With pathos and pageantry, desperation and hope, magic and mythology, this acclaimed novel weaves its unforgettable spell.

    On the night she meets Jonathan Alkaitis, a hooded figure scrawls a message on the lobby’s glass wall: Why don’t you swallow broken glass. High above Manhattan, a greater crime is committed: Alkaitis is running an international Ponzi scheme, moving imaginary sums of money through clients’ accounts. When the financial empire collapses, it obliterates countless fortunes and devastates lives. Vincent, who had been posing as Jonathan’s wife, walks away into the night. Years later, a victim of the fraud is hired to investigate a strange occurrence: a woman has seemingly vanished from the deck of a container ship between ports of call. In this captivating story of crisis and survival, Emily St. John Mandel takes readers through often hidden landscapes: campgrounds for the near-homeless, underground electronica clubs, the business of international shipping, service in luxury hotels, and life in a federal prison. Rife with unexpected beauty, The Glass Hotel is a captivating portrait of greed and guilt, love and delusion, ghosts and unintended consequences, and the infinite ways we search for meaning in our lives.

    Determined to find redemption in the midst of their derision and to find joy despite uncertainty, Moira faces impossible choices with consequences beyond anything she can imagine.Thrown into the purgatory of a bleak prairie landscape as unforgiving as her mother, twenty-year-old Newfoundlander Moira Burns is certain she will rise above the locals of Ibsen, Saskatchewan. Until the reasons for her flight west become clear. Until she is befriended by a prostitute and courted by a ‘half breed’. Until she becomes the “dolly-bird” of superstitious Irish Catholic homesteader, Dillan Flaherty.Scattered through with birth, death, and the violent potential of both man and the elements, Dollybird excavates the small mercies which come to mean more than they should on a prairie peopled with characters struggling under a huge sky that waits, not so quietly, for them to fail.

    The paths of the five friends cross and crisscross over the decades as they struggle to overcome, or at least forget, the trauma they endured during their years at the Mission.Fuelled by rage and furious with God, Clara finds her way into the dangerous, highly charged world of the American Indian Movement. Maisie internalizes her pain and continually places herself in dangerous situations. Famous for his daring escapes from the school, Kenny can’t stop running and moves restlessly from job to job—through fishing grounds, orchards and logging camps—trying to outrun his memories and his addiction. Lucy finds peace in motherhood and nurtures a secret compulsive disorder as she waits for Kenny to return to the life they once hoped to share together. After almost beating one of his tormentors to death, Howie serves time in prison, then tries once again to re-enter society and begin life anew.With compassion and insight, Five Little Indians chronicles the desperate quest of these residential school survivors to come to terms with their past and, ultimately, find a way forward.

    Four lives become entangled by the whirlpool at the Falls and the woods surrounding it. Darker and more sinister currents gain momentum and ultimately release them from their obsessions.

    Following their father's sudden death, the van Goethem sisters find their lives upended. Without his wages, and with the small amount their laundress mother earns disappearing into the absinthe bottle, eviction from their lodgings seems imminent. With few options for work, Marie is dispatched to the Paris Opéra, where for a scant seventeen francs a week, she will be trained to enter the famous ballet. Her older sister, Antoinette, finds work as an extra in a stage adaptation of Émile Zola's naturalist masterpiece L'Assommoir. Marie throws herself into dance and is soon modeling in the studio of Edgar Degas, where her image will forever be immortalized as Little Dancer Aged Fourteen. There she meets a wealthy male patron of the ballet, but might the assistance he offers come with strings attached? Meanwhile Antoinette, derailed by her love for the dangerous Émile Abadie, must choose between honest labor and the more profitable avenues open to a young woman of the Parisian demimonde. Set at a moment of profound artistic, cultural, and societal change, The Painted Girls is a tale of two remarkable sisters rendered uniquely vulnerable to the darker impulses of "civilized society." In the end, each will come to realize that her salvation, if not survival, lies with the other.

    In 1968, into the devastating, spare atmosphere of Labrador, Canada, a child is born: a baby who appears to be neither fully boy nor fully girl, but both at once. Only three people are privy to the secret—the baby’s parents, Jacinta and Treadway, and their trusted neighbor and midwife, Thomasina. Though Treadway makes the difficult decision to raise the child as a boy named Wayne, the women continue to quietly nurture the boy’s female side. And as Wayne grows into adulthood within the hypermasculine hunting society of his father, his shadow-self, a girl he thinks of as “Annabel,” is never entirely extinguished. When Wayne finally escapes the confines of his hometown and settles in St. John’s, the anonymity of the city grants him the freedom to confront his dual identity. His ultimate choice will once again call into question the integrity and allegiance of those he loves most. Kathleen Winter has crafted a literary gem about the urge to unveil mysterious truth in a culture that shuns contradiction, and the body’s insistence on coming home. A daringly unusual debut full of unforgettable beauty, Annabel introduces a remarkable new voice to American readers.

