Show Them a Good Time tells the stories of women slotted away into restrictive roles: the celebrity's girlfriend, the widower's second wife, the lecherous professor's student, the corporate employee. And yet, the genius of Flattery's characters is to blithely demolish the boundaries of these limited and limiting social types with immense complexity and caustic intelligence. Nicole Flattery's women are too ferociously mordant, too painfully funny to remain in their places.In this fiercely original and blazingly brilliant debut, Flattery likewise deconstructs the conventions of genre to serve up strange realities: In Not the End Yet, Flattery probes the hilarious and wrenching ambivalence of Internet dating as the apocalypse nears; in Sweet Talk, the mysterious disappearance of a number of local women sets the scene for a young girl to confront the dangerous uncertainties of her own sexuality; in this collection's center piece, Abortion, A Love Story, two college students in a dystopian campus reconfigure the perilous stories of their bodies in a fraught academic culture to offer a subversive, alarming, and wickedly funny play that takes over their own offstage lives. And yet, however surreal or richly imagined the setting, Flattery always shows us these strange worlds from startlingly unexpected angles, through an unforgettable cast of brutally honest, darkly hilarious women and girls.Like the stories of Mary Gaitskill, Miranda July, Lorrie Moore, Joy Williams, and Ottessa Moshfegh, Show Them a Good Time is the work of a profoundly resonant and revelatory literary voice – at once spiky, humane, achingly hilarious-- that is sure to echo through the literary culture for decades to come.

    Kate Mitchell’s in the process of kicking her heroin addiction—with the help of alcohol—when a letter arrives informing her that her aunt in Ireland has passed away and bequeathed her a home near the ocean. This could be the start of a new and better life for Kate, far away from Brooklyn, where she and her surviving brothers are each struggling with their own dark pasts. But Aunt Mary didn’t die peacefully—quite the opposite. The pair of thugs responsible for her murder had plans for her house: namely, turning it into a lovely seaside meth lab. One of Mary’s killers, however, finds his focus shifting when he spots a photo of the dead woman’s American niece, who bears a striking resemblance to the late opera singer Maria Callas, the beloved object of his obsession. When Kate and her brothers arrive to claim her inheritance, they’re going to find something other than a piece of paradise . . . “Nobody writes like Ken Bruen, with his ear for lilting Irish prose and his taste for the kind of gallows humor heard only at the foot of the gallows.” —The New York Times “Bruen has a rich and mordant writing style, full of offbeat humor.” —Publishers Weekly

    But Felicity knows better. Sent to live with them as a child because her mother could no longer care for her, she grows up as the sisters’ companion. Both an outsider and a part of the family, she witnesses the complex lives upstairs and downstairs, sees the compromises and sacrifices beneath the glamorous surface. Then, at a party one summer’s evening, something happens that sends shock waves through the entire household.Inspired by a remarkable true story and fascinating real events, The Glorious Guinness Girls  is an unforgettable novel about the haves and have-nots, one that will make you ask if where you find yourself is where you truly belong.

    Tales of blood and intrigue, betrayal and enchantment from a leading Irish YA author.With 13 stunning black and white illustrations by new Irish illustrator Karen Vaughan.

    Here are traditional tales about the trees and plants that shape our landscapes and our lives through the seasons. They explore the complex relationship between people and plants, in lowlands and uplands, fields, bogs, moors, woodlands and towns.Suitable for all ages, this is an essential collection of stories for anyone interested in botany, the environment and our living heritage.

    Hold tight as the ordinary turns extraordinary in Mark O’Rowe’s exhilarating new play. A blackly comic vision of Dublin infested with demons, from the author of Howie the Rookie.

