Benjamin Katz and his frightened family stand at the train station in occupied Holland, unsure if they would be taken to their freedom—or the death camp. Sylvie, his granddaughter, who was six years old at the time, would later recall the madness as they wondered if their desperate last minute escape would work. When the German officer received the order to allow the escape he said, “I would have much rather been given the order to kill all of you.”Their entire art collection had long made them a prime target of Adolf Hitler and his greedy henchmen. Now they had one big trade—a Rembrandt in exchange for twenty-five lives.Based on a true story, Rembrandt’s Shadow is the story of two women from different generations—each with their own distinct horrific memories—who find themselves at odds when forced to confront the here and now.

    Combining Guderian’s land offensive with Luftwaffe attacks, the Nazi Blitzkrieg decimated the defenses of Poland, Norway, France—and, very nearly, Russia—at the war’s outset. But in 1941, when Guderian advised that ground forces should take a step back, Hitler dismissed him. In these pages, the outspoken general shares his candid point of view on what would have led Germany to victory, and what ensured that it didn’t. In addition to providing a rare inside look at key members of the Nazi party, Guderian reveals in detail how he developed the Panzer tank forces and orchestrated their various campaigns, from the breakthrough at Sedan to his drive to the Channel coast that virtually decided the Battle of France. Panzer Leader became a bestseller within one year of its original publication in 1952 and has since been recognized as a classic account of the greatest conflict of our time.

    . . full of sensational revelations and interspersed with episodes of daring, of desperate conflict, of torture, and of ruthless conspiracy . . . It is, first of all, an autobiography the like of which has seldom been.”The son of a seafaring father, Richard Julius Herman Krebs, a.k.a. Jan Valtin, came of age as a bicycle messenger during a maritime rebellion. His life as an intimate insider account of the dramatic events of 1920’s and 1930s, where he rose both within the ranks of the Communist Party and on the Gestapo hit list. Known for his honesty and incredible memory, Krebs dedicated his life to the Communist Party, rising to a position as head of maritime, organizing worldwide for the Comintern, only to flee the Party and Europe to evade his own comrade’s attempts to kill him. As a professional revolutionary, agitator, spy and would-be assassin, Krebs traveled the globe from Germany to China, India to Sierra Leon, Moscow to the United States where a botched assassination attempt landed him a stint in San Quentin.From his spellbinding account of artful deception to gain release from a Nazi prison and his work as a double-agent within the Gestapo, to his vivid depiction of a Communist Party fraught with intrigue and subterfuge, Krebs gives an unflinching portrayal of the internal machinations of both parties.Writing at age 36 under the name Jan Valtin, Krebs lays bare a young life filled with idealism and devotion—disillusionment and loss—in a world full of revolutionary promise gone immeasurably wrong.”An exciting, real book without a trace of unnecessary melodrama.”—H.G.Wells

    Early in 1944, German commander Field Marshal Erwin Rommel took one look at the gentle, sloping sands and announced "They will come here!” He was referring to "Omaha Beach”—the prime American D-Day landing site. The beach was subsequently transformed into three miles of lethal, bunker-protected arcs of fire, with seaside chalets converted into concrete strongpoints, fringed by layers of barbed wire and mines. The Germans called it “the Devil's Garden."When Company A of the US 116th Regiment landed on Omaha Beach in D-Day’s first wave on 6th June 1944, it lost 96% of its effective strength. Sixteen teams of US engineers arriving in the second wave were unable to blow the beach obstacles, as first wave survivors were still sheltering behind them. This was the beginning of the historic day that Landing on the Edge of Eternity narrates hour by hour—rom midnight to midnight—tracking German and American soldiers fighting across the beachhead. Mustered on their troop transport decks at 2am, the American infantry departed in landing craft at 5am. Skimming across high waves, deafened by immense broadsides from supporting battleships and weak from seasickness, they caught sight of land at 6.15. Eleven minutes later, the assault was floundering under intense German fire. Two and a half hours in, General Bradley, commanding the landings aboard USS Augusta, had to decide if to proceed or evacuate. On June 6th there were well over 2,400 casualties on Omaha Beach – easily D-Day’s highest death toll.The Wehrmacht thought they had bludgeoned the Americans into bloody submission, yet by mid-afternoon, the American troops were ashore. Why were the casualties so grim, and how could the Germans have failed? Juxtaposing the American experience—pinned down, swamped by a rising tide, facing young Wehrmacht soldiers fighting desperately for their lives, Kershaw draws on eyewitness accounts, memories, letters, and post-combat reports to expose the true horrors of Omaha Beach.These are stories of humanity, resilience, and dark humor; of comradeship and a gritty patriotism holding beleaguered men together. Landing on the Edge of Eternity is a dramatic historical ride through an amphibious landing that looked as though it might never succeed.

