When they get trapped inside a cabin together for a week, what could possibly go wrong?  April Bauer packed her bags and fled from her abusive ex-husband overnight, only to land in a secluded farming town, Norcoast, without a clue. With the approaching winter weather, no farming skills to speak of, and hardly any money to her name, how the hell was she supposed to survive out here on her own?Not only that, but her new life felt lonelier than ever. She awoke alone, ate alone, slept alone, and didn’t see that changing anytime soon. How could it? Her heart needed as much mending as her drafty cabin, and that was saying something.  Danny Irving, professional cowgirl and heartbreaker extraordinaire, wanted more out of life. She was tired of manning her parents’ farm day in and day out with nothing to show for it. When was she going to find her happy ending? The woman of her dreams? All she had was a handful of men drooling over her, a broken plow, and a bedroom she shared with two of her siblings. At twenty-four, she expected more than this monotonous existence she’d been living. But when her father sends her over to a neighbor’s house before the oncoming storm, she never anticipated what would happen next.  Slow burn, HEA novel. Book 1 of 2.

    A writer living in New York City, Laura is overwhelmed by a mysterious lethargy and retreats to her bed where she reflects on the loves and losses of her recent past and seeks the cure to her perplexing tiredness. Fortified by the Eastern teachings of her Tai Chi instructor and the nurturing attentions of friends and a acupuncturist, Laura crawls out of her somnambulism with intelligent determination in search of peace and resurrection. The Fatigue Artist is both a moving chronicle of a woman's search for meaning and a wry depiction of modern urban life.

    On the surface, she is a woman with an enviable life. But since the birth of her second child, Inez has been plagued by a depression that’s been deepened by her husband’s philandering. Now, at forty, the violinist is obsessed with thoughts of suicide. Sylvia Bran, a waitress and music store pianist, also has an obsession. Enraptured by the beautiful violinist, Sylvia contrives a way to get to know Inez. At once seductive and solicitous, Sylvia awakens Inez from the suffocating grip of her career, the demands of motherhood, and the tensions of her unhappy marriage. The two women become lovers, embarking on a dance of passion and betrayal that soon spins out of control.A novel of risk, passion, and surrender, Beautiful Inez is alive with the music that draws Inez and Sylvia together. Set against the vivid backdrop of San Francisco in the early 1960s, it is an unexpected journey into the lives of two masterfully drawn, unforgettable women. Includes a new essay and a Q + A with the author.

     The most captivating woman in the city has walked into my office. Hair as red as carnal passion and a body I can’t stop fantasizing about. She doesn’t know it yet, but I’m about to ask her out. And she will say yes, because she won’t have a reason to say no. When my conquest is complete, I intend to forget all about her. She is, after all, the reason for my pain. She is the source of my breakup and the woman my good-for-nothing ex seduced. I will consume the woman who wrecked my relationship. I will not fall for her, no matter how tempting she is. It’s not becoming to be The Other Woman, after all. Good girls shouldn’t cross me.But Keira isn’t a good girl, is she? I’m no saint myself. In the end, we’ll probably go down together. It’ll be what we both deserve. THE OTHER WOMAN is a heated tale of revenge and scarred hearts. It has a HEA – but how Evelyn and Keira get there? You’ll have to find out for yourself.

     When they meet by chance ten years later, sparks fly, and both of them are left wondering if things could be different now. Caitlin has made it in the music industry and Emma's settled in Philadelphia with a job she loves. They both went after what they wanted in life, and love took a back seat. After all these years, will Caitlin and Emma get another chance?

    Betrayed once again by another woman’s marriage plans, she knew her romantic youth was over. So many of her female friends had married and settled. Anne cast around forlornly for the life-companion she had so long sought. She held melancholy spirits at bay by reading new geology and new gardening books in Shibden’s well-stocked library.
 Then a chance re-acquaintance with neighbouring heiress Ann Walker changed all that. Anne Lister is best known to us as a lesbian diarist. Nature’s Domain tracks her intense courtship of Ann Walker, vividly and candidly recorded in Anne’s daily journals - and partly written in her own secret code. This influential Anne Lister book also documents how she began redesigning the Shibden landscape and playing a powerful new role in the local political tumult after the passing of the great Reform Bill. This dramatic story, hitherto unknown and never before unpublished, unfolds to New Year’s Eve 1832. It records how Anne Lister’s indomitable will enabled her to mould nature to her own powerful desires. “Nature’s Domain gives a compelling overview of a key time in Anne Lister’s remarkable life. Jill Liddington guides us knowledgeably through the diaries of 1832, offering crucial insight into Anne’s private and candour observations about love, sex, money and politics.” Laura Johansen, Cultural Destinations Manager, Halifax. Jill Liddington is co-author of One Hand Tied Behind Us (1978) which became a suffrage classic. She is author of Presenting the Past: Anne Lister of Halifax 1791-1840 (1994) and of Female Fortune: the Anne Lister diaries 1833-36 (1998). She is an Honorary Research Fellow at the University of Leeds, and lives in Mytholmroyd near Halifax. Sally Wainwright’s BBC1 drama series, Gentleman Jack was inspired by Female Fortune and Nature’s Domain

    The result is laugh-out-loud funny, heartbreaking, challenging, inventive, informative, and invites the reader to explore what truly makes a man a man.Includes a foreword by New York Times bestselling author Alison Bechdel (Fun Home, Are You My Mother?)

