Largely ignored, the child has all the freedom she needs to observe and quietly condemn the adults around her. Gardam’s novel, originally published in the UK in 1978, offers a searing blend of upended morals, delayed salvation, and emotional purgatory, especially where love and sex are concerned. Margaret’s mother, Elinor, begins to lose the faith thrust upon her by her zealot husband, who is bent on the conversion of the young maid, despite protest from both women. How perfect, then, that Mrs. Marsh’s childhood sweetheart should return to town and provide a decidedly secular contrast to her saintly husband. After a pivotal tea party, everyone hurtles toward inevitable tragedy, with Gardam’s intricate prose and keen divining of human nature driving the action.

    It picks up where A Legacy leaves off, leading us from the Kaiser's Germany into the wider Europe of the 1920s and the limbo between world wars. The narrator, Billi, tells the story of her apprenticeship to life, and of her many teachers: her father, a pleasure-loving German baron; her brilliant, beautiful, erratic English mother; and later, on the Mediterranean coast of France, the Huxleys, Aldous and Maria.

    With superb artistry and startling intimacy, it brings us into the life of Catherine McKenna — estranged daughter, vexed lover, new mother, and musician making her mark in a male-dominated field. It is a book that the Virginia Woolf of A Room of One's Own would instantly understand.

    That's the good news. The rest is Amis as usual, providing fun for himself and his readers at the expense of his characters.

    She quickly becomes obsessed with their dissolute director, but when the celebrated O'Hara arrives to take the lead, a different drama unfolds. He and Stella are bound in a past neither dares interpret.

    Rumored to be the site of Troy, captured during the crusades and recaptured by Saladin, visited by Tolstoy, Hitler, Grace Kelly, and Princess Diana, this Mediterranean city-state is home to several architectural marvels and an annual rooftop race that is a feat of athleticism and insanity. As Jan Morris guides us through the corridors and quarters of Hav, we hear the mingling of Italian, Russian, and Arabic in its markets, delight in its famous snow raspberries, and meet the denizens of its casinos and cafés. Reviews: "After reading Last Letters from Hav, what travel writer would ever want to report from an actual place? . . . a vigorous literary hybrid; elegant fiction in its own right but also a respectfully witty homage to indomitable English travel writers like Lawrence, Burton and Blanch." -Elaine Kendall, Los Angeles Times "A touching love-letter, not to an Invisible City but to life itself. Morris has penned a fable about an imaginary abroad to teach us about the here and now." -Peter J. Conradi, The Independent "Jan Morris has marshaled reportorial insight and literary flair to describe nearly every interesting place on the planet. Unique among them is Hav, which she revisits in her latest, perhaps most insightful book yet." -Donald Morrison, Time "Taken for the real thing on its first publication in 1985, this faux-travel memoir prompted fruitless calls to confused travel agents. It's no wonder: Morris's imagination is a marvel, her spectral country fully realized and fascinating. Hav, an eastern Mediterranean peninsula, rises believably in the mind, with its city skyline of onion domes, minarets, and one incongruous pagoda along with its glorious and complex history. Hav's past is ingeniously, believably intertwined with real events; its present is realistically faded and isolated, adding to the eerie feeling one gets of spying on a lost world." - Publishers Weekly

    Time passes and opinions change. “Why should we go on supporting a book which we detest?” Rose Curtland asks. “The brotherhood of Western intellectuals versus the book of history,” Jenkin Riderhood suggests. The theft of a wife further embroils the situation. Moral indignation must be separated from political disagreement. Tamar Hernshaw has a different trouble and a terrible secret. Can one die of shame? In another quarter a suicide pact seems the solution. Duncan Cambus thinks that since it is a tragedy, someone must die. Someone dies. Rose, who has gone on loving without hope, at least deserves a reward.

    More than a tale of isolated tragedy, Scar Tissue explores the bonds of memory, their configuartion in self-identity, and their relationship to love, loyalty, and death.

    And as children all around become emblems of hope and longing and grief, she's made shockingly aware of why she has this pervasive sense of non-existence . . .What mystery makes Kitty's decidedly odd family so vague about her mother's life? And why does Dad splash paint on canvas rather than answer his daughter's questions? On the edges of her dreams Kitty glimpses the 'kaleidoscope van' that took her sister Dinah away - will it connect her to her childhood?This compelling and witty debut tells of identity struggles in a large family, the sadness of lost children - and the optimism of an eccentric, loving marriage ('He'd make a wonderful husband if it wasn't for me'). Clare Morrall's insightful narrative has resonated with hundreds of thousands of readers since its Booker Prize shortlisting in 2003 and continues to make new fans each year.

    But as soon as he sets out on a lecture tour behind the Iron Curtain and becomes embroiled in a confrontation with a matronly stewardess on the plane, it’s clear that he is off on a highly unusual adventure. Petworth makes his rounds of universities and after-hours vodka parties, weaving his way through a labyrinth of confusion, anxiety, and highly unlikely romance.

    It is, perhaps, the fifteenth century and the ordered tranquillity of a Mediterranean island is about to be shattered by the appearance of two outsiders: one, a castaway, plucked from the sea by fishermen, whose beliefs represent a challenge to the established order; the other, a child abandoned by her mother and suckled by wolves, who knows nothing of the precarious relationship between Church and State but whose innocence will become the subject of a dangerous experiment.But the arrival of the Inquisition on the island creates a darker, more threatening force which will transform what has been a philosophical game of chess into a matter of life and death...

    Intrigued by parents' and servants' guilty silences and the broken shrine they find buried in the woods, the girls weave their own elaborate fantasies, unwittingly revealing the village secret and a deep shame that will come to haunt Thérèse and Léonie in their adult lives...Resonant with the sounds and secrets of French provincial life, this is a richly imagined and sensuous tale from one of Britain's most exciting contemporary writers.

    For twenty years Basil Pascali has spied on the people of his small community and secretly reported on their activities to the authorities in Constantinople. Although his reports are never acknowledged, never acted upon, he has received regular payment for his work. Now he fears that the villagers have found him out and he becomes engulfed in paranoia. In the midst of his panic, a charming Englishman arrives on the island claiming to be an archaeologist, and charms his way into the heart of the woman for whom Pascali pines. A complex game is played out between the two where cunning and betrayal may come to haunt them both. Pascali's Island was made into a feature film starring Ben Kingsley and Helen Mirren.

    The matter: a deadly betrayal, unspoken and unspeakable, born of political enmity. As the boy listens through the silence that surrounds him, the truth spreads like a stain until it engulfs him and his family. And as he listens, and watches, the world of legend--the stone fort of Grianan, home of the warrior Fianna; the Field of the Disappeared, over which no gulls fly--reveals its transfixing reality. Meanwhile the real world of adulthood unfolds its secrets like a collection of folktales: the dead sister walking again; the lost uncle, Eddie, present on every page; the family house "as cunning and articulate as a labyrinth, closely designed, with someone sobbing at the heart of it."Seamus Deane has created a luminous tale about how childhood fear turns into fantasy and fantasy turns into fact. Breathtakingly sad but vibrant and unforgettable, Reading in the Dark is one of the finest books about growing up--in Ireland or anywhere--that has ever been written.

    His world was a nightmare of internal furies and haunting poetic vision. Harvey Lawson watched and protected him until his final suicide. From his solitary old age Harvey writes this brief account of their twenty years together and then burns all the papers to shut out an inquisitive world.The tautness and control that characterize Susan Hill’s work are abundantly evident in The Bird of Night as she magnificently handles the heights and depths, the splendours and miseries of madness and friendship.