Lewis's The Screwtape Letters is the most engaging account of temptation—and triumph over it—ever written.

    Does Jesus Really Love Me?: A Gay Christian's Pilgrimage in Search of God in America is part memoir and part investigative analysis that explores the explosive and confusing intersection of faith, politics, and sexuality in Christian America.The quest to find an answer is at the heart of Does Jesus Really Love Me?—a personal journey of belief, an investigation, and a portrait of a faith and a nation at odds by award-winning reporter Jeff Chu.From Brooklyn to Nashville to California, from Westboro Baptist Church and their “God Hates Fags” protest signs, to the pioneering Episcopalian bishop Mary Glasspool—who proclaims a message of liberation and divine love, Chu captures spiritual snapshots of Christian America at a remarkable moment, when tensions between both sides in the culture wars have rarely been higher.Funny and heartbreaking, perplexing and wise, Does Jesus Really Love Me? is an intellectual, emotional, and spiritual pilgrimage that reveals a nation in crisis.

    That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master’s gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel’s love, which was once so simple, is seen as sinful and a clear danger to the plantation’s harmony.With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr. fiercely summons the voices of slaver and the enslaved alike to tell the story of these two men; from Amos the preacher to the calculating slave-master himself to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminate in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.

    Powerful and artful, and ten years in the writing, it is a masterwork from Jamie O’Neill.Jim Mack is a naïve young scholar and the son of a foolish, aspiring shopkeeper. Doyler Doyle is the rough-diamond son—revolutionary and blasphemous—of Mr. Mack’s old army pal. Out at the Forty Foot, that great jut of rock where gentlemen bathe in the nude, the two boys make a pact: Doyler will teach Jim to swim, and in a year, on Easter of 1916, they will swim to the distant beacon of Muglins Rock and claim that island for themselves. All the while Mr. Mack, who has grand plans for a corner shop empire, remains unaware of the depth of the boys’ burgeoning friendship and of the changing landscape of a nation.

    Unlike Frédéric Moreau in Flaubert's L'Éducation sentimentale (to which this book owes no meagre debt), Piet is magnificently gifted, not only "extremely attractive to most women and to many men," but also a fine pianist, draughtsman and lover. We first meet him interviewing for the role of tutor to the son of the wealthy hotelier, Maarten Vermeulen-Sickerts. All is not well in his gilded household. Egbert, the son, is agoraphobic. The matriarch, Jacobina, hasn't been touched by her husband in almost a decade. Into this highly strung atmosphere comes Piet, charged with the task of freeing Egbert from his paralysing fear of the outside world. We soon realise, however, that Egbert isn't the only one in need of help. Piet sets about liberating the libidos of the repressed family through music – championing bawdy Bizet over abstract Bach – and oral sex. While the setting is Dutch, the influences are French – think Bel-Ami, Les Liaisons dangereuses and Gide's L'Immoraliste.

    She's grown up in the spotlight, both idolized and despised for her family's fire-and-brimstone brand of faith. When Essie's mother, Celia, discovers that Essie is pregnant, she arranges an emergency meeting with the show's producers: Do they sneak Essie out of the country for an abortion? Do they pass the child off as Celia's? Or do they try to arrange a marriage—and a ratings-blockbuster wedding? Meanwhile, Essie is quietly pairing herself up with Roarke Richards, a senior at her school with a secret of his own to protect. As the newly formed couple attempt to sell their fabricated love story to the media—through exclusive interviews with an infamously conservative reporter named Liberty Bell—Essie finds she has questions of her own: What was the real reason for her older sister leaving home? Who can she trust with the truth about her family? And how much is she willing to sacrifice to win her own freedom?

    Six years later, again in June, Paul's death draws his three grown sons and their families back to their ancestral home. Fenno, the eldest, a wry, introspective gay man, narrates the events of this unforeseen reunion. Far from his straitlaced expatriate life as a bookseller in Greenwich Village, Fenno is stunned by a series of revelations that threaten his carefully crafted defenses. Four years farther on, in yet another June, a chance meeting on the Long Island shore brings Fenno together with Fern Olitsky, the artist who once captivated his father. Now pregnant, Fern must weigh her guilt about the past against her wishes for the future and decide what family means to her. In prose rich with compassion and wit, Three Junes paints a haunting portrait of love's redemptive powers.

