During the next few years he sees, and commits, more than his share of Civil War atrocities. Most of the action takes place in Kansas and Missouri between the rebel Irregulars (bushwhackers) and the Union Jayhawkers, with some civilians caught in the crossfire. The studiedly cool Jake experiences loss (the deaths of his best friend, father and comrades) and love (the best friend's "widow"); he also learns about tolerance from his contact with a nobly reserved black Irregular. There's plenty of hard riding, drinking and shooting, most of it leading to bloodshed. Jake's loyalty to the "secesh" cause is unquestioning and doesn't quite gibe with his growing unease amid the gore, or with his departure in the midst of the war for Texas with wife and child. The prose is occasionally rather pretentious, but this is a generally enjoyable coming-of-age novel by the author of Under the Bright Lights. Copyright 1987 Reed Business Information, Inc

    But just who was this remarkable woman? To John Brown, leader of the Harper's Ferry slave uprising, she was General Tubman. For the many slaves she led north to freedom, she was Moses. To the slaveholders who sought her capture, she was a thief and a trickster. To abolitionists, she was a prophet.Now, in a biography widely praised for its impeccable research and its compelling narrative, Harriet Tubman is revealed for the first time as a singular and complex character, a woman who defied simple categorization."A thrilling reading experience. It expands outward from Tubman's individual story to give a sweeping, historical vision of slavery." --NPR's Fresh Air

    Smith, amiable, charming, yet strangely determined to keep suspicion simmering. For in his pocket, he has what seems to be an order for a thousand pounds, a huge amount, and he won't explain why, or where he comes from, or what he can be planning to do in the colonies that requires so much money.Should the New York merchants trust him? Should they risk their credit and refuse to pay? Should they befriend him, seduce him, arrest him; maybe even kill him?As fast as a heist movie, as stuffed with incident as a whole shelf of conventional fiction, Golden Hill is both a novel about the 18th century, and itself a book cranked back to the novel's 18th century beginnings, when anything could happen on the page, and usually did, and a hero was not a hero unless he ran the frequent risk of being hanged.This is Fielding's Tom Jones recast on Broadway - when Broadway was a tree-lined avenue two hundred yards long, with a fort at one end flying the Union Jack and a common at the other, grazed by cows.Rich in language and historical perception, yet compulsively readable, Golden Hill has a plot that twists every chapter, and a puzzle at its heart that won't let go till the last paragraph of the last page.Set a generation before the American Revolution, it paints an irresistible picture of a New York provokingly different from its later self: but subtly shadowed by the great city to come, and already entirely a place where a young man with a fast tongue can invent himself afresh, fall in love - and find a world of trouble.

    The Far Pavilions is a story of 19th Century India, when the thin patina of English rule held down dangerously turbulent undercurrents. It is a story about and English man - Ashton Pelham-Martyn - brought up as a Hindu and his passionate, but dangerous love for an Indian princess. It's a story of divided loyalties, of tender camaraderie, of greedy imperialism and of the clash between east and west. To the burning plains and snow-capped mountains of this great, humming continent, M.M. Kaye brings her quite exceptional gift of immediacy and meticulous historical accuracy, plus her insight into the human heart.

    Numerous newspaper reports in the United States and abroad told of how the two -- fair-skinned Ellen disguised as a white slave master and William posing as a servant -- negotiated heart-pounding brushes with discovery while fleeing Macon, Georgia, for Philadelphia and eventually Boston.No account, though, conveyed the ingenuity, daring, good fortune, and love that characterized their flight for freedom better than the couple's own version. Published in 1860, it is a remarkable authorial accomplishment written only twelve years after the Crafts learned to read. Now their stirring first-person narrative and Richard Blackett's excellent interpretive pieces are brought together in one volume to tell the complete story of the Crafts.

    As the trial unfolds, May tells her version of events. In 1887, at the tender age of eighteen, May ventures to Chicago in hopes of earning enough money to support her family. Circumstances force her to take up residence at the city’s most infamous bordello, but May soon learns to employ her considerable feminine wiles to extract not only sidelong looks but also large sums of money from the men she encounters.  Insinuating herself into Chicago’s high society, May lands a well-to-do fiancé—until, that is, a Pinkerton Agency detective named Reed Doherty intervenes and summarily foils the engagement.  Unflappable May quickly rebounds, elevating seduction and social climbing to an art form as she travels the world, eventually marrying a wealthy Dutch Baron. Unfortunately, Reed Doherty is never far behind and continues to track May in a delicious cat-and-mouse game as the newly-minted Baroness’s misadventures take her from San Francisco to Shanghai to London and points in between. The Pinkerton Agency really did dub May the “Most Dangerous Woman,” branding her a crafty blackmailer and ruthless seductress.  To many, though, she was the most glamorous woman to grace high society. Was the real May Dugas a cold-hearted swindler or simply a resourceful provider for her poor family? As the narrative bounces back and forth between the trial taking place in 1917 and May’s devious but undeniably entertaining path to the courtroom—hoodwinking and waltzing her way through the gilded age and into the twentieth century—we're left to ponder her guilt as we move closer to finding out what fate ultimately has in store for our irresistible adventuress.