    She has a brilliant career as chief of staff to Peter Haines, the charismatic mayor of Toronto. She has a devoted partner in Matt, her live-in boyfriend of fourteen years. And she has a loving family and deep friendships that stretch back to childhood summers at the cottage.But when Matt proposes, Avery’s past threatens to engulf her present. Can she contemplate a lifetime commitment to Matt after her disastrous first marriage to Hugh? And is Matt really the love of her life, when she has spent so much of it by Peter’s side? Avery could use some good advice from the women who know her best, but her closest friends, Jenny and Tara, have drifted away over the years.When a scandal erupts at city hall, Avery must overcome her deepest fears about love and loss and discover what it means to be a family.

    Her attempt to live out her life as Lily Azerov shatters as she disappears, leaving a new husband and baby daughter, and a host of unanswered questions. Who is she really and what happened to the young woman whose identity she has stolen? Why has she left and where did she go? It is left to the daughter she abandoned to find the answers to these questions as she searches for the mother she may never find or really know.

    That's Bye-na, not Beena. I don't know who Beena is but I expect she's having a happy life. I don't know who you are, or the state of your life. But if you've come all this way here to listen to me, your life will undoubtedly get worse. I'm here to warn you ..."

    For the Appleton sisters, life had unravelled many times before. This time it explodes.Eight-year-old Hariet, known to all as Ari, is dispatched to Cape Breton and her Aunt Mary, who is purported to eat little girls . . . With Ari on the journey is her steadfast companion, Jasper, an imaginary seahorse. But when they arrive in Pleasant Cove, they instead find refuge with Mary and her partner Nia.As the tumultuous ’60s ramp up in Toronto, Ari is torn from her aunts and forced back to her twisted mother and fractured sisters. Her new stepfather Len and his family offer hope, but as Ari grows to adore them, she’s severed violently from them too, when her mother moves in with the brutal Dick Irwin.Through the sexual revolution and drug culture of the 1960s, Ari struggles with her father’s legacy and her mother’s addictions — testing limits with substances that numb and men who show her kindness. She spins through a chaotic decade of loss and love, the devilish and divine, with wit, tenacity, and the astonishing balance unique to seahorses.The Clay Girl is a beautiful tour de force that traces the story of a child, sculpted by kindness, cruelty and the extraordinary power of imagination, and her families — the one she’s born in to and the one she creates.

    After her hippie British parents are murdered, Lilly is raised at a Sufi shrine in Morocco. As a young woman she goes on pilgrimage to Harar, Ethiopia, where she teaches Qur'an to children and falls in love with an idealistic doctor. But even swathed in a traditional headscarf, Lilly can't escape being marked as a foreigner. Forced to flee Ethiopia for England, she must once again confront the riddle of who she is and where she belongs.

    They’ve come home to Malagash, on the north shore of Nova Scotia, so he can die where he grew up. Her mother and her brother are both devastated. But devastated isn’t good enough. Devastated doesn’t fix anything. Sunday has a plan.She’s started recording everything her father says. His boring stories. His stupid jokes. Everything. She’s recording every single “I love you” right alongside every “Could we turn the heat up in here?” It’s all important.Because Sunday is writing a computer virus. A computer virus that will live secretly on the hard drives of millions of people all over the world. A computer virus that will think her father’s thoughts and say her father’s words. She has thousands of lines of code to write. Cryptography to understand. Exploits to test. She doesn’t have time to be sad. Her father is going to live forever.

    Angela Morrison has it all. She’s married to a wealthy man, adores her son, grows orchids, and volunteers at Our Daily Bread Food Pantry. What more could she want? More — much more. And she’s willing to risk everything after meeting Carsten, the landscaper with the glacier-blue eyes. Sister Eileen, who runs Our Daily Bread Food Pantry, struggles with the silence of God and harbours a secret she believes is unforgivable. She yearns to convince Angela she is loved by God, despite her selfishness and destructive behaviour, but in order for that to be authentic Eileen must learn to love her first, and that’s no easy task — especially after Angela causes a terrible tragedy. Through the crucible of their relationship, Angela and Eileen discover how caring for the most difficult among us and practising forgiveness, no matter how painful, opens a door to the miracle of transformation.

    For readers of The Imposter Bride, The Cellist of Sarajevo, Sarah's Key by Tatiana de Rosnay, and The Red Violin.Helene Giroux arrives alone in St. Homais on a winter day. She wears good city clothes and drives an elegant car, and everything she owns is in a small trunk in the back seat. In the local church she finds a fine old piano, a Molnar, and she knows just how fine it is, for her family had manufactured these pianos before the Great War. Then her mother's death and war forces her to abandon her former life. The story moves back and forth in time as Helene, settling into a simple life, playing the piano for church choir, recalls the extraordinary events that brought her to this place. They include the early loss of her soldier husband and the reappearance of an old suitor who rescues her and her daughter, when she is most desperate; the journeys that very few women of her time could even imagine, into the forests of Indochina in search of ancient treasures and finally, and fatefully, to the Canadian north. When the town policeman confronts her, past and present suddenly converge and she must face an episode that she had thought had been left behind forever.