. . what might have been numbing recitations of dogfights are instead vivid descriptions of life as a warrior during World War II.” Indeed, it is this unexpected perspective, brought to life by the authors’ neutrality and thoughtful research, that illuminates a side of war largely hidden from the American public: the experience of the German Luftwaffe pilot. In The German Aces Speak II, Heaton and Lewis paint a picture of the war through the eyes of four more of Germany’s most significant pilots—Johannes Steinhoff, Erich Alfred Hartmann, Guther Rall, and Dieter Hrabak—put together from numerous interviews personally conducted by Heaton from the 1980s through the 2000s. The four ex-Luftwaffe fighter aces bring the past to life as they tell their stories about the war, their battles, their off-duty lives, their lives after the war, and, perhaps most importantly, how they felt about serving under the Nazi leadership of Hermann Göring and Adolf Hitler. Together, the memories of the events captured in The German Aces Speak II continue one of today’s most unique World War II book series, unearthing a facet of the war that has gone widely overlooked for the American public.

    The book opens with the girl at age 16 leaving her home in southeastern Poland and posing as a gentile from the Ukraine named Katya. The story follows Eva as she works as a maid in the home of a prominent Austrian family in Linz (the husband is an SS officer), and then as an office worker in a German munitions factory. When she is eventually discovered to be a Jew, she is sent to Auschwitz. After the evacuation of the camp she manages to escape, finding refuge with a Polish family. At the end of the novel she is trying to find her family and home, difficult because so many Jewish communities in Eastern Europe had been destroyed. In real life, Ida Loew made her way to Israel after the war where she settled in Tel Aviv.

    Though he is one of the less remembered figures of the Vichy government, Darquier (the aristocratic "de Pellepoix" was appropriated) was one of its most hideously effective officials. Already a notorious Nazi-supported rabble-rouser when he was appointed commissioner, he set about to eliminate the Jews with particularly brutal efficiency. Darquier was in charge of the Vel' d'Hiv' round-up in Paris in which nearly 13,000 Jews were dispatched to death camps. Most of the French who died in Auschwitz were sent there during his tenure. Almost all of the 11,400 French children sent to Auschwitz--the majority of whom did not survive--were deported in his time. In all, he delivered 75,000 French to the Nazis and, at the same time, accelerated the confiscation of Jewish property, which he then used for his own financial gain. Never brought to justice, he lived out his life comfortably in Spain, denying his involvement in the Holocaust until his last days. Where did Louis Darquier come from? How did this man--a chronic fantasist and hypocrite, gambler and cheat--come to control the fates of thousands? What made him what he was? These are the questions at the center of this extraordinary book. In answering them, Carmen Callil gives us a superlatively detailed and revealing tapestry of individuals and ideologies, of small lives and great events, the forces of government and of personalities--in France and across the European continent--that made Vichy possible, and turned Darquier into its "dark essence." A tour de force of memory, accountability, and acknowledgment, "Bad Faith" is a brilliant meld of grand inquisitive sweep and delicate psychological insight, a story of how past choices and actions echo down to the present day, and an invaluable addition to the literature and history of the Holocaust.

    Three years later, in the small town of Żółkiew, life for Jewish 15-year-old Clara Kramer was never to be the same again. While those around her were either slaughtered or transported, Clara and her family hid perilously in a hand-dug cellar. Living above and protecting them were the Becks.Mr. Beck was a womaniser, a drunkard and a self-professed anti-Semite, yet he risked his life throughout the war to keep his charges safe. Nevertheless, life with Mr. Beck was far from predictable. From the house catching fire, to Beck's affair with Clara's cousin, to the nightly SS drinking sessions in the room just above, Clara's War transports you into the dark, cramped bunker, and sits you next to the families as they hold their breath time and again.Sixty years later, Clara Kramer has created a memoir that is lyrical, dramatic and heartbreakingly compelling. Despite the worst of circumstances, this is a story full of hope and survival, courage and love.

    But this is Nazi Germany in 1933, and things like love don’t count for much any more. Netanel Rosenberg never expected Marie Helder to stand by him. He told her not to, it was too dangerous. She should forget about him. Even when he is the last Jew left in the town, hiding away in secret, still she will not abandon him. Her last words to him, when he is finally discovered: “Whatever happens, don’t give up – live for me.” Through the nightmare of the holocaust, Netanel clings to the promise he made her. But neither he or Marie can imagine what fate has in store for each of them – and what they will have to do to keep their promise to each other.

