It establishes Hansda Sowvendra Shekhar as one of our most important contemporary writers.

    Soon enough, the men are variously tormented — defrauded or stolen from; blackmailed or pressed to attend horrid séances — and then plunged, all together, into the nastiest of lawsuits. At the center of that suit hovers pale, blank Patrick Seton, the medium. Meanwhile, horrors of every size plague the poor bachelors — from the rising price of frozen peas ("Your hand's never out of your pocket") to epileptic fits, forgeries, spiritualists foaming with protoplasm, and murder. And every horror delights: each is lit up by Spark's uncanny wit — at once malicious, funny, and deadly serious.

    Jayant Kaikini’s gaze takes in the people in the corners of Mumbai—a bus driver who, denied vacation time, steals the bus to travel home; a slum dweller who catches cats and sells them for pharmaceutical testing; a father at his wit’s end who takes his mischievous son to a reform institution. In this metropolis, those who seek find epiphanies in dark movie theaters, the jostle of local trains, and even in roadside keychains and lost thermos flasks. Here, in the shade of an unfinished overpass, a factory worker and her boyfriend browse wedding invitations bearing wealthy couples’ affectations—“no presents please”—and look once more at what they own. Translated from the Kannada by Tejaswini Niranjana, these resonant stories, recently awarded the DSC Prize for South Asian Literature, take us to photo framers, flower markets, and Irani cafes, revealing a city trading in fantasies while its strivers, eating once a day and sleeping ten to a room, hold secret ambitions close.

    Here, at the ashram of Kulapati Shaunaka, a dustry traveller arrives with sad tidings: Maharishi Krishna Dweipayana Vyasa has passed on. Yet the great collator of the Vedas has left behind a fabulous legacy, the epic narrative poem called Maha Bharata. At the urging of the ashramites, the traveller Suta begins to recite the great composition, starting with the incredible creation myths and tales of god and giants, snake-mothers and gargantuan eagles. And as the night wears on and the tale grows darker, he senses the presence of countless ghostly beings in the shadows beyond the flickering oil-lamps, the restless souls of the many millions butchered in the climactic war that ended the great tale itself, gathering now to hear the epic saga that led eventually to their destruction and the decimation of the Kuru Bharata race.

    Much to the anxiety of her parents – the spirited Biji and the doting Baba – Amara leads an unremarkable life. That is, until she marries Harvard-educated millionaire, Prashant Roy. However, this fairy-tale isn’t meant to last, and even as Amara’s marriage collapses, she finds herself returning to the land of her birth, to the small city of Shimla. Here, in a borough grappling with questions of modernity, Amara is caught in a tug-of-war between old beliefs and new ones, between parents who favour obedience and new friends who encourage independent thought. With powerful insights, One and a Half Wife traces the coming-of-age of multiple characters, while re-defining family, relationships and love in contemporary India.

    Babo grew up here, but he and Sian, his cream-skinned Welsh love, met in London. Babo's parents disapproved. And then they disapproved unless the couple moved back to Madras. So here they are. And as the twentieth century creaks and croaks its way along, Babo, Sian, and the children navigate their way through the uncharted territory of a "hybrid" family: the hustle and bustle of Babo's relatives; the faraway phone-line crackle of Sian's; the eternal wisdom and soft bosom of Great-Grandmother Ba; the perils of first love, lost innocence, and old age; and the big question: What do you do with the space your loved ones leave behind?Tishani Doshi, a prizewinning poet, plunges into fiction for the first time with this tender and uplifting debut. With rich feeling and dazzling language, Doshi evokes both Zadie Smith and Rohinton Mistry as she captures the quirks and calamities of one unusual clan in a story of identity, family, belonging, and all-transcending love.

    Desperate to get noticed, Ananya takes some big steps.Over the weekend, Ananya is a changed person. Her skirt's shorter, her shirt's tighter and her hair falls stylishly over her shoulders. This is not what she wanted, but it wasn't about what she wanted anymore.Soon she realizes that changing just the outer appearance is not enough. The culture shock is too much for her to take. Will she survive the transition, without losing her integrity?

    An accomplished Kshatriya princess who falls in love with and dares to choose the sutaputra over Arjun, Uruvi must come to terms with the social implications of her marriage and learn to use her love and intelligence to be accepted by Karna and his family. Though she becomes his mainstay, counselling and guiding him, his blind allegiance to Duryodhana is beyond her power to change. The story of Uruvi and Karna unfolds against the backdrop of the struggle between the Pandavas and the Kauravas. As events build up leading to the great war of the Mahabharata, Uruvi is a witness to the twists and turns of Karna's fate; and how it is inextricably linked to divine design. A splendid saga from the pages of the Mahabharata, Karna's Wife: The Outcast s Queen brings its characters alive in all their majesty.

    Among Japanese readers both young and old it has enjoyed a timeless popularity, making it, according to Donald Keene, "probably the most widely read novel in modern Japan."The setting is Japan's deep south, where the author himself spent some time teaching English in a boys' school. Into this conservative world, with its social proprieties and established pecking order, breezes Botchan, down from the big city, with scant respect for either his elders or his noisy young charges; and the result is a chain of collisions large and small.Much of the story seems to occur in summer, against the drone of cicadas, and in many ways this is a summer book light, funny, never slow-moving. Here, in a lively new translation much better suited to Western tastes than any of its forebears, Botchan's homespun appeal is all the more apparent, and even those who have never been near the sunlit island on which these calamitous episodes take place should find in it uninterrupted entertainment.

