Tempestuous, swashbuckling and volatile, within two years she has run away with her fencing master, fallen in love with a nun and is hiding from the authorities, sentenced to be burnt at the stake. Within another year, she has become Mademoiselle de Maupin, a beloved star at the famed Paris Opéra. Her lovers include some of Europe's most powerful men and France's most beautiful women. Yet Julie is destined to die alone in a convent at the age of 33. Based on an extraordinary true story, this is an original, dazzling and witty novel - a compelling portrait of an unforgettable woman. For all those readers who love Sarah Dunant, Sarah Waters and Hilary Mantel.

    With this statement begins McDougall's most ambitious, original, and uncompromising of histories. McDougall marshals the latest scholarship and writes in a style redolent with passion, pathos, and humour in pursuit of truths often obscured in books burdened with political slants.With an insightful approach to the nearly 250 years spanning America's beginnings, McDougall offers his readers an understanding of the uniqueness of the "American character" and how this character has shaped the wide ranging course of historical events. McDougall explains that Americans have always been in a unique position of enjoying "more opportunity to pursue their ambitions䳨an any other people in history." Throughout Freedom Just Around the Corner the character of the American people shines, a character built out of a freedom to indulge in the whole panoply of human behaviour. The genius behind the success of the United States is founded on the complex, irrepressible American spirit.A grand narrative rich with new details and insights about colonial and early national history, Freedom Just Around the Corner is the first instalment of a trilogy that will eventually bring the story of America up to the present day, a story epic, bemusing, and brooding.

    It is arguably his most difficult satire, and perhaps his most masterly. The Tale is a prose parody which is divided into sections of "digression" and a "tale" of three brothers, each representing one of the main branches of western Christianity. Composed between 1694 and 1697, it was eventually published in 1704.'A Tale' was long regarded as a satire on religion itself, and has famously been attacked for that, starting with William Wotton. The "tale" presents a consistent satire of religious excess, while the digressions are a series of parodies of contemporary writing in literature, politics, theology, Biblical exegesis, and medicine. The overarching parody is of enthusiasm, pride, and credulity. At the time it was written, politics and religion were still linked very closely in England, and the religious and political aspects of the satire can often hardly be separated. "The work made Swift notorious, and was widely misunderstood, especially by Queen Anne herself who mistook its purpose for profanity." "It effectively disbarred its author from proper preferment within the church," but is considered one of Swift's best allegories, even by himself. It was enormously popular, but Swift believed it damaged his prospect of advancement in the Church of England.This edition has been formatted for your Kindle, with an active table of contents. It has also been illustrated and annotated, with an overview, cultural setting, background, nature of the satire, background, publication, history, authorship debate, biographical and bibliographical information.

    When poisoning and black magic became widespread, arrests followed. Suspects included those among the highest ranks of society. Many were tortured and numerous executions resulted.The 1676 torture and execution of the Marquise de Brinvilliers marked the start of the scandal which rocked the foundations of French society and sent shock waves through all of Europe. Convicted of conspiring with her adulterous lover to poison her father and brothers in order to secure the family fortune, the marquise was the first member of the noble class to fall.In the French court of the period, where sexual affairs were numerous, ladies were not shy of seeking help from the murkier elements of the Parisian underworld, and fortune-tellers supplemented their dubious trade by selling poison.It was not long before the authorities were led to believe that Louis XIV himself was at risk. With the police chief of Paris police alerted, every hint of danger was investigated. Rumors abounded and it was not long before the King ordered the setting up of a special commission to investigate the poisonings and bring offenders to justice. No one, the King decreed, no matter how grand, would be spared having to account for their conduct.The royal court was soon thrown into disarray. The Mistress of the Robes and a distinguished general were among the early suspects. But they paled into insignificance when the King's mistress was incriminated. If, as was said, she had engaged in vile Satanic rituals and had sought to poison a rival for the King's affections, what was Louis XIV to do?Anne Somerset has gone back to original sources, letters and earlier accounts of the affair. By the end of her account, she reaches firm conclusions on various crucial matters. The Affair of the Poisons is an enthralling account of a sometimes bizarre period in French history.

    Fighting to the last under a relentless bombardment as government troops stormed the city, they died like men too.History has seen many such arts of courage, daring, and self-sacrifice by women like these. These traits are to be found today, in the opening years of the 21st century, in such women as US Army helicopter pilot Major Tammy Duckworth, who lost both her legs when her Black Hawk was shot down in Iraq in 2004 and Colonel Martha McSally who flew A-10 ground-attack missions in Afghanistan and became the first woman to command a United States Air Force combat squadron.

    Contessa Mancini struggles to protect her family and servants, but despite her precautions, she is the one who falls prey to the deadly illness. Her body is tossed into a coffin and swiftly buried in the underground, dank confines of her family’s vault. But Contessa Mancini is not dead. No, she is very much alive. She awakens terrorized, trapped in dense darkness surrounded by the flimsy wood of the coffin they buried her in. Desperate, she claws and kicks until she escapes its stifling restraint, only to find herself trapped in the mausoleum with the decaying bodies of her ancestors. As she seeks to escape, she discovers a vast treasure of gold, silver, and gems secretly hidden in the vault by brigands, and the secret tunnel they used to hide it there. Free at last, she returns home to her beloved husband, her best friend, and her darling daughter. But before she reveals herself to her loved ones, she learns of an endless series of lies, deceits, and betrayal. As she unravels the labyrinth of shocking treachery, her wrath breathes life to an overwhelming need for vengeance. Slowly, meticulously, she launches her diabolical vendetta. The Contessa’s Vendetta is a retelling of the classic novel, Vendetta by Marie Corelli. Inspired by this epic story, the author weaves her own captivating tale in a new setting, a new century, and with new plot twists while remaining faithful to the key story elements.

