PoeAda Concannon’s first day in America is a success. She’s the new maid for the respected but eccentric Dickinson family of Amherst, Massachusetts. Despite the differences in age and class, eighteen-year-old Ada, “a neat little Irish person, fresh off the boat,” strikes up a deep freindship with Miss Emily, the gifted elder daughter living a spinster’s life at home. Emily is a bastion of support as Ada struggles to find her place in this new world, while Ada’s toil gives Emily the freedom she needs to write.But Emily’s passion for words begins to dominate her life. She decides to wear nothing but white and increasingly avoids the outside world. When Ada’s safety and reputation are threatened, however, Emily faces down her own demons in order to help her friend, with shocking consequences.

    In Zimbabwe, Darling and her friends steal guavas, try to get the baby out of young Chipo's belly, and grasp at memories of Before. Before their homes were destroyed by paramilitary policemen, before the school closed, before the fathers left for dangerous jobs abroad.But Darling has a chance to escape: she has an aunt in America. She travels to this new land in search of America's famous abundance only to find that her options as an immigrant are perilously few. NoViolet Bulawayo's debut calls to mind the great storytellers of displacement and arrival who have come before her--from Junot Diaz to Zadie Smith to J.M. Coetzee--while she tells a vivid, raw story all her own.

    The professor swears it's a Vermeer -- but why exactly has he kept it hidden so long? The reasons unfold in a gripping sequence of stories that trace ownership of the work back to Amsterdam during World War II and still further to the moment of the painting's inception.

    He also gives Giovanni the keys to two strongboxes and strict instructions to burn their contents. Despite Scappi’s dire warning that the information concealed in those boxes could put Giovanni’s life and others at risk, Giovanni is compelled to learn his uncle’s secrets. He undertakes the arduous task of decoding Scappi’s journals and uncovers a history of deception, betrayal, and murder—all to protect an illicit love affair. As Giovanni pieces together the details of Scappi’s past, he must contend with two rivals who have joined forces—his brother Cesare and Scappi’s former protégé, Domenico Romoli, who will do anything to get his hands on the late chef’s recipes. With luscious prose that captures the full scale of the sumptuous feasts for which Scappi was known, The Chef’s Secret serves up power, intrigue, and passion, bringing Renaissance Italy to life in a delectable fashion.

    'Do you remember me now?' he asked, trembling. She looked at him again, as if giving weight and bone to a ghost. 'Lenka, it's me,' he said. 'Josef. Your husband.' During the last moments of calm in prewar Prague, Lenka, a young art student, falls in love with Josef. They marry - but soon, like so many others, they are torn apart by the currents of war. In America Josef becomes a successful obstetrician and raises a family, though he never forgets the wife he thinks died in the camps. But in the Nazi ghetto of Terez??n - and later in Auschwitz - Lenka has survived, relying on her skills as an artist and the memories of a husband she believes she will never see again. Now, decades later, an unexpected encounter in New York brings Lenka and Josef back together. From the comfort of life in Prague before the occupation to the horrors of Nazi Europe, The Lost Wife explores the endurance of first love, the resilience of the human spirit and our capacity to remember.

    Seventeen-year-old Naoko Nakamura’s prearranged marriage to the son of her father’s business associate would secure her family’s status in their traditional Japanese community, but Naoko has fallen for another man—an American sailor, a gaijin—and to marry him would bring great shame upon her entire family. When it’s learned Naoko carries the sailor’s child, she’s cast out in disgrace and forced to make unimaginable choices with consequences that will ripple across generations.America, present day. Tori Kovač, caring for her dying father, finds a letter containing a shocking revelation—one that calls into question everything she understood about him, her family and herself. Setting out to learn the truth behind the letter, Tori’s journey leads her halfway around the world to a remote seaside village in Japan, where she must confront the demons of the past to pave a way for redemption.In breathtaking prose and inspired by true stories from a devastating and little-known era in Japanese and American history, The Woman in the White Kimono illuminates a searing portrait of one woman torn between her culture and her heart, and another woman on a journey to discover the true meaning of home.

