Until now.For years, behind the closed doors of their farmhouse in Raymond, Washington, their sadistic mother, Shelly, subjected her girls to unimaginable abuse, degradation, torture, and psychic terrors. Through it all, Nikki, Sami, and Tori developed a defiant bond that made them far less vulnerable than Shelly imagined. Even as others were drawn into their mother’s dark and perverse web, the sisters found the strength and courage to escape an escalating nightmare that culminated in multiple murders.

    The year is 1364, and the brothers Grossbart have embarked on a naïve quest for fortune. Descended from a long line of graverobbers, they are determined to follow their family's footsteps to the fabled crypts of Gyptland. To get there, they will have to brave dangerous and unknown lands and keep company with all manner of desperate travelers-merchants, priests, and scoundrels alike. For theirs is a world both familiar and distant; a world of living saints and livelier demons, of monsters and madmen. The Brothers Grossbart are about to discover that all legends have their truths, and worse fates than death await those who would take the red road of villainy.

    Stevens to find a legendary creature that he believes lurks in the Piney Woods. What she doesn't count on is leading a motley team of field investigators: Sam, the pompous anthropologist; Julie, the know-it-all biologist and survivalist; Ben, whose tattoos hide more than they reveal; and Hal, a seasoned adventurer. In the unforgiving boggy Texas woodlands, their days-long foray to seek Bigfoot leads Lux and her team to a remarkable discovery. Or a hoax. When one of the team disobeys her orders, the tables are turned and the predator becomes the prey. Now, it will take all of her instincts, training, and courage to help her team survive the danger and emerge from the woods. Five adventurers go into the deep woods seeking proof, but will they live to tell the world what they discover? SASQUATCH is K.T. Tomb’s first novel featuring Lux Branson in the Sasquatch series, and is her twenty-fourth book. “Epic and awesome!” —J.T. Cross, bestselling author of Beneath the Deep “K.T. Tomb is a wonderful new voice in adventure fiction.” —Aiden James, bestselling author of Plague of Coins

    Immortality, however, comes with its own unique problems-including evil green people, government euthanasia programs, a disturbing new religious cult, and other horrors.Witty, eerie, and full of humanity, The Postmortal is an unforgettable thriller that envisions a pre-apocalyptic world so real that it is completely terrifying.

    Five weeks later, the authorities who rescue the survivors encounter a scene of horror. Photos soon emerge online of heads on spikes outside of rides and viscera and human bones littering the gift shops, breaking records for hits, views, likes, clicks, and shares. How could a group of survivors, mostly teenagers, commit such terrible acts?Presented as a fact-finding investigation and a series of first-person interviews, FantasticLand pieces together the grisly series of events. Park policy was that the mostly college-aged employees surrender their electronic devices to preserve the authenticity of the FantasticLand experience. Cut off from the world and left on their own, the teenagers soon form rival tribes who viciously compete for food, medicine, social dominance, and even human flesh. This new social network divides the ravaged dreamland into territories ruled by the Pirates, the ShopGirls, the Freaks, and the Mole People. If meticulously curated online personas can replace private identities, what takes over when those constructs are lost?FantasticLand is a modern take on Lord of the Flies meets Battle Royale that probes the consequences of a social civilization built online.

    Shot trying to stop him, Valerie inadvertently saved the life of a classmate, but was implicated in the shootings because of the list she helped create. A list of people and things she and Nick hated. The list he used to pick his targets.Now, after a summer of seclusion, Val is forced to confront her guilt as she returns to school to complete her senior year. Haunted by the memory of the boyfriend she still loves and navigating rocky relationships with her family, former friends and the girl whose life she saved, Val must come to grips with the tragedy that took place and her role in it, in order to make amends and move on with her life.

    A devastating fire burned down their home, but she remains convinced her daughter survived.Now you don'tTen-year-old Tom lives by a neglected church. Is he the only one who sees the strange, solitary child playing there? And what is she trying to tell him?Now you runThere's a new vicar in town -- Harry. But menacing events suggest he isn't welcome. What terrible secret is this town hiding?Sometimes I wish that she'd just leave me in peace.

     Everyone wondered about Shaye Archer’s past. Including Shaye. Shaye Archer’s life effectively began the night police found her in an alley, beaten and abused and with no memory of the previous fifteen years, not even her name. Nine years later, she’s a licensed private investigator, with a single goal—to get answers for her clients when there aren’t supposed to be any. And maybe someday, answers for herself. Emma Frederick thought her nightmare was over when she killed her abusive husband, but someone is stalking her and tormenting her with mementos from her past. With no evidence to support her claims, the police dismiss her claims as post-traumatic stress, but Shaye is convinced that someone is deliberately terrorizing Emma…playing a cat and mouse game with only one goal in mind. To kill Emma.