    Growing up in the north east she wanted more. When others were thinking about the Nissan factory or call centres she was thinking about Pete Doherty, poetry and the possibilities London seemed to offer. University was the way out, her ticket to the promised land – where she’d become a shinier version of herself, where her nights would be gigs and parties and long exciting conversations about Judith Butler.But once she gets there Lucy can’t help feeling that the big city isn’t for her, and once again she is striving, only this time it’s for the right words, the right clothes, the right foods. No matter what she tries she’s not right. Until she is. In that last year of her degree the city opens up to her, she is saying the right things, doing the right things. Until her parents visit for her graduation and events show her that her life has always been about pretending and now she’s lost all sense of who she is and what she’s supposed to be doing.And so Lucy packs up her things and leaves again, this time for her dead Irish grandfather’s stone cottage in a remote part of Donegal. There, alone, she sets about piecing together her history hoping that in confronting where she came from she will know where she should be going. Saltwater is a novel about growing up, about class, about how where we come from shapes who we become, and about the aimless periods we all go through. And it’s about the north east, mothers and daughters, history and pre-destiny.

    shirt makers; tying a Windsor knot to making a pot of tea; Victoria sponge to fish pie, and the rules of cricket to Gilbert and Sullivan operas.

    While Sahil is careless, carefree, 'new money' and 'the brat', Ayra is sensitive, reserved, shy and not easy to talk to. And that is probably what attracts Sahil to her. Their story progresses slowly and delicately, and things gradually take on a love-tinged hue.However, their lives soon begin to unravel. Sahil learns why Ayra is so private when the most damning truth about her life is revealed. Just as they overcome that challenge, another cruel blow threatens to tear them apart. It's now about a life beyond life, and a love somewhere among the stars . . .

    

     Featuring stories by Amy Cross, Mike Duke, Matthew Brockmeyer, Lex H. Jones, J.C. Michael and Kevin J. Kennedy.

    A look at the 1960s Nude Murders in West London, a series of prostitute killings that were never solved, with contemporary insights from ex-detectives and experts.

    Slightly against his better judgement he took them in, fed them cocoa, and put them to sleep in his bed. A few days later he found that - somehow - he had become the unofficial guardian of Horace and Ethel. It was him, the orphanage, or separation for the gutsy little pair who would have to be farmed out to anyone who would take them, and Jim felt a sudden affinity for the two cheeky cockney kids. The first thing he had to do was find fresh lodgings for them all.Miss Rebecca Pilgrim was a woman of strict Victorian principles, eminently respectable, and determined to keep her privacy intact. She had reckoned without her new lodgers - Horace, Ethel and, above all, the irrepressible Jim Cooper. And thus began the humanizing of Miss Pilgrim, who turned out to be younger, prettier, and far gentler than any of them had suspected.

    But her initial excitement is rapidly followed by a mounting sense of panic when reality sinks in and she realizes just how much work is involved - especially when an innocent mistake leads the festival committee to mistakenly believe that Laura is a personal friend of the author at the top of their wish-list. Laura might have been secretly infatuated with the infamous Dermot Flynn ever since she studied him at university, but travelling to Ireland to persuade the notorious recluse to come out of hiding is another matter. Determined to rise to the challenge she sets off to meet her literary hero. But all too soon she's confronted with more than she bargained for - Dermot. The man is maddening, temperamental and up to his ears in a nasty case of writer's block. But he's also infuriatingly attractive - and, apparently, out to add Laura to his list of conquests ...

    But when he retires, his Irish-born wife, Mary, wants to leave America and go home -- where the ocean is near and the butter has flavor.Somewhat grudgingly, Lyle agrees, but during their years in Galway, they discover that the surprises of life are not over. Going home is more complicated than butter and the bay, and thirty content years does not mean that a couple is immune to romantic intrigue. In this new life, while Mary and Lyle are rediscovering each other and building a richer life together, an unexpected event forces Lyle to decide where his home truly is.Told in "quiet stories with emotions like old stepping-stones that have sunk beneath the surface" (Christian Science Monitor), Beth Lordan's evocative and heartfelt novel explores the complex emotional terrain of mature marital relationships.