With pithy, razor-sharp prose, Sennah dissects and reassembles pop culture through personal anecdotes, crafting a love-hate letter to the media and the microaggressions that have shaped how she sees herself and the world. How Do I Look? is a raw and vulnerable reflection on identities real and imagined.

    There is no she.Two cells make up one cell. This is the mathematics behind creation. One plus one makes one. Life begets life. We are the period to a sentence, the effect to a cause, always belonging to someone. We are never our own.This is why we are so lonely.She of the Mountains is a beautifully rendered illustrated novel by Vivek Shraya, the author of the Lambda Literary Award finalist God Loves Hair. Shraya weaves a passionate, contemporary love story between a man and his body, with a re-imagining of Hindu mythology. Both narratives explore the complexities of embodiment and the damaging effects that policing gender and sexuality can have on the human heart.Illustrations are by Raymond Biesinger, whose work has appeared in such publications as The New Yorker and the New York Times.Vivek Shraya is a multimedia artist, working in the mediums of music, performance, literature, and film. Her most recent film, What I LOVE about Being QUEER, has been expanded to include an online project and book with contributions from around the world. She is also author of God Loves Hairand Even This Page Is White.

    These poems mourn the dead by turning memories over and over like an old coin, by invoking other poets, by appropriating the language of technology, of instruction, of diagram, of electrical engineering, and of elegy itself. Devastating, cheeky, allusive, hallucinatory: this is Queyras at her most powerful.'Like the central conceptual apparatus, Queyras is smart and insightful in her work to expand and challenge the nature of language and poetry . . . Lend Queyras your ears, your minds, your hearts, your Time. She will reward you, repeatedly.' – The Rumpus'A collection of gorgeous and cantankerous poems that ask testy questions of all contemporary poets, and for this, the book is a must-read.' – The Globe and Mail'This year's most devastating and enlightening Canadian poetry collection.' – Telegraph-Journal

    Her work as a translator draws her into an underworld of family-controlled drug cartels operating out of South America, and she falls in love with a son in one such family. Pregnant, she is kidnapped to an island off the coast of Colombia and slowly tricked into a dependence on cocaine. Her narrative - violent and bizarre, but also riveting, erotic and filled with the heady flamboyance of orchids - runs parallel to her account of life in "Death Clinic," as Death Row is called at the Heaven Valley Facility for Women. It is a moving story of friendship amongst three female inmates - portrayed with devastating wit - who share only the fact that they each have a date with the executioner.Cargo of Orchids swings through comedy and tragedy to shed a gradual, eerie light on the questions of guilt and innocence and moral ambiguity that lie at its heart.Excerpt from Cargo of Orchids:"Despite the freight of anger she carries, Rainy seems so frail it is hard to imagine her giving birth to anything heavier than tears. Rainy gave birth to twins and six months later left them on the railway tracks. She claims it prejudiced the jury. If she'd smothered them or driven them off a pier, it would have been more socially acceptable.-- But abandoning your kids on the tracks wasn't in fashion. She wishes now she'd gone out drinking for the evening instead, but she didn't have enough money to hire a babysitter and pay for the beer."

    this Almanack, which all ladies should carry about with them, as the Priest his Breviary, as the Cook his Recipes, as the Doctor his Physic, as the Bride her Fears, and as the Lion his Roar!'Djuna Barnes wrote her Ladies Almanack for fun, a 'slight satiric wigging', as she called it in her Foreword, to amuse her circle of expatriate friends with the tale of Evangeline Musset who took her whip in hand and 'set out upon the Road of Destiny'. It has since become a cult classic, a unique work that combines visual artistry with literary parody, bawdy humour and an unconstrained zest for the sensual pleasures of love and friendship between strong-minded women.

    Kate Bornstein provides an introduction. Boys Like Her is a road movie of young queer life. Four distinct voices come together in a tag-team dialogue, interwoven with disturbingly beautiful photographs that echo their transformative energy.Reading this book is like watching a circus troupe juggle a chainsaw, a grapefruit, a beach ball and a pocket watch without dropping a beat, With identities ranging from boy-girl to power-femme to borderline testosterone-enhanced, these talented upstarts explore and explode gender, sex and family. Gentleness is mixed with harsh honesty, as grandmother's good advice jostles with hormone therapy, surviving the psych ward, rough play and lost love. Each piece stands alone, together they are a conversation, a road movie of young queer life, rolling with the punches and taking the reader along for a ride to remember!

    Richards, a woman of no history, who appears briefly in 1873 in the civic archives of Vancouver. It is also the story of Annie, a contemporary, who becomes obsessed with the possibilities of Mrs. Richards's life. Ana Historic was Daphne Marlatt's first novel, and was originally published by Coach House Press in Canada and The Women's Press in the U.K. The French translation was published by Les Éditions du remue-ménage.

