In this new Harper Paperback edition, all four shows are compiled into one phenomenally entertaining volume.Mambo Mouth (1991), Leguizamo's first show, was an off Broadway sensation. Leguizamo's portrayal of seven different Latino characters earned him both Obie and Outer Critics Circle awards. His follow up, Spic–O–Rama (1993), a "dysfunctional family comedy," presents 24–hours in the life of one family. It enjoyed a sold–out run in Chicago before relocating to New York where it won its creator a Drama Desk Award. Freak (1998), Leguizamo's Broadway debut, is his own coming–of–age story. A "demi–semi–quasi–pseudo–autobiography," the show was a critical and commercial success and won an Emmy when it was shown on TV. Sexaholix: A Love Story (2001), based on the sold–out national tour of John Leguizamo Live! was nominated for an Outer Critics Circle Award as well as a Tony Award.Alternately hilarious and poignant, always candid and searingly intelligent, The Works of John Leguizamo is a must–have for fans of this inimitable performer.

    Follow the flailing escapades of maverick music manager Campbell Ouiniette at the Calgary Folk Festival, as he leaves a trail of empty liquor bottles, cigarette butts, bruised egos, and obliterated relationships behind him. His top headlining act has abandoned him for the Big Time. In a fit of self-delusion or pure genius (or perhaps a bit of both), Ouiniette devises an intricate scam, a last hurrah in an attempt to redeem himself in the eyes of his girlfriend, the music industry, and the rest of the world. He reveals his path of destruction in his own transparently self-justifying, explosive, profane words, with digressions into the Edmonton hardcore punk rock scene, the Yugoslavian Civil War, and other epicentres of chaos.

    Deeply stressed by an SEC investigation and by his three-year-old son's diagnosis of autism, he flees New York on a Greyhound bus in search of a simpler, more romantic life with his old college sweetheart. Meanwhile, his super-smart wife, Seema--a driven first-generation American who craved the picture-perfect life that comes with wealth--has her own demons to face. How these two flawed characters navigate the Shteyngartian chaos of their own making is at the heart of this piercing exploration of the 0.1 Percent, a poignant tale of familial longing and an unsentimental ode to what really makes America great.LONGLISTED FOR THE CARNEGIE MEDAL FOR EXCELLENCE IN FICTION

    A war that ranges from the dry bushveld of Southern Africa to the capitals of Europe and the Middle East, to the sweltering cities of Southeast Asia. Worth more than gold, heroin or cocaine, the rhino's horn, meant for protection, is the catalyst behind their relentless struggle to save this species from eventual extinction.

    He hasn't seen his mother, Faye, since she walked out when he was a child. But then one day there she is, all over the news, throwing rocks at a presidential candidate. The media paints Faye as a militant radical with a sordid past, but as far as Samuel knows, his mother never left her small Iowa town. Which version of his mother is the true one? Determined to solve the puzzle--and finally have something to deliver to his publisher--Samuel decides to capitalize on his mother's new fame by writing a tell-all biography, a book that will savage her intimately, publicly. But first, he has to locate her; and second, to talk to her without bursting into tears. As Samuel begins to excavate her history, the story moves from the rural Midwest of the 1960s to New York City during the Great Recession and Occupy Wall Street to the infamous riots at the 1968 Chicago Democratic National Convention, and finally to Norway, home of the mysterious Nix that his mother told him about as a child. And in these places, Samuel will unexpectedly find that he has to rethink everything he ever knew about his mother--a woman with an epic story of her own, a story she kept hidden from the world.

    A steady, well-paying job; a rent-free Manhattan apartment; and Hope, his stunning, blue-blooded fiancée: smart, sexy, and completely out of his league. But as the wedding day looms, Zack finds himself haunted by the memory of his best friend, Rael, killed in a car wreck two years earlier, and by his increasingly complicated feelings for Tamara, the beautiful widow Rael left behind. Then Norm--Zack’s freewheeling, Viagra-popping father--resurfaces after a twenty-year absence, looking to make amends. Norm’s overbearing, often outrageous efforts to reestablish ties with his sons infuriate Zack, and yet, despite twenty years of bad blood, he finds something compelling in his father’s maniacal determination to transform his own life. Inspired by Norm, Zack boldly attempts to make some changes of his own, and the results are instantly calamitous. Soon fists are flying, his love life is a shambles, and his once carefully structured existence is spinning hopelessly out of control. Charged with intelligence and razor sharp wit, Everything Changes is at once hilarious, moving, sexy, and wise.

