Breaking the well-established routine of his daily life, he immediately sets off for Dover with his astonished valet Passepartout. Passing through exotic lands and dangerous locations, they seize whatever transportation is at hand—whether train or elephant—overcoming set-backs and always racing against the clock.

    Twice a day the Persian slave trader came in and taught her to be a whore. Otherwise there was nothing. One day she found a pencil stub and scrap of paper in a forgotten corner of the room. She began to write down her life, starting with "Parents stink" (her father, who is also her boyfriend, has fallen in love with another woman and is about to leave her). With Blood and Guts in High School, Kathy Acker, whose work has been labeled everything from post-punk porn to post-punk feminism, has created a brilliantly subversive narrative built from conversation, description, conjecture, and moments snatched from history and literature.~ groveatlantic.com

    He attributed his prolific writings to a wide range of alternate selves, each of which had a distinct biography, ideology, and horoscope. When he died in 1935, Pessoa left behind a trunk filled with unfinished and unpublished writings, among which were the remarkable pages that make up his posthumous masterpiece, The Book of Disquiet, an astonishing work that, in George Steiner's words, "gives to Lisbon the haunting spell of Joyce's Dublin or Kafka's Prague." Published for the first time some fifty years after his death, this unique collection of short, aphoristic paragraphs comprises the "autobiography" of Bernardo Soares, one of Pessoa's alternate selves. Part intimate diary, part prose poetry, part descriptive narrative, captivatingly translated by Richard Zenith, The Book of Disquiet is one of the greatest works of the twentieth century.

    Swept from the Amaryllis, he has managed to pull himself aboard the Daphne, anchored in the bay of a beautiful island. The ship is fully provisioned, he discovers, but the crew is missing. As Roberto explores the different cabinets in the hold, he remembers chapters from his youth: Ferrante, his imaginary evil brother; the siege of Casale, that meaningless chess move in the Thirty Years' War in which he lost his father and his illusions; and the lessons given him on Reasons of State, fencing, the writing of love letters, and blasphemy.In this fascinating, lyrical tale, Umberto Eco tells of a young dreamer searching for love and meaning; and of a most amazing old Jesuit who, with his clocks and maps, has plumbed the secrets of longitudes, the four moons of Jupiter, and the Flood.

    Expected to redeem himself in this magical land of opportunity, young Karl is swept up instead in a whirlwind of dizzying reversals, strange escapades, and picaresque adventures.Although Kafka never visited America, images of its vast landscape, dangers, and opportunities inspired this saga of the "golden land." Here is a startlingly modern, fantastic and visionary tale of America "as a place no one has yet seen, in a historical period that can't be identified," writes E. L. Doctorow in his new foreword. "Kafka made his novel from his own mind's mythic elements," Doctorow explains, "and the research data that caught his eye were bent like rays in a field of gravity."

    Written as a diary, Myra Breckinridge, someone determined not to be possessed by any man, recounts her day as she lives it out in the Hollywood of the '60s. Feminism, transsexuality, and a host of cinematic jokes abound.

    His subject in these stories rarely changes: What is happiness and how to we attain it?   In this latest collection, two young lovers secretly love the child they will never be able to have; an esteemed physician and survivor of the Nazi concentration camps finds inner peace thanks to the love of a faithful dog; a man loves his wife through the memories of her first husband; and a mother rediscovers love for her child when someone tries to take that child from her. And finally, Séverine and Benjamin understand that they have lost the love of their lives when they see themselves through the eyes of a young terminally ill girl.   Love is not easy, and not always easy to find; at times, it is obliged to circumvent social norms, and thus transform them; it must be desired, sought, defended. We cannot know what life has in store for us, but we do know that whatever it is, it will only be meaningful if borne on the wings of love. Schmitt’s sublime stories remind us how true this is.

