This text claims that the link between William Shakespeare and the works published under his name is weak, and it argues instead that Edward de Vere, the 17th Earl of Oxford and a literary Elizabethan courtier, is a far more plausible author than Shakespeare, the obscure country actor.

    Their relationship continued until 1601, when the Earl of Essex was beheaded for treason. And, in a succession of brilliant scenes, Strachey portrays the Queen's and the Earl's compelling attraction for on another, their impassioned disagreements, and their mutual contest for power, which led to a final, tragic confrontation. Here we also have superb portraits of influential people of the time: Francis Bacon, Robert Cecil, Walter Raleigh, and other figures of the court who struggled to assert themselves in a kingdom that was primarily defined by her sovereign, and so now seen through history's lens as Elizabethan England.

    Everything known about the facts of William Shakespeare's life seems incompatible with the extraordinary genius of his writing. How could a man who left school at the age of 13, and apparently never travelled abroad have authored the incomparable Sonnets or so intricately described Renaissance Venice? Shakespeare 'candidates' abound, among them Sir Francis Bacon, The Earl of Oxford, even Queen Elizabeth I herself, but none have stood up to serious scrutiny. Until now....This remarkable, intriguing, and provocative book offers a completely plausible new candidate; Sir Henry Neville.

    The result is a superb work of history through which these six women become as memorable for their own achievements--and mistakes--as they have always been for their fateful link to Henry VIII. Illustrations.

    Most biographies focus on the years of her reign, during which she proved herself as adept a ruler -- and as shrewd an operator -- as England had ever seen. But while the history of her rule is fascinating, the story of how her remarkable character was forged seems vital to a full understanding of the woman who led England into a new age of prosperity, power, and artistic achievement. David Starkey's Elizabeth: The Struggle for the Throne explores the terra incognita of Elizabeth's early years, and the result is nothing short of captivating.Starkey finds that Elizabeth's early years ran the gamut from days of snug security as the daughter of Henry VIII and Anne Boleyn, and Henry's heir apparent, to the years of uncertainty after her mother's execution whenElizabeth was separated from court and virtually forgotten. She received a first-rate academic education, excelling in languages and rhetoric and exhibiting a strong interest in the Protestant religion her father had established in England. But the education she received from life itself would prove far more valuable for the monarch-to-be. After the death of Henry VIII and Edward VI (Elizabeth's half brother), Elizabeth's status as sister and would-be successor to the Catholic queen Mary put her in a dangerous position.It also put her in prison at Mary's command -- and perilously close to execution -- after plots to place Elizabeth on the throne were revealed. Starkey makes it clear that while others may have actually done the dirty work, Elizabeth was usually in the thick of these efforts. Her imprisonment taught her to cover her tracks, but it did not stop her maneuverings. While fervently professing her Catholic faith, she surrounded herself with Protestant advisers and attendants, and bided her time. She evaded another snare of her sister's when Mary attempted to neutralize Elizabeth by marrying her off to a Catholic Spaniard in exchange for naming Elizabeth her successor. Perhaps Elizabeth had learned early on from the plight of her mother that marriage had its drawbacks. Starkey, however, suggests that Elizabeth, in a moment of true regality, would not accept the crown if it came through bullying and capitulation. Again, Elizabeth bided her time.Her seeming patience -- for Starkey reveals that Elizabeth continued to plot -- paid off when Mary, never robust, entered her final illness. Elizabeth managed to convince the now irrational queen that she was, indeed, a staunch Catholic and vowed to preserve England as a Catholic realm. Upon Mary's death, Elizabeth ascended to the throne with no meaningful opposition, thereby beginning what would be a golden age, one of the most legendary reigns in history. Starkey lets us understand, for the first time, the forces that made her into the formidable woman -- and brilliant ruler -- that she would soon prove to be.

    THE ONE-STOP, SINGLE-VOLUME COMPANION TO SHAKESPEARE'S GREATEST WORKS-HIS HISTORY PLAYS, COMEDIES, TRAGEDIA, ROMANCES, AND POETRYA portrait of Shakespeare's life and times: critics, contemporaries, patrons, and the era's vibrant theater.Full commentaries on all 39 plays including detailed plot summaries, a survey of dramatic interpretations on stage and screen, and an introduction to Shakespeare's sonnets and narrative poetry.Insight into Shakespeare's unique world, including his language, his sources of inspiration, and teh secret of his enduring universal appeal.

    For twenty-five years she had struggled to assert her authority over advisers, who pressed her to marry and settle the succession; now, she was determined not only to reign but to rule. In this magisterial biography, John Guy introduces us to a woman who is refreshingly unfamiliar: at once powerful and vulnerable, willful and afraid. We see her confronting challenges at home and abroad: war against France and Spain, revolt in Ireland, an economic crisis that triggers riots in the streets of London, and a conspiracy to place her cousin Mary Queen of Scots on her throne. For a while she is smitten by a much younger man, but can she allow herself to act on that passion and still keep her throne?  For the better part of a decade John Guy mined long-overlooked archives, scouring handwritten letters and court documents to sweep away myths and rumors. This prodigious historical detective work has enabled  him to reveal, for the first time, the woman behind the polished veneer: determined, prone to fits of jealous rage, wracked by insecurity, often too anxious to sleep alone. At last we hear her in her own voice expressing her own distinctive and surprisingly resonant concerns. Guy writes like a dream, and this combination of groundbreaking research and propulsive narrative puts him in a class of his own.

