I referred them to Doctor Who's Tardis.'Frank Skinner wants you to read more poetry. Wait, wait - don't stop reading. Whether you're a frequent poetry reader or haven't read any since sixth form, Frank's infectious passion for language, rhythm and metre will win you over and provide you with the basic tools you need to tackle any poem.In this short, easy-to-digest and delightful book, Frank guides us through the twists and turns of 'Pad, pad' by Stevie Smith, a short, seemingly simple poem that contains multitudes of meaning and a deceptive depth of emotion. Revel in the mastery of Stevie Smith's choice of words, consider the eternal mystery of the speaker of the poem and be moved by rhyming couplets like you never have before.Give it a go. You never know, you might even enjoy it.

    Afterlife is a journey from the darkness to the light again, and again, and again.This poetry collection discusses depression, anxiety, trauma flashbacks, intrusive thoughts, death, self-harm, suicidal ideations, strong language.Please practice self-care while reading this poetry collection.Please see appendix at the end of the collection for detailed page number content warnings.Also available for download on Payhip: https://payhip.com/b/hYbl

     Lauren Berry's bracing and emotionally charged first collection of poetry delivers visions of a gothic South that Flannery O'Connor would recognize. Set in a feverish swamp town in Florida, The Lifting Dress enters the life of a teenage girl the day after she has been raped. She refuses to tell anyone what has happened, and moves silently toward adulthood in a community that offers beauty but denies apology. Through lyric narratives, readers watch her shift between mirroring and rejecting the anxious swelter of her world, until she ultimately embraces it with the same violent affection once tendered to her.

    The semi-autobiographical book is divided into two parts and takes place between two countries; Part I, “is a cloud a living thing?”, takes place during the Author’s tumultueuse teen years with tropical Florida as a backdrop. Part II, “Inside my Shell”, explores themes of transformation as the Author creates a new life in Paris, France. ​The poems in this collection explore the surreal rollercoaster of youth, the performance of identity, being an outsider and the tension between romantic idealism and the dystopic world in which the author finds herself. Her approach to her work as a visual artist is mirrored in her poetry style, which is accompanied by all original illustrations by the Author.

    Adopting a sunny, genial tone, Dunthorne lures the reader to darker places, exploring death and dread, failure and regret - the 'lounge of our suffering'. Often, he catches us off-guard: a 'whiplash' effect where poems shift from laughter to slaughter in a moment. Impertinent owls, an immersive theatre troupe, ancient men from the Great War and idiot balloonists - such characters dramatise our human fancies and foibles, joining the protagonist in scenarios both humorously bizarre and all-too-familiar. These performances serve to probe and unpeel the layers of the self - all the way down to the raw.

    In his second collection of poetry, The Dark Between Stars, he turns his attention to the dualities of our lived experiences—the inescapable connections between our highest highs and lowest lows. He captures the infectious energy of starting a relationship, the tumultuous realities of commitment, and the agonizing nostalgia of being alone again. While grappling with the question of how to live with purpose and find meaning in the journey, these poems offer both honest explorations of loneliness and our search for connection, as well as light-hearted, humorous observations. As Atticus writes poignantly about dancing, Paris, jazz clubs, sunsets, sharing a bottle of wine on the river, rainy days, creating, and destroying, he illustrates that we need moments of both beauty and pain—the darkness and the stars—to fully appreciate all that life and love have to offer.

    A fateful, stormy night that changes everything... Once the lead singer of a band with a promising career ahead of her, twenty-two-year-old Ashima settles into a contented married life with the band's lead guitarist, Gautam, who sweeps her off her feet.Until, Irfan, a young musician, bursts into their life unexpectedly, injecting a fresh spark of excitement.What will Ashima do as an inexplicable yearning grips her, stirring feelings and emotions that wreak upheaval? Will she choose contentment or passion, conscience or abandon, lust or love? Will her life ever be the same again? Read this short, riveting story to find out.

    This week only.No emotions. No attachments.No expectations.Just sex. Nothing more.Nothing less.Never again. And no one could find out. Those were the rules that Kayadah Kookman and Jonel Jacobs decided on when a vacation fling was put on the table. A fling neither one of them saw coming. But a wild night left them both throwing caution to the wind and bending the rules.Find out which ones were broken.

