She shares a room with her mom in her grandmother's house in San Francisco, and longs for a place of her own where she can escape her lovable but large extended Filipino family. Lou has a talent for woodshop class and creating projects, and plans to build a tiny house, 100 square feet, all her own, on land that she inherited from her dad, who died before she was born. Then Lou discovers it's not so easy to build one, but she won't give up on her dream—and her friends and family won’t either. This heartwarming coming-of-age story explores culture and family, forgiveness and friendship, and what makes a house a true home. ADVANCED PRAISE FOR THE HOUSE THAT LOU BUILT“Lou’s story gives voice to Filipino youth, addressing cultural differences, the importance of community, and the true meaning of home. This delightful debut welcomes readers in like a house filled with love.”★ Kirkus, starred review“Cheerful and hope-filled.”★ School Library Journal, starred review"If this book were a house, the rooms would be filled with warmth, family, and friendship." —Erin Entrada Kelly, Newbery Medal-winning author of Hello, Universe“Endearing to the end.” —Rita Williams-Garcia, Newbery Honor-winning author of One Crazy Summer "Warm, funny and affirming. As we get to know Lou, her extended Filipino family, and friends, the door opens into her life and, ultimately, her home." —Lisa Yee, author of Millicent Min and the DC Super Hero Girls series "This story may be about a tiny house, but it has an enormous heart." —Kate Messner, author of The Exact Location of Home"There couldn't be a hero more determined, resourceful or lovable." —Tricia Springstubb, author of Every Single Second

    Ratchet tells her story through the assignments in her homeschool journal.If only getting a new life were as easy as getting a new notebook.But it's not.It's the first day of school for all the kids in the neighborhood. But not for me. I'm homeschooled. That means nothing new. No new book bag, no new clothes, and no friends – old or new. The best I've got is this notebook. I'm supposed to use it for my writing assignments, but my dad never checks. Here's what I'm really going to use it for:Ratchet's Top Secret PlanProject Goal: turn my old, recycled, freakish, friendless, motherless life into something shiny and new.This year, I'm going make something change.

    The story takes place in a small Vermont town in the year 1924, revealing the devastating impact of the Ku Klux Klan on this pastoral, insular community. At the heart of the tale are two motherless girls who come to the attention of the newly formed Klan: 12-year-old Leanora Sutter, who is black, and 6-year-old Esther Hirsch, who is Jewish. Hesse tells her story, which is based on real events, through the eyes of 11 different characters. Each point of view is expressed in poetic form, but with a stark clarity of difference that makes the voices unique and identifiable. There is a fire-and-brimstone preacher whose sermons reveal him as a zealot and whose actions brand him as a hypocrite. There is a middle-aged farm woman named Sara who takes Esther under her wing despite the warnings of her neighbors, trying to help the child understand why the Klan has marked her and her widowed father as targets for their hatred. Esther's only other friend is Leanora, who is about to learn some harsh lessons on tolerance and hatred herself at the hands of the Klan. And linking them all together is 18-year-old Merlin Van Tornhout, a young man struggling to fit in with the adult world and determine for himself the difference between right and wrong. The remaining characters who circle the periphery of this core group reflect the various mind-sets and biases that were common during this era of fear and persecution, even in a setting as bucolic as the Vermont countryside.Hesse weaves real historic events into her tale, such as the murder trial of the infamous kidnappers Leopold and Loeb, giving the work a definite period flavor. Using prose that is both sparse and powerful, she builds the tension with a slow crescendo of inevitability that ends in violence, but also offers up an unforgettable lesson on the true power of friendship and acceptance. (Beth Amos)