    A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else.Is this Shakespeare? Well, sort of.But it doesn't tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. Now, Emma Smith - an intellectually, theatrically, and ethically exciting writer - takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd, the Spielberg and Tarantino of their day; flirting with and skirting round the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex, and the Shakespeare she reveals in this book poses awkward questions rather than offering bland answers, always implicating us in working out what it might mean.

    Now, one half of the duo, Ethan Coen, adds playwriting to his eclectic bio. In these three short plays that ran to sold-out audiences Off-Broadway in 2008, the theme is hell–both on earth and in the hereafter.In “Waiting,” a man faces an uncertain future in an uncertain location that seems to be some kind of waiting room. The anxiety and despair hark back to dramas of the fifties–Sartre, Beckett, Pinter.“Four Benches” depicts an unlikely meeting in a steam room between a straight-talking Texan and an uptight Brit. Both men learn from the encounter, though only one survives it.In “Debate,” the cantankerous god of the Old Testament roundly abuses the mealymouthed god of the New. His profanity and ill humor receive a startling comeuppance, and further reversals and changes of point of view lead to a denouement that is no more preposterous than anything else in the play.Clever, provocative, and as engaging as the best fiction, these plays showcase yet another talent of one of our most celebrated contemporary writers.

    Then one night, he stumbles upon a clip from a lost film by silent comedian Hector Mann. His interest is piqued, and he soon finds himself embarking on a journey around the world to research a book on this mysterious figure, who vanished from sight back in 1929.When the book is published the following year, a letter turns up in Zimmer’s mailbox bearing a return address from a small town in New Mexico inviting him to meet Hector. Zimmer hesitates, until one night a strange woman appears on his doorstep and makes the decision for him, changing his life forever.

    And Jack's mother, Alice – a Toronto tattoo artist – has been permanently damaged by William's rejection of her. This is a novel about the loss of innocence, on many levels.

    To the hundreds, then thousands, then tens of thousands drawn to the American Stonehenge including Parker and Zema, siblings on their way from L.A. to visit their mother in Michigan the Towers seem to sing, even as everybody hears a different song. A rumor overtakes the throng that someone can be seen in the high windows of the southern structure. On the ninety-third floor, Jesse Presley the stillborn twin of the most famous singer who ever lived suddenly awakes, driven mad over the hours and days to come by a voice in his head that sounds like his but isn't, and by the memory of a country where he survived in his brother's place. Meanwhile, Parker and Zema cross a possessed landscape by a mysterious detour no one knows, charted on a map that no one has seen. Haunting, audacious, and undaunted, Shadowbahn is a winding and reckless ride through intersections of danger, destiny, and the conjoined halves of a ruptured nation.

    From the author of Schopenhauer's Telescope comes a beautiful and haunting novel of vengeance, literature, love, isolation, and man's tenuous grasp on reason.

    In his earlier novels, he has written about conspiracy theory, the Cold War and global terrorism. Now, in Point Omega, he looks into the mind and heart of a "defense intellectual", one of the men involved in the management of the country's war machine. Richard Elster was a scholar—an outsider—when he was called to a meeting with government war planners, asked to apply "ideas and principles to such matters as troop deployment and counterinsurgency". We see Elster at the end of his service. He has retreated to the desert, "somewhere south of nowhere", in search of space and geologic time. There he is joined by a filmmaker, Jim Finley, intent on documenting his experience. Finley wants to persuade Elster to make a one-take film, Elster its single character—"Just a man and a wall."Weeks later, Elster's daughter Jessica visits—an "otherworldly" woman from New York, who dramatically alters the dynamic of the story. The three of them talk, train their binoculars on the landscape, and build an odd, tender intimacy, something like a family. Then a devastating event throws everything into question. In this compact and powerful novel, it is finally a lingering human mystery that haunts the landscape of desert and mind.

    

    Once Tilly--whose condition is deemed undiagnosable--is kicked out of the last school in the area, her mother Alexandra is out of ideas. The family turns to Camp Harmony and the wisdom of child behavior guru Scott Bean for a solution. But what they discover in the woods of New Hampshire will push them to the very limit. Told from the alternating perspectives of both Alexandra and her younger daughter Iris (the book's Nick Carraway), this is a unputdownable story about the strength of love, the bonds of family, and how you survive the unthinkable.