    In a curious yet fascinating twist, witnesses for the prosecution and the defense were housed together in a villa on the outskirts of town. In this so-called Witness House, perpetrators and victims confronted each other in a microcosm that reflected the events of the high court. Presiding over the affair was the beautiful Countess Ingeborg Kálnoky (a woman so blond and enticing that she was described as a Jean Harlowe look-alike) who took great pride in her ability to keep the household civil and the communal dinners pleasant.  A comedy of manners arose among the guests as the urge to continue battle was checked by a sudden and uncomfortable return to civilized life.   The trial atmosphere extends to the small group in the villa.  Agitated victims confront and avoid perpetrators and sympathizers, and high-ranking officers in the German armed forces struggle to keep their composure. This highly explosive mixture is seasoned with vivid, often humorous, anecdotes of those who had basked in the glory of the inner circles of power. Christiane Kohl focuses on the guilty, the sympathizers, the undecided, and those who always manage to make themselves fit in.  The Witness House reveals the social structures that allowed a cruel and unjust regime to flourish and serves as a symbol of the blurred boundaries between accuser and accused that would come to form the basis of postwar Germany.

    Glowingly reviewed, What I Saw introduces a new generation to the genius of this tortured author with its "nonstop brilliance, irresistible charm and continuing relevance" (Jeffrey Eugenides, New York Times Book Review). As if anticipating Christopher Isherwood, the book re-creates the tragicomic world of 1920s Berlin as seen by its greatest journalistic eyewitness. In 1920, Joseph Roth, the most renowned German correspondent of his age, arrived in Berlin, the capital of the Weimar Republic. He produced a series of impressionistic and political essays that influenced an entire generation of writers, including Thomas Mann, and a young Christopher Isherwood. Translated and collected here for the first time, these pieces record the violent social and political paroxysms that constantly threatened to undo the fragile democracy that was the Weimar Republic. Roth, like no other German writer of his time, ventured beyond Berlin's official veneer to the heart of the city, chronicling the lives of its forgotten inhabitants: the war cripples, the Jewish immigrants from the Pale, the criminals, the bathhouse denizens, and the nameless dead who filled the morgues. Warning early on of the dangers posed by the Nazis, Roth evoked a landscape of moral bankruptcy and debauched beauty—a memorable portrait of a city and a time of commingled hope and chaos. What I Saw, like no other existing work, records the violent social and political paroxysms that compromised and ultimately destroyed the precarious democracy that was the Weimar Republic.

    Beginning at the end of the Weimar Republic, Allen examines the entire period of the Nazi Revolution within a single locality.Tackling one of the 20th century's greatest dilemmas, Allen demonstrates how this dictatorship subtly surmounted democracy and how the Nazi seizure of power encroached from below. Relying upon legal records and interviews with primary sources, Allen dissects Northeim, Germany with microscopic precision to depict the transformation of a sleepy town to a Nazi stronghold. In this cogent analysis, Allen argues that Hitler rose to power primarily through democratic tactics that incited localized support rather than through violent means.Allen's detailed, analysis has indisputably become a classic. Revised on the basis of newly discovered Nazi documents, The Nazi Seizure of Power: The Experience of a Single German Town, 1922-1945 continues to significantly contribute to the understanding of this prominent political and moral dispute of the 1900s.

    This Penguin Classics edition contains an afterword by Geoff Wilkes, as well as facsimiles of the original Gestapo file which inspired the novel. Berlin, 1940, and the city is filled with fear. At the house on 55 Jablonski Strasse, its various occupants try to live under Nazi rule in their different ways: the bullying Hitler loyalists the Persickes, the retired judge Fromm and the unassuming couple Otto and Anna Quangel. Then the Quangels receive the news that their beloved son has been killed fighting in France. Shocked out of their quiet existence, they begin a silent campaign of defiance, and a deadly game of cat and mouse develops between the Quangels and the ambitious Gestapo inspector Escherich. When petty criminals Kluge and Borkhausen also become involved, deception, betrayal and murder ensue, tightening the noose around the Quangels' necks ... If you enjoyed Alone in Berlin, you might like John Steinbeck's The Moon is Down, also available in Penguin Modern Classics. 'One of the most extraordinary and compelling novels written about World War II. Ever' Alan Furst 'Terrific ... a fast-moving, important and astutely deadpan thriller' Irish Times 'An unrivalled and vivid portrait of life in wartime Berlin' Philip Kerr 'To read Fallada's testament to the darkest years of the 20th century is to be accompanied by a wise, somber ghost who grips your shoulder and whispers into your ear: "This is how it was. This is what happened"' The New York Times

     The true account of a teenage soldier in World War 2 Germany. Germany, 1945. Ever since Anton Kohler first heard the vibrant sound of the violin, he’s dreamed of mastering the instrument. But when his father dies, the fifteen-year-old must give up his passion to support his seven younger siblings. As the Russian army marches closer to his hometown, Anton and his best friend Gerhard are pulled from their families and forced to help defend their home in a last desperate stand. When Anton witnesses the slaughter of concentration camp prisoners, he vows to escape the war and find a way home to his family and his girl, Luise. In the chaos of impending defeat, Anton is torn between his promise to protect the life of his best friend and his desire to survive the war with his conscience intact. Based on a true account, this coming-of-age story set in the last turbulent months of World War 2, Germany, is a tale of love and friendship, of hope and loss. Read When the War is Over now to experience the poignant journey of a teenage soldier.