    Mimi Miller tells about her life with intimacy and honesty. As Mimi eavesdrops on her parents and quietly observes the people around her, she discovers more and more about the toxicity of family secrets, the dangers of gossip, the flaws of marriage, the inequalities of friendship and the risks of passion, loyalty, and love. Home, as Mimi begins to realize, can be “a place where it’s just as easy to feel lost as it is to feel content.” Miller’s Valley is a masterly study of family, memory, loss, and, ultimately, discovery, of finding true identity and a new vision of home. As Mimi says, “No one ever leaves the town where they grew up, even if they go.” Miller’s Valley reminds us that the place where you grew up can disappear, and the people in it too, but all will live on in your heart forever.'

    In telling their interconnected stories, American Book Award winner William Maxwell delivers a masterfully restrained and magically evocative meditation on the past.

    Krantz," a large, strange, hairy man who may or may not be a sasquatch. What Eli knows for certain is that his mother went willingly, leaving her only son behind. For the rest of his life, Eli is obsessed with the hunt for the bizarre creature his mother chose over him, and we watch it affect every relationship he has in his long life--with his father, with both of his wives, his children, grandchildren, and colleagues. We follow all of the Roebuck family members, witnessing through each of them the painful, isolating effects of Eli's maniacal hunt, and find that each Roebuck is battling a monster of his or her own, sometimes literally. The magical world Shields has created is one of unicorns and lake monsters, ghosts and reincarnations, tricksters and hexes. At times charming, as when young Eli meets the eccentric, extraordinary Mr. Krantz, and downright horrifying at others, The Sasquatch Hunter's Almanac is boldly imaginative throughout, and proves to be a devastatingly real portrait of the demons that we as human beings all face.

    Pao needs to take care of some dirty business, but he is no Don Corleone. The rackets he runs are small-time, and the protection he provides necessary, given the minority status of the Chinese in Jamaica. Pao, in fact, is a sensitive guy in a wise guy role that doesn't quite fit. Often mystified by all that he must take care of, Pao invariably turns to Sun Tzu's Art of War. The juxtaposition of the weighty, aphoristic words of the ancient Chinese sage, with the tricky criminal and romantic predicaments Pao must negotiate builds the basis of the novel's great charm. A tale of post-colonial Jamaica from a unique and politically potent perspective, Pao moves from the last days of British rule through periods of unrest at social and economic inequality, through tides of change that will bring about Rastafarianism and the Back to Africa Movement. Pao is an utterly beguiling, unforgettable novel of race, class and creed, love and ambition, and a country in the throes of tumultuous change. Kerry Young was born in Kingston, Jamaica, to a Chinese-African mother and a Chinese father-a businessman in Kingston's shadow economy who provided inspiration for Pao. Young moved to England in 1965 at the age of ten. She earned her MA in creative writing at Nottingham Trent University. This is her first novel.

    In apartheid South Africa in 1976, medical student Isaac Muthethe is forced to flee his country after witnessing a friend murdered by white members of the South African Defense Force. He is smuggled into Botswana, where he is hired as a gardener by a young American woman, Alice Mendelssohn, who has abandoned her Ph.D. studies to follow her husband to Africa. When Isaac goes missing and Alice goes searching for him, what she finds will change her life and inextricably bind her to this sunburned, beautiful land. Like the African terrain that Alice loves, Morse’s novel is alternately austere and lush, spare and lyrical. She is a writer of great and wide-ranging gifts.

    In a California of the ’60s and ’70s, characters examine the contents of deceased relatives’ freezers, tape-record high-school locker-room chatter, or collect a community’s gossip while cleaning the teeth of its inhabitants. Mr. Darcy is the captain of the football team, Mansfield Park materializes in a suburb of L.A., bake sales replace balls, and station wagons, not horse-drawn carriages, are the preferred mode of transit. The stories of traversing class, race, and gender leap into our modern world with wit and humor.

    Gertrude, a mother of four, must make an unconscionable decision to save her daughters from starvation or die at the hands of an abusive husband. Retta is navigating a harsh world as a first-generation freed slave, still employed by the Coles, influential plantation proprietors who once owned her family. Annie is the matriarch of the Coles family and must come to terms with the terrible truth that has ripped her family apart.These three women seemingly have nothing in common, yet as they unite to stand up to the terrible injustices that have long plagued the small town, they find strength in the bond that ties women together. Told in the pitch-perfect voices of Gertrude, Retta and Annie, Call Your Daughter Home is an audacious, timeless story about the power of family, deep-buried secrets and the ferocity of motherhood.