    Some people get to have crushes on boys. Some people have other things they’ve got to do.Seventh-grader Zoey has her hands full as she takes care of her much younger siblings after school every day while her mom works her shift at the pizza parlor. Not that her mom seems to appreciate it. At least there’s Lenny, her mom’s boyfriend—they all get to live in his nice, clean trailer.At school, Zoey tries to stay under the radar. Her only friend Fuchsia has her own issues, and since they’re in an entirely different world than the rich kids, it’s best if no one notices them.Zoey thinks how much easier everything would be if she were an octopus: eight arms to do eight things at once. Incredible camouflage ability and steady, unblinking vision. Powerful protective defenses.Unfortunately, she’s not totally invisible, and one of her teachers forces her to join the debate club. Even though Zoey resists participating, debate ultimately leads her to see things in a new way: her mom’s relationship with Lenny, Fuchsia’s situation, and her own place in this town of people who think they’re better than her. Can Zoey find the courage to speak up, even if it means risking the most stable home she’s ever had?This moving debut novel explores the cultural divides around class and the gun debate through the eyes of one girl, living on the edges of society, trying to find her way forward.--annbradenbooks

    Eleven-year-old Imogene (Impy) has grown up with two parents working at the Renaissance Faire, and she's eager to begin her own training as a squire. First, though, she'll need to prove her bravery. Luckily Impy has just the quest in mind--she'll go to public school after a life of being homeschooled! But it's not easy to act like a noble knight-in-training in middle school. Impy falls in with a group of girls who seem really nice (until they don't) and starts to be embarrassed of her thrift shop apparel, her family's unusual lifestyle, and their small, messy apartment. Impy has always thought of herself as a heroic knight, but when she does something really mean in order to fit in, she begins to wonder whether she might be more of a dragon after all.

    Save the town. Get the girl. Make Abuela proud. Can thirteen-year-old Arturo Zamora do it all or is he in for a BIG, EPIC FAIL? For Arturo, summetime in Miami means playing basketball until dark, sipping mango smoothies, and keeping cool under banyan trees. And maybe a few shifts as junior lunchtime dishwasher at Abuela's restaurant. Maybe. But this summer also includes Carmen, a cute poetry enthusiast who moves into Arturo's apartment complex and turns his stomach into a deep fryer. He almost doesn't notice the smarmy land developer who rolls into town and threatens to change it. Arturo refuses to let his family and community go down without a fight, and as he schemes with Carmen, Arturo discovers the power of poetry and protest through untold family stories and the work of Jose Marti.

    Elise has always lived in the big house with her loving Uncle and Aunt, because Elise's parents died when she was too young to remember them.  There's always been a barn behind the house with eight locked doors on the second floor. When Elise and Franklin start middle school, things feel all wrong. Bullying. Not fitting in. Franklin suddenly seems babyish.  Then, soon after her 12th birthday, Elise receives a mysterious key left for her by her father. A key that unlocks one of the eight doors upstairs in the barn...

    Her biggest worry is that Sasquatch may actually exist out in the forest. But when the federal government signs a bill into law that says Regina's tribe no longer exists, Regina becomes "Indian no more" overnight--even though she was given a number by the Bureau of Indian Affairs that counted her as Indian, even though she lives with her tribe and practices tribal customs, and even though her ancestors were Indian for countless generations.With no good jobs available in Oregon, Regina's father signs the family up for the Indian Relocation program and moves them to Los Angeles. Regina finds a whole new world in her neighborhood on 58th Place. She's never met kids of other races, and they've never met a real Indian. For the first time in her life, Regina comes face to face with the viciousness of racism, personally and toward her new friends.Meanwhile, her father believes that if he works hard, their family will be treated just like white Americans. But it's not that easy. It's 1957 during the Civil Rights Era. The family struggles without their tribal community and land. At least Regina has her grandmother, Chich, and her stories. At least they are all together.In this moving middle-grade novel drawing upon Umpqua author Charlene Willing McManis's own tribal history, Regina must find out: Who is Regina Petit? Is she Indian? Is she American? And will she and her family ever be okay?