    This book is an authorized translation of the original book that was written in Croatian in 1966. What follows was written by the original publisher. There is no stronger or more reliable material than the one that is born from one’s own experience. Eyewitnesses and direct participants provide us with not only the facts, but also that sublimely human spirit common to all happenings in which people participate. It doesn’t matter that this account is about the fear that the people of Jasenovac experienced, or about the deeds of their torturers. For every one hundred thousand people in the Jasenovac camp during its horrifying four-year existence, there was only one—literally one—who survived. Those were the odds in the balance of life and death: one hundred thousand dead and one alive. And there is a witness, right in front of us, who found the strength to reminisce, to go back to the place of his torture, to break the psychological barriers, and to lead us step by step through his nightmare, through waves of terror that exceed every notion of horror. From the beginning of his time at Jasenovac to the end, Egon Berger was witness—and victim—to a rampage without limit. Of those who survived, he is the only one who told the story. Berger does not bring us a literary masterpiece—he brings us only the experience, a story about forty-four months of his life in a camp, told simply. A story is enough—a story that calls images to mind and makes us tremble with the thought, “Are such things possible?” For myself and every person who had been to Jasenovac and lived, it is a miracle that we survived. Yes, it is possible, it is real, and it is true. A terror arose in front of us from the oblivion. It should not be forgotten. Share this record with future generations who will hopefully not know such terror. Ivo Frol, 1966

    They met on the Paris Metro and fell in love, and became famous when Beate slapped the face of the West German chancellor--a former Nazi--Kurt Georg Kiesinger.For the past half century, Beate and Serge Klarsfeld have hunted, confronted, prosecuted, and exposed Nazi war criminals all over the world, tracking down the notorious torturer Klaus Barbie in Bolivia and attempting to kidnap the former Gestapo chief Kurt Lischka on the streets of Cologne. They have been sent to prison for their beliefs and have risked their lives protesting anti-Semitism behind the Iron Curtain in South America and in the Middle East. They have been insulted and exalted, assaulted and heralded; they've received honors from presidents and letter bombs from neo-Nazis. They have fought relentlessly not only for the memory of all those who died in the Holocaust but also for modern-day victims of genocide and discrimination across the world. And they have done it all while raising their children and sustaining their marriage.Now, for the first time, in Hunting the Truth, a major memoir written in their alternating voices, Beate and Serge Klarsfeld tell the thrilling story of a lifetime dedicated to combating evil.

    They concluded that the rumors grew, ironically, from Intrepid's last wartime case involving the first major Soviet intelligence defector of the new atomic age: Igor Gouzenko. Intrepid saved Gouzenko and found him sanctuary inside a Canadian spy school. Gouzenko was about to make more devastating disclosures than those concerning atomic espionage when the case was mysteriously terminated and Intrepid's organization dissolved.Unraveling the implications of Gouzenko's defection and Intrepid's removal from the case, tracing the steps of Dick Ellis and disclosing much new information regarding United States and Canadian postwar intelligence activities, Intrepid's Last Case is a story that for sheer excitement rivals the best spy fiction--and is all the more important because every word is true.Filled with never-before-revealed facts on the Soviet/Western nuclear war dance and a compelling portrayal of the mind of a professional spy, Intrepid's Last Case picks up where the first book ended, at the very roots of the cold war. It describes one of the most widespread cover-ups and bizarre betrayals in intelligence history. This is the incredible Intrepid against the KGB.

    The atrocities unleashed by the Nazi regime were unprecedented; families were torn apart, millions were murdered, and a cloud of fear cast over the world. But somewhere, love and hope remained ignited. World War II Love Stories tells the unforgettable stories of those couples brought together by war. They are enduring tales of great love, intense passion, and often tragedy, but most of all they are tales that celebrate the human spirit at its time of greatest trial.

    This book recounts one of the largest rescues of Jews during the Holocaust.

    THE BEASTS OF BUCHENWALD is the story of Buchenwald's brutal first commandant, Karl Koch, and his equally brutal wife, Ilse. Their reign of terror, which included beatings, torture, and the killing of helpless inmates so their tattooed skin could adorn lampshades and other personal items, ended with Karl's execution for embezzlement and Ilse's war-crimes trial of the century.