    Compelled to walk through the world with his humanity intact, Jelani quickly learns how to read and write under the secret tutelage of Jessie, the plantation owner's daughter, and the only rose in an otherwise bush of thorns. A defining moment arises in his life, when his best friend Sabira is sold off at auction, and he makes a promise to find her no matter what it takes, a promise he fears he might not be able to live up to. Along the way—shaping his journey—he encounters slave hunters, abolitionists and other runaways on route to the Underground Railroad. Through his trials and tribulations, Jelani discovers that beyond everything that makes him different is everything that makes him human.

    He is a boy dressed in silks and white wigs and given the finest of classical educations. Raised by a group of rational philosophers known only by numbers, the boy and his mother -- a princess in exile from a faraway land -- are the only persons in their household assigned names. As the boy's regal mother, Cassiopeia, entertains the house scholars with her beauty and wit, young Octavian begins to question the purpose behind his guardians' fanatical studies. Only after he dares to open a forbidden door does he learn the hideous nature of their experiments -- and his own chilling role in them. Set against the disquiet of Revolutionary Boston, M. T. Anderson's extraordinary novel takes place at a time when American Patriots rioted and battled to win liberty while African slaves were entreated to risk their lives for a freedom they would never claim. The first of two parts, this deeply provocative novel reimagines the past as an eerie place that has startling resonance for readers today.

    During the war, approximately 620,000 soldiers lost their lives. An equivalent proportion of today's population would be six million. This Republic of Suffering explores the impact of this enormous death toll from every angle: material, political, intellectual, and spiritual. The eminent historian Drew Gilpin Faust delineates the ways death changed not only individual lives but the life of the nation and its understanding of the rights and responsibilities of citizenship. She describes how survivors mourned and how a deeply religious culture struggled to reconcile the slaughter with its belief in a benevolent God, pondered who should die and under what circumstances, and reconceived its understanding of life after death. Faust details the logistical challenges involved when thousands were left dead, many with their identities unknown, on the fields of places like Bull Run, Shiloh, Antietam, and Gettysburg. She chronicles the efforts to identify, reclaim, preserve, and bury battlefield dead, the resulting rise of undertaking as a profession, the first widespread use of embalming, the gradual emergence of military graves registration procedures, the development of a federal system of national cemeteries for Union dead, and the creation of private cemeteries in the South that contributed to the cult of the Lost Cause. She shows, too, how the war victimized civilians through violence that extended beyond battlefields-from disease, displacement, hardships, shortages, emotional wounds, and conflicts connected to the disintegration of slavery.

    It’s May 1863. Outgeneraled and outgunned, a demoralized Union Army has pulled back with massive losses at the Battle of Chancellorsville. Fort Sumter, hated symbol of the Rebellion, taunts the American navy with its artillery and underwater mines.  In Beaufort, South Carolina, one very special woman, code named Moses, is hatching a spectacular plan. Hunted by Confederates, revered by slaves, Harriet Tubman plots an expedition behind enemy lines to liberate hundreds of bondsmen and recruit them as soldiers. A bounty on her head, she has given up husband and home for the noblest cause: a nation of, by, and for the people.The Tubman Command tells the story of Tubman at the height of her powers, when she devises the largest plantation raid of the Civil War. General David Hunter places her in charge of a team of black scouts even though skeptical of what one woman can accomplish. For her gamble to succeed, “Moses” must outwit alligators, overseers, slave catchers, sharpshooters, and even hostile Union soldiers to lead gunships up the Combahee River. Men stand in her way at every turn--though one reminds her that love shouldn’t have to be the price of freedom.

    Gold has been discovered in the Yukon. New York is under the sway of Hearst and Pulitzer. And in a few months, an American battleship will explode in a Cuban harbor, plunging the U.S. into war. Spanning five years and half a dozen countries, this is the unforgettable story of that extraordinary moment: the turn of the twentieth century, as seen by one of the greatest storytellers of our time.Shot through with a lyrical intensity and stunning detail that recall Doctorow and Deadwood both, A Moment in the Sun takes the whole era in its sights—from the white-racist coup in Wilmington, North Carolina to the bloody dawn of U.S. interventionism in the Philippines. Beginning with Hod Brackenridge searching for his fortune in the North, and hurtling forward on the voices of a breathtaking range of men and women—Royal Scott, an African American infantryman whose life outside the military has been destroyed; Diosdado Concepcíon, a Filipino insurgent fighting against his country’s new colonizers; and more than a dozen others, Mark Twain and President McKinley’s assassin among them—this is a story as big as its subject: history rediscovered through the lives of the people who made it happen.