    Basil E. Frankweiler meets Chasing Vermeer in this clever middle-grade debut.When Theodora Tenpenny spills a bottle of rubbing alcohol on her late grandfather’s painting, she discovers what seems to be an old Renaissance masterpiece underneath. That’s great news for Theo, who’s struggling to hang onto her family’s two-hundred-year-old townhouse and support her unstable mother on her grandfather’s legacy of $463. There’s just one problem: Theo’s grandfather was a security guard at the Metropolitan Museum of Art, and she worries the painting may be stolen.With the help of some unusual new friends, Theo’s search for answers takes her all around Manhattan, and introduces her to a side of the city—and her grandfather—that she never knew. To solve the mystery, she’ll have to abandon her hard-won self-reliance and build a community, one serendipitous friendship at a time.

    After being separated from her sister and sold to a cruel goat farmer, Astri makes a daring escape. She quickly retrieves her little sister, and, armed with a troll treasure, a book of spells and curses, and a possibly magic hairbrush, they set off for America. With a mysterious companion in tow and the malevolent “goatman” in pursuit, the girls head over the Norwegian mountains, through field and forest, and in and out of folktales and dreams as they steadily make their way east of the sun and west of the moon.

    She spends most of her time up on the rocks behind her house in her "rock world," as Alvin, her kindhearted and well-read school bus driver, calls it. It's the one place where Frances can truly be herself, and where she doesn't have to think about her older sister, Christinia, who is growing up and changing in ways that Frances can't understand.But when the unimaginable happens, Frances slowly discovers that perhaps the world outside her rugged, hidden paradise isn't so bad after all, and that maybe--just maybe--she can find connection and camaraderie with the people who have surrounded her all along.

    But when she discovers the diary her Jewish great-grandmother wrote chronicling her escape from Holocaust-era Europe, Imani begins to see family in a new way.Imani knows exactly what she wants as her big bat mitzvah gift: to meet her birthparents. She loves her family and her Jewish community in Baltimore, but she has always wondered where she came from, especially since she's black and almost everyone she knows is white. When her mom's grandmother--Imani's great-grandma Anna--passes away, Imani discovers an old diary among her books. It's Anna's diary from 1941, the year she was twelve--the year she fled Nazi-occupied Luxembourg alone, sent by her parents to seek refuge in Brooklyn. Written as a series of letters to the twin sister she had to leave behind, Anna's diary records her journey to America and her new life with an adopted family. Anna's diary and Imani's birthparent search intertwine to tell the story of two girls, each searching for family and identity in her own time and in her own way.

    A reactor at the nuclear power plant where their fathers work--Chernobyl--has exploded. Before they know it, the two girls, who've always been enemies, find themselves on a train bound for Leningrad to stay with Valentina's estranged grandmother, Rita Grigorievna. In 1941 Rifka must flee Kiev before the Germans arrive. Her journey is harrowing and fraught with danger because Germans and Russians alike will revile her for her Jewish blood.In both time periods, the girls must learn who to trust and how to have hope in the midst of horrible events.

    And she has a plan. If Raymie can win the Little Miss Central Florida Tire competition, then her father, who left town two days ago with a dental hygienist, will see Raymie's picture in the paper and (maybe) come home. To win, not only does Raymie have to do good deeds and learn how to twirl a baton; she also has to contend with the wispy, frequently fainting Louisiana Elefante, who has a show-business background, and the fiery, stubborn Beverly Tapinski, who’s determined to sabotage the contest. But as the competition approaches, loneliness, loss, and unanswerable questions draw the three girls into an unlikely friendship — and challenge each of them to come to the rescue in unexpected ways.

    He can't pay attention, he can't follow the rules, and he can't help it -- especially when his meds aren't working. Joey's had problems ever since he was born, problems just like his dad and grandma have. And whether he's wreaking havoc on a class trip or swallowing his house key, Joey's problems are getting worse. In fact, his behavior is so off the wall that his teachers are threatening to send him to the special-ed center downtown.Joey knows he's really a good kid, but no matter how hard he tries to do the right thing, something always seems to go wrong. Will he ever get anything right?