A few months ago, in the dead of night, her husband, an up-and-coming journalist, plunged to his death at the top of a high-rise construction site. The police ruled it an accident. Sanda is convinced it was anything but.Launching her own inquiries, Sanda finds herself on a dangerous trail, working the same case that she is convinced led to her husband's murder. An investigation which is deeply entwined with a series of disappearances that has swept the city, and brings Sandra ever closer to a centuries-old secret society that will do anything to stay in the shadows.

    Fiercely determined to find out where she came from, Anna Maria embarks on a journey of self-discovery that carries her into a wondrous and haunting world of music and spectacle, bringing eighteenth-century Venice magically to life.

    In each town he raises the ghosts that inhabit the houses and monuments: Kafka and Freud; Wittgenstein and Marcus Aurelius; Lukcs, Heidegger, and Cline; Canetti and Ovid. He also encounters a host of more obscure but no less intriguing personalities--philosophers, novelists, diplomats, and patriots--on an odyssey that brings middle-European culture to life in its most picturesque and evocative forms.Danube is among the first of a new list of nonfiction paperbacks published as Harvill Press Editions.

    Sitting on the steps of the village church in front of an enormous bonfire lit in celebration of the season, a father and his son exchange stories. The father speaks of life as an emigrant from Italy, in perpetual limbo between departure and return, between France and his home. The son tells of a life marred by his father's long is absemces, but also of an otherwise idyllic childhood spent in a vivid, enchanting land. Each hides an awful secret concerning the fate of a mysterious man whose affair with the boy's older sister changed their lives. On this night of nights, a shared truth that has long been buried in the hearts of both men will finally emerge.Set in an Arberesh town in southern Italy and told in alternating first-person voices, The Homecoming Party is simultaneoulsy a coming-of-age novel, a love story, and a heartfelt cry against the atrocious standards of living that force so many southern Italians to seek a better life elsewhere.In Antony Shugaar's masterful translation, The Homecoming Party is an intense and moving novel about the difficulties of saying goodbye from one of Italy's greatest storytellers.

    Telling of the siege of Leningrad, of glittering dinner parties with Nazi leaders, and of trains disgorging bodies in war-devastated Romania, Malaparte paints a picture of humanity at its most depraved.Kaputt is an insider’s dispatch from the world of the enemy that is as hypnotically fascinating as it is disturbing.

    Inspector Bordelli is one of the few policemen left in the deserted city. He spends his days on routine work, and his nights tormented by the heat and mosquitoes. Suddenly one night, a telephone call gives him a new sense of purpose: the suspected death of a wealthy Signora. Bordelli rushes to her hilltop villa, and picks the locks. The old woman is lying on her bed - apparently killed by an asthma attack, though her medicine has been left untouched.With the help of his young protégé, the victim's eccentric brother, and a semi-retired petty thief, the inspector begins a murder investigation. Each suspect has a solid alibi, but there is something that doesn't quite add up . . .

    In it, Marguerite Yourcenar reimagines the Emperor Hadrian's arduous boyhood, his triumphs and reversals, and finally, as emperor, his gradual reordering of a war-torn world, writing with the imaginative insight of a great writer of the twentieth century while crafting a prose style as elegant and precise as those of the Latin stylists of Hadrian's own era.

    Its success had gone far beyond Italy, as the book has been translated into Spanish, French, Japanese and three other languages. This epic historical novel about World War II and after, written from the author's own personal experiences as an Italian Freedom Fighter, is a profoundly moving account of the war, those who fought in it on both sides, and the effects the war had on families in the author's hometown in Italy. On a wider scale, it is a faithful witness to the actual events of the war - including the role of historical personages who appear, the Russian campaign, the Nazi barbarism, the Communist gulag, the North Italian resistance, and political life in the two decades following the war. This world, filled with powerful personalities, drama and clashing armies, bathes in the light of the truth. What makes this truly historical novel, with its epic scope, a masterpiece is the underlying spiritual dimensions of the protagonist, his family and friends, which illuminates the ongoing tragedy of the war and its aftermath. In the end, it is a story of faith and hope in a world reduced to barbarism and cruelty. Born in 1921 in Lombardy, Eugenio Corti joined the Italian Freedom Fighters. From his experiences of the tragic retreat from Russia, Corti wrote a fascinating chronicle, Most Did Not Return, and a book about the Italian Freedom Fighters, The Last Soldiers of the King.

    Winner of the Viareggio Literary Award and the Galante Prize in Italy in 1953.

    A young sea captain's first command brings with it a succession of crises: his sea is becalmed, the crew laid low by fever, and his deranged first mate is convinced that the ship is haunted by the malignant spirit of a previous captain. This is indeed a work full of "sudden passions," in which Conrad is able to show how the full intensity of existence can be experienced by the man who, in the words of the older Captain Giles, is prepared to "stand up to his bad luck, to his mistakes, to his conscience." A subtle and penetrating analysis of the nature of manhood, The Shadow-Line investigates varieties of masculinity and desire in a subtext that counters the tale's seemingly conventional surface.

