family bustle around her to make her last Christmas as special as possible. Cecilia has cancer. An angel steps through her window. So begins a spirited and engaging series of conversations between Cecelia and her angel. As the sick girl thinks about her life and prepares for her death, she changes subtly, in herself and in her relationships with her family. Jostein Gaarder is a profoundly optimistic writer, who writes about death with wisdom, compassion and an enquiring mind. 'Through a Glass, Darkly' will not only bring comfort to the bereaved. It will move and amaze everyone who reads it.

    Protocol pressures her to tell their 1860 hosts that he is her brother, and when Casey finds she has a handsome, wealthy (and unwanted) suitor, something changes in Nate. Are those romantic sparks or is it just "brotherly" protectiveness?When they return to the present, things go back to the way they were before: Casey parked on the bottom of the rung of the social ladder and Nate perched high on the very top. Except this time her heart is broken. Plus, her best friend is mad, her parents are split up, and her younger brother gets escorted home by the police. The only thing that could make life worse is if, by some strange twist of fate, she took Nate back to the past again.Which of course, she does.

    But there are some things no amount of genius can prepare you for, and the messiness of real life is one of them. When everything she knows is falling apart, how can she crack the puzzle of what to do with her life? Joshua spends his time honing magic tricks and planning how to win Sophia’s heart. But when your best trick is making schoolwork disappear, how do you possibly romance a genius? In life and love, timing is everything.

    If you know my mother, you'll sense there's an irony there, based on the fact that she is the Queen of the Limitation Placers in my life.Francesca battles her mother, Mia, constantly over what's best for her. All Francesca wants is her old friends and her old school, but instead Mia sends her to St. Sebastian's, an all-boys' school that has just opened its doors to girls. Now Francesca's surrounded by hundreds of boys, with only a few other girls for company. All of them weirdos or worse.Then one day, Mia is too depressed to get out of bed. One day turns into months, and as her family begins to fall apart, Francesca realises that without her mother's high spirits, she hardly knows who she is. But she doesn't yet realise that she's more like Mia than she thinks. With a little unlikely help from St. Sebastian's, she just might be able to save her family, her friends, and especially herself.

    Timmins's Home for Orphans and Foundlings awakes at first light with no name and no memory. But a strange girl who hides among the shadows of the orphanage tells him that a mysterious wizard's creation, the Book of Lies, holds the answers, and then gives him one clue: "Your name is Marcel."With that knowledge, and the help of three new friends, Marcel begins a quest to find the truth about his real identity—a truth that is hidden in the Book of Lies. As Marcel learns more about his past, he realizes that truth can change at any moment and can be manipulated by anyone, and he begins to wonder if the old book's so-called magical truth might be the greatest lie of all.

    All he wants is to make money, to give his mother and baby brother a better life. So when he catches the eye of Squizzy Taylor, a notorious mobster, and is offered a job as Squizzy's courier, it doesn't take Charlie long to accept—even if he has to go against his own mother's wishes.At first, the job's a thrill—running with messages, illegal liquor, whatever Squizzy orders. It fills Charlie with power. But then come the not-so-savory parts of the job. Collecting Squizzy's debts. Dodging Squizzy's enemies. The very real dangers of the streets. And at some point Charlie has to ask himself—how long before running for a better life means cutting his life short?From the Hardcover edition.

    Something big too, very big. At school, in the village, whoever you meet, it's all anyone talks about. It's like a sudden curse has come down on us all. It makes me wonder if we'll ever see the sun again."It's 1943, and Lily Tregenze lives on a farm, in the idyllic seaside village of Slapton. Apart from her father being away, and the 'townie' evacuees at school, her life is scarcely touched by the war. Until one day, Lily and her family, along with 3000 other villagers, are told to move out of their homes – lock, stock and barrel.Soon, the whole area is out of bounds, as the Allied forces practise their landings for D-day, preparing to invade France. But Tips, Lily's adored cat, has other ideas – barbed wire and keep-out signs mean nothing to her, nor does the danger of guns and bombs. Frantic to find her, Lily makes friends with two young American soldiers, who promise to help her. But will she ever see her cat again? Lily decides to cross the wire into the danger zone to look for Tips herself…Now, many years later, as Michael is reading his Grandma Lily's diary, he learns about The Amazing Story of Adolphus Tips – and wonders how one adventurous cat could still affect their lives sixty years later.

    In a dusty back room of the old house, she discovers the crumbling photo of a handsome World War II medic - Samuel Riordan, the homestead's former occupant - and soon finds herself becoming obsessed with him. But as Audrey digs deeper into Samuel's story, she discovers he was accused of bashing to death a young woman on his return from the war in 1946. When she learns about other unexplained deaths in recent years - one of them a young woman with injuries echoing those of the first victim - she begins to suspect that the killer is still very much alive. And now Audrey, thanks to her need to uncover the past, has provided him with good reason to want to kill again.

    From these sparse facts, one of our most distinguished novelists has fashioned an audacious and supremely moving work of fiction.Marooned on the edge of the known world, exiled from his native tongue, Ovid depends on the kindness of barbarians who impale their dead and converse with the spirit world. But then he becomes the guardian of a still more savage creature, a feral child who has grown up among deer. What ensues is a luminous encounter between civilization and nature, as enacted by a poet who once catalogued the treacheries of love and a boy who slowly learns how to give it.

    . . for a champion. Arthur's grandfather disappeared four years ago. All he left behind are his notebooks full of stories about the Minimoys, a miniature people who are all less than one inch tall! But the Minimoys can't possibly be real . . . can they? Ten-year-old Arthur is about to find out, as a hidden message catapults him on an adventure wilder than he had ever imagined. He'll face mosquito-riding soldiers, a malevolent wizard, giant centipedes, and one very independent princess . . . and along the way he might discover that the littlest heroes can make the biggest difference.

    Life is not going to plan for failed fashion designer Lizzie March, until she finds herself pregnant to super-hot bad boy Jake Wheeler.Convinced that he's The One, all she has to do is make him realise that she is The One for him!But is it possible she's been looking for love in all the wrong places? Maybe everything she has ever wanted is right under her very own stilettos.

    What is art? What’s true courage? I could not put it down.’ —Melissa Ashley,bestselling author of THE BIRDMAN’S WIFELotti lives under the shadow of a genius: her father George Coates is a brilliant and celebrated Australian painter.When Lotti meets the outcast waif Kyla at a suburban Canberra school, two worlds are set to collide. Slowly Kyla is drawn into the orbit of the Coates family. Or is it the other way around?As Lotti and Kyla navigate their way towards adulthood, dark secrets start to unravel, with devastating consequences …WE WERE NEVER FRIENDS is unforgettable novel about friendship, the pursuit of a creative life and the legacies we leave behind.‘Margaret Bearman’s intimate, unsettling novel of family dysfunction perfectly captures the ambivalent passions of girlhood while offering an incisive critiqueof the cult of artistic genius. Sharp and subtle at the same time, refusing any easy certainties, WE WERE NEVER FRIENDS is a haunting portrait of the humancapacity for cruelty and love in equal measure.’ —Kirsten Tranter, bestselling author of THE LEGACY