    Minutes from the city, affluent without pretension, low crime with a friendly vibe—it’s everything Kat never had, and that she’s determined to provide for her infant daughter. Snagging a nice bungalow in this exclusive enclave was worth all the sacrifice. But everything changes overnight when Kat finds a scrawled note outside their front door.That wasn’t very neighborly of you.As increasingly sinister and frighteningly personal notes arrive, each one stabs deeper into the heart of Kat’s insecurities, paranoia, and most troubling, her past. When the neighbors who seemed so perfect reveal their open secret, the menace moves beyond mean notes. Someone’s raising the stakes.As suspicious as she is of every smiling face and as terrified as she’s become of being found out, Kat is still unprepared for the sharp turn that lies just ahead of her on Bayberry Lane.

    As the year passed and the children grew into their silent and difficult world, this palace became known as the Gang Mahal, or Dumb House. In his first novel, John Burnside explores the possibilities inherent in a modern-day repetition of Akbar`s investigations. Following the death of his mother, the unnamed narrator creates a twisted varient of the Dumb House, finally using his own children as subjects in a bizarre experiment. When the children develop a musical language of their own, however, their gaoler is the one who is excluded, and he extracts an appalling revenge.

     In the house there is a girl. In the girl there is a darkness. Margo is not like other girls. She lives in a derelict neighborhood called the Bone, in a cursed house, with her cursed mother, who hasn’t spoken to her in over two years. She lives her days feeling invisible. It’s not until she develops a friendship with her wheelchair-bound neighbor, Judah Grant, that things begin to change. When neighborhood girl, seven-year-old Neveah Anthony, goes missing, Judah sets out to help Margo uncover what happened to her. What Margo finds changes her, and with a new perspective on life, she’s determined to find evil and punish it–targeting rapists and child molesters, one by one. But hunting evil is dangerous, and Margo risks losing everything, including her own soul.

    At Brock Cochran's end of summer pool party, the girls vow to have as much fun as possible before they head off to different colleges next fall. But when Ella is mysteriously attacked on her way home from the party, everything changes. Ella's carefree senior year plans disintegrate as she finds herself at the center of an attempted murder investigation.Ella tries to move on, but her attacker isn't done yet. He shows himself in the form of horrifying signs and symbols: a clown mask strewn on her bed, a dead bird in her backpack, a shadow moving past her window in the night. And as the weeks pass, it turns out that Ella isn't the only one being tormented.With the help of an old flame, Jensen Carver, and her friends and family, Ella tries to attain some sense of normalcy, but she can't seem to shake the feeling that there's a dark pattern hidden in the killer's every move. Suddenly, even those in her innermost circle seem suspicious. In her seemingly safe West Virginia town, Ella starts to wonder who she can trust.

    Provocative. Shocking. Call them what you will...but don't call them open and shut. Did Lizzie Borden murder her own father and stepmother? Was Jack the Ripper actually the Duke of Clarence? Who killed JonBenet Ramsey?America's foremost expert on criminal profiling and twenty-five-year FBI veteran John Douglas, along with author and filmmaker Mark Olshaker, explores those tantalizing questions and more in this mesmerizing work of detection. With uniquely gripping analysis, the authors reexamine and reinterpret the accepted facts, evidence, and victimology of the most notorious murder cases in the history of crime, including the Lindbergh baby kidnapping, the Zodiac Killer, and the Whitechapel murders.Utilizing techniques developed by Douglas himself, they give detailed profiles and reveal chief suspects in pursuit of what really happened in each case.The Cases That Haunt Us not only offers convincing and controversial conclusions, it deconstructs the evidence and widely held beliefs surrounding each case and rebuilds them -- with fascinating, surprising, and haunting results.

    Then she takes some of her uncles’ moonshine to Michaela Gordon’s annual house party, and finds out just how wrong she was.At the party, Lennie has everyone make a wish before drinking the shine—it’s tradition. She toasts to wishes for bat wings, for balls of steel, for the party to go on forever. Lennie even makes a wish of her own: to bring back her best friend, Dylan, who was murdered six months ago.The next morning gives Lennie a whole new understanding of the phrase be careful what you wish for—or in her case, be careful what wishes you grant. Because all those wishes Lennie raised a jar of shine to last night? They came true. Most of them came out bad. And once granted, a wish can’t be unmade…

    Corporate bullying at a top TV network saw her fired and forced to leave London, but she was determined to get her life back. A new job and a few therapists later, things look much brighter. Especially when a challenging new project presents itself -- to catalogue the late M. H. Mason's wildly eccentric cache of antique dolls and puppets. Rarest of all, she'll get to examine his elaborate displays of posed, costumed and preserved animals, depicting bloody scenes from the Great War. Catherine can't believe her luck when Mason's elderly niece invites her to stay at Red House itself, where she maintains the collection until his niece exposes her to the dark message behind her uncle's "Art." Catherine tries to concentrate on the job, but Mason's damaged visions begin to raise dark shadows from her own past. Shadows she'd hoped therapy had finally erased. Soon the barriers between reality, sanity and memory start to merge and some truths seem too terrible to be real... in The House of Small Shadows by Adam Nevill.