    She never wanted to get married and was terrified of giving her heart away. Shunning the idea of settling down by her thirtieth birthday, Isis gives up on her pursuit.That’s until she meets handsome, multi-talented design artist Ramelo King.He came into her life on a pedestal, literally. He was determined to change her flawed view on love and make her his… for good. But at what cost? In his mind, loving her was worth the heartache, but for how long?

    Predator, the debut collection by Michael Robbins, became one of the hottest and most celebrated works of poetry in the country, winning acclaim for its startling freshness and originality, and leading critics to say that it was the most likely book in years to open up poetry to a new readership.   Robbins’s poems are strange, wonderful, wild, and irrationally exuberant, mashing up high and low culture with “a sky-blue originality of utterance” (The New York Times). The thirty-six new poems in The Second Sex carry over the music, attitude, hilarity, and vulgarity of Alien vs. Predator, while also working deeper autobiographical and political veins.

    Felt—a fabric made of tangled fibers—becomes a metaphor for the interweavings of humans, animals, and planet. But Felt is also the past tense of "feel." This is a book of emotions both ordinary and untoward: the shadings of humiliation, obsession, love, and loneliness—as well as states so subtle they have yet to be named. Reticent and passionate, elliptical yet available, Fulton's poems consider flaws and failure, touching and not touching. They are fascinated with proximity: the painter's closeness to the canvas, the human kinship with animals, the fan's nearness to the star. Privacy, the opening and closing of doors, is at the heart of these poems that sing the forms of solitude-the meanings and feelings of virginity, the single-mindedness of fetishism, the tragedy of suicide. Rather than accept the world as given, Fulton encounters invisible assumptions with magnitude and grace. Hers is a poetry of inconvenient knowledge, in which the surprises of enlightenment can be cruel as well as kind. Felt, a deeply imagined work, at once visceral and cerebral, illuminates the possibilities of twenty-first century poetry.

    Doughty’s poems are at once absurdist and matter-of-fact; the images he conjures are thrown into high relief through cutting wordplay. In a series of prose poems about showbiz, he reimagines Cookie Monster as a burned-out suicide, and cheesy talk-show host Joe Franklin as a cross-dressing witness to the apocalypse. And in “For Charlotte, Unlisted,” he wrenchingly tracks the elusive memory of a faded romance.

    His whimsical and often erotic writing has already captured the hearts and minds of literally thousands of readers from around the world. He paints vivid pictures with intricate words and explores the compelling themes of love, loss, relationships and sex. All beautifully captured in poetry, prose, quotes and little short stories.

    The book celebrates Chicago’s Wicker Park in the late 1990’s, Coval’s home as a young artist, the ancestral neighborhood of his forebears, and a vibrant enclave populated by colorful characters. Allston’s illustrations honor the neighborhood as it once was, before gentrification remade it. The book excavates and mourns that which has been lost in transition and serves as a template for understanding the process of displacement and reinvention currently reshaping American cities.

    It’s that cockiness that aptly titles him the playa of Inglewood. Having a past that groomed him to be the ladies’ man he has become, it didn’t prepare him for the real world… or love. After falling in love for the first time, he realized what it felt like to love someone who didn’t love you back. It caused him to tone his philandering ways down. It made him aware of all the hearts he’d broken in the past. Now that he had not only a son, but a little princess as well, he knew he needed to be a better example for them.When Bryce sees Sheena, he immediately knows that he wants to be a respectable man and settle down. His career is in place and with the help of his friend, Solomon, he has his heart’s desires, materialistically. But as of late, especially after watching Solomon find love, he’s been craving that type of connection with someone. Although he realizes she’s much younger than he is, he knows that she’s the one that will complete him.While Bryce does his best to prove to Sheena that she’s made the right decision by being with him, he knows that there are elements of his life that could threaten to ruin them. The demons surrounding him about his family, upbringing, and past ideologies would have to be revealed to Sheena. Not to mention, his two baby mamas aren’t the happiest with his new-found relationship. Will Bryce be able to navigate through life’s obstacles and maintain his new relationship with Sheena? Or will it all be too much for her to deal with?