    Using diaries, letters, and legal records together with representations of the night in early modern religion, literature and art, Craig Koslofsky opens up an entirely new perspective on early modern Europe. He shows how princes, courtiers, burghers and common people 'nocturnalized' political expression, the public sphere and the use of daily time. Fear of the night was now mingled with improved opportunities for labour and leisure: the modern night was beginning to assume its characteristic shape. Evening's Empire takes the evocative history of the night into early modern politics, culture and society, revealing its importance to key themes from witchcraft, piety, and gender to colonization, race, and the Enlightenment.

    It is entirely unique as the last history of Lebanon was published more than forty years ago. Written by a leading Lebanese scholar and based on previously inaccessible archives, it is a fascinating and beautifully-written account of one of the world's most fabled countries.Starting with the formation of Ottoman Lebanon in the sixteenth century, Fawwaz Traboulsi covers the growth of Beirut as a capital for trade and culture through the nineteenth century. The main part of the book concentrates on Lebanon's development in the twentieth century and the conflicts that led up to the major wars in the 1970s and 1980s. Lebanon in the twentieth century has seen turbulent times, the results of which we still see today.This is a rich history of Lebanon that brings to life its politics, its people, and the crucial role that it has always played in world affairs.

    Includes many clear, measured patterns for reproducing historic costumes. Full text. 595 illustrations. "Landmark in the field of Western European costume . . . exceptional value for its price." — American Artist.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    We then follow white settlement west, learning how, in the 1720s, seventy-five years before Edward Jenner’s experiments with smallpox vaccine, a Boston doctor learned from an African slave how to vaccinate against the disease; how, in 1809, a backwoods Kentucky doctor performed the first successful abdominal surgery; how, around 1820, a Missouri doctor realized quinine could prevent as well as cure malaria and made a fortune from the resulting pills he invented.Using diaries, journals, newspapers, letters, advertisements, medical records, and pharmacological writings, Dary gives us firsthand accounts of Indian cures; the ingenious self-healings of mountain men; home remedies settlers carried across the plains; an early “HMO” formed by Wyoming ranchers and cowboys to provide themselves with medical care; the indispensable role of country doctors and midwives; the fortunes made from patent medicines and quack cures; the contributions of army medicine; Chinese herbalists; the formation of the American Medical Association; the first black doctors; the first women doctors; and finally the early-twentieth-century shift to a formal scientific approach to medicine that by the postwar period had for the most part eliminated the trial-and-error practical methods that were at the center of frontier medicine.A wonderful—often entertaining—overview of the complexity, energy, and inventiveness of the ways in which our forebears were doctored and how our medical system came into being.

    A full 10% shorter than its predecessor, the Second Edition has tightened organization throughout to make room for recent research and descriptions of the current issues and events that define Europe's role in the world today.

    These works speak across centuries, beginning with Chaucer's resourceful inventions and moving through Shakespeare's masterpieces, John Donne's complex originality, and Alexander Pope's mordant satires. The anthology also features perennial favorites such as William Blake, William Wordsworth, and John Keats; Emily Dickinson's prisms of profundity; the ironies of Wallace Stevens and T.S. Eliot; and the passion of Sylvia Plath and Allen Ginsberg. These 500 poems are verses that readers either know already or will want to know, encapsulating the visceral power of truly great literature. William Harmon provides illuminating commentary to each work and a rich introduction that ties the entire collection together.

    Campbell presents the epic tales of Texas history in a new light, offering revisionist history in the best sense--broadening and deepening the traditional story, without ignoring the heroes of the past. The scope of the book is impressive. It ranges from the archeological record of early Native Americans to the rise of the oil industry and ultimately the modernization of Texas. Campbell provides swift-moving accounts of the Mexican revolution against Spain, the arrival of settlers from the United States, and the lasting Spanish legacy (from place names to cattle ranching to civil law). The author also paints a rich portrait of the Anglo-Texan revolution, with its larger-than-life leaders and epic battles, the fascinating decade of the Republic of Texas, and annexation by the United States. In his account of the Civil War and Reconstruction, he examines developments both in local politics and society and in the nation at large (from the debate over secession to the role of Texas troops in the Confederate army to the impact of postwar civil rights laws). Late nineteenth-century Texas is presented as part of both the Old West and the New South. The story continues with an analysis of the impact of the Populist and Progressive movements and then looks at the prosperity decade of the 1920s and the economic disaster of the Great Depression. Campbell's last chapters show how World War II brought economic recovery and touched off spectacular growth that, with only a few downturns, continues until today. Lucid, engaging, deftly written, Gone to Texas offers a fresh understanding of why Texas continues to be seen as a state unlike any other, a place that distills the essence of what it means to be an American.

    Islamic, martial, civilized, and tolerant, it advanced in three centuries from the dusty foothills of Anatolia to rule on the Danube and the Nile; at its height, Indian rajahs and the kings of France beseeched the empire's aid. In its last three hundred years the empire seemed ready to collapse, a prodigy of survival and decay. In this striking evocation of the empire's power, Jason Goodwin explores how the Ottomans rose and how, against all odds, they lingered on. In doing so, he also offers a long look back to the origins of problems that plague present-day Kosovars and Serbs.