    Mattie Sylvester, a widow of one of America's most celebrated painters, reveals the sordid truth of the past, and of her husband, to her secretary.

    It contains three main chapters, centred around answers to three main questions one would ask during different stages of a relationship. The questions are:What are we?Where are we going?How are we getting there?The poems, juxtaposed together with short stories take readers on a deeply reflective journey within themselves as they contemplate the deepest thoughts, doubts and hopes they carry for their past and present relationships.

    Riot Grrl gets bought out and mass marketed as the Spice Girls, and gays are gaining some legitimacy, but the queers are rioting against assimilation; cocktail AIDS drugs are starting to work, and the city walls on either side of the Main are spray-painted with the words YES or NO. It's been five years since the OKA crisis and the sex garage riots; revolution seems possible when you're 18, like Eve. Eve is pining to get out of her parents' house in Dorval and find a girl who wants to kiss her back. She meets Della: mysterious, defiantly non-monogamous, an avid separatist, and ten years older. Initially taken in by a mutual other-worldly sense of rapture, they hole up in Della's apartment, trying to navigate spaces of jealousy. On the night of the 1995 referendum, politics and romance come to a head and Eve's naiveté begins to fade. From naive teenager to hotshot rough girl, Eve decides her own fate.

    She lives in Southern California, though, which is making that difficult. Her mother has fallen victim to the pseudo-New Age culture and insists on dragging her to consciousness-raising workshops and hypnotists. As if this weren't difficult enough, Skye falls in love with Jessica, a troubled gothic punk girl who cuts herself regularly with sharp objects. When she finds her boyfriend having sex with Jessica in a bathroom stall at a rave, her romantic illusions collapse and she has to face the fact that she's been running away from her mother's insanity. Right when things look their worst though, Skye is helped by Mol, a pagan who becomes her true friend, and Lorri, a graceful volelyball player with whom she finds real love. From them she learns how to feel authentic emotions in a culture of poseurs and New Age charlatans. In this anti-coming-of-age novel, where growing up is irrelevant, this is the best gift of all.

    When a denizen from Salt Water City suffering from a mysterious flu comes into their midst, Peristrophe becomes infected and dies, prompting Kirilow to travel to Salt Water City, where the flu is now a pandemic, to find a new starfish who will help save her sisters. There, Kirilow meets Kora, a girl-woman desperate to save her family from the epidemic. Kora has everything Kirilow is looking for, except the will to abandon her own family. But before Kirilow can convince her, both are kidnapped by a group of powerful men to serve as test subjects for a new technology that can cure the mind of the body.Bold, beautiful, and wildly imaginative, The Tiger Flu is at once a female hero's saga, a cyberpunk thriller, and a convention-breaking cautionary tale--a striking metaphor for our complicated times.

    Fountain’s voice is at once deep and loose, enacting the dawning of spiritual insight, but without leaving the daily world, matching the feeling of the “pure holiness in motherhood” with the “thuds the giant dumpsters make behind the strip mall when they’re tossed back to the pavement by the trash truck.” In these wise, accessible, deeply emotional poems, she captures a contemporary longing for spiritual meaning that’s wary of prepackaged wisdom—a longing answered most fully by attending to the hustle and bustle of everyday life.

    John's. By the Rivers of Brooklyn traces the story of the Evans family across two countries and three generations, exploring the hopes, passions and heartbreaks of those who went away and those who stayed behind. By the Rivers of Brooklyn transforms into fiction the experience of the 75,000 first- and second-generation Newfoundlanders who once lived in Brooklyn, New York - and the experience of Newfoundlanders throughout history who have gone away to find work and prosperity but never stopped dreaming of home.

    What is form's time? Here the form of life called a poem speaks with the body's mortality, its thickness, its play. The 10 poem-sequences in 3 Summers inflect a history of textual voices — Lucretius, Marx, Aby Warburg, Deleuze, the Sogdian Sutras — in a lyricism that insists on analysis and revolt, as well as the pleasures of description. The poet explores the mysterious oddness of the body, its languor and persistence, to test how it shapes the materiality of thinking, which includes rivers and forests. But in these poems' landscapes, the time of nature is inherently political. Now only time is wild, and only time — embodied here in Lisa Robertson’s forceful cadences — can tell.‘Robertson proves hard to explain but easy to enjoy. . . . Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt. . . . She wields language expertly, even beautifully.’—The New York Times‘Robertson makes intellect seductive; only her poetry could turn swooning into a critical gesture.’— The Village VoiceLisa Robertson's books include Cinema of the Present, Debbie: An Epic, The Men, The Weather, R's Boat and Occasional Works and Seven Walks from the Office for Soft Architecture. Lisa Robertson's Magenta Soul Whip was named one of The New York Times' 100 Notable Books. She lives in France.