    Spanning much of the eighteenth and nineteenth centuries, the novel follows the fortunes of the extraordinary Whittaker family as led by the enterprising Henry Whittaker—a poor-born Englishman who makes a great fortune in the South American quinine trade, eventually becoming the richest man in Philadelphia. Born in 1800, Henry's brilliant daughter, Alma (who inherits both her father's money and his mind), ultimately becomes a botanist of considerable gifts herself. As Alma's research takes her deeper into the mysteries of evolution, she falls in love with a man named Ambrose Pike who makes incomparable paintings of orchids and who draws her in the exact opposite direction — into the realm of the spiritual, the divine, and the magical. Alma is a clear-minded scientist; Ambrose a utopian artist — but what unites this unlikely couple is a desperate need to understand the workings of this world and the mechanisms behind all life.Exquisitely researched and told at a galloping pace, The Signature of All Things soars across the globe—from London to Peru to Philadelphia to Tahiti to Amsterdam, and beyond. Along the way, the story is peopled with unforgettable characters: missionaries, abolitionists, adventurers, astronomers, sea captains, geniuses, and the quite mad. But most memorable of all, it is the story of Alma Whittaker, who — born in the Age of Enlightenment, but living well into the Industrial Revolution — bears witness to that extraordinary moment in human history when all the old assumptions about science, religion, commerce, and class were exploding into dangerous new ideas. Written in the bold, questing spirit of that singular time, Gilbert's wise, deep, and spellbinding tale is certain to capture the hearts and minds of readers.

    One frigid night in Pennsylvania, that changed forever. They tore her family apart. They put her in chains. They never expected her to fight back. In 1837, Margaret Morgan was kidnapped from her home in Pennsylvania and sold into slavery. The state of Pennsylvania charged her kidnapper with the crime, but the conviction was later overturned by the U.S. Supreme Court. It was the first time a major branch of the federal government had made a pro-slavery stand, and the ruling in Prigg v. Pennsylvania sewed the bitter seeds of the states' rights battle that eventually would lead to the Civil War. Yet, the heart of this story is not a historic Supreme Court ruling. It is the remarkable, unforgettable Margaret Morgan. Her life would never be the same. Her family had been torn apart. Uncaring forces abused her body and her heart. But she refused to give up, refused to stop fighting, refused to allow her soul to be enslaved.

    . . Everyone knows Benedict Arnold--the Revolutionary War general who betrayed America and fled to the British--as history's most notorious turncoat. Many know Arnold's co-conspirator, Major John Andre, who was apprehended with Arnold's documents in his boots and hanged at the orders of General George Washington. But few know of the integral third character in the plot: a charming young woman who not only contributed to the betrayal but orchestrated it.Socialite Peggy Shippen is half Benedict Arnold's age when she seduces the war hero during his stint as military commander of Philadelphia. Blinded by his young bride's beauty and wit, Arnold does not realize that she harbors a secret: loyalty to the British. Nor does he know that she hides a past romance with the handsome British spy John Andre. Peggy watches as her husband, crippled from battle wounds and in debt from years of service to the colonies, grows ever more disillusioned with his hero, Washington, and the American cause. Together with her former love and her disaffected husband, Peggy hatches the plot to deliver West Point to the British and, in exchange, win fame and fortune for herself and Arnold.Told from the perspective of Peggy's maid, whose faith in the new nation inspires her to intervene in her mistress's affairs even when it could cost her everything, The Traitor's Wife brings these infamous figures to life, illuminating the sordid details and the love triangle that nearly destroyed the American fight for freedom.

    A lovely and moving portrait of society’s outcasts…affirms the essential humanity of its poor and stubborn residents, for whom each day of survival is a victory” (The New York Times Book Review).Set on the high ground at the heart of Cape Ann, the village of Dogtown is peopled by widows, orphans, spinsters, scoundrels, whores, free Africans, and “witches.” Among the inhabitants of this hamlet are Black Ruth, who dresses as a man and works as a stonemason; Mrs. Stanley, an imperious madam whose grandson, Sammy, comes of age in her brothel; Oliver Younger, who survives a miserable childhood at the hands of his aunt; and Cornelius Finson, a freed slave. At the center of it all is Judy Rhines, a fiercely independent soul, deeply lonely, who nonetheless builds a life for herself against all imaginable odds. Rendered in stunning, haunting detail, with Anita Diamant’s keen ear for language and profound compassion for her characters, The Last Days of Dogtown is an extraordinary retelling of a long-forgotten chapter of early American life.