    A year later, he was unknowingly assigned to the Kamikaze Special Attack Corps—a group of airmen whose mission was to sacrifice their lives by crashing planes into enemy ships. Their callsign was "ten dead, zero alive."By picking up Memoirs of a Kamikaze, readers will experience the hardships of fighter pilot training—dipping and diving and watching as other trainees crash into nearby mountainsides. They'll witness the psychological trauma of coming to terms with death before each mission, and breathe a sigh of relief with Odachi when his last mission is cut short by Japan's eventual surrender. They'll feel the anger at a government and society that swept so much of the sacrifice under the rug in its desperation to rebuild.Odachi's innate "samurai spirit" carried him through childhood, WWII and his eventual life as a kendo instructor, police officer and detective. His attention to detail, unwavering self-discipline and impenetrably strong mind were often the difference between life and death. Odachi, who is now well into his nineties, kept his Kamikaze past a secret for most of his life. Seven decades later, he agreed to sit for nearly seventy hours of interviews with the authors of this book—who know Odachi personally. He felt it was his responsibility to finally reveal the truth about the Kamikaze pilots: that they were unsuspecting teenagers and young men asked to do the bidding of superior officers who were never held to account.This book offers a new perspective on these infamous suicide pilots. It is not a chronicle of war, nor is it a collection of research papers compiled by scholars. It is a transcript of Odachi's words.

    I cut off her hair, thick and beautiful, and she grasps my hand and begs me to remember that I too am a Jew. She knows that she is lost. ‘But remember,‘ she says, ‘you see what is being done to us. That‘s why my wish for you is that you will survive and take revenge for our innocent blood, which will never rest.‘ She has not had time to get up when a murderer who is walking between the benches lashes her on the head with his whip. Blood shows on her now shorn head. That evening, the blood of tens of thousands of victims, unable to rest, thrust itself upwards to the surface.—from The Last Jew of TreblinkaWhy do some live while so many others perish? Tiny children, old men, beautiful girls. In the gas chambers of Treblinka, all are equal. The Nazis kept the fires of Treblinka burning night and day, a central cog in the wheel of the Final Solution. There was no pretense of work here like in Auschwitz or Birkenau. Only a train platform and a road covered with sand. A road that led only to death. But not for Chil Rajchman, a young man who survived working as a “barber” and “dentist,” heartsick with witnessing atrocity after atrocity. Yet he managed to survive so that somehow he could tell the world what he had seen. How he found the dress of his little sister abandoned in the woods. How he was forced to extract gold teeth from the corpses. How every night he had to cover the body-pits with sand. How ever morning the blood of thousands still rose to the surface.Many have courageously told their stories, and in the tradition of Elie Wiesel’s Night and Primo Levi’s Survival at Auschwitz and The Drowned and the Saved, Rajchman provides the only survivors’ record of Treblinka. Originally written in Yiddish in 1945 without hope or agenda other than to bear witness, Rajchman’s tale shows that sometimes the bravest and most painful act of all is to remember.

    It was the same piece and the same pianist, when broadcasting was resumed six years later. The Pianist is Szpilman's account of the years inbetween, of the death and cruelty inflicted on the Jews of Warsaw and on Warsaw itself, related with a dispassionate restraint borne of shock. Szpilman, now 88, has not looked at his description since he wrote it in 1946 (the same time as Primo Levi's If This Is A Man?; it is too personally painful. The rest of us have no such excuse. Szpilman's family were deported to Treblinka, where they were exterminated; he survived only because a music-loving policeman recognised him. This was only the first in a series of fatefully lucky escapes that littered his life as he hid among the rubble and corpses of the Warsaw Ghetto, growing thinner and hungrier, yet condemned to live. Ironically it was a German officer, Wilm Hosenfeld, who saved Szpilman's life by bringing food and an eiderdown to the derelict ruin where he discovered him. Hosenfeld died seven years later in a Stalingrad labour camp, but portions of his diary, reprinted here, tell of his outraged incomprehension of the madness and evil he witnessed, thereby establishing an effective counterpoint to ground the nightmarish vision of the pianist in a desperate reality. Szpilman originally published his account in Poland in 1946, but it was almost immediately withdrawn by Stalin's Polish minions as it unashamedly described collaborations by Lithuanians, Ukrainians, Poles and Jews with the Nazis. In 1997 it was published in Germany after Szpilman's son found it on his father's bookcase. This admirably robust translation by Anthea Bell is the first in the English language. There were 3,500,000 Jews in Poland before the Nazi occupation; after it there were 240,000. Wladyslaw Szpilman's extraordinary account of his own miraculous survival offers a voice across the years for the faceless millions who lost their lives. --David Vincent