    With all the stark simplicity of a fractured fairy tale, the trilogy tells the story of twin brothers, Claus and Lucas, locked in an agonizing bond that becomes a gripping allegory of the forces that have divided "brothers" in much of Europe since World War II. Kristof's postmodern saga begins with The Notebook, in which the brothers are children, lost in a country torn apart by conflict, who must learn every trick of evil and cruelty merely to survive. In The Proof, Lucas is challenging to prove his own identity and the existence of his missing brother, a defector to the "other side." The Third Lie, which closes the trilogy, is a biting parable of Eastern and Western Europe today and a deep exploration into the nature of identity, storytelling, and the truths and untruths that lie at the heart of them all. "Stark and haunting." - The San Francisco Chronicle; "A vision of considerable depth and complexity, a powerful portrait of the nobility and perversity of the human heart." - The Christian Science Monitor.

    It is 1975, a perfect spring in Istanbul. Kemal, scion of one of the city’s wealthiest families, is about to become engaged to Sibel, daughter of another prominent family, when he encounters Füsun, a beautiful shopgirl and a distant relation. Once the long-lost cousins violate the code of virginity, a rift begins to open between Kemal and the world of the Westernized Istanbul bourgeosie—a world, as he lovingly describes it, with opulent parties and clubs, society gossip, restaurant rituals, picnics, and mansions on the Bosphorus, infused with the melancholy of decay—until finally he breaks off his engagement to Sibel. But his resolve comes too late. For eight years Kemal will find excuses to visit another Istanbul, that of the impoverished backstreets where Füsun, her heart now hardened, lives with her parents, and where Kemal discovers the consolations of middle-class life at a dinner table in front of the television. His obsessive love will also take him to the demimonde of Istanbul film circles (where he promises to make Füsun a star), a scene of seedy bars, run-down cheap hotels, and small men with big dreams doomed to bitter failure. In his feckless pursuit, Kemal becomes a compulsive collector of objects that chronicle his lovelorn progress and his afflicted heart’s reactions: anger and impatience, remorse and humiliation, deluded hopes of recovery, and daydreams that transform Istanbul into a cityscape of signs and specters of his beloved, from whom now he can extract only meaningful glances and stolen kisses in cars, movie houses, and shadowy corners of parks. A last change to realize his dream will come to an awful end before Kemal discovers that all he finally can possess, certainly and eternally, is the museum he has created of his collection, this map of a society’s manners and mores, and of one man’s broken heart.A stirring exploration of the nature of romantic attachment and of the mysterious allure of collecting, The Museum of Innocence also plumbs the depths of an Istanbul half Western and half traditional—its emergent modernity, its vast cultural history. This is Orhan Pamuk’s greatest achievement.

    The only unabridged prose translation of Ariosto's Orlando Furioso - a witty parody of the chivalric legends of Charlemagne and the Saracen invasion of France - this version faithfully recaptures the entire narrative and the subtle meanings behind it.

    Ellis Island. Arriving off one of the many transatlantic freighters are Cetta Luminita and her illegitimate baby boy Natale, fleeing the poverty and violence of their Southern Italian hometown. Having sacrificed everything, and endured every possible shame, Cetta has but one wish: that her baby should be an American, and grow up with the freedom to decide his own destiny. As they alight, US Immigration officials give Natale a new name: Christmas. Growing up in the Lower East Side of New York with his mother, who works as a prostitute, Christmas is determined to be a success, whether a decent person or a gangster. The city is ruled by gangs from each community, Italian, Jewish and Irish, and survival is dependent on ruthlessness and strength. But Christmas has a vivid imagination, and an ability to tell stories that people want to believe...and thus is born his imaginary gang, the Diamond Dogs, which earns him respect within the ghetto. All this changes the day he saves the life of a rich Jewish girl Ruth, and despite their different backgrounds, he falls hopelessly in love with her. When circumstance tears them apart, Christmas vows that he will find her, by any means possible. A sweeping saga of love and hate set in the Roaring Twenties, The Boy Who Granted Dreams is the story of Christmas and Ruth; the story of the dawn of radio, Broadway and Hollywood; and above all, a story about believing in the power of dreams.

    She could neither read nor write, and she was the reviled victim in a public rape trial, rejected by her father, and later abandoned by her husband. Nevertheless, she was one of the first women in modern times to uphold through her work and deeds the right of women to pursue careers compatible with their talents and on an equal footing with men. This edition features a new introduction by the celebrated critic and writer Susan Sontag. Anna Banti, the pen name of Lucia Lopresti, was born in Florence in 1895. Trained as an art historian, she turned to novels, stories, and autobiographical prose in the 1930s. Artemisia, her second novel, published in 1947, is the most acclaimed of the sixteen works of fiction she published during her long life, and is considered a classic of twentieth century Italian literature. Her last, harrowingly confessional novel, A Piercing Cry (Un grido lacerante), appeared in 1981. Banti also wrote art criticism and monographs on painters (Lorenzo Lotto, Fra Angelico, Velázquez, Monet), literary criticism and film reviews, and translated novels by Thackery, Colette, Alain Fournier, and Virginia Woolf. She died in Ronchi di Massa (Tuscanny) in 1985.