    In “Requiem”, a woman goes to Alaska to try and make sense of her aunt’s disappearance. An eleventh century poet wakes to find he is as an artificially intelligent companion on a starship. A woman of no account has the ability to look into the past.Singh's work dives into the vast strangeness of the universe without and within, and she unblinkingly explores the ways we move through space and time: together, yet always apart.Contents:- With Fate Conspire (2013)- A Handful of Rice (2012)- Peripeteia (2013)- Lifepod (2007)- Oblivion: A Journey (2008)- Somadeva: A Sky River Sutra (2010)- Are You Sannata3159? (2010)- Indra's Web (2011)- Ruminations in an Alien Tongue (2012)- Sailing the Antarsa (2013)- Cry of the Kharchal (2013)- Wake-Rider (2014)- Ambiguity Machines: An Examination (2015)- Requiem (2018)

    In Urdu, basti means any space, from the most intimate to the most universal, in which groups of people come together to try to live together, and the universal question at the heart of the book is how to constitute a common world. What brings people together? What tears them apart? “When the world was still all new, when the sky was fresh and the earth not yet soiled, when trees breathed through centuries and ages spoke around in the voices of birds, how astonished he was that everything was so new and yet looked so old”—so the book begins, with a mythic, even mystic, vision of harmony, as the hero, Zakir, looks back on his childhood in a subcontinent that had not yet been divided between Muslims and Hindus. But Zakir is abruptly evicted from this paradise—real or imagined—into the maelstrom of history. The new country of Pakistan is born, separating him once and for all from the woman he loves, and in a jagged and jarring sequence of scenes we witness a nation and a psyche torn into existence only to be torn apart again and again by political, religious, economic, linguistic, personal, and sexual conflicts—in effect, a world of loneliness. Zakir, whose name means “remember,” serves as the historian of this troubled place, while the ties he maintains across the years with old friends—friends who run into one another in cafés and on corners and the odd other places where history takes a time-out—suggest that the possibility of reconciliation is not simply a dream. The characters wait for a sign that minds and hearts may still meet. In the meantime, the dazzling artistry of Basti itself gives us reason to hope against hope.

    PT Sir is an opportunistic gym teacher who hitches his aspirations to a right-wing political party, and finds that his own ascent becomes linked to Jivan's fall. Lovely--an irresistible outcast whose exuberant voice and dreams of glory fill the novel with warmth and hope and humor--has the alibi that can set Jivan free, but it will cost her everything she holds dear.Taut, symphonic, propulsive, and riveting from its opening lines, A Burning has the force of an epic while being so masterfully compressed it can be read in a single sitting. Majumdar writes with dazzling assurance at a breakneck pace on complex themes that read here as the components of a thriller: class, fate, corruption, justice, and what it feels like to face profound obstacles and yet nurture big dreams in a country spinning toward extremism. An extraordinary debut.

    In an uncharacteristic move, she sets off on an unexpected journey, away from her mother, Rukmini, and her home in Bengaluru, to distant, misty Assam. She comes looking for her beloved Asian elephant, Elephas maximus, but also seeks someone else-her grandfather, Torun Ram Goswami, someone she has never met before. She arrives at the Yellow House on the banks of the Brahmaputra, where Torun lives, not knowing that her life is about to change. Twenty-five years ago, Rukmini had been cast out of the family home by her mother, the formidable and charismatic Usha, while Torun watched silently. Loya now seeks answers, both from him and from the place that her mother once called home. In her quest, she finds an understanding not only of herself and her life but also of the precarious bonds that tie people together.A delicate, poignant portrait of family and all that it contains, Undertow becomes, in the hands of this gifted writer, an exploration of much more: home and the outside world, the insider and the outsider, and the ever-evolving nature of love itself.

    His wife, Sumi, returns with their three daughters to the shelter of the Big House where her parents, Kalyani and Shripati, live in oppressive silence: they have not spoken to each other in thirty-five years. As the mystery of this long silence is unraveled, a horrifying story of suffering and loss is laid bare, a story that seems to be repeating itself in Sumi's life.Set in present day Karnataka, A Matter of Time explores the intricate relationships within an extended family encompassing three generations. Images from Hindu religion, myth, and local history twine delicately with images of contemporary India as this family faces and accepts the changes that have suddenly become part of their lives. As their secrets and strengths are revealed, so are the complications of family and culture. This multigenerational story, told in the individual voices of the characters, catches each in turn in the cycles of love, loss, strength, and renewal that become an essential part of their identities.

    A prostitute, her lover and a policeman play for high stakes in BombDay. Injectionwala exposes chilling medical malpractices and a lovelorn vigilantes twisted game plan. In Coma Man, a man awakens from coma after twenty years, and sets out in search of his wife and himself. Gritty love stories, manipulative cops and hard-boiled slumlords form the backdrop of this unputdownable thriller. Its MUMBAISTAN all the way. Mumbai, a city of dreams for many. But for others, a nightmare. Behind the façade of lustre and glamour churns a seething underbelly of squalor, corruption and crime. Mumbaistan’s three explosive crime novellas unravel the subterranean secrets of maximum city—from the teeming maw of Dharavi and the wanton streets of Kamathipura to the swank high-rises of Bandra. A prostitute, her lover and a policeman play for high stakes in Bomb-Day. Injectionwala exposes chilling medical malpractices and a lovelorn vigilante’s twisted game plan. In Coma Man, a man awakens from coma after twenty years, and sets out in search of his wife— and himself. Macabre love stories, conniving cops and hard-boiled slumlords form the backdrop of a schizophrenic city that is brooding...dying. Welcome to Mumbaistan; a gritty, compelling take on the megalopolis that lives on the edge.