    Separated first from his mother and then his father, Buergenthal managed by his wits and some remarkable strokes of luck to survive on his own. Almost two years after his liberation, Buergenthal was miraculously reunited with his mother and in 1951 arrived in the U.S. to start a new life. Now dedicated to helping those subjected to tyranny throughout the world, Buergenthal writes his story with a simple clarity that highlights the stark details of unimaginable hardship. A Lucky Child is a book that demands to be read by all.

    He had seen men die in front of him and walked with Jewish prisoners straight off the cattle-trucks from Bergen- Belsen. He had nearly drowned, narrowly avoided being savaged by Alsatian guard dogs, been beaten by a pathological member of the SS and had his hand broken by a guard whilst attempting to feed a Russian prisoner.The family kept going through three and a half years of imprisonment, reinforced by their strong sense of survival and their loving support for each other, before a dramatic and violent liberation by Allied forces ended their ordeal. Yet when they were eventually returned to Guernsey, it was to find that their tranquil home had been stricken and scarred by Nazi occupation.Told through Steven Matthews’ own memories, as well as writing from his mother’s diaries and previously unpublished photographs, The Day the Nazis Came is an utterly unique memoir. Depicting the world of Nazi prison camps through the eyes of a child – a world in which the real dangers often seemed trivial and every day was a new adventure – it tells not just of the prisoners’ plight, but provides an important and poignant reminder that not every German soldier was cruel and hateful. Above all, it pays tribute to the preciousness of childhood, and shows that human kindness may flower in the unlikeliest of places.

    In the space of a few nightmarish weeks that all changed as the French and their British allies were crushed and eight million people fled their homes. Richard Vinen's new book describes the consequences of that defeat. It does so not by looking at political leaders in Vichy or Paris or London but rather at those who were caught up in daily horrors of war. It describes the fate of a French prisoner of war who was punished because he wrote a love letter to a German woman, and the fate of a French woman who gave birth to a German-fathered child as the Americans landed in Normandy. It describes the 'false policemen' who proliferated in occupied Paris as desperate men on the run seeking to feed themselves by blackmailing those who were even more vulnerable than themselves. It asks why some gentile French people chose to risk imprisonment by wearing yellow stars. It recounts the fate of a couple of estranged middle-aged Jews, separated by the mobilisation of 1939, who found themselves (in July 1942) on the same train to Auschwitz. Extremely moving and brilliantly readable, The Unfree French is a remarkable addition to the literature of the Second World War.

    It is a tale of heroism and resistance, of friendship and romance, and of unwavering devotion—including the readiness to risk one’s life—to literature and art. And it is entirely true. Based on Jewish, German, and Soviet documents, including diaries, letters, memoirs, and the author’s interviews with several of the story’s participants, The Book Smugglers chronicles the daring activities of a group of poets turned partisans and scholars turned smugglers in Vilna, “The Jerusalem of Lithuania.” The rescuers were pitted against Johannes Pohl, a Nazi “expert” on the Jews, who had been dispatched to Vilna by the Nazi looting agency, Einsatzstab Reichsleiter Rosenberg, to organize the seizure of the city’s great collections of Jewish books. Pohl and his Einsatzstab staff planned to ship the most valuable materials to Germany and incinerate the rest. The Germans used forty ghetto inmates as slave-laborers to sort, select, pack, and transport the materials, either to Germany or to nearby paper mills. This group, nicknamed “the Paper Brigade,” and informally led by poet Shmerke Kaczerginski, a garrulous, street-smart adventurer and master of deception, smuggled thousands of books and manuscripts past German guards. If caught, the men would have faced death by firing squad at Ponar, the mass-murder site outside of Vilna. To store the rescued manuscripts, poet Abraham Sutzkever helped build an underground book-bunker sixty feet beneath the Vilna ghetto. Kaczerginski smuggled weapons as well, using the group’s worksite, the former building of the Yiddish Scientific Institute, to purchase arms for the ghetto’s secret partisan organization. All the while, both men wrote poetry that was recited and sung by the fast-dwindling population of ghetto inhabitants. With the Soviet “liberation” of Vilna (now known as Vilnius), the Paper Brigade thought themselves and their precious cultural treasures saved—only to learn that their new masters were no more welcoming toward Jewish culture than the old, and the books must now be smuggled out of the USSR. Thoroughly researched by the foremost scholar of the Vilna Ghetto—a writer of exceptional daring, style, and reach—The Book Smugglers is an epic story of human heroism, a little-known tale from the blackest days of the war.

