He is privileged, would seem to have the world at his feet, even. Then why does the sight of a few redneck teenagers disconcert him? Why is he reluctant to pick up a disheveled girl hitchhiking along the desert highway? And why is he the first person the police suspect when she is found dead in Arizona a few days later?Dorothy B. Hughes ranks with Raymond Chandler and Patricia Highsmith as a master of mid-century noir. In books like In a Lonely Place and Ride the Pink Horse, she exposed a seething discontent underneath the veneer of twentieth-century prosperity. With The Expendable Man, first published in 1963, Hughes upends the conventions of the wrong-man narrative to deliver a story that engages readers even as it implicates them in the greatest of all American crimes.

    A wave of fear sweeps across the barren prairies of central North Dakota in April of 1920 with the tragic news that seven members of a farm family and their hired boy have been brutally murdered at their home just north of Turtle Lake in McLean County. A massive search for the killers begins immediately in the midst of an intense statewide election campaign. Three weeks later, eager investigators encouraged by nervous politicians get a signed confession from one of the prime suspects in the case. He is sentenced that same day to life in the state penitentiary in what the New York Times referred to then as ''the most rapid administration of justice in the country.'' From the beginning, the man denies his guilt and says his confession was obtained under duress, intimidation and fear. In November, his lawyers file a motion in district court asking that his plea of guilty be withdrawn and for a trial upon the merits. Their motion is strengthened when some new evidence is discovered on the Wolf family farm only days before the motion is filed. Some ninety years later, people in the area still recall the words the convicted man was supposed to have said: ''My eyes have seen but my hands are clean!''

    ARMY OUTPOST AND A YOUNG WOMAN'S TERRIFYING PASSAGE ACROSS THE AMERICAN FRONTIER. Set in 1871 in the unforgiving wasteland of the Arizona Territory, Shavetail is the story of Private Ned Thorne, a seventeen-year-old boy from Connecticut who has lied about his age to join the Army. On the run from a shameful past, Ned is desperate to prove his worth -- to his superiors, to his family, and most of all, to himself. Young and troubled, Ned is as green and stubborn as a "shavetail," the soldiers' term for a dangerous, untrained mule. To endure in this world, Ned must not only follow the orders of the camp's captain, Robert Franklin,but also submit to the cruel manipulations of Obediah Brickner, the camp's mule driver. Both Franklin and Brickner have been damaged by their long military service, both consider themselves able to survive the dangers of the desert -- floods, scorpions, snakes, and Indians -- and both imperil Ned. Yet there are other characters, all richly drawn, who also confront Ned: half-wit soldiers, embattled Indians hidden in cliffs, a devious and philosophical peddler, and the fleshy whores who materialize in the desert as soon as the paymaster has left camp and dance with drunken soldiers around a fire late into the night. After a band of Apaches attack a nearby ranch, killing two men and kidnapping a young woman, Ned's lieutenant -- a man seeking atonement for his own mistakes -- leads Ned and the rest of his patrol on a near-suicidal mission through rugged mountains and into Mexico in hopes of saving the woman's life. It is unlikely any can survive this folly, and those who do will be changed forever. Meticulously researched and vividly told, Shavetail renders a time when the United States was still an expanding empire, its western edge bloody with the deaths of soldiers, settlers, and Indians. In language both spare and brilliant, Cobb brings readers this lost American landscape, untouched by highways or electricity and without the comforts of civilization. Shavetail also marks the return of a great American literary voice. Cobb's first and only other novel, Crazy Heart, was published in 1987 to great acclaim and was edited by the legendary editor Ted Solotaroff. Cobb is also a former student of Donald Barthelme, who described Crazy Heart as "a bitter, witty psychological profile of genius." Brutal and deft, laced with both violence and desire, Shavetail plunges into the deepest human urges even as it marks the ground where men either survive or perish.