    Drawing on newly examined archival sources, it provides a fascinating in-depth examination of the making of the photographs and the book's construction, using vintage contact sheets, work prints and letters that literally chart Frank's journey around the country on a Guggenheim grant in 1955-56. Curator and editor Sarah Greenough and her colleagues also explore the roots of The Americans in Frank's earlier books, which are abundantly illustrated here, and in books by photographers Walker Evans, Bill Brandt and others. The 83 original photographs from The Americans are presented in sequence in as near vintage prints as possible. The catalogue concludes with an examination of Frank's later reinterpretations and deconstructions of The Americans, bringing full circle the history of this resounding entry in the annals of photography. This volume is a reprint of the 2009 edition.

    A somewhat cranky woman to begin with, she really doesn't much like people. But she does enjoy working at her pet accessory boutique The Fuzzy Belly Deli. Brooke Hewitt thought she was happy in her relationship with her stockbroker boyfriend, until the day she and her dog wander into the Fuzzy Belly Deli. There she meets Cayden - a woman that Brooke can't stop thinking about. Brooke has never questioned her sexuality, but there is something about Cayden that she just can't shake free. The encounter changes both Cayden and Brooke, disrupting both women's lives - in some ways for the worse and yet, some certainly for the better...

    Focusing on queer female diasporic subjectivity, Gopinath develops a theory of diaspora apart from the logic of blood, authenticity, and patrilineal descent that she argues invariably forms the core of conventional formulations. She examines South Asian diasporic literature, film, and music in order to suggest alternative ways of conceptualizing community and collectivity across disparate geographic locations. Her agile readings challenge nationalist ideologies by bringing to light that which has been rendered illegible or impossible within diaspora: the impure, inauthentic, and nonreproductive.Gopinath juxtaposes diverse texts to indicate the range of oppositional practices, subjectivities, and visions of collectivity that fall outside not only mainstream narratives of diaspora, colonialism, and nationalism but also most projects of liberal feminism and gay and lesbian politics and theory. She considers British Asian music of the 1990s alongside alternative media and cultural practices. Among the fictional works she discusses are V. S. Naipaul’s classic novel A House for Mr. Biswas, Ismat Chughtai’s short story “The Quilt,” Monica Ali’s Brick Lane, Shyam Selvadurai’s Funny Boy, and Shani Mootoo’s Cereus Blooms at Night. Analyzing films including Deepa Mehta’s controversial Fire and Mira Nair’s Monsoon Wedding, she pays particular attention to how South Asian diasporic feminist filmmakers have reworked Bollywood’s strategies of queer representation and to what is lost or gained in this process of translation. Gopinath’s readings are dazzling, and her theoretical framework transformative and far-reaching.

     Mia Fisher is a walking powerhouse. She is beautiful, educated and successful, having just made partner at her male-dominated law firm. Everything is going good for Mia, except she is in love with a woman she can’t fully have. Scarlett Brandon has spent the last fifteen years of her life married to Christian, who she lives and breathes. All Scarlett ever wanted was to be a mother, which somehow never fit into the couple's plans. Everything falls apart. A twist of fate brings the two women, who are polar opposites, together. As they adjust to their new lives in this story about new beginnings, forgiveness and unconditional love, they both become exactly what the other needs. WARNING: This novel contains, strong language and strong sexual content. Intended for 18 years and above. Word Count: 73,000

    Reprint. 15,000 first printing.

    His evocations of small-town Pennsylvania life, and of his own religious, artistic, and sexual awakening, transfixed readers of The New Yorker and of the early collections Pigeon Feathers (1962) and The Music School (1966). In these and the works that followed—the formal experiments and wickedly tart tales of suburban adultery in Museums and Women (1972) and Problems (1979), the portraits of middle-aged couples in love and at war with aging parents and rebellious children in Trust Me (1987) and The Afterlife (1994), and the fugue-like stories of memory, desire, travel, and unquenched thirst for life in Licks of Love (2000) and My Father’s Tears (2009)—Updike displayed the virtuosic command of character, dialogue, and sensual description that was his signature.   Here, in two career-spanning volumes, are 186 unforgettable stories, from "Ace in the Hole” (1953), a sketch of a Rabbit-like ex-basketball player written when Updike was a Harvard senior, to "The Full Glass” (2008), the author’s toast to the visible world, his own impending disappearance from it be damned.” Based on new archival research, each story is presented in its final definitive form and in order of composition, established here for the first time. This unprecedented collection of American masterpieces is not just the publishing event of the season, it is a national literary treasure.

    The situation get stranger when his dog Towser finds a buried ship in the woods.- Winner of 1959 Hugo Award for Best NoveletteSubsequently published in a number of anthologies.

    Sometimes we're so afraid of what others think, we're afraid to declare who we are. This city is not midwestern. It's not East Coast. It's just Pittsburgh, and there's no place like it. That's both its blessing and its curse.