In this book you will read stories about them and tubas, airplanes, balloons, skateboards, birthdays, boats, chores, dishes, naps, ants, toys, and cousin Stinky.

    Monica wants the moon to play with, so her Papa sets out to get it for her. It isn't easy to climb all the way to the moon, but he finally succeeds--only to find that the moon is too big to carry home! The way the problem is resolved is a joyful surprise. Illustrated.

    Imogene, the cook, and the kitchen maid, however, make the best of things, finding unusual uses for Imogene's new horns. Meanwhile, the problem appears to be solved when Imogene awakes the next morning antler-free. But the family (and the reader) are in for a surprise when Imogene comes down to breakfast.

    The text is faithful to Lewis Carroll's original story, and special effects like a Victorian peep show, multifaceted foil, and tactile elements make this a pop-up to read and admire again and again.

    Seuss!

    No running allowed. And you must be quiet. But when a lion comes to the library one day, no one is sure what to do. There aren't any rules about lions in the library. And, as it turns out, this lion seems very well suited to library visiting. His big feet are quiet on the library floor. He makes a comfy backrest for the children at story hour. And he never roars in the library, at least not anymore. But when something terrible happens, the lion quickly comes to the rescue in the only way he knows how. Michelle Knudsen's disarming story, illustrated by the matchless Kevin Hawkes in an expressive timeless style, will win over even the most ardent of rule keepers.

    In this modern twist on the classic story, Cinderella, who would rather just be Ella, meets her fairy godmother, goes to a ball, and makes friends with a prince. But that is where the familiar story ends. Instead of waiting to be rescued, Cinderella learns that she can save herself and those around her by being true to herself and standing up for what she believes.

    “The artwork captures the bustle and the bickering of the story as well as the terror and the wonder. A fine choice to read aloud, even to children who could read it to themselves.”-Booklist

    in full color. A madcap band of dancing, prancing monkeys explain hands, fingers, and thumbs to beginning readers.

    Cats were clearly a common currency between Joyce and his grandson. In early August 1936, Joyce sent Stephen “a little cat filled with sweets”—a kind of Trojan cat meant to outwit grown-ups. A few weeks later, Joyce penned a letter from Copenhagen which begins, “Alas! I cannot send you a Copenhagen cat because there are no cats in Copenhagen.” The letter reveals the modernist master at his most playful, yet Joyce’s Copenhagen has a keen, anti-authoritarian quality that transcends the mere whimsy of a children’s story. Only recently rediscovered, this marks the inaugural U.S. publication of The Cats of Copenhagen, a treasure for readers of all age. A rare addition to Joyce’s known body of work, it is a joy to see this exquisite story in print at last.

    It's time for Anne to go to bed, but not before she wishes goodnight to everyone and everything she loves!Under the watchful eye of her adoptive mother Marilla, Anne has come to cherish life at Green Gables -- the dearest, loveliest spot in the world, and her true home. Every night before she goes to bed, she thinks of all the people and places she loves: her family, her bosom friend Diana, her splendid teacher Miss Stacy, beloved tree Snow Queen, the Lake of Shining Waters and the brilliant sky above. Anne even wishes goodnight -- or good riddance! -- to pesky classmate Gilbert and nosy neighbor Mrs. Lynde. And through it all, Anne's imagination takes flight on a whimsical journey through Avonlea.This sweet and heartfelt picture book is a perfect read-aloud introduction to L.M. Montgomery's beloved Anne and will delight her brand-new fans and lifelong readers alike.

    Mary is one such dreamer, a little girl who learns to read by tracing the letters on her mother's tombstone and whose only escape from her strict father and overbearing stepmother is through the stories she reads and imagines. Unhappy at home, she seeks independence, and at the age of seventeen runs away with poet Percy Bysshe Shelley, another dreamer. She travels to Europe and surrounds herself with more poets and writers, including Lord Byron and John Polidori. On a stormy summer evening, Byron suggests a contest to see who can create the best ghost story. After nine months of daydreaming, 21-year-old Mary Shelley's terrifying tale is published, a novel that goes on to become a very well-known monster story.

    . . but what if this boisterous surprise guest wants to snack on them instead?Yum, Yum!

    So the question arises: Do we really need another edition of Puss? Presented with Fred Marcellino's magnificent interpretation of this nimble new translation of the authentic text, book lovers young and old are apt to decide that this Puss in Boots belongs on their shelf of special favorites.Long regarded as the preeminent designer of book jackets in America, Fred Marcellino provides an unstinting visual feast in his first full-color picture book. The eadventures of that rascal, Puss, and his master, the miller's sonare portrayed in a lavish series of illustrations that range from sumptuous grandeur to comedy both boisterous and sly.

    "Best of the Best" Books 1966–1978 (SLJ)Children's Books of 1966 (Library of Congress)