    D. Nuttall’s study of Shakespeare’s intellectual preoccupations is a literary tour de force and comes to crown the distinguished career of a Shakespeare scholar. Certain questions engross Shakespeare from his early plays to the late romances: the nature of motive, cause, personal identity and relation, the proper status of imagination, ethics and subjectivity, language and its capacity to occlude and to communicate. Yet Shakespeare’s thought, Nuttall demonstrates, is anything but static. The plays keep returning to, modifying, and complicating his creative preoccupations. Nuttall allows us to hear and appreciate the emergent cathedral choir of play speaking to play. By the later stages of Nuttall’s book this choir is nearly overwhelming in its power and dimensions. The author does not limit discussion to moments of crucial intellection but gives himself ample space in which to get at the distinctive essence of each work.Much recent historicist criticism has tended to “flatten” Shakespeare by confining him to the thought-clichés of his time, and this in its turn has led to an implicitly patronizing view of him as unthinkingly racist, sexist, and so on. Nuttall shows us that, on the contrary, Shakespeare proves again and again to be more intelligent and perceptive than his 21st-century readers. This book challenges us to reconsider the relation of great literature to its social and historical matrix. It is also, perhaps, the best guide to Shakespeare’s plays available in English.

    The might of Richard III's army was pitted against the inferior forces of the upstart pretender to the crown, Henry Tudor, a twenty–eight year old Welshman who had just arrived back on British soil after fourteen years in exile. Yet this was to be a fight to the death—only one man could survive; only one could claim the throne.It would become one of the most legendary battles in English history: the only successful invasion since Hastings, it was the last time a king died on the battlefield. But The Rise Of The Tudors is much more than the account of the dramatic events of that fateful day in August. It is a tale of brutal feuds and deadly civil wars, and the remarkable rise of the Tudor family from obscure Welsh gentry to the throne of England—a story that began sixty years earlier with Owen Tudor's affair with Henry V's widow, Katherine of Valois.Drawing on eyewitness reports, newly discovered manuscripts and the latest archaeological evidence, including the recent discovery of Richard III's remains, Chris Skidmore vividly recreates this battle-scarred world and the reshaping of British history.

    They shared an important commonality of experience — both with a parent dead on the headsman’s block, both imprisoned in the Tower just yards away. Within days of the death of her sister, Mary, he was at her side and within months, openly spoken of as her lover, even her future husband. Her relationship with her “bonnie sweet Robin” was one of the most important in the life of Elizabeth. For thirty years he loved her, advised her, understood her, sat by her bed in sickness, and represented her on state occasions. Yet, much of the fascination in their relationship comes from what is not on display: the sudden death — some said murder — of Leicester’s wife, which damaged his reputation irretrievably; and Elizabeth’s persistent refusal for ever afterwards to marry anybody at all.Not a conventional biography, Elizabeth & Leicester is, rather, an intimate portrait of an affair between two people at a crucial moment in history.

    In July 1553, the death of the childless Edward VI threw the Tudor dynasty into crisis. On Edward's instructions, his cousin Jane Grey was proclaimed queen, only to be ousted 13 days later by his half-sister Mary, and later beheaded. In this radical reassessment, Eric Ives rejects traditional portraits of Jane both as hapless victim of political intrigue or Protestant martyr. Instead, he presents her as an accomplished young woman with a fierce personal integrity. The result is a compelling dissection by a master historian and storyteller of one of history's most shocking injustices.

    But this award-winning biography offers a more humane and measured perspective on the life of this tormented woman. With sympathy, Prescott examines just how Mary, who was swept to the throne on a wave of popular acclaim, fell so far in her countrymen's esteem that just five years after her coronation, her death was greeted with universal relief.

    The orthodox view is that the author of the works of Shakespeare was, of course, the actor and businessman of Statford-upon-Avon. But the known facts about this man are surprisingly meager and contrast puzzlingly with the learned, courtly philosopher revealed in the sonnets and plays--the universal genius and supreme stylist. John Michell's witty investigation of the theories and claims reads like a series of detective stories. By the end of the book even the most faithful disciples of the Bard will find themselves asking, "Who Wrote Shakespeare?"

    His theme is a noble one, worthy of the great purpose and imaginative scope of its author: 'Back in the mists of time on that little Anglo-Saxon island there was kindled the flame of freedom and equality for the individual. This idea grew and was spread over the earth by the English-speaking peoples, and has now brought democracy to the whole free world, and become the shining hope of the future of mankind.'He tells of the struggles and setbacks of the great men and the little men who carried the banner forward and the selfish men who dragged it back. But there is no mistaking the drive of the swelling tide.This is naturally a British history, but it is also very much an American, Canadian, New Zealand, Australian, Indian, South African history, the greatest story of our centuries told by the master storyteller of our time."(inside front flap)"This book does not seek to rival the works of professional historians. It aims rather to present a personal view on the processes whereby English-speaking peoples throughout the world have achieved their distinctive position and character. I write about the things in our past that appear significant to me and I do so as one not without some experience of historical and violent events in our own time. I use the term 'English-speaking peoples' because there is no other that applies both to the inhabitants of the British Isles and to those independent nations who derive their beginnings, their speech, and many of their institutions from England, and who now preserve, nourish, and develop them in their own ways."(Winston S. Churchill, from preface to v. 1)

    Bradley put Shakespeare on the map for generations of readers and students for whom the plays might not otherwise have become 'real' at all" writes John Bayley in his foreword to this edition of Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear and Macbeth.Approaching the tragedies as drama, wondering about their characters as he might have wondered about people in novels or in life, Bradley is one of the most liberating in the line of distinguished Shakespeare critics. His acute yet undogmatic and almost conversational critical method has—despite fluctuations in fashion—remained enduringly popular and influential. For, as John Bayley observes, these lectures give us a true and exhilarating sense of "the tragedies joining up with life, with all our lives; leading us into a perspective of possibilities that stretch forward and back in time, and in our total awareness of things."