    Sexless. Deathless. Timeless. Pilgrim is a man who cannot die, an astounding character in a novel of the cataclysmic contest between creation and destruction. Pilgrim is Timothy Findley’s latest masterwork, a finalist for the Giller Prize, and a national bestseller that has smashed the author’s own impressive sales records. Recently published in the US, Pilgrim is gathering rave reviews, and will be released in the UK this spring.It is 1912 and Pilgrim has been admitted to the Burghölzli Psychiatric Clinic in Zürich, Switzerland, having failed—once again—to commit suicide. Over the next two years, it is up to Carl Jung, self-professed mystical scientist of the mind, to help Pilgrim unlock his unconsciousness, etched as it is with myriad sufferings and hopes of history. Is Pilgrim mad, or is he condemned to live forever, witness to the terrible tragedy and beauty of the human condition? Both intimate and expansive in its scope, with an absorbing parade of characters—mythic, fictional and historical—Pilgrim is a fiercely original and powerful story from one of our most distinguished artists.

    As heir apparent to Love Hall, he must produce an heir of his own; but his obsessive love for his long-dead sister has rendered him a paralytic in matters of the heart. Adding to Geoffroy's troubles is his difficult mother, Lady Loveall, who mercilessly castigates her effeminate son, and a circling mob of greedy relatives anxious to wrest Love Hall from his grasp.Then, a miracle occurs. As his carriage passes a trash dump, Geoffroy spies an abandoned baby in the jaws of a cur. He saves the child, names her Rose, and declares her his rightful heir. The shock fells Lady Loveall on the spot, and Rose becomes the pampered daughter of Lord Loveall and his bride of convenience, the resident librarian Anonyma. This joyful period lasts until Rose's adolescence, when it becomes increasingly difficult to hide the one great secret of Love Hall: namely, that Rose, now in the position of fending off suitors for her titled hand, is in fact a boy. Rose's whiskers, deepening voice, and affection for the daughter of a courtier have not gone unnoticed. Armed with the new revelation, the Loveall's unscrupulous relatives launch a coup, and a desperately confused Rose is cast adrift -- until he finds the renewed vitality that comes from the love of true family and realizes that he can and must go home.

    Suddenly Christa can do no wrong and, as Blanche's parents scour their address books for long-lost friends to invite to dinner to meet the newcomer, their friendship sours and Blanche's already negligible self-confidence goes into a steep decline. With all the characteristics of Amelie Nothomb's unique fictional landscapes, Antechrista is a funny, dark and revealing journey through female friendship and rivalry.

    In a prison camp, British POWs are forced into labor. The bridge they build will become a symbol of service and survival to one prisoner, Colonel Nicholson, a proud perfectionist. Pitted against the warden, Colonel Saito, Nicholson will nevertheless, out of a distorted sense of duty, aid his enemy. While on the outside, as the Allies race to destroy the bridge, Nicholson must decide which will be the first casualty: his patriotism or his pride.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    The only thing he fears is missing the action. Soon, however, the vaunted “war to end all wars” seems like a war that will never end: whether mired in the trenches or going over the top, Jean finds himself caught in the midst of an unimaginable, unceasing slaughter. After he is wounded, he returns from the front to discover a world where no one knows or wants to know any of this. Both the public and the authorities go on talking about heroes — and sending more men to their graves. But Jean refuses to keep silent. He will speak the forbidden word. He will tell them about fear.

    Dumas transforms minor historical figures into larger- than-life characters: the Comte d’Artagnan, an impetuous young man in pursuit of glory; the beguilingly evil seductress “Milady”; the powerful and devious Cardinal Richelieu; the weak King Louis XIII and his unhappy queen—and, of course, the three musketeers themselves, Athos, Porthos, and Aramis, whose motto “all for one, one for all” has come to epitomize devoted friendship. With a plot that delivers stolen diamonds, masked balls, purloined letters, and, of course, great bouts of swordplay, The Three Musketeers is eternally entertaining.

    Shaped by a profound sense of tragic irony, it is a work that gives full play to Victor Hugo's brilliant historical imagination and his remarkable powers of description.