    The revelations are so specific that even the most hardened skeptic will find it hard to put down. Though it sounds like the plot of a Hollywood thriller – IT’S REAL.The prophetic mysteries are factual but revealed through a riveting narrative the reader will find hard to put down. The Harbinger opens with the appearance of a man burdened with a message he has received from a mysterious figure called The Prophet. The Prophet has given him nine seals, each containing a message about America s future. As he tells of his encounters with the Prophet, from a skyscraper in New York City, to a rural mountaintop, to Capitol Hill, to Ground Zero, the mystery behind each seal is revealed. As the story unfolds, each revelation becomes another piece in a larger and larger puzzle, the ramifications of which are, even now, altering the course of America and the world.

    This volume restores all of the material removed by the novel's first editor.Upon receipt of the typescript, Wilde's editor panicked at what he saw. Contained within its pages was material he feared readers would find "offensive"--especially instances of graphic homosexual content. He proceeded to go through the typescript with his pencil, cleaning it up until he made it "acceptable to the most fastidious taste." Wilde did not see these changes until his novel appeared in print. Wilde's editor's concern was well placed. Even in its redacted form, the novel caused public outcry. The British press condemned it as "vulgar," "unclean," "poisonous," "discreditable," and "a sham." When Wilde later enlarged the novel for publication in book form, he responded to his critics by further toning down its "immoral" elements.Wilde famously said that "The Picture of Dorian Gray" "contains much of me" Basil Hallward is "what I think I am," Lord Henry "what the world thinks me," and "Dorian what I would like to be--in other ages, perhaps." Wilde's comment suggests a backward glance to a Greek or Dorian Age, but also a forward-looking view to a more permissive time than his own repressive Victorian era. By implication, Wilde would have preferred we read today the uncensored version of his novel.

    Terror and chaos slowly spread not only through the plane but also worldwide as unusual events continue to unfold. For those who have been left behind, the apocalypse has just begun...

    It was her refuge from the deep wounds inflicted by a devastating war, her sanctuary where she knelt before a loving God and prayed for the children who couldn’t understand her silent sacrifices.At eighty-four, Leota is alone, her beloved garden in ruins. All her efforts to reconcile with her adult children have been fruitless. She voices her despair to a loving Father, her only friend.And God brings a wind of change through unlikely means: one, a college student who thinks he has all the answers; the other, the granddaughter Leota never hoped to know. But can the devastation wrought by keeping painful family secrets be repaired before she runs out of time?

    Who would have imagined that God would make a prayer group as mismatched as ours the closest of friends? I almost didn't even go to the Chicago Women's Conference--after all, being thrown together with five hundred strangers wasn't exactly my "comfort zone." But something happened that weekend to make us realize we had to hang together, and the "Yada Yada Prayer Group" was born! When I faced the biggest crisis of my life, God used my newfound Sisters to show me what it means to be just a sinner saved by grace.

    But Simon Wythern, a young man who arrives in London seeking the truth about what really happened to his parents, discovers he has a gift that could change all of this forever.A stunning literary debut by poet and violinist Anna Smaill, The Chimes is a startlingly original work that combines beautiful, inventive prose with incredible imagination.

    He contrives a style of speech for his narrator--Godric himself--that's brisk and tough-sinewed...He avoids metaphysical fiddle, embedding his narrative in domestic reality--familiar affection, responsibilities, disasters...All on his own, Mr. Buechner has managed to reinvent projects of self-purification and of faith as piquant matter for contemporary fiction [in a book] notable for literary finish...Frederick Buechner is a very good writer indeed." — Benjamin DeMott, The New York Times Book Review"From the book's opening sentence...and sensible reader will be caught in Godric's grip...Godric glimmers brightly." — Peter S. Prescott, Newsweek"Godric is a memorable book...a marvelous gem of a book...destined to become a classic of its kind." — Michael Heskett, Houston Chronicle"In the extraordinary figure of Godric, both stubborn outsider and true child of God, both worldly and unworldly, Frederick Buechner has found an ideal means of exploring the nature of spirituality. Godric is a living battleground where God fights it out with the world, the Flesh, and the Devil." — London Times Literary Supplement"With a poet's sensibly and a high reverent fancy, Frederick Buechner paints a memorable portrait." — Edmund Fuller, The Wall Street Journal

    Through the falling debris, two figures, Gibreel Farishta, the biggest star in India, and Saladin Chamcha, an expatriate returning from his first visit to Bombay in fifteen years, plummet from the sky, washing up on the snow-covered sands of an English beach, and proceed through a series of metamorphoses, dreams, and revelations. --back cover