    Alma’s bravery saved countless lives, bringing hope to those who had forgotten its meaning…In Auschwitz, every day is a fight for survival. Alma is inmate 50381, the number tattooed on her skin in pale blue ink. She is cooped up with thousands of others, torn from loved ones, trapped in a maze of barbed wire. Every day people disappear, never to be seen again.This tragic reality couldn’t be further from Alma’s previous life. An esteemed violinist, her performances left her audiences spellbound. But when the Nazis descend on Europe, none of that can save her…When the head of the women’s camp appoints Alma as the conductor of the orchestra, performing for prisoners trudging to work as well as the highest-ranking Nazis, Alma refuses: “they can kill me but they won’t make me play”. Yet she soon realizes the power this position offers: she can provide starving girls with extra rations and save many from the clutches of death.This is how Alma meets Miklos, a talented pianist. Surrounded by despair, they find happiness in joint rehearsals, secret notes, and concerts they give side by side––all the while praying that this will one day end. But in Auschwitz, the very air is tainted with loss, and tragedy is the only certainty… In such a hopeless place, can their love survive?This devastatingly heartbreaking yet beautifully hopeful tale proves that even in the darkest of days, love can prevail––and give you something to live for. Fans of The Choice, The Tattooist of Auschwitz and The Orphan Train will lose their hearts to this magnificent tale.

    Hungary is allied with Germany to protect its citizens from invasion, but in 1944 Hitler breaks his promise to keep the Nazis out of Hungary.The Nazi occupation forces the family into situations of growing panic and fear: first into a ghetto in their hometown; then a labor camp in Austria; and, finally, to the deadly Bergen Belsen camp deep in the heart of Germany. Separated from their father, 6-year-old Paul and 11-year-old Oscar must care for their increasingly sick mother, all while trying to maintain some semblance of normalcy amid the horrors of the camp.In the spring of 1945, the boys see British planes flying over the camp, and a spark of hope that the war will soon end ignites. And then, they are forced onto a dark, stinking boxcar by the Nazi guards. After four days on the train, the boys are convinced they will be killed, but through a twist of fate, the train is discovered and liberated by a battalion of American soldiers marching through Germany.The book concludes when Paul, now a grown man living in Canada, stumbles upon photographs on the internet of his train being liberated. After writing to the man who posted the pictures, Paul is presented with an opportunity to meet his rescuers at a reunion in New York — but first he must decide if he is prepared to reopen the wounds of his past.

    He and Captain Billy Moss hatched a daring plan to abduct the general, while ensuring that no reprisals were taken against the Cretan population.Dressed as German military police, they stopped and took control of Kreipe's car, drove through twenty-two German checkpoints, then succeeded in hiding from the German army before finally being picked up on a beach in the south of the island and transported to safety in Egypt on 14 May.Abducting a General is Leigh Fermor's own account of the kidnap, published for the first time. Written in his inimitable prose, and introduced by acclaimed SOE historian Professor Roderick Bailey, it is a glorious first-hand account of one of the great adventures of the Second World War.Also included in this book are Leigh Fermor's intelligence reports, sent from caves deep within Crete yet still retaining his remarkable prose skills, which bring the immediacy of SOE operations vividly alive, as well as the peril which the SOE and Resistance were operating under; and a guide to the journey that Kreipe was taken on from the abandonment of his car to the embarkation site so that the